I LOVE when Iâm on Ao3 reading smut and the author censors G-d, itâs like, huh this gay porn was written by another Jew, fun!
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I LOVE when Iâm on Ao3 reading smut and the author censors G-d, itâs like, huh this gay porn was written by another Jew, fun!
all u catholics think u have the premium on sexy religious ritual but is there anything sexier than tefillin? no
like oh just gonna bind the word of g-d to my arm with leather straps nbd
being Jewish and worshipping Gd has elements that are inherently erotic, and we have too much going on existentially to be dealing in sexual shame most of the time
It might just be the people Iâm following but any time I see a trans manâs post about transandrophobia itâs a rationally constructed defense that leans on intersectional frameworks. Like maybe itâs exasperated in tone but the logic is sound and itâs never actively combative. Meanwhile any time I see a fellow trans woman post about it, it reads like a Trump tweet. Death threats, name calling, complete misunderstanding of sociological concepts, and wildly incorrect assumptions about what trans men are thinking and doing.
The beef feels one-sided to me. And itâs a dumb fucking beef thatâs distracting from the actual issues hurting trans people. Trans men canât choose to stop experiencing the forms of prejudice that specifically target trans men. But trans women can choose to stop complaining about it
i straight up think calling trans men hysterical is hate speech. its vile enough to invoke the legacy of female hysteria against women, but to weaponize it against trans men? adding misgendering to the mix? genuinely what do other trans women think theyâre doing because itâs Not fucking woke
Last year, I befriended a Catholic seminarian. We've gotten to be pretty decent friends. Seeing as he was staying in town for the summer and I wasn't, I entrusted him with caring for my plant.
He did a wonderful job, but as he was returning my plant to my custody, he explained "I watered her every other day, I gave her new dirt, moved her into the sunshine, prayed the rosary-"
"What?"
He looked at me, confused. "Isn't she a plant you pray with?"
"No," I said slowly. "She's a prayer plant. That's the... colloquial name of the plant."
Upon seeing his stricken face, I realized something went wrong. Turns out, this entire time, he's been including my plant in on his prayers and leaving her near icons.
Listen, totally cool. My plant becoming Catholic is a great deal for her not dying over the summer. But now I must navigate this interfaith household. Keep me in your thoughts.
#i love prayer plants but they're fussy so I don't keep them#can we have a picture op they're so pretty
Behold, Dorothea
(Naming my plant "Gift of God," and then giving her to a seminarian with just the explanation that it's a prayer plant? Okay, that's my bad.)
I should also add- I ran into my rabbi and explained the situation. I then asked, earnestly, if there was a remedy. A mikveh of sorts, or a beit din, or something.
He turned to me, sighed, and said in a very deadpan tone-- "Plants don't have covenants, Joy,"
So Dorothea's a free agent according to rabbinic opinion. I guess I'll permit her to be Roman Catholic.
"lesbians don't like men" speak for yourself terf brain.
no but genuinely it is so sad to define your orientation by who you hate
lesbianism is about women, queer femininity, and the transgression of traditional masculinity
just because it isnt focused towards men doesn't mean there arent men who are also women, men with femme experiences of gender (GNC, nonbinary, transfem men), and lesbians with strong relationships to queer masculinity -- some of which use the term man/similar terms to describe their gender (lesbian men, boyfriend butches, he/him lesbians, etc).
also so what if a man feels lesbian attraction to women. let him. he probably has a good reason. no fully straight cis man would genuinely identify as a lesbian. and if the lesbian identity works to describe whatever queerness he's feeling, it works.
realizing i can be a transneutral man is great. realizing i dont have to choose either masc or fem transition is a relief. realizing i can let go of what i was assigned at birth in terms of my identity today is... the only way to be who i really am.
i dont want to define my transness by my assignment. its a factor, but its not the only one. i am more than a man who was assigned female at birth. i am not a man in the way cis men are. i am not a man in the way a binary trans man is. especially not dyadic or perisex ones.
when i say im a man, i mean my internal experience of gender leans masculine. it doesn't mean i dont have a strong feminine aspect to my identity or that i am in the "male social class".
i am a man, but i am not male. i am not female either. my gender is ultimately nonbinary and none of the other terms i use will change that. my connection to womanhood or girlhood is real even if i prefer masculine terms.
this is a sign to make your ocs visibly intersex
give that woman facial hair. give her a deep voice give that man breasts. give him a feminine voice
while intersex people can look like anything, dont be afraid to make them look """clocky"" because real intersex people look like that irl too!! give them features to make them look intersex!! mess around with body types, voices, etc.. have fun with it!!
