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Over the last few years thanks to the overwhelming success of TV series like Mad Men, Breaking Bad and Game of Thrones, the small screen has been punching well above its weight when it comes to quality entertainment. This year has been another stellar year for English TV. We list the top 10 TV series that rocked the year and had everyone talking.

#Top 10 TV series #TV

#dead celebrities #2013 #RIP #stars who died

The most badass women in film

Hunger Games: Catching Fire may have been lauded in some circles as a fitting sequel to the first installment. But it is Jennifer Lawrence’s character Katniss Everdeen that has feminists screaming from the rooftops…in delight. Katniss has been heralded as the epitome of the strong, independent, 21st Century woman. A lot of people have claimed that her type of character has been sorely missing from the Hollywood juggernaut, a lot of people are talking rubbish. Strong women have featured in Hollywood films for yonks, and while their number may not be as high as it should be, we still need to celebrate them. Here’s a list of the most badass female characters ever to grace the screen.

#badass women #top women #films #hunger games

People weeping, crowds cheering, children smiling…looks like bloody Pearl Harbour.

#christopher nolan #interstellar #matthew mcounaghey #science fiction #film

Joseph Gordon-Levitt to take on Neil Gaiman’s Sandman

It’s confirmed! Joseph Gordon-Levitt will be starring in and directing the screen adaptation of Neil Gaiman’s Sandman graphic novel. We take a look at the career of one of Hollywood’s most bankable stars.

When A River Runs Through It released in 1992, Brad Pitt’s six-pack had already been on display in Ridley Scott’s classic Thelma & Louise. He was on his way to stardom, and the rest, as they say, is history.

But there was an 11-year-old boy who also starred in Robert Redford’s acclaimed take on the lives of two brothers going up in Montana.

Joseph Gordon-Levitt’s part may have been minor, but there were already signs that this young man was going to be a huge star.

Betweem 1992 and 1996, JGL made strong, if small, appearances in a host of films, but it was only when he landed the role of Tommy Solomon on the hit TV series 3rd Rock From the Sun that his status as a household name was cemented.

JGL’s performance as an alien in the body of a confused teenager with raging hormones was only surpassed by John Lithgow’s hilarious turn as Dick Solomon, the infuriating alien patriarch.

While 3rd Rock continued to see ratings soar, JGL still couldn’t find that big break onto the big screen, despite appearing in a number of films, many verging on good.

In 2008, two years after 3rd Rock ended, JGL found his breakout role, playing Tommy Burgess in Kimberley Pierce’s outstanding Stop-Loss. The film saw JGL develop the grit that would see him shine in so many of his later films.

After Stop-Loss there were star turns in Killshot, (500) Days of Summer and…ummm…GI Joe: The Rise of Cobra (which after its horrific sequel Retaliation, looks like The Godfather).

In 2010, JGL gave what is arguably his finest performance, in the indie phenomenon Hesher, in which he plays a rebellious metalhead who forms an unlikely relationship with a troubled boy. JGL was outstanding, and while Hesher flew under the radar it is certainly more than worth a watch.

By the time JGL starred in Christopher Nolan’s Inception, his name was on all top casting directors’ lips. Inception was followed by 50/50 (another superb film where he really got to exercise his acting chops), Dark Knight Rises (in which he did the unthinkable and made Robin tolerable), Premium Rush (better than audiences think it is), Looper (better than critics think it is) and the supreme cad Don Jon (which he also directed).

And now with Sin City 2 lined up for 2014, and the news that JGL will direct and star in the screen adaptation of Neil Gaiman’s iconic Sandman graphic novel, JGL is set to enter the realm of the auteur, something very few stars have been able to do successfully. The boy from space sure has come a long way on his adopted home.

Here are the top 5 JGL films

http://www.youtube.com/watch?v=Mv2-oQj1R-8

Stop-Loss

Plot: A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.

http://www.youtube.com/watch?v=PsD0NpFSADM

(500) Days of Summer

lot: An offbeat romantic comedy about a woman who doesn't believe true love exists, and the young man who falls for her.

http://www.youtube.com/watch?v=HXKRKpvv3SU

Hesher

Plot: A young boy has lost his mother and is losing touch with his father and the world around him. Then he meets Hesher who manages to make his life even more chaotic.

http://www.youtube.com/watch?v=gsEOl7nlXcA

50/50

Plot: Inspired by a true story, a comedy centered on a 27-year-old guy who learns of his cancer diagnosis, and his subsequent struggle to beat the disease.

