Misplaced Lens Cap
Keni
Monterey Bay Aquarium
TVSTRANGERTHINGS
Not today Justin
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todays bird
izzy's playlists!
Lint Roller? I Barely Know Her
Stranger Things
@theartofmadeline
ellievsbear
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Alisa U Zemlji Chuda
Kaledo Art
NASA
Game of Thrones Daily
roma★
Show & Tell
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seen from Germany
seen from Lithuania
seen from United States
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seen from United Kingdom
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seen from Germany
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@chloegilmore
Oddly specific. Got a deposit for 6,837 today
fuck it, i never ever do those “reblog for X, this one really works!” posts, but this one doesn’t have any of that BS, this is just straight up wishing us good things; and then the comment doesn’t even say any of that either. Zero claims on this post, all positive vibes
May you end this week feeling ever more certain of a future you’ll love
May you end this week feeling ever more certain of a future you’ll love
Reblog if you’re over 20 and still read/write fan fiction.
I’m curious!
controversial opinion...rory gilmore
tha’s a nice boulder
every male celebrity stands like this on the red carpet
This post has crossed my dash multiple times and every time I see it theres a different picture of a generic white male celebrity
Bear in mind, though, that the Hannibal Lecter pose wasn’t made by filming a serial killer, it was made by telling experienced actor Sir Anthony Hopkins to stand as though someone were looking at him like an animal in a zoo exhibit, and he went, “oh, I know this one.” It’s Red Carpet Pose all the way down.
didn’t the second guy eat people
So I was thinking about Evil Women, as one does, and I think I’ve cracked the code. There’s a taxonomy here, and they all fit into it somewhere.
I present to you: The Axis of Female Murderers:
To demonstrate:
@silentunder5mph
how is glados unjustified
Addams Family Values (1993)
if she had calmed down and put on a black sweater she’d have fit in just fine, and Fester would’ve let her blow him up whenever she wanted
Modern Stegginelli au. Angie Martinelli is a single mom. She ends up on some kind of parenting chatroom for other single parents, where she starts conversating with Peggy Carter. Peggy has a son, Angie has a baby around the same age, they trade parent hacks. And when she finds out Peggy’s British and badgers her into sending some videos so she can hear that voice?? Oof.
They don’t talk as much as Angie would like, but they’re both moms, that’s par for the course. Still talk enough for Angie to catch feelings. Which is stupid, but harmless, right? Who wouldn’t crush on Peggy? The air of mystery helps/doesn’t help with that. Angie tries to be careful, mostly because of her kid, but she still tells Peggy a lot. More than Peggy tells her. But not everyone’s a blabbermouth like she is, and Peggy’s British. That’s got to have something to do with it.
Then suddenly Peggy’s gone. Never online anymore, doesn’t respond to messages…just gone. Angie worries. She worries something’s happened to Peggy, to her son. She also worries that she’s secretly been annoying the hell out of Peggy this whole time, and that’s why she’s being ghosted.
It’s only when Peggy’s not there anymore (did she ever count as ‘there’ in the first place?) that Angie realizes how many feelings she actually caught for Peggy. How much it upsets her to think that Peggy’s hurting in some way. Or that she herself did something to hurt Peggy. Or that Peggy never really liked her, not even as a friend.
And then, after weeks and weeks, Peggy returns. Back to Angie’s screen, anyway. Types a hello message as if nothing has happened, below all the many, many unanswered ones from Angie. Sorry, she says. It’s been hectic, she says.
Well that doesn’t really do it for Angie. Also, it’s easier (if less effective) to yell through a screen. There’s a rant about how upset she was, how she thought Peggy was dead, she thought Peggy’s baby was dead, and It’s not okay. If Peggy didn’t want to talk to her, she should’ve just said.
“I did want to talk to you,” Peggy types back.
“Funny way of showing it.”
“I’ve been busy.”
“No one’s that busy.”
“My husband woke up.”
Well. That wasn’t what Angie expected. She spends the next few minutes frantically reviewing everything they’ve ever said to each other, searching for mention of a Mr. Carter. Was she so doe-eyed for this woman that she overlooked the little detail of a husband? But as far as she can tell, there wasn’t anything to miss.
“You were on a chatroom for single parents.”
“It applied to me at the time. Until very recently.”
“That’s a long nap your guy took.”