INTERSEX
Hit the like button
digital selfharm is real. do NOT check up on that ex-partner/ex-friend. do NOT reread those old messages/conversations that you know will hurt your feelings all over again or that will otherwise make you feel like shit. do NOT block evade to see if youâre being talked about. inhale. exhale. let it pass and youâll be better for it.
My new pet peeve is people completely misunderstanding the term Male Gaze and making the term female gaze based entirely on that misunderstanding
the white boy of the month pushing his hair back and reading poetry for the camera is not the equivalent of the dehumanization of women in visual media by way of presenting them primarily as vessels for sexual gratification
insane shit happening over on uquiz right now
dick makes people mentally ill. dick havers, dick wannabes and dick lovers are all insane. it's like toxoplasmosis, you have compulsive need to defend and push and worship dicks all the time and spead your dick mania to everywhere you go.
this seems rational and grounded in empirical evidence
#lost in a fugue of penis delerium
reblog to spread your dick mania to everywhere you go
Based on a true story
I feel like simply calling JK Rowling a transphobe isn't strong enough anymore. Like. This is not your grandpa calling you by your deadname at a restaurant kind of transphobic. This is her wanting to eradicate all trans people (with an extra special hatred towards trans women specifically). This is her trying just that by personally funding transphobic hate groups with millions to push around laws in the UK. It is not hyperbolic to call her a dangerous, genocidal maniac.
It's not about cancelling a problematic writer. It's about literally trying to save lives by denying her as much money and power as possible.
read too much about southern italian & italian american history alongside anti-racist theory and now im cursed with awareness
like its kind of frustrating to me how people will talk about italians history of being racialized in america as if it was like. this quirky oddity we stumbled into. how strange! how unnatural! that WASP americans wouldn't consider europeans white! its used as proof that whiteness is a construct, and it is proof of that, but when the takeaway is more "old timey racism was so absurd people were racist towards europeans, instead of only the obviously nonwhite people!" you end up decontextualizing everything in a way i. do not like.
like racist criminology was fathered by a northern italian who specifically applied his theories to southern italians. if you read the shit people wrote during the unification of italy, it was straight up racist imperialism, with the explicit goal of "civilizing" the "primitive" southerners:
As the northern bourgeoisie crafted a national identity from its history of medieval city-states, the Renaissance, and the âgloryâ of the Roman Empire, it sought to discipline the insurrectionary and âbarbarousâ South. Many of the government officials who traveled throughout the South following national unification commented on southern Italiansâ supposed racial inferiority. The senator Eugenio Faina, for example, noted that Sicily was unlike other regions in that it was âinhabited by rough people with primitive instincts.â As a result, the Italian state confronted southern resistance movements with martial law, violence, and by stigmatizing peasants âas criminal members of a racially inferior people who preferred the superstitions of religion to civiltĂ italiana.â As one government official wrote in 1861, âWhat barbarism! Some Italy! This is Africa: the Bedouin are the flower of civil virtue compared to these peasants.â Civilization, northern officials believed, would have to be imposed on southern peasants at gunpointâ âotherwise the tumour represented by the Southernersâ behavior would grow and infect the rest of the nation.â Government officials found support for these views from the new school of positivist anthropologists, including Cesare Lombroso (1841â1936), Guglielmo Ferrero (1871â1942), Alfredo Niceforo (1876â1960), Giuseppe Sergi (1841â1936), and Enrico Ferri (1856â1929). Together these men founded the field of criminology, providing âscientific proofâ to support the ruling eliteâs beliefs in biological evolution and racial determinism. In particular, they advanced an argument that supported what many northern political leaders suspected: the darker âMediterraneanâ southerners were not only racially distinct from the lighter âAryanâ northerners; they possessed âinferior African bloodâ and demonstrated âa moral and social structure reminiscent of primitive and even quasibarbarian times, a civilization quite inferior.â Southern Italyâs history of Greek, Roman, Norman, African, and Arab invasions, and its location as a crossroads between Africa, Europe, and the East, they argued, had given shape to âa region that is a priori condemned to perpetual inferiority.â [...]