Don Jon

Plot: A New Jersey guy dedicated to his family, friends, and church, develops unrealistic expectations from watching porn and works to find happiness and intimacy with his potential true love.

#joseph gordon-levitt #sandman #neil gaiman #actor #Top 5 films #graphic novel

Goodbye Mr Chips

After watching Lawrence of Arabia in 1962, the playwright Noel Coward turned to Peter O'Toole and said: "If you'd been any prettier, you'd be Florence of Arabia."

And he was right. Anyone who’s seen David Lean’s epic masterpiece can’t but have been mesmerized by O’Toole’s blazing blu

e eyes, framed by a face so delicately sculpted that its femininity only served to enhance his portrayal of a man whose sexuality allegedly shifted like the sands of the desert his most famous character loved so deeply.

In the years before his death on December 15, 2013, O’Toole aged at a quickening pace, but by the age of 81, who wouldn’t. O’Toole was a notoriously hard drinker and stories of his legendary binges with Richard Harris and Peter Finch are legion. But his booze-soaked ramblings never hardened the soft edges of his vulnerability. Whether he was playing Joseph Conrad’s craven Lord Jim, the shadowy General Tanz in Night of the Generals, or the irrepressible Alan Swann in My Favourite Year, O’Toole’s eyes always gave away a secret. The secret that no matter what mask he donned, his soul was untouched, and remained, one presumes right till the very end, resolutely free.

In 2006’s Venus, one of O’Toole’s finest performances, his character Maurice, tells his best friend Ian, played by Leslie Phillips: “I am about to die and I know nothing about myself.”

To which Ian replies: “You have been loved, though, Maurice. You've been adored.”

Few actors will ever be as adored as Peter O’Toole.

5 of Peter’s best

Lawrence of Arabia (1966)

http://www.youtube.com/watch?v=zmr1iSG3RTA

Director: David Lean

Plot: A flamboyant and controversial British military figure and his conflicted loyalties during his World War I service in the Middle East.

Becket (1964)

http://www.youtube.com/watch?v=ArLJHj4WKYA

Director: Peter Glenville

Plot: An English king comes to terms with his affection for his close friend and confidant, who finds his true honor by observing God's divine will rather than the king's.

The Lion in Winter (1968)

http://www.youtube.com/watch?v=5cVwBjwRGgg

Director: Anthony Harvey

Plot: King Henry II's three sons all want to inherit the throne, but he won't commit to a choice. They and his wife variously plot to force him.

My Favourite Year (1982)

http://www.youtube.com/watch?v=fTjNQ2Jkiio

Director: Richard Benjamin

Plot: A dissolute matinee idol is slated to appear on a live TV variety show

Venus (2006)

http://www.youtube.com/watch?v=f-XsErH6WJI

Director: Roger Michell

Plot: Life for a pair of veteran actors gets turned upside down after they meet a brash teenager.

#peter o'toole #lawrence of arabia #actor #obituary #top 5 films

From Bateman to Batman: The Christian Bale story

Christian Bale has been nominated in the Best Actor category at the Golden Globes for his portrayal of Irving Rosenfeld in David O. Russell’s critically-acclaimed American Hustle. The question is, would a generation brought up on Marvel’s cinematic creations and Cyrus’s twerking, actually know who Bale was if it wasn’t for his rendition of Bruce Wayne in Christopher Nolan’s three-part Batman opus. Probably not.

For large parts of his career, Bale suffered the Jeremy Irons syndrome, which afflicts a few great actors, who don’t conform to the image of the Hollywood pin-up. Short of marrying into Hollywood royalty or choosing roles with more publicity value than substance, it’s difficult for the ‘Ironic’ brigade to make its mark.

In 1986, when Steven Spielberg decided to turn JG Ballard’s Empire of the Sun into a film, he needed a an actor who personified a young Ballard trapped in China during the early years of the Second World War in the Pacific. More than that, he needed an actor precocious enough to carry the weight of the formative years of a man who would go on to become one of the finest writers in the English language…ever.