“It was. He was in a coma. He’s not now.”
Is this what Angie gets for watching the soap operas? Soap operas have long lost lovers in comas, not real life. But apparently real life too, sometimes. Apparently, Mr. Carter isn’t a Carter, and he got into a terrible accident, and now he’s out of it. Struggling, but awake.
Angie stares at the screen for long minutes. She might cry, but the only one there to see it cries a lot to and can’t rat her out, so it doesn’t count, right?
“Angie? Are you there?”
She’s only heard Peggy’s voice a handful of times. Not enough to know it, to know if there’s desperation in it. Plus, there’s a screen between them, no real voices. So why is Angie hearing desperation there, vulnerability?
“I’m here.”
Oh my God I'd kill for this
I say, jolly good show, chaps. And did I panic? I think not.
#the comic relief who is genuinely comic #and who makes the ‘incompetent bufoon’ trope actually work as an endearing quality as originally intended #well played movie - well played #john hannah #WHAT A FOX
#but! BUT!!!#THE GREAT THING ABOUT JONATHAN#IS HE’S NOT INCOMPETENT#he can read ancient Egyptian albeit not as well as his baby sister#he clearly has an interest in archaeology if only for treasure-related reasons#he had to go through intensive schooling to get the sort of permit required#to even have digs of his own#WHICH HE CLEARLY DOES#on a dig down in Thebes#he says and Evie believes him#Jonathan reads from the Book of the Living and he’s an excellent shot with a rifle and is clearly a boxer#Jonathan is SO COMPETENT and SO IMPORTANT#while simultaneously being plucky comic relief without JUST being plucky comic relief#u get me?
Jonathan, like Phryne Fisher, clearly hasn’t taken anything seriously since 1918.
And, I would suspect, for similar reasons.
^^^This. Jonathan being in World War I makes total sense. It’s almost impossible for him not to have been. Given his age and background, he probably volunteered in 1914.
Of course he’s going to not take anything seriously. Of course he can shoot. The drinking, the skittishness, the recklessness, the sense of ‘keeping your head down’, the scepticism about traditional heroism….
The one with more actual experience of death, carnage and fighting is Jonathan. Not Rick. Not Ardeth Bey. Jonathan.
When Rick says ‘I’ve had worse (situation/odds)’ and Jonathan replies “ Me too”. That’s probably true.
Drop The Mummy into the real world context and that’s a character who’s going to have seen a lot of his school friends die, along with the myths and tales of heroism they were raised on. Sort of makes the line where Evie’s scolding him for drinking/messing about a lot darker…
Evie: Have you no respect for the dead? Jonathan: Of course I do, but sometimes I’d rather like to join them.
I HAVE SO MANY FEELINGS RIGHT NOW
*record scratch*
Wait a minute. Why is it being assumed that Rick and Ardeth wouldn’t have fought in WWI, as well? Johnathan isn’t that much older than any of them–in fact, there is a good chance that he, Rick, and Ardeth are all of an age. Just because Johnathan’s hair is thinning doesn’t mean he’s a decade older.
It was a LOT easier to lie about your age back in the day. So much easier.
Johnathan is the soldier who fought in WWI and became disillusionsed with pretty much everything except wanting to live (most of the time) and live well–and where is the shame in that? He would have seen some of the darkest shit humanity has to offer, and he kept going. And the thing is, though, archaeological digs at that time were DANGEROUS. Not from curses (usually) but from assholes who would turn up with guns to try and steal anything you discovered. Johnathan never really STOPPED having to deal with dangerous pricks, it was just less dangerous than death raining down from the sky in bomb, bullet, and mustard gas form all the time.
Rick grew up in Egypt as an orphan. What paperwork? He joined the French Foreign Legion, which fought in World War I in some seriously critical battles on the Western Front in Europe. Rick is the soldier who quickly grew disillusioned with everything, but he didn’t know how to stop being a soldier. Johnathan had a career and schooling to fall back on. Rick had guns, the talent of not dying easily, and not much else. When the army finally left him behind because he was literally the only survivor of his last FFL battle, he literally didn’t know what to do. At all. “Looking for a good time” was code for “Please someone give me a fucking purpose.”
