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art blog(derogatory)

tannertan36

Janaina Medeiros

#extradirty
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH
Three Goblin Art

roma★

祝日 / Permanent Vacation
Xuebing Du
noise dept.

shark vs the universe
Aqua Utopia|海の底で記憶を紡ぐ
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he wasn't even looking at me and he found me
Peter Solarz
DEAR READER
occasionally subtle
h
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@dead-poets-offical
tumblr stop pixelating my images challenge
dps as textposts (part 1)
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I’m actually kinda fun once you get to know me (takes 3 to 4 years).
a classic post for old times sake i love these stupid fucking idiots
DPS incorrect quotes! pt 6/?
click here for part 5
this is meeks and pitts to me:
you can NOT tell me they haven't tried to communicate via telepathy multiple times.
firm believer that if dps was set in modern times the neil and charlie would be the best friends with gay allegations
and they do absolutely nothing to change anyone’s mind
A Dead Poets Society hyperfixation???
In this economy?????
(I'm missing Robin Williams)
you know what dps stands for?
depression.
crazy that dead poets society was almost about dancing instead of poetry
Steven Meeks wouldn’t break loudly.
When charlie told him and Pitts about Neil’s death, he’d break slowly, and he’d never quite put all the pieces back together. He wouldn’t cry right away. At first he’d just go very still, like his brain refuses to accept the sentence Neil is dead. He’d keep replaying ordinary moments: Neil laughing in the hallway, Neil correcting Latin, Neil talking too fast about plays. The normality of those memories would hurt more than anything. He’d think: I should’ve noticed. I should’ve asked more questions. I should’ve said something smarter. That would sit in his chest like a stone. Later, alone, Meeks would finally cry—but silently. No sobbing. Just tears he keeps wiping away because he doesn’t think he’s allowed to take up space with grief when Neil was the one who suffered.
In the days after Neil’s death, he’d start acting useful. Cleaning without being asked. Organizing notes. Straightening books. He’d cling to logic because emotion feels dangerous—if he lets himself feel, he’s afraid he won’t stop. He would start noticing patterns that aren’t there, because grief makes the mind desperate for answers. He’d reread Neil’s old essays and poems, looking for hidden warnings—as if brilliance could be decoded into a diagnosis. He’d linger on certain lines too long, wondering was this a goodbye? Then he’d hate himself for it, because it feels unfair to turn Neil into a puzzle instead of a person. He’d imagine a version of the world where he’d spoken up—where logic, reason, evidence could’ve saved Neil. That illusion of control would comfort him briefly, then destroy him all over again.
Eventually, Meeks would realize something that frightens him almost as much as the loss itself: he is the one who remembers best. Todd remembers the pain. Charlie remembers the anger. Knox remembers the romance of it all.
But Meeks remembers the details—and details have weight. They ask to be carried.
So he carries them, silently and inwardly.
I read the DPS' original script, and I'm very glad that they didn't really stick with that for the movie. The script didn't feel as realistic and impactful than the movie in my opinion, and we lose a lot of the boys' relationships and complicity.
I'm really glad the actors were so free in their acting, and could offer alternatives; Like the scene of the desk set, or Todd crumbling in the snow. It adds so much more raw power and emotions to the story !
Two things tho:
I find this line absolutely hilarious:
And those are just adorable:
so who's gonna edit anderperry to king princess' 1950?
I mean all the dead poets are pretty but Charlie's on kinda another level
what the fuck is wrong with him
how can someone serve so much face doing NOTHING
just kys atp omfg no need to SHOW OFF
we get it bro you're pretty now sybau
You ever just... yell about #dps??
For a moment I was baffled as to why, one Charlie "hellraiser" Dalton, would be chanting along with the four pillars at the beginning of the film; especially because, as the rest of the movie hammers home, he is the antithesis of what these four sentiments represent. From this moment on, even Charlie's wardrobe sets him apart from the other boys. Not to mention him constantly literally, physically setting himself apart from the group. He's the most rebellious of them all, so why wouldn't he do what he does best here? It's easy enough to not chant the mantra, or to replace the words, or to not even stand up at all. So why not?
But (!!!), as Neil pointed out (!!!), Charlie can't stand up to his father. Charlie and Knox tell Neil to fight back against Mr. Perry and Neil calls them out as a bunch of hypocrites. Charlie doesn't even try to deny it, there's no point with Neil. Neil knows. None of them have the strength to defy their parents (Neil never gains that strength). So, when Charlie's parents are undoubtedly sitting right next to him in this first scene, he does what he's expected to do. Even the great Charlie Dalton plays the role of the dutiful son.