Love the Joseph/ Airplane dynamic
Keni

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izzy's playlists!
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祝日 / Permanent Vacation

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d e v o n
trying on a metaphor

Product Placement
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Aqua Utopia|海の底で記憶を紡ぐ
cherry valley forever

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shark vs the universe
taylor price

ellievsbear
Peter Solarz

★

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@crittersandcuddles
Love the Joseph/ Airplane dynamic
giorno as a brat
They kept all the over-the-top anatomy of this panel lmao I’m so glad!!
“If autism isn’t caused by environmental factors and is natural why didn’t we ever see it in the past?”
We did, except it wasn’t called autism it was called “Little Jonathan is a r*tarded halfwit who bangs his head on things and can’t speak so we’re taking him into the middle of the cold dark forest and leaving him there to die.”
Or “little Jonathan doesn’t talk but does a good job herding the sheep, contributes to the community in his own way, and is, all around, a decent guy.” That happened a lot, too, especially before the 19th century.
Or, backing up FURTHER
and lots of people think this very likely,
“Oh little Sionnat has obviously been taken by the fairies and they’ve left us a Changeling Child who knows too much, and asks strange questions, and uses words she shouldn’t know, and watches everything with her big dark eyes, clearly a Fairy Child and not a Human Like Us.”
The Myth of the Changeling child, a human baby apparently replaced at a young age by a toddler who “suddenly” acts “strange and fey” is an almost textbook depiction of autistic children.
To this day, “autism warrior mommies” talk about autism “stealing” their “sweet normal child” and have this idea of “getting their real baby back” which (in the face of modern science) indicates how the human psyche actually does deal with finding out their kid acts unlike what they expected.
Given this evidence, and how common we now know autism actually is, the Changeling myth is almost definitely the result of people’s confusion at the development of autistic children.
Weirdly enough, that legend is now comforting to me.
I think it’s worth noting that many like me, who are diagnosed with ASD now, would probably have been seen as just a bit odd in centuries past. I’m only a little bit autistic; I can pass for neurotypical for short periods if I work really hard at it. I have a lack of talent in social situations, and I’m prone to sensory overload or you might notice me stimming.
But here’s the thing: life is louder, brighter and more intense and confusing than it has ever been. I live on the edge of London and I rarely go into the centre of town because it’s too overwhelming. If I went back in time and lived on a farm somewhere, would anyone even notice there was anything odd about me? No police sirens, no crowded streets that go on for miles and miles, no flickery electric lights. Working on a farm has a clear routine. I’d be a badass at spinning cloth or churning butter because I find endless repetition soothing rather than boring.
I’m not trying to romanticise the past because I know it was hard, dirty work with a constant risk of premature death. I don’t actually want to be a 16th century farmer! What I’m saying is that disability exists in the context of the environment. Our environment isn’t making people autistic in the sense of some chemical causing brain damage. But we have created a modern environment which is hostile to autistic people in many ways, which effectively makes us more disabled. When you make people more disabled, you start to see more people struggling, failing at school because they’re overwhelmed, freaking out at the sound of electric hand dryers and so on. And suddenly it looks like there’s millions more autistic people than existed before.
“…disability exists in the context of the environment.”
Reblog for disability commentary.
That last paragraph is absolutely important.
“How come nobody ever heard of ‘dyslexia’ until widespread literacy became a thing?”
Oh SHIT, the scissorman is REAL??? I ran across that scary bastard in the Doom Patrol comic, but when I couldn’t find him anywhere else I assumed Grant Morrison made him up. It was quite a shock to load up your tumblr and find Jojo Scissorsman staring me in the face! I swear, old school fairy tales were carefully sculpted over the centuries to give disobedient children the maximum heebie jeebies
I got several messages like this both here and on Twitter! Be warned, there’s some fucky shit in this post!
Yes, the story of the scissorman is a real children’s story, it’s called “Die Geschichte vom Daumenlutschter” (Suck-A-Thumb) and is part of the Struwwelpeter book by Heinrich Hoffmann!
“Funny stories and amusing pictures for children ages 3-6″, thanks buddy
The whole book teaches children about the consequences of bad behaviour, but while some of them make sense (if you play with matches, you horribly burn alive!), there’s also some that are just hilariously cruel (Suck your thumbs? A weird tailor comes out of nowhere and cuts your thumbs off! Don’t like your soup? Your parents will let you starve to death! ).
Those sadistic fucks even put the goddamn soup on his grave, leave him be
If you wanna explore more horrifying German children stories, I also recommend “Max & Moritz” by Wilhelm Busch, the OG “it’s just a prank bro” tale, a story about two asshole kids who “prank” people by hurting, traumatizing and mutilating them, and just generally ruining their lifes in other ways, for absolutely no reason.(Animal cruelty ahead)
They murdered her chicken, what a prank!There’s also a guy who gets disfigured with fire and it’s so brutal that I don’t really wanna show it here :’)
Wilhelm Busch has written a lot of short stories, there’s a lot to see there, I distinctively remember one about two burglars who try to escape out of a tall building by jumping with their umbrellas open, hoping it will work like a parachute, but instead they stab each other in the dick and die.
Also, the original versions of the Grimm fairy tale collection are pretty horrifying. Everyone dies for some reason. We had this really really old book and I remember even the rabbit from the rabbit and the hedgehog doesn’t just lose the race, he runs so hard that his artery explodes and he breaks his neck on a rock when he falls and bleeds out while the fucking hedgehogs celebrate (quote from my grandma while she was reading it to me: “hm, that’s pretty unnecessary”)
If you have a morbid fascination with the kind of shit kids in German speaking countries grow up with to this day, go ahead and see if you can find some translations! Please keep in mind that these are all 19th century and older, so there’s probably some really not cool shit in it.
Emily Dobbs stole Sri Lankan recipes, opened her own stall in Sri Lanka’s own tourist hotspot and sold them for exorbitant prices when street food vendors all over the island sell them for pennies, boasted that her hoppers were better than Sri Lankan mothers’ own, wrote her own Sri Lankan cookbook and used Google translate or something for the Sinhalese names instead of, I don’t know, working with an actual Sinhalese speaker, and wound up with an end product that was hilarious gibberish. She still gets reviewed and mentioned whenever Sri Lankan food comes up. Please boycott this woman, she’s trash.
