when someone asks for my pronouns and I have to snap back into the conversation
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@coffeespotcorpse
when someone asks for my pronouns and I have to snap back into the conversation
I got denied for disability after waiting 2 ½ years for a response and the wording in the letter pissed me off. So I wrote a poem about it.
Image id in alt text
Poem transcript under the cut
in the contemporary world, the most fundamental human right - and, it often seems, the least protected one - is "being both Allowed and Able to go Somewhere Else." the rest is commentary.
the torments of prison are predicated on Not Letting You Leave. the most terrifying and degrading aspects of childhood are predicated on Not Letting You Leave. misogynists wail and moan and fearmonger about divorce and equal opportunity employment because they Allow Wife To Leave. borders and immigration restrictions exist, in no small part, to Prevent People From Leaving countries where they will be exploited and/or oppressed. fuck you for trying to leave. fuck you for exerting any control over your life whatsoever. that makes you the one at fault, actually.
david graeber described three fundamental freedoms: freedom to move, freedom to disobey orders, and freedom to reorganize social relations
Obsession (2026) Dir. Curry Barker
in my room on a saturday evening talking to myself like this
BACKROOMS (2026) dir. Kane Parsons
Mamma Mia! (2008) dir. Phyllida Lloyd
“do you know where you’ll be headed in 5 years?” no. but i do know about themes and motifs. and friendship. and putting garlic on everything
when people say my name im like. cant believe i exist
love the phrase "but I digress." yes I temporarily got lost in the moors I wander in my mind but don't worry I'm self-aware about it
MAXXXINE (2024) dir. Ti West
THE SUBSTANCE (2024) dir. Coralie Fargeat
READY OR NOT 2: HERE I COME (2026) dir. Matt Bettinelli-Olpin & Tyler Gillett
OBSESSION (2026) dir. Curry Barker
i wish people were nicer about the whole transgender thing
BEFORE SUNSET (2004) dir. Richard Linklater BEFORE SUNRISE (1995) dir. Richard Linklater
All right, now I know for sure. You wanna know why I wrote that stupid book? So that you might come to a reading in Paris, and I go walk up to you and ask: "Where the fuck were you?" I think I...I wrote it, in a way, to try to find you.
In Obsession (2026), Nikki’s transformation is reflected through costume design. Each new look moves her further away from who she once was, gradually shaping the ''Freaky Nikki'' persona, where her appearance becomes an extension of her obsession.