Ardeth grew up in the desert. He probably never enlisted…but if you think his people didn’t fight against invading forces during WWI, think again: that region of North Africa was swarming with soldiers on both sides, and they alll tried to claim everything they stumbled over even while in the midst of fighting each other. Ardeth spent his entire life fighting to protect what belonged to him, what belonged to his people, and trying to keep assholes from stealing things that didn’t belong to anyone (for good reason). By the time the war was over, Ardeth was disillisioned in everyone except his own people, and seriously fucking done with stupid idiots who stole in the name of archaeology. He is completely (justifiably) resigned to the worst when Rick the Magic Survivalist returns to Hamunaptra.
This has been another episode of “Actual History adding context and depth to character behavior”
I love when “The Mummy” fandom comes out to play. But it’s even better when the history side of tumblr is also in “The Mummy” fandom.
Every time this post comes around I am compelled to watch The Mummy again.
There is an explicitly nihilistic ‘old soldier’ in the movie too, just to drive home the point.
Winston: “Is it dangerous?”
Rick: “Well, you probably won’t live through it.”
Winston: “By Jove, do you think so?”
That “old soldier” is one element which jars with me. YMMV, of course.
“The Mummy” is set in 1926, so Winston is far too old to have been a pilot in WWI (actor Bernard Fox was 72 at time of filming). He should have been a “young soldier” or more correctly, “young airman” of about Rick or Jonathan’s age.
The script was also a wee bit confused about what he served in…
The British air arm was the Royal Flying Corps (RFC) until 1918, when it became the Royal Air Force (RAF).
His survivor’s guilt and heavy drinking is spot on, though: average aircrew life expectancy was between ten days and three weeks. In “Bloody April” (1917) when superior new German aircraft were introduced before the Allies had anything to match them, average life expectancy dropped to about two days. The RFC lost almost 250 planes during that month, the Imperial German Air Service lost just over 60…
WWI pilots didn’t have parachutes until 1918, and even then Allied pilots NEVER had them: the top brass, who of course didn’t fly, considered they would “impair a pilot’s nerve” to continue fighting.
Pilots who saw combat soon saw the results of that policy when a plane caught fire (gasoline, linen and canvas in a 120 mph draft makes a great barbecue). No parachute left three options: a long jump, a slow roast or the service pistol carried “in case of being forced down in enemy territory”. Seeing that happen, and the thought of experiencing it personally, would make anyone hit the bottle.
The pilot of this German aircraft is having a very bad day final few minutes…
Also, in WWI the only oil that didn’t thicken at altitude was castor oil - it’s where the “Castrol” oil company’s name originated - so aircraft engines were lubricated with that. Breathing the vapour had the same laxative effect as swallowing the stuff, so aircrew fought diarrhoea as well as enemy aircraft, trying to stun their insides with enormous amounts of booze. US ace Eddie Rickenbacker swore by cherry brandy. Pints of it.
Funny thing is that Winston could have been Biggles - not the silly subject of Monty Python skits, but the original character from WWI air-combat stories written for late-adolescents, before they were revised for children with the removal of serious adult elements like alcohol abuse and PTSD.
Biggles in those early stories was like many real-life WWI pilots, a chain-smoking, heavy-drinking young man of about 20, living on his nerves and skating along the edge of a breakdown, whose principal talents were killing the enemy, not being killed himself, and not letting the deaths of his squadron mates affect him. He wasn’t as good at that last one as he thought he was.
Left to right: Major James McCudden, VC, DSO & Bar, MC & Bar, MM, killed in action July 1918, aged 23. Lieutenant Arthur Rhys-Davids DSO, MC & Bar, killed in action October 1917, aged 20. Captain Albert Ball, VC, DSO & Two Bars, MC, killed in action April 1917, aged 20.
The unrevised stories suggest Biggles might well have turned out like Winston. By the time of “The Mummy” he’d have been about 27-28, and looking like this pilot painted by J.C. Leyendecker.
At a guess, that age casting didn’t happen because a young alcoholic pilot with haunted eyes and a death-wish wasn’t as automatically funny as an old alcoholic pilot with a pompous accent and a death-wish, and would have the wrong “tone” for the movie.