Spielberg found all that in 13-year-old Christian Bale. Empire of the Sun was a critical success, but at the box office it fizzled. Bale, however, was a triumph. His ability at such a young age, to grasp not only the gravity of the film’s place in the historical narrative, but also the literary resonance of the source material, stunned many critics. Here, they said, is a future superstar. But it wasn’t to be.

For the next 13 years Bale struggled to find a film that accentuated his enormous talents; a project that would showcase his immersion and technical finesse. He worked on 14 films in those wilderness years, none of which left much of a mark. Bale’s star had not so much died as it had gone supernova.

On April 14, 2000, a film made its debut at the Sundance Film festival. Based on a Bret Easton Ellis novel, the film shocked critics and audiences with its gore and its ability to cloak extreme violence in a shroud of cool, a la Clockwork Orange. But as the dust settled, one thing stood out in the debris of acclaim and disdain, and that was the performance of the man who played the film’s protagonist Patrick Bateman. In American Psycho Christian Bale had returned to the big stage: cool, clinical and lethally efficient.

His performance in the film is best described in the words of Bateman himself: “There is an idea of a Patrick Bateman. Some kind of abstraction. But there is no real me. Only an entity. Something illusory. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours, and maybe you can even sense our lifestyles are probably comparable, I simply am not there.”

With American Psycho Bale was cast back into the spotlight, and the world should have been his pearl-laden oyster, but the ‘Curse of Irons’ refused to be beaten.

His next two projects, Shaft (in which he plays a Batemanesque character), and Captain Corelli’s Mandolin were throwaway films. Laurel Canyon was passable, as was Reign of Fire.

In 2002 he starred in the sci-fi Equilibrium, playing a man once in charge of enforcing the law, who rises to overthrow the system he helped support. If you forget, momentarily, that the film also starred Taye Diggs, Equilibrium wasn’t half bad. Its stature, however, as a solid film, would only be cemented after Bale had flown into the stratosphere of fame and global recognition. But back then Equilibrium would only serve as a teaser for what is arguably Bale’s finest acting performance.

In 2004, Bale starred as Trevor Reznik in the superb, The Machinist. Bale lost 28kgs to play Reznik, the emaciated insomniac plagued by disturbing visions. His skeletal frame, however, belied a manic urgency to Bale’s performance. The Machinist cemented Bale’s place as an actor capable of delivering much more than just lines. He was the master conjurer, and he was now prepped for the event that would chart his career trajectory forever.

In 2003, Warner Bros hired director Christopher Nolan to reboot the Batman franchise after Joel Schumacher so effectively buried it with Batman & Robin (without argument the worst superhero movie ever made) in 1997.

Christian Bale was not the first choice to play Bruce Wayne/Batman, but on seeing Bale, Nolan said, “What I see in Christian is the ultimate embodiment of Bruce Wayne. He has exactly the balance of darkness and light that we were looking for.”

Batman Begins released in 2005 and was at the time widely regarded as the finest superhero film ever made. Nolan, and Bale, went back to Batman’s graphic novel roots rather than the DC comic version. The ambiguous hero emanated an air of moral ambivalence, while holding his core principles of vigilante justice and an almost medieval chivalry close to him in the shadows of his life.

Batman Begins stormed the box office and critics were almost unanimous in praise for both Nolan and Bale. Discarded, though unfortunately, not forgotten were Schumacher’s two well-intentioned if blundering projects. Batman had a new lease of life, and though his universe was a lot darker, the future was cosmic.

It would be three years before Bale would don the Batman costume for his second outing as Gotham’s Guardian in The Dark Knight. Before, that, however, Nolan and Bale had another project to look forward to, and it was mammoth.

In 2000 Nolan began working on a script based on Christopher Priest’s The Prestige, about two rival magicians in London in the 19th century. Their rivalry forces them to takes their tricks and illusions to levels unseen before ending in catastrophe and tragedy.

In 2005 Nolan chose Hugh Jackman to play the role of Robert Angier in the film, and it was only after Bale specifically asked for it that he was given the role of Angier’s nemesis Alfred Borden.

The Prestige was a huge critical and commercial success and a film that should have seen Jackman headline, saw Bale finally (thanks to the success of Batman) get equal billing with one of Hollywood’s heartthrobs. In fact, Bale’s restrained passion far surpassed Jackman’s considerable, if slightly hammy, magnetism. Bale had officially joined the A-list as was proved in 2007’s 3:10 to Yuma in which he overwhelmed a tepid Russell Crowe.