By the late nineteenth century, Lombroso and his colleagues in Italy produced hundreds of studies to support this ideology, arguing that the pathology of the âsavage womanâ was located in her anatomy. Their publications often included elaborate drawings that compared the âsexual anomaliesâ in the âprimitive genitaliaâ of Italian prostitutes to African women. In popular culture, these connections were often extended to all southern Italian peasant women. Travel writers routinely argued, for example, that southern Italian women âseem to favour that ideal of the Hottentot Venus which you may study in the Jardin des Plantes; they are decidedly centripetal.â The Italian ruling classes also drew these kinds of connections between Africans and southern Italians to justify two simultaneous military invasionsâone in southern Italy and the other in Africa. In 1890, the same year that the North launched a brutal campaign to suppress antinationalist sentiment among peasants, Italy prepared to conquer Eritrea and join Europe in the colonization of Africa. One contemporary observer noted, âThey [southern Italian rebels] kill and rape like beasts thirsty for blood and booty and not men created in the image of God.â Similarly, a government official conducting an inquiry into the southern resistance movement noted that, âin short, this is a country which ought to be destroyed or at least depopulated and its inhabitants sent to Africa to get themselves civilized!â
The elite considered the anarchist movement, in Italy and abroad, to be the most dangerous form of political rebellion. This fear developed not only in response to the willingness of some anarchists to utilize assassination and bombing as political tools but also because adherents sought to overthrow the state and capitalism and thus attracted âa sizeable and militant following among the Italian working classes until the late 1920s.â The anarchist movement took hold in Naples and Sicily in the 1860s as a result of government repression and spread quickly because of its compatibility with peasant resistance traditions. Once the island was placed under martial law after the uprisings in the 1890s, those anarchists who did not languish in prison went underground and into exile. Most went to the Americas to nurture a transnational movement in Buenos Aires, SĂŁo Paulo, New York City, and Paterson, New Jersey, among other locales. To the criminologists, like most of the Italian elite, anarchism was merely a form of brigandage. Thus, they considered the popularity of anarchism as indicative of the inherent criminality and primitive nature of the southern peasantry. In this way, they helped âto formulate the definition of the political subject by elaborating ever more closely the criteria for political exclusion.â Enrico Ferri, for example, declared that it was possible âto delineate good idealist revolutionaries and sick rebelsââone struggled for the nation, the other against it. Lombroso linked the Sicilian peasant rebellions of the 1890s with race, explaining that the epicenter of the movement was in the towns surrounding Palermo, because it was here that âthe rapacious Berber and Semite tribes had their earliest and longest-lasting settlements and where anatomical types, customs, politics, and morality retain a clear Arab imprint.â He pointed out that âthe Arabs are a race of greedy conquerors who are hospitable but cruel, intelligent but superstitious, and always restlessly in movement. Their blood must play a role in fomenting spontaneous and implacable insurrections and perpetuating brigandage.â Consistent with his overall ideas about female criminals, Lombroso viewed southern Italian women rebels as the most abhorrent, noting âeveryone agrees that the few violent women far exceed men in their ferocity and cruelty.â In this way, the Italian criminologists used political radicals as a âfoil for defining the boundaries of nationhood and the shared characteristics of ânormalâ citizens.â Moreover, they offered âa scientific way to understand the failures of unification and a blueprint for disciplining groups that resisted integration into the new national culture.â
(from Living the Revolution: Italian Womens Resistance and Radicalism in New York City, 1880-1945 by Jennifer Guglielmo)
and Italy shipped its homegrown racism right over to the US and Canada. & i think something similar can be said for how people act the same way with racism against the Irish in the US, as if its not directly connected to the colonization of Ireland and the oppression of the Irish people in their homelands.