I think it says something about the American movie audience of the time. The Mummy was released in 1999. Bush’s disastrous Iraq War wouldn’t start for another couple of years. Americans were used to allowing veterans of WW2 and the Korean War their traumas, but veterans of every conflict since then were treated like their trauma was either unimportant, a joke, or attention seeking. You only have to look at how often “Nam flashbacks” were treated as a punchline, or how the “agent orange” business of the Gulf War was disregard by the rest of society. (It was a concerted propaganda effort by the people in power, of course, both so they could continue justifying imperialist wars and so they wouldn’t have to take care of returning veterans, but that’s a different discussion.)
American audience wouldn’t have known what to think about a young traumatized, alcoholic pilot. It didn’t fit the narrative of old heroes that they had been fed since the end of WW2.
This fandom conversation just gets better every time it makes the rounds.
I agree with the probable motivations for age adjustment of the character. Balancing the worldbuilding and the way the audience will most likely relate at the time any given story hits the public eye seems astoundingly challenging.
Its a little unsettling how 1999 feels a world away right now.
I should do a Mummy homage art at some point…
Winston I believe is a case of the character being much younger than the actor - I can easily see him being in his fifties. And while today fifty is not seen as an “end of life” age and it seems preposterous for a 70 year old (even one who looks as damned decent as Bernard Fox) to play one, for the time period it fits perfectly. This “youthful fifty” is a relatively modern invention, and it definitely was a very different matter before the postwar (II) prosperity (for a very stark example compare Hartnell’s 1st Doctor with Capaldi’s 12th - both actors were roughly the same age during their tenures). The RFC did have officers born in the 1860′s and later, so while it would have be career military, including air corps (which fits Winston to a T, including his old soldier persona) it is believable that he was an older First World War veteran. If he was serving for a large enough period before the name change, then yes, it would explain the word salad, especially as an older soldier well used to working under the RFC moniker. I suspect Ardeth very likely at least peripherally was involved with TE Lawrence’s shenanigans - you can’t tell me the Meiji weren’t keeping a bloody close eye on the Great Arab Revolt, especially since the whiteboy involved was a goddamn archaeologist who had previously been digging around an Egyptian necropolis…
@deadcatwithaflamethrower more history about The Mummy!
More history, and @fluffmugger pointing out that the “Youthful Fifty” years of age is SO VERY NEW, GUYS.
Example: Alec Guiness, in 1975, filmed his role with Harrison, Mark, Carrie, & Co. at the tender age of 57. In today’s terms of fifties, he looks like he’s in his late 70s to early 80s.
Peter Cushing, same year, same film: age 62, looked like a healthy and well-groomed modern era mid-to-late 80s.
Casting Bernard Fox was actually spot-on. The Mummy might’ve gone for comedy, but they didn’t fuck around when it came to acknowledging that all of these characters were PTSD-riddled from at least one major war, and also completely fucking nuts.
on another note, watched The Mummy (1999) the other day and I couldn’t help feel like the O’Connells and the Addams (Addams Family Values (1993) would get on really well ya know? The O’Connells are basically the pastel adventure version of the Addams, surely they would just be vibin’ over tea and crumpets in an extremely haunted mansion having a ball of a time
Morticia: “So what is it you do for a living my dear?”
Evelyn: “We dig up dead people who often have monstrous curses placed on them!”
Morticia: “fascinating”
Gomez: *leaping out from behind a pillar which is encrusted with ominous looking runes* en garde!
Rick: *grabs sword from equally ominous looking wall full of weapons one of which seems to be glowing* fantastic I was getting a bit rusty
Gomez: *nearly in tears* oh he’s screaming nonsensically, what spirit! what reslove!
*Rick and Gomez, still frantically sword fighting*
Rick: Have I mentioned how wonderful my wife is yet, I really feel like I haven’t really expanded enough on how wonderful she is
Gomez: do go on, I would be delighted to hear about how wonderful your wife is, I strongly encourge all men to extoll the virtues of their wives with rapturous praise, however I should perhaps mention my wife is in fact better
*sword fighting intensifies as both men rapturously extoll the virtues of their wives*
Jonathan and Fester and Cousin Itt watch from the bar, where Lurch and Thing are making the drinks.
Jonathan and Thing knew one another from The War; each thought the other to be dead
Their reunion is highly emotional
Rick, whilst swordfighting: My wife resurrected an ancient evil that brought about the plagues.
Gomez: What. A. Woman.
