Claudia | The View Between Villages
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Cosimo Galluzzi

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if i look back, i am lost

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@cronchy-dumbass
Claudia | The View Between Villages
Once you've learned the spot the historical signposts, it's interesting how many "generically medieval" fantasy settings manage to miss the actual medieval period on both ends. They've got the Roman Empire rubbing shoulders with the German Renaissance, skipping directly from the year 500 to the year 1500 with nothing in between!
(The one consistent exception is, of course, the obligatory Vikings-with-the-serial-numbers-filed-off culture, who legitimately are medieval, but nobody they interact with is, so you've effectively got Vikings with time-travelling boats raiding both Roman-occupied England and Renaissance Italy.)
"Oh, they skip the actual middle ages because it's too Christian" listen. If fantasy authors are willing to hold their noses and elide the explicitly Christian dimensions of both the latter Roman Empire and the fucking Reformation, they can deal with Christianity in the middle ages just fine.
@snuggly-eve
Okay, let me try to take a stab at it:
Firstly, one thing I'd want to quickly go over as reference is what it actually means to say that a "stock fantasy setting" is more rooted in the late middle ages/renaissance than in earlier periods. Generally, the traits of these settings that are characteristic of this time are:
Aesthetics generally. Like, castles in a "stock fantasy setting" are usually these big ornamented things covered in towers and turrets (consider, say, Neuschwanstein Castle, which was itself an early modern nostalgia piece rather than a genuine Renaissance fortress), while armor leans more towards full heavy plate (like these 16th-17th century pieces, for instance). These are all classically late styles.
Likewise, your classic fantasy merchant city -- you know, your Ankh-Morporks, your Lankhmars, that sort of thing, with tangled crime-filled alleys, probably a network of scummy canals, a huge bustling port, a guild of thieves, all of it ruled over by dynastic merchants in fine brocade and velvet and heavy jewels -- that's very heavily inspired by the merchant cities of the Italian Renaissance like Venice or Genoa, or North Sea merchant cities like Amsterdam around that time or a little later, or, frankly, even early modern London.
Also, generally, urbanization. Roman civilization was very urban. Renaissance-era European civilization was very urban also, especially in places like Italy, the North Sea, and other areas rich in commerce. In fantasy, too, the notion that cities are major centers of life and politics remains -- merchant cities bustling with commerce, capital cities with the king's fancy castle, fortified cities with huge bloody walls, these are all recurring archetypes. Crack open, say, a D&D setting sourcebook, and that assumption that major cities or city-states are major focuses of culture and economy while rural areas are clearly in their orbits is fairly evident, I think.
Also, in my experience, medieval fantasy monarchies tend to be fairly centralized affairs, with powerful monarchic kings, the royal seat in the capital or the king's castle as the bustling focus of governance, and a tendency for the edicts from the king's person and the intrigues of court to be the driving focuses of political life. Also, a lot of intrigues in a classically corrupt court. This tracks fairly well for the late period, historically, where European kings put a lot of effort into centralizing and strengthening their authority, some more successfully (the Iberian kingdoms at the end of the Reconquista), some less so (Charles I of England). Absolute monarchy was less of a factor in earlier medieval Europe, which operate chiefly under a network of looser, less centralized feudal ties.
By contrast, what would these things equivalents in the earlier Middle Ages be like?
Castle-wise, the really early periods were the time of the motte-and-bailey, aka wooden palisades on top of earthen mounds. Later, you'd tend to see squatter, more fortified constructions for defensive purposes (take the Krak des Chevaliers as an example). Even well into the later middle ages, though, a typical rural keep or castle was often a fortified house or manor more than what we'd picture as a castle today.
Armor was usually dominated by chainmail, scale armor, and non-face-covering helmets (a knight of the Carolongian Empire, for example, might have worn something like a scale or mail shirt and a helm with earguards or a noseguard, but certainly not the "classic" knightly set of plate you usually see in fiction). In terms of helmet styles, for instance, compare this 11th-century nasal helm or these illustrations of 12th-century styles with later forms such as the classic "bucket helm" that was popular during and after the Crusades period. Helmets with more articulated shapes and visors came later. What's called a close or closed helm, for instance, like these ones, was mostly a 16th-17th century style, although antecedent forms were already common in the 15th. Even the barbute with its distinctive T- or Y-shaped visor slit was a distinctly Renaissance Italian thing.