and this is just scratching the surface of this topic, but it feels like the result of internalizing the specifically USAmerican white supremacist worldview, that the natural state for European people is imperial colonial whiteness before any ethnic identity, to the extent that the idea of Europeans being conquered / colonized / racialized feels unnatural - separate from whether or not you think blatantly racist ideas are good, you still think its natural for Europeans to be the conquerors even if its bad. you still think there is a fundamental whiteness that really exists, its just that its been poorly defined by avowed racists.
that sense that people you are taught to see as white were once blatantly racialized & that being unnatural may be used to introduce people to the construction of whiteness, but if that feeling isn't ever used to radicalize people further on resisting white supremacy, then what good is it actually doing? how can we discuss the racialization of italians in the US without discussing the imperial violence and racist ideology constructed in italy against southern italians, and in europe more broadly? how can we discuss the assimilation into whiteness of italian-americans without the broader context of escape from poverty and oppression, the anti-social(ist) violence of the First Red Scare and how it targeted anti-racist leftist Italian organizers including many women? how the bloody pursuit of whiteness and imperial dominance is an intergenerational cycle of violence, one southern italians on both sides of the atlantic have participated in?
#It also extends into Italy today#There's a lot of mainland Italians who talk shit about the way Italian-Americans pronounce common words#But the reason the Italian-American pronunciation is different is because the majority of immigrants were from the Calabria region#And they spoke the Calabrese#Which is somewhere between a dialect and a separate language#Unification prioritized northern languages and ignored southern dialects#So a lot of the ways we clip off terminal vowels is part of the Calabrese dialect#And that dialect persists in some of the small villages and towns in Calabria's rural regions
speak on it! although this is by no means the result of Calabrian immigrants uniquely. speaking a local language with its own pronounciations is obviously not unique to Calabria & italian american italian is influenced by by Calabrese, Napulitano, Siciliano, etc. the cutting off of the end of words is common throughout these languages!
& these languages still exist!!!!! & yeah whenever i see someone commenting on a video of like. someone's nonna who literally is speaking the italian she grew up hearing and was taught by her family, insisting that "it isn't real italian!!! no one actually speaks like this!!!!!!" as if its a performance she's putting on to trick people. instead of being obviously the result of 1. physical and linguistic isolation caused by immigration & the passage of time 2. the fact that a Lot of southern italians came over before most people even spoke standard italian, or even identified as "Italian" over regional identities 3. that any of us still speak any italian after years of being pushed, sometimes violently, to assimilate into the unhyphenated white american mass at the beck and call of the empire's whims, should be celebrated and not mocked.
oh wait my turn my turn!! my mother's family is calabresi and pugliesi (calabria & apulia - southern italy). popular concept of modern italy is honestly kinda fake. it's propaganda. like tomatoes weren't even part of Italian food prior to the colonization of the Americas.
but the town my family is from has its own subdialect within the calabrese dialect-language (this is true for other towns in Italy as well). my grandmother grew up speaking it, but by the end of her life didn't remember much, and she never taught my mother. the town is called castroviddaru, but in standard italian, it's called castrovillari.
standard italian is basically a conglemeration of northern italian dialects. it's new. people actively had their madrelingue (mother tongues) replaced by this language over the course of a few centuries. the dialects of the north are not mutually intelligible with the southernmost dialects - of Sicily, Sardinia, and Calabria in particular. it would be like learning a new language. southern italian dialects/languages are closer to Latin and have been influenced by SWANA languages and Greek.
the few words/phrases i learned from my grandma are not even recognized as Italian words, and when they are, they're referred to as "italian-american slang." you have to dig to find the proper spelling and definition. finding dictionaries on any specific dialect, at least abroad, is challenging. however, i was able to learn standard italian in the USamerican school system.
im unable to speak the language my grandmother spoke to her mother and grandmother, but i can speak a franken-language created to make it easier for the Northern Italian nobility and politicians to have influence - erasing the diversity of the Italian Peninsula in the process.
