
Kiana Khansmith
Claire Keane

Love Begins
hello vonnie
Xuebing Du
Misplaced Lens Cap
we're not kids anymore.

shark vs the universe

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Monterey Bay Aquarium
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Lint Roller? I Barely Know Her
One Nice Bug Per Day
cherry valley forever

★
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Aqua Utopia|海の底で記憶を紡ぐ

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@darreck
I posted lewds of myself and even marked them as nsfw.
What does a fucking girl gotta do to get flagged on this hellsite so I don’t have to delete shit myself?
Tumblr be like...
Since the ship is sinking, I’m gonna see if Tumblr flags this as explicit. Cause no point in sticking around if all the fun is gone.
So long hellsite!
I’ll be taking my female-presenting nipple shitposting blog to greener pastures. Message me if you want to know where else to find me.
No, Crunchyroll Did Not Conjure Up A Trans Girl In Their Subs For Zombie Land Saga.
step one:
artemis fowl movie:
failed step one
What the fuck.
Also, the casting call described Artemis as
warm-hearted and has a great sense of humour; he has fun in whatever situation he is in and loves life
So even without the racism you know this is gonna be awful.
I’m not apologizing for this
honestly v for vendetta was a left anarchist comic (and movie) with harsh critique on homophobia, islamophobia, torture, govt suppression of dissidents, and fascism/totalitarian govts and neckbeards fucking ruined it. also while im at it v was fuckeing sexy
Reclaim Alan Moore’s works from neck beards towards the glorious cause of communist anarchism
its weird how v for vendetta and watchmen are neckbeard things since theyre both leftist and criticize pretty much everything neckbeards like we have to make alan moores work leftist again
Alan Moore writing Watchmen: if superheroes existed in the real world they would be at best disappointing and at worst fascist shit heads.
Shit head Fanboys: yes, good, we like the fascist shit head ones. They are really cool.
hetalia was so obviously fucked up how did we as a society allow that fandom to reach the magnitude it did
it’s…quite literally called “Axis Powers Hetalia” and like. no one batted an eye. axis powers is right there in the name
Lots of people batted an eye at the time. Anti-hetalia backlash, especially from Jewish anime fans, was fucking huge. And it didn’t stop them from invading convention spaces, showing up dressed as nazis, etc. I heard a story from a friend that while they were at a convention a Jewish kid had a panic attack over a group of Hetalia fans that were dressed as nazis and heiling and shit and the Jewish kid got kicked out of the con for “making a scene.” I don’t remember the con, but it was in Minnesota. Hetalia has a large part of the blame for the modern “anime right.” It certainly didn’t directly cause them, hell, most of them probably aren’t Hetalia fans, but it’s because of Hetalia that they learned they could be openly and brazenly fascist and the American anime community would protect them for it instead of shunning them.
hey the Jewish person was actually one of my friends, this happened at Anime Detour in Minneapolis, MN. this is all true and it was terrible.
I don’t know what it is about Star Wars but even if it’s not your biggest fandom, it still has the funniest memes by a long shot I mean “look at all the fucks i give anakin” and “your poncho is a piece of junk” and anakin hates sand it’s all just 1000% pure class
YOU CAN’T BEAT THIS SHIT
And my new favorite:
rocky horror is the worst and is also transmisogynistic can we please finally get over this shit movie
ok but like the writer is transgender nonbinary and the language used in the play was the preferred language by trans people of that time can we not deny parts of our history because we’ve evolved since then thanks
So fucking much this.
PS, youth of today: you’ll be saying the same damn thing about art from this time before too long, for good or for ill. Terminology will, in fact, change. Definitions will, in fact, shift. It always does, they always do.
PPS, it is pretty much impossible to overstate how life-alteringly important this movie was to kids who didn’t conform to standard expectations of gender and sexuality, back in the day. Especially when back in the day was the mid-to-late 1980s, when the only queers you saw on TV were neutered AIDS tragedies, Bowie was playing straight, and even Elton John was married to a woman, and midnight showing of RHPS were pretty much the only place that felt like home. It was mental life raft for a lot of people.