(Like, as a practical example in terms of helmets, this reminded me of a passage in the first Dunk & Egg story where Duncan buys a great helm/bucket helmet, and it's described as coming across as a goofy-looking and antiquated choice when other knights all use visored and often very ornate close helmets. And this makes sense! Westeros is very explicitly based on England during the Wars of the Roses period, in the 15th century, by which point medieval armor and helmet styles had gone out of use and most armored troops wore jointed plate armor and visored helms.)
Religiously, monasteries were often the center of religious life and, for rural communities, often more important than distant bishopric seats. They were also centers of, among other things, record-keeping, writing, and brewing.
Cities. The middle ages proper were a very rural time -- cities existed, and exerted political and economic influence, but took a significant dip in both size and importance for a time. For a good few centuries the center of life for most people was the manorial system, where you had a local knight or lordling living in a fortified house or a small keep and providing protection to a town or two around this in exchange for material support. Self-sustaining religious communities like monasteries were also important. All of these, for a long time, would have basically self-supporting.
(Well, alright, that's also an oversimplification. In rural France-England-Germany, that'd be about right, sure. In northern Italy and in Flanders-Saxony, though, you start to see... not urbanization as such, but, let's say, townization early on in the system of the medieval communes, where farming and trading towns left isolated by the collapse of Roman-era state systems formed confederations for mutual defense. So the main form of urban culture in this timeframe isn't really centralized around a single big city but more along the lines of fifty towns who formed a loose alliance because they're afraid of bandits and robber knights.)
Government. Centralized states and nations weren't... really things for a long time. Feudal governance was based much more strictly on the notion of personal debts and obligation between rulers and those who administered portions of land for them. A feudal noble had obligations towards his king, but he also had a tremendous amount of freedom in running his own affairs and could have gone for the majority of his life without every showing up in the vicinity of his lord's castle -- the idea of, like, the royal court as the focus and center of political life wouldn't really crystallize for some time, and this degree of independence meant that negotiation and re-negotiation (read:testing how much you could ignore the king or going into outright revolt) were very common.
Also, the notion of national identity -- of saying "I am French, I am English, I am Italian" -- also didn't really exist (I'd recommend Liah Greenfield's Nationalism: Five Roads to Modernity for a discussion of how this mode of thinking about group-and-land identity formed in the 16th-17th centuries). Before then, concepts of identity were either strictly local ("I am from this village"), based on loyalty systems ("I am from a village defended by Knight Whatshisname, who gives his tithe to Lord Whatshisface, who gives his tithe to King Whatshisproblem"), or based on religion ("I am Christian", "I am Jewish", "I am Muslim").
So, broadly, there weren't really "countries" the way that we think of them today, with clearly delineated cultures and borders and directed from a central capital. The most granular political units were the rural manorial keep and the free town, which gave their fealty to a larger lord or a grouping of peers, and the span and size of a kingdom or an empire was determined in large part by how many of these tiny units or groupings of tiny units you could claim tithe-right and allegiance from. And that's feudalism!
Event-wise, the Big Things in the medieval period proper were the Crusades, a series of primarily religion-motivated wars (or, well, religion-land-and-luchre-motivated wars, granted) and the Black Death. It really cannot be overemphasized how the terror of being struck by this mysterious dying dominated medieval thought for large spans of time.
One book I read recently which I'd recommend for a having a good look at how medieval people thought and lived might be Michael Flynn's Eifelheim... with the caveat that it's also a science fiction novel about first contact with aliens, but the medieval side of things is really well-researched and -written.
Claudia was… everything. I loved her unconditionally. All the noise, the chaos, the crisis of my former existence, silenced. The simple joy of her hand in mine. You had a daughter. I had a daughter.
INTERVIEW WITH THE VAMPIRE | SEASONS 1 & 2
coming back to life just to have the freakiest sex possible with the guy that killed me
~ Awake Remembrance of These Valiant Dead Kia Hua Ko Te Pai Snap Back to Reality Oops There Goes Gravity
Hello, tumblr! I saw something on here the other day that worried me, so I decided to Do Science about it. But I can't do it alone: I need your help to build the dataset!
Here's what I need you to do:
If you see a post with a "mature content" label, and it's 2026, DM me a link to the post.
Yes, that's really it.
I am hoping to collect several thousand such posts, so that I have a decent sized dataset. I do not care what the post is about; if it's labeled as "mature content", I want to add it to my dataset.
If I get 10,000 posts in my dataset before August 31st 2026, I will post my preliminary findings then. I won't feel comfortable calling my findings "settled" before 2027, unless I get over 50,000 posts.
Tumblr Science FAQ, round 1
What's your hypothesis, OP?