Problamatic show: Totally Spies!
Discuss.
This.
tumblr mobile won’t load but I bet it’s the fucking mirror lasers
Cards Against Humanty just released their “For Her” pack, parodying products geared towards women and also giving proceeds to Emily’s List, which helps more women get elected to government.
That last picture is of a model that’s saying “oh shit, I cant use this for my portfolio”
I’m losing my mind over the new sasuke meme
How do I get my art noticed online; A simple guide based on what I have experienced.
This is one of my most asked questions so I am going to try and offer what advice I can. It certainly did not make any sense to me years ago and I would have liked a bit of help.
To preface this entire guide will be from the perspective of an artist attracting an audience for their work that is interested in buying and supporting their art.
Understanding and reaching the audience.
These are the people you want to see your work. If you are trying to create something commercially viable you must always keep the audience in mind. What matters to you is often lost on them and it is easy to lose track of that when you are emotionally involved in your work.
Everything I discuss from here on is centred around the audience and how they will potentially regard you and your artwork.
1. Time does not matter to the audience.
I see this brought up a lot. “I worked very hard for a long time on my art, someone else did not, why don’t people appreciate that.”
To be incredibly blunt, why should they? Two artists create two similar pieces of work. One took 3 days, one took 3 hours. Both are at the same technical level and a similar concept. Why should one be “worth” anything more to the audience, who only sees the end result.
Time rarely matters to the audience. An audience with no art background of any kind will find it very hard to judge how long someone spent on a piece of art (especially digital art) unless-
It’s very clear. A huge traditional painting for example, with something for scale. A linked video showing the process.
The artist states the time taken somewhere. Again, this is only really going to matter to the audience if it surprises them or justifies their own assumptions about the work. (It looks good, but they work quickly, how do they do it!)
I know there will be exceptions. People who really appreciate art will understand and recognise the time taken to create it. You aren’t leaving your success to exceptions though. You need to work with the majority.
Taking a long time to produce a piece of work only really informs your potential audience that they are going to have to wait a while to receive the content. If the work or the concept behind it are strong enough this is not a problem. It hurts an unknown artist trying to establish themselves though for the following reasons…
2. Your upload schedule.
People like consistency and the best way to capture any kind of audience in media is with quick regular uploads of content they are prepared for, are looking for or easily understand. I will list a few things that I feel an audience appreciates or deviates towards.
A regular upload schedule, be it daily, twice a week, even once a month. As long as it is clear. This is a great way to keep viewers coming back to you once they find your work and are happy with the content you appear to be providing.
The time you upload matters. If you post your artwork while the world is asleep no one is going to see it. On sites like tumblr this is even worse, hours can go by and your work will be pushed further and further down the audiences dashboard.
Consistent content. It’s great to try new stuff, but unless your audience knows you for it it could possibly confuse people browsing your page or site. Artists often get categorised as “The dude that draws X, Y Z” for a reason, it’s just easier for an audience to understand.
Do not add unnecessary comments to posts. Nothing puts people off more than 2 paragraphs of text explaining the process or a personal story on why it took so long. Save that for a separate post, consider that your audience needs to share your image. Make it as easy to share as possible.
3. Your content and the concept.
Content is important. Your finished artwork can be technically beautiful, but if there is nothing there for people to understand or relate to they will have no reason to care, or they will be purely judging your work on its level of technical ability.
That can only go so far if the content is too strange, specific or incomprehensible. Very few people are going to share a technically impressive piece of work if it disgusts confuses or upsets them in some other aspect.
Vice versa, a strong or interesting concept can take very simple artwork a very long way. The perfect storm is to have both a fantastic concept and strong artwork working together, but you must consider how much work that will mean you have to do and how fast can you do it. Find a balance.
What grabs an audience varies greatly. You can build up your own brand with your own ideas concepts and characters as long as there is a consistent theme. More often than not an audience will look for:
Things they recognise
Things they can understand at a glance
Things that are relevant to them and their lives
Consider these examples, try to consider which one has the most immediate appeal to the general public:
4. Make things easy for them, some important general advice.
Upload on as many sites as possible, and where appropriate. (No one on a website purely for webcomics is going to appreciate your oil paintings, for example).
Join forums, sign up for art sites. Get to know people and make contacts to get your work out there. Understand the audience on the sites you frequent and what content they do and don’t enjoy. This takes time, this does not happen overnight. You have to commit and find your own path here.
The audience will not just come to you. You need to be proactive. You have to get out there and find them, but be careful, nobody likes to feel like they’re being sold something.
Wherever you post your art, MAKE IT EASY FOR PEOPLE TO FIND AND SHARE! Tag, list and group your content. Tags allow people to find things they already like, make use of that. Give them as few reasons as possible not to share your content. Put yourself in the shoes of the audience and think about what they would and would not want to share with their friends and people that know them.
To conclude
I hope this will give some people who are really lost a few extra ideas when it comes to creating commercially viable content. It upsets me to say this but sometimes there are ideas that, no matter how beautifully illustrated or conceptually brilliant, will just not resonate with certain groups of people.
This is a sad reality, but if this is an issue for you don’t worry. Use this information to create content you know people will enjoy, make a profit from that and then when you have the time and money make the things you really want to make.
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