I honestly think Chainsmoker Cat is poised to have significant cultural potency.
On its face, it's a crude comedy anime about, well, an anime cat girl with a crippling nicotine addiction. However, under the slapstick, it's got undercurrents which point towards other matters of social commentary.
It not-so subtly shows how drug addiction is a coping mechanism but also fucking ruins your life and makes you a seemingly inconsiderate asshole towards those around you.
But also: it much more subtly points to how these coping mechanisms are more likely to be used within communities that are already under higher degrees of societal pressure with very few avenues for social advancement.
Because it would appear that cat girls are in fact a great allegorical representation of the experience of societal marginalization, while not directly representing any individual real world group.
The anime cat girls are not specifically trans women, or immigrants, or a racial minority, or anything else- they're cat girls.
But they ARE shown on screen to all have low income apartments. They are shown to be offered worse jobs and menial labor positions. They are called specific terms that sound a lot like slurs. The police treat them differently. The neighborhoods they dominate appear to have negative stigma attached to them. The girls that are socially respected by non-cat girls are the ones who seem to play the most to respectability politics, and even then they just get patronizingly regarded as "one of the *good ones*."
But on top of how they are broadly disadvantaged and disparaged, they are also simultaneously fetishized.
All of which very straightforwardly tracks onto the experience of marginalization and represents many of the typical tools employed against Black women, trans women, immigrants, and others. Anyone of any marginalized background or anyone with any experience with personal or familial addiction can find something to relate to when watching the anime cat girls.
Ok, fuck it. I'm gonna talk seriously about Chainsmoker Cat, because I'm tired of seeing some of the most shitty takes imaginable every time this show comes up. At this point, I might as well throw my own bad opinion into the pile.
I think the biggest problem is that people insist on reading the show in one of two completely opposite directions. Either it's "gross gooner-bait fanservice," or it's Trainspotting or Requiem for a Dream some harrowing, realistic depiction of addiction.
I don't think it's either. Yani Neko is based on a gag manga and, more importantly, it's a dark comedy. The cycle the show uses for its comedy is the same cycle as poverty and addiction. It's at it's core about a bunch of unemployed, addicted catgirls constantly dicking around, getting fucked up, or trying to scrape together enough money for rent and their next fix.
The comedy and the tragedy aren't separate things. They're the same thing.
The setting reinforces why, the catgirls are very obviously written as a marginalized underclass, but they're never a one-to-one allegory for any specific real-world group. They're just catgirls. That gives the series room to talk about poverty, addiction, social stigma, and fetishization without pretending it's speaking for any communitie's real experience.
They're offered worse jobs. They're poorer. The police target them more. Their neighborhoods have a stigma attached to them. None of that is especially subtle.
One thing I really dislike about the discourse around this show is the assumption that if a story has something meaningful to say, it has to become tasteful and self-serious. A story doesn't have to be refined to be insightful.
Chainsmoker Cat is sleazy. It's horny. It's gross. It's juvenile. I also think it's really fucking funny.
Episode 3 goes from the landlord using a catgirl blow-up doll, to Kansai rolling an unconscious Aruko onto her side so she doesn't choke on her own vomit, to the girls laughing at farts. On paper that sounds like tonal whiplash. In practice, I think it's one of the best examples of what the show is actually trying to do.
Because people's lives are like that.
Even addicts aren't living through an endless montage of tragedy. Real life isn't an indie movie. People with objectively awful lives still sit around trying to make each other laugh because that's just what human beings do. Even a group of crackheads under a bridge are probably spending half the day laughing at dumb shit.
Humor isn't the opposite of suffering. A lot of the time, it's one of the ways people survive it.
That's why the jokes don't undermine the show's depiction of addiction. If anything, they make it feel more honest. The show never pretends addiction is glamorous or that poverty is quirky. But it also refuses to flatten its characters into walking tragedies whose only narrative purpose is to make the audience feel sad.
They're selfish. They're pathetic. They're disgusting. They're friends. That's what makes it worth watching. Also it's a comedy.