Meanwhile, Alex has run off with Wednesday and Pugsley and the Addams children are teaching him the finer points of dynamite usage, and he translates the inscription on the mummy sarcophagus in their playroom (and inadvertently wakes up the mummy inside, but they all have fun dealing with it) and no one bats an eye at the explosions coming from upstairs.
@deadcatwithaflamethrower I’m pretty sure you’ve seen this already, but on the offchance you haven’t….
I’ve seen it but I still need it every time I see it.
I was recently inspired to draw a little comic based on a magnificent scene from The Priory of the Orange Tree by Samantha Shannon 🍊 I love this book so much!!
(hang in there Ead)
A Need-To-Know Basis
(Thanks to @ifeveristoday and @yoursummerfrost for helping me put this together.)
I was thinking about how in my kidfic, Spike and Buffy aren’t ever telling Joe a lot of details about their lives before he came along, like his mother dying twice. And that got me thinking.
How many people - for a given value of “people” - on God’s green earth - discounting those off it - actually knew Buffy died in “The Gift”?
- Buffy herself - Spike - Dawn - Willow - Xander - Giles - Tara - dead as of the last scene in “Not Fade Away”, and not a vampire-style dead, either; really and fully dead - Anya - also dead - Angel - Cordelia - dead - Wesley - dead - Gunn - Lorne - Fred - dead enough to just say dead - Glory’s minions
We can presume Faith knew, either through Slayer dreams or someone having the good grace to tell her. We can also presume that Glory’s minions are themselves dead, ideally with Spike hunting them down and killing them over the summer after season 5 as a suitably violent form of grief and mourning - and if there’s fic of this, please let me know because I’d love to read it. But to the best of my knowledge, there’s no lines of dialogue to cite or moments that point to textual on-screen evidence.
And that’s it. Not a whole lot of people. Enough to keep it on a need-to-know basis, with the likely outcome being that it’s decided nobody needs to know.
It’s something which could be found out, whether consulting people not from God’s green earth, oracles, other Slayers currently active as of “Chosen” that might find out through shared Slayer dreams, asking the living people on the list some very persuasive questions - and in the end, as of “Not Fade Away”, it’s still a short list.
Similarly, there’s not a whole lot of people who ever knew Dawn was the Key:
- Dawn - Buffy - Joyce - dead - Giles - Willow - Xander - Tara - dead again - Anya - still dead - Spike - The Monks of the Order of Dagon - dead - Ben - dead - Glory - dead - Glory’s minions, which are still presumed dead
Again, it’s enough people to fit around a dinner table.
How many people are completely aware of what Spike did to earn his soul?
- Spike - The Lurking Cave Lurker Demon What Lurks In The Cave, or Lurky for short*
A lot of people know Spike has a soul, and a few of them are aware of the general circumstances, but nobody’s yet told anyone anything about the details of what happened in that cave.
*It’s been hypothesized Lurky’s name is Lloyd, based on D'Hoffryn’s dialogue: “The flaying of Warren Meers? Oh, truly inspired. That was water cooler vengeance. Lloyd has a sketch of it on his wall.” To which I say: I don’t buy it. Lurky isn’t a Vengeance Demon of D'Hoffryn’s stripe. He seems to be pretty secure to stay lurking in his cave and doesn’t seem the type for water cooler conversation, however literal or metaphoric that water cooler might be.
Who knows for certain Spike assaulted Buffy in the bathroom?
- Buffy, who was there - Spike, who did it - Xander, who found Buffy and put the pieces together - Dawn, because Xander told her
Spike alluded to the vague concept of what he did to Clem without mentioning any specifics. Willow seemed to have some idea, but quickly moved onto other tasks at hand and let the subject drop. There’s nothing to say she couldn’t be told later, and it’s possible someone decided to fill Giles in on it. But as far as I can remember, we have nothing that we can use to definitively argue that anyone besides those four know.
It’s honestly pretty fascinating to think about the limited information characters have to work with, and what they’re all walking around with inside of their heads.
why is tara ‘dead again’ instead of ‘still dead’ like anya
DND Bard concept; it’s just Dolly Parton
“Well, I begged her please not to take my man but she done it anyway, so now I’m a wandering monster-slayer. Seemed like the logical next step.”
i….
i need to figure out how to make this work.
I have an orc bard that exclusively sings cher
-. . ...- . .-. / --. --- .. -. --. / - --- / --. .. ...- . / -.-- --- ..- / ..- .--.