But if there were still those out there who had any doubts about Bale’s talent or his star wattage, then The Dark Knight in 2008 put those doubts to rest.

Even though Bale’s Batman was overshadowed by a tour de force courtesy Heath Ledger’s Joker, the two melded to form a dichotomous and macabre masterpiece of not so much good versus evil, but the gleefully apathetic versus the reluctantly empathetic. The Dark Knight elevated Nolan’s franchise to another level, and with one film left in the trilogy, the ball was his to drop.

In the four years between The Dark Knight and The Dark Knight Rises, Bale starred in Terminator Salvation, Public Enemies and The Flowers of War…all watchable…all strictly mediocre. But it was his junk-addled portrayal of Dick Eklund in David O. Russell’s The Fighter that would get Bale his highest accolade to date: the Oscar for Best Supporting Actor.

Once again Bale was not the first choice for a role he made his own. Both Brad Pitt and Matt Demon turned down the offer before Russell zoned in on Bale on co-star Mark Wahlberg’s insistence.

The Fighter is Christian Bale’s film at its core; his manic choreography of insanity rages through the length and breadth of the film, and the rest of the cast are mere passengers on the torrent.

The Dark Knight Rises released in 2012 and was not only the culmination of a hugely-successful film franchise, it was also the end of a journey that catapulted Bale from a brilliant actor mired in an anonymity not of his making, to global superstardom that he has often been reluctant to embrace.

Bale once told writer John Richardson, “Art is something to be proud of. Art is no compromise. As an actor, you’re giving it up, you’re at the mercy of so many other people. So are you truly reaching the lofty goals? No, of course you’re not. And there are some movies where that was never the aim anyway.”

The Dark Night Rises was the most successful of Nolan’s cinematic triptych, and while the end did leave some fans underwhelmed, it was probably the ‘Bale’ way: classy, slightly eccentric, and with enough mystery to leave you with a sense of wonder.

And while the Welsh actor looks likely to get another Oscar nomination for his performance in American Hustle, he’s not one to forget the 13-year-old boy who thought he saw god playing tennis, or the immaculately dressed sociopath whose obsession with detail transcended the script and burrowed its way into his marrow.

There’s a bit of Patrick Bateman in everything Bale does, just like there’s a bit of Jim Graham. He will never play a role the way you imagined it, but by the end of his performance it will probably be all you can imagine.

Like Richard Harris and Peter O’Toole before him, Bale will never be remembered as a star, and not that he would want to. Like Harris and O’Toole, he will be remembered for a canon of amazing work and a cast of characters as diverse as they are skillful in their ability to explain the human condition. That, in the end, is the legacy he would prefer to leave.

#christian bale #american psycho #golden globes

Why most of us are going to fail to land the 'great' jobs. Superb!

http://www.youtube.com/watch?v=iKHTawgyKWQ

#employment #jobs #soul-sapping

Uruguay legalises Cannabis, now we can forgive them for Luis Suarez

http://www.theguardian.com/world/2013/dec/11/uruguay-cannabis-marijuana-production-sale-law

#cannabis #marijuana #uruguay rules #potty about pot

You don't need to be the life of the party. No, seriously!

#office party #christmas #introvert #drunk

Age of Apocalypse, the best X-Men comic series is being adapted for the screen. All Hail Bryan Singer

The top 5 one-actor films, mostly

The awards season has begun in Hollywood and already the Sandra Bullock-starrer Gravity is racing to the front of the pack. But movies that feature just one actor for a majority of the film are not that uncommon. Here are five of the best.

2001: A Space Odyssey

Trivia buffs will know this as one of the few stories where the film preceded the book. Film buffs will know it as one of Stanley Kubrick’s masterpieces (and there were quite a few). How can anyone forget HAL the computer that sent chills down our spines, or Keir Dullea’s lonely psychedelic journey through space-time. While HAL is the real star of the show, the isolation of Dullea deep in space with only an increasingly psychotic computer for company has you gripping your armrests.

http://www.youtube.com/watch?v=Ok32VyEQYYc

Moon

Say the name Duncan Jones and a million geeks will pop their heads out of their anoