[claw-machine-heart]

sam ✰ they/them lesbian ✰ early 20s

˗ˏˋ꒰ 🍒 ꒱ writer & resident recovering 2016 emo

˚₊· ͟͟͞͞➳❥ current interests: iwtv, ntbtstm, my chemical romance, dan and phil

ˏˋ°•*⁀➷ other interests: lnsm, now you 3 me, rwrb movie, glass animals, fall out boy, pierce the veil, shang-chi, spider man, bottoms (2023), sitcoms, dc comics & shows (batfam/teen titans/doom patrol/peacemaker/dead boy detectives)

༊*·˚ letterboxd ✦ substack ✦ ao3 ✦ pinterest

[letterboxdwrapped]

charlie vanderberg + looking to the left

[charmingmanlooksbach]

well, multiple spreadsheets, technically. over the last couple of months i've been compiling a database of ntb stuff over on my website. i wanted to have everything in one place, particularly the interviews and q&as.

as described on the page, the heart of the database is the intertextuality section. all other info and disclaimers etc can be found in the link. idk how to advertise this otherwise. uhh it's a nirvanna the band library from one autistic fan to other fans 🧍‍♂️ does that help

as i continue to make my way through the recorded epitext i'll add more quotes to the videos/podcasts, that way they will hopefully become more indexable/searchable.

(the site has a global mobile layout, but pages with big tables like the below link are clunky to navigate on small screens. still, everything should work as intended)

Nirvanna the Band the Spreadsheet

[claw-machine-heart]

An Archive of Our Own, a project of the Organization for Transformative Works

Chapters: 1/1 Fandom: Nirvanna the Band the Show the Movie (2025), Nirvanna the Band the Show (Canada TV 2017) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Matt Johnson/Jay McCarrol (Nirvanna the Band the Show) Characters: Jay McCarrol (Nirvanna the Band the Show), Matt Johnson (Nirvanna the Band the Show) Additional Tags: Post-Movie: Nirvanna the Band the Show the Movie (2025), Time Loop, Angst with a Happy Ending, putting jay mccarol in a glue trap, Friends to Lovers, Love Confessions, references viceland series but mostly set in movie verse, Getting Together Summary:

If Matt dying for him had been a sacrifice with strings attached, then perhaps Jay’s punishment is to lose him over and over again.

(or, Matt and Jay get stuck in a time loop, and Jay has to find a way out for the both of them)

[imsupposedtobestudying-whoops]

it is done, finally.... I thought I'd have to post this without any movie looks, but luckily my local review theatre showed it again for Canada Day! ⭐️🇨🇦💥 In chronological order... kinda... some episodes the boys didn't have matching looks so I occasionally mixed and matched to get as many similar pairs in there! 🎶 🖋

[claw-machine-heart]

it's hold ur b-friend's hand friday

[claw-machine-heart]

jay mccarol han solo wink.gif

[movie-gifs]

If you've got a best friend, you won't even notice getting older. Nirvanna the Band the Show the Movie (2025)

[claw-machine-heart]

i love canadian slow burn yaoi where its two guys with repressed feelings who've known each other since the 2000s and have garnered a massive online following in recent months. heated rivalry is also good.

[catsplushellhounds]

im totally normal about this. this is fine.

[sillystigmata]

The twirl is lethal.

[claw-machine-heart]

does anyone else feel like their heart is a claw machine its only function is to reach and it can’t hold onto anything?

[reticent-vampire]

The Vampire Lestat: After Dark

[yaoiblackmold]

LET'S ALL LIVE!!!!

[crowley-anthony]

The Beginning | The End

[soloorganaas]

GOOD OMENS | 2019 - 2026

[fuckyeahgoodomens]

Good Omens Season 3 Director Rachel Talalay Talks Crafting Aziraphale and Crowley's Final Story

Rachel Talalay discusses working alongside David Tennant and Michael Sheen to honor the Good Omens legacy in the series finale.

Good Omens Season 3 is in safe hands, namely those of Rachel Talalay. 

The upcoming ninety-minute made-for-television movie marks the end of this beloved fantasy book adaptation. 

Led by David Tennant as Crowley and Michael Sheen as Aziraphale, the series finale follows the angel and the former demon as they prepare for the Second Coming. 

I recently had the opportunity to speak with the director and executive producer of Good Omens Season 3, Rachel Talalay, about the finale. 

With an impressive directorial roster that includes shows like Doctor Who, Talalay was the perfect choice for directing the series finale.

She had previously been contacted to direct Season One, but had to pass at the time. However, even before then, she has been a lifelong fan. 

“I read the book and been completely taken by the book. So, I’m a hardcore fan from the very beginning,” she said. 

In addition to her love for the source material, Talalay also credited her adoration of “British offbeat humor” for her feeling drawn to the project. 

She importantly mentioned being drawn to the “love story” between Crowley and Aziraphale, as well as to the “universality of the angel-devil” dynamic, which she also attributes to why the show is the source of so much fanfiction. 

Given that the Good Omens universe literally spans from Heaven to Hell, Talalay thoughtfully considered the scale of the series finale. 

“We fought quite hard to make sure that there was the opening that was outside the rest of the story,” she said. “Having had to compress it into a shorter period of time, we still felt it was really important to open up that world.” 

Squeezing an entire season into ninety minutes still required some sacrifices.

According to Talalay, most of the “tangential” storylines and characters unfortunately ended up on the chopping block. 

“There’s a whole storyline that came out when it got condensed,” she clarified. “And some of it was people weren’t available, and so we couldn’t do them anyway.” 

Luckily, most of the original Good Omens production crew returned for Season 3, and Talalay cited their support in getting the ending right. 

While the finale operates on such a large scale, she never lost sight of the essential question: “You always come down to, what is the story about?” 

Her answer to that question is Crowley and Aziraphale’s relationship, or, as she referred to, “Aziracrow.” 

I loved how enthusiastic Talalay was to talk about the two beloved characters.

She dove into the process of crafting their arc, particularly how she felt the “safest” with the Aziraphale-Crowley storyline thanks to Tennant and Sheen. 

Talalay gave the actors credit for helping the show be as strong as possible, even during the rehearsal process.

“They are the keepers of their characters and the storyline,” she said. “They were very specific about how to mold each scene so that the growth and the trajectory of the storyline were as strong as possible.” 

After going over scenes on their own first, Tennant and Sheen frequently came in and offered their input. 

Talalay added, “They would come in and say, ‘Can I change this? What about this?’ And we would massage it even further.” 

She also pointed to their “incredible ability” to portray subtle shifts in emotion, as they deliver memorable performances that drive the storytelling home. 

An important priority for Talalay was balancing humor and heartfelt emotion in Good Omens Season 3.  

“It’s such a specific humor, but there’s no guide to that. You just have to go with your instincts, your understanding, and what you like, and then what you feel has worked for the show,” she said. 

Talalay has many fond memories of working on the Good Omens series finale, but one of her favorites is the ice cream truck moment. 

In the scene, Crowley is holding two ice cream cones. Talalay recalled Tennant asking, “Do I do a Crowley thing where I just chuck them?” to which she answered, “That feels right.” 

On the first try, Tennant threw the ice cream cones into the air, but the camera caught only one landing.

The other one? Well, Talalay heard Tennant scream before she saw where it landed. 

Chuckling, she recalled, “The ice cream had come out and hit him smack in the back!” 

By the end of the interview, I was more than certain that there’s nobody I’d rather have directed the finale than Talalay. 

As a long-time fan of the series, I could tell that her fondness for the story and the characters meant that her approach to the finale was one fueled by care and a desire to make sure Crowley and Aziraphale get the ending they deserve.