I am not talking about that unless I have results to share. That would bias the results.
I did write them down and I did share them with a trusted contact who can prove that I wrote them down the same day I made this post. (While I did so before I made this post, I am not sure they will be able to provide proof of that, because I did so on the same day.)
OP are you interested in...?
Do you have to click through to see the post? Does the clickthrough contain the words "mature content"? Then yes.
OP are you interested if the post is about...?
I am interested in the mature content labels, not the content of the post. Is there a clickthrough that contains the words "mature content"? Then yes.
Tumblr Science FAQ, round 2
Should I reblog this for reach?
Yes, please. I felt really silly when I noticed I forgot to include that in the original post.
Is it okay if I send you my own posts?
Yes, those are perfect for what I'm looking for. I actually need to do some processing on a post to make it useful for testing my hypothesis, and this makes it easy.
Are you looking for "potentially mature content" also, or just "mature content"?
I want both, please. Anything that throws up a blocking screen that you have to click through. The distinctions between them are one of the things I am hoping to study.
Does it matter when the post was made originally?
Technically no. There's no way to respond to this without introducing some bias in the results, and I don't want that. However, I do collect some data on a post as part of making it useful to me, and that data is easier to collect if the post is recent.
What if I request content label review on a post after I send it to you?
I need to see the mature content label to be able to use the post. Because the mature content label hides the content of the post, it is very hard to use a post that no longer has a mature content label. You could send me a screenshot, but people could use that to lie to me.
Basically, it's more work for you to make it usable to me.
OP are you a transphobe? It would ruin the experiment for me if you're a transphobe.
I promise I'm not a transphobe and not doing this for transphobic reasons. You should still double-check that I'm not a transphobe for yourself, though. I am not sure that this study will have the useful effects you're hoping for; I am studying something specific, and it may not be what you hope.
I'll be only what you've known of me 'til now
Oh how I hope you're moving on
midsummer: if the feudal strictness of your home kingdom can’t give you what you want, try going on an adventure guided by magical supernatural beings
macbeth: but not like that
hamlet: if you’re in a duplicitous violent world, your king and your peers and your girlfriend may lie to you, so only follow the advice of your steadfast best friend
othello: but not like that
as you like it: if you undergo a misfortune that causes you to hate your life in your city, give yourself a makeover and run away to the woods
timon of athens: but not like that
two gents: if you’re in love in italy, you can quickly and easily communicate important information via the verona postal service
romeo and juliet: but not like that
Henry IV Part 1: Man up and be tough
The Prince: but not like that
sometimes it occurs to me that while "get bottom surgery and then use a strapon" is an obvious course of action for many trans lesbians, a lot of cis people would be extremely confused by the suggestion that someone would do this.
🗣️ 📢 ‼️
"Shake" by artist Annie Glass.
society if “nonsexual nudity” extended to trans women
society if this button actually did anything
I'll never shut up about Thaisha and Occtis. because what do you mean she betrayed her order and her beliefs to desperately try and bring this twenty year old boy back to life? What do you mean, a week ago she was trying to set him up with her daughter, and now she's sewing up the gaping hole in his chest? What do you mean, her whole thing is reincarnation and rebirth and he is a dead thing that will not stay dead? What do you mean?
Part of what makes Armand such a scary villain and effective antagonist to me is how effectively he's able to convince everyone including himself that he actually completely helpless. If it's out of your hands and you could not prevent it then you can justify anything. If you really convince yourself you have no control over your own life then you can do any amount of cruelty and still conceptualize yourself as at worst a helpless accomplice and at best yourself a victim (it's so hard for you, that you have to do this!). This is what Armand does. And it does make sense, because he had a formative life of abject powerlessness, and he learned, for good reason, that he should expect to have no agency over his life. But then he carries that mentality into situations where he does have the power. "Armand believes he had no choice about the things he did to Louis" isn't the same as "Armand ACTUALLY had no choice" and while you can understand and sympathize with why he thinks that way, it's something that ultimately just makes him that much more dangerous, because every action is justified in advance as being the only possible course of action.
let's stab through the arras with mama. nothing can go wrong if i stab through the arras with mama
hey op I know you didn't mean it but this is dangerous misinformation that kills countless tedious old fools every year
soooooooooooooo um. it looks like they're taking my ass to england :(
You did really good in there. I think I peed my robes a little bit. I know, there was a reason I wanted to draw you a bath.
CRITICAL ROLE 4 EP 3: The Snipping of Shears
@sarumans