I WASTED TEN MINUTES OF MY LIFE ON THIS
Funny kinda sounds like it
I want a movie with Chris Evans and Jason mamoa. They can be the himboiest himbos to ever live and they find out their moms are marrying each other and they have to learn to get along because they love their moms.
Someone tell me who would play the moms, cuz all I can t I ink is Meryl streep and Angela basset.
For @cblgblog 's amazing More than one kind of soulmate verse , which they've let me play in idea and edit wise.
"Madame Maximoff's Myriad of Mysteries?"
"What do you think?"
"Someone really wanted to make it all M's."
Therese doesn't particularly want to go see some random Freakshow in some little abandoned farm outside the city, it seems like a terrible idea. But her lack of socialization with coworkers and other friends makes her seem antisocial, strange, and well, Carol socializes with Abby and others so why not?
Just one night out. Danny thinks it'll be great fun, even better than the Coney Island ones from what he's heard, real legitimate magic like nothing they've ever seen before, and she'll have so many opportunities for photos of new and strange things she'd never see otherwise.
And he's right, it's... it's like nothing she's ever been to.
There women stronger than Steve there lifting weights, contorting like real acrobats, using their strength to balance off of each other, a man with a bow who doesn't miss a single shot he takes, the fastest man alive who uses a globe of death on his own, and there's Madame Maximoff herself who... what did she do?
What did any of them do?
Therese knows what the acts were, she knows she saw them, she knows she was there, but the more she thinks about them, the less she can summon to her mind. There aren't any solid details, or descriptions, no faces, just a weird shimmering vagueness to it.
The woman - Maximoff? - descending like an angel, flying, floating from the skies, but that's not possible, there's no way she could have.
Therese leaves feeling more unsettled than she's ever felt, unable to really explain anything she's just seen, leaves wondering if maybe she's been drugged.
The photos she took look like something Rindy would have taken. They're all out of focus like she's trying to photograph something only inches away, instead of yards away. The subjects seem to exist in vague blurs, outlines, faces never looking quite in her direction, and a dark haze of something, someone, in midair.
But it has to have just been something strange, a fluke, too tired from work maybe and she dozed off. It has to be. Things like that don't happen to someone who doesn't work in New Jersey with Steve and Peggy.
She can't bring it up to Steve, he'd probably laugh at her and if he didn't it'd still just be a waste of whatever resources it is the place that doesn't exist that he definitely doesn't work for has.
Instead she asks Carol to go back with her, inviting Abby and her girlfriend Rose on a double date.
If she doesn't explain to Abby and Rose, then they won't be on the lookout for anything bizarre beyond a normal freak show. They wont' be biased, and working with the news, Therese has to avoid biased reporting. Carol tells them it "Creeped Therese out" and Abby agrees just for the amusement value there.
Inside she clutches her camera, clutches Carol's hand, and takes a deep breath as the lights go out.
And then they're outside again, stood in the cool night air, and her camera has no film left, no more room for photos.
She knows then it wasn't normal, it wasn't right.
It couldn't have been human.
It's not drugs, Rose says almost listing to herself with a fairly pale face, it's not drugs because she's been given many, many drugs in training and to become immune to them or learn to spot them and this wasn't a drug, and this wasn't a gas. This isn't midnight oil, this isn't human in origin it can't be.
If it is... God help them.
"We have to get to Carters. We-- oh god, we have unknown enhanced in New York."
"What does that mean?"
"I don't-- It's an unknown unknown. I need to get to work. Get home, shower, drink --- drink a lot of water okay? On the off chance I'm wrong... Abby, go with them, do not leave them. Therese- don't let that camera out of your sight."
They spend the night restless, not sleeping, Therese fussing over her photos desperate to find any of them that show anything at all.
By time morning comes, and Steve comes round to gather them up, she has exactly one photo that developed into anything at all.
One photo of a fairly young face, with glowing eyes, staring directly into the lens.
Not human, not normal.
Definitely not like Steve.
"Unknown enhanced."
Maybe staying anti-social would have been the better plan.
Ahhhhhhhh!!!! More, please, we all know I’m greedy.
this is fantastic I hope you continue and are having a lovely day
The Gold fam;
If Ben was born into the world of ouat and if Neal hadn't died, this would have happened. This is a happy au edit.
but Ben’s mom was the blue fairy