I was one of them.
rocky horror was a lifeline.
y’all have NO IDEA how isolated we were before the internet, before mobile phones. imagine never having an unsupervised conversation with your friends. literally never. you were at school, or you were on the landline in the same room with your parents. imagine never having access to reading material that wasn’t mainstream-published. imagine never seeing a video that wasn’t network tv or hollywood. imagine every single bit of information you had access to being thoroughly filtered and vetted by the majority-mainstream. imagine all this under ronald reagan and margaret thatcher and the ussr and a divided germany, the cold war still threatening to go nuclear and violent religious extremists rising in the middle east, a bunch of dirty little wars festering in central and south america, china gutting mongolia, north korea defiantly starving to death…
it felt like the literal end of the world, and you were completely fucking alone.
and then there was this cultural phenomenon. this unapologetically senseless movie, morbid and silly and full of genderweird and catchy songs and cheesy tropes. the places that did the midnight showings were financially unimportant, out of the way, under the radar, and it was safe to be weird there. you could convince your parents to let you go because you’d go in a group, and since it was at a theater or college cultural center they knew you wouldn’t be drinking and doing drugs and having sex (Just Say No!) and you were technically under adult supervision – but the theater employees were generally college students and didn’t give a fuck as long as you didn’t wreck the place or get arrested.
you could dress up, you could be loud, you could play with gender, you could camp it up and let your hair down. you could be free. and for just one night of the week, you could forget that it was the end of the world.
too lazy; didn’t read: you’re talking out your ass and you need to clench up.
i went to a very open and sexually liberal performing arts highschool in the aughts like twenty years later, and RHPS was still a wonderful thing to experience as a teenager sorting out gender and sexuality issues. i was surrounded by girls trading yaoi comics and boys trading yuri comics and theater kids that had every line of RENT memorized. and i saw RHPS in ninth grade, i think, and made sure to go to showings nearly every year thereafter, at older friend’s parties and at college media screenings and outdoor park showings and in independent theaters. i still go when i can. i think everyone over fourteen or fifteen should. it’s a piece of history and it’s a very vibrantly alive and relevant cultural tradition, and the atmosphere is so weird and so welcoming, and the movie is so profoundly silly. it’s absurd to me that anyone could say we’re done with it.
Bolded, above. I was in uni just as the internet became a way to connect. It was still so new, not yet a part of our lives as fully as it is now.
RHPS was freedom. It was your neighbour’s roommate in gold hot pants and no apologies, being able to kiss your girlfriend in the middle of a crowd and not be attacked, it was corsets on DMABs and three-piece suits on DFABs, and everyfuckingthing was queered. Right there, on stage, in living colour.
It was amazing.
Don’t sneer at the old guard, kidlets. Every generation forges the media it needs at the time.
Always reblog this. Especially now at the 40th anniversary. Reminder: I grew up in *Manhattan.* My parents, in the grand scheme of things, were pretty liberal and open and accepting. I still desperately needed RHPS as my place to be weird and discover myself. It was important, and that importance should not be discounted.
it’s not a movie that can be detached from it’s time. It’s literally about mocking homophobic, heterocentric tropes left and right. Horror, specifically, was a place where culture and counter-culture were fighting over whose space it was. Frankenfurter feels awkward to us now because he’s unecessary and that’s awesome but it doesn’t change that the movie was a response to real things.
No official piece of Overwatch media has come even close to touching the perfection of TF2′s “Meet The” videos.
The single line “And from that day forward any time a bunch of animals are together in one place it’s CALLED A ZOO” is better than the entirety of Soldier 76′s cinematic
“It costs 400,000 dollars to fire this weapon for twelve seconds” has more character and charm than all of the Overwatch comics combined.
Incorrect
TF2 will never come close to this precise moment of objective perfection
they did it before and did it better
what breed of dog is this