“Terf is a slur used to silence us” dang bitch I wish it worked shut the fuck up
KIROKAZE
Game of Thrones Daily
Lint Roller? I Barely Know Her
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let's talk about Bridgerton tea, my ask is open

@theartofmadeline

roma★
will byers stan first human second
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gracie abrams
todays bird
Show & Tell

Origami Around

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d e v o n

Love Begins
trying on a metaphor

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shark vs the universe

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@corneliushickey
“Terf is a slur used to silence us” dang bitch I wish it worked shut the fuck up
- Thus proving the Carl hypothesis. - Sick.
PROJECT HAIL MARY (2026)
i love this shot they’re all so weirded out
ACTUALLY, MAD RESPECT HE WAS A MACHINE.
Cabinet de curiosité - Atsushi Tani
SINNERS (2025) dir. Ryan Coogler
t shirt that just says WHATEVER YOU’RE READING INTO MY FACIAL EXPRESSIONS AND BODY LANGUAGE YOU’RE MISINTERPRETING
the best thing a man can be is gay and suicidal and miserable and utterly unlikable and unpleasant to be around and prone to addiction and abused and traumatized and not breaking the cycle and
"here's my original character, Man Who Sucks But Loves His Daughter Very Much" and it's a guy who worships at the altar of patriarchal violence and the woman he uses as an excuse and an effigy to absolve him
well i think his daughter should tell him to kill himself
Half Man | 1.06
Whenever they gave us one of those "read through ALL the instructions before you begin!" trick assignments in school where the steps lead you on an increasingly ridiculous goose chase until the final one tells you to just put your name on the paper and turn it in without doing anything else, I was always like, "Okay, but what's the point? Surely the REAL world won't be anything like this." And then I grew up and discovered that not only is the real world often exactly like that, some people won't even read the first line of the instructions even if they make perfect sense. And these people are called "co-workers"
Freaky Nikki <3
One thing about Obsession (2026) that I enjoyed was that it almost asks you to feel empathy for the entity possessing Nikki as well as the real one. Like, obviously the things she's doing are horrific and fucked up, but I think the scene where Bear is asking her to "just be Nikki!" and she eventually just desperatly screams "I can't be Nikki!" does a really good job of showcasing the entity's inner feelings. She's been created with the sole purpose of loving this guy more than anyone else but no matter how perfect it is or how much he claims to love her, its not her that he loves, its Nikki. And any time she stops pretending to be Nikki, he reacts (albeit rightfully) with disgust and horror. She can't be Nikki because Nikki would never love Bear, and so Bear will never love her.
Op you can't leave this in the tags
"We played with this idea of, is she fully seeing through her own eyes what's happening and doesn't feel in control, or if it's kind of like teleportation where every time that she pops back in, it's from the moment that she popped back in before, which is why whenever she's in the house, she comes out and she's like, 'Wait, where am I?’ So we played with both of them, and now that I've watched the film back, I think that she does both. I think that in the very beginning, whenever she doesn't understand what's going on, she's teleporting, and once she realizes what's going on, Nikki’s a fighter, and so her urge to fight the wish just gets bigger and bigger and bigger, and that’s why she has the grief at the end, because she's watched it happen. She's felt it. She has to deal with it. It wasn't her fault. Her life has completely changed. And she just lets it all go." — Inde Navarrette (x)
A very common misconception within the south asian community. So glad she addressed that. (x)
Her name is Gazal Dhaliwal and she’s a screenwriter. She talk about her life here and here.
She’s the writer for Ek Ladki Ko Dekha Toh Aisa Laga, an upcoming Indian coming-of-age romantic comedy-drama with a lesbian couple. She was also the dialogue writer for Lipstick Under My Burkha, which depicts the secret world, including the sex lives, of four small-town Indian women. She contributed to the screenplay for Wazir and Qarib Qarib Single.
French School, 20th Century - The Black Cat, Paintings: Oil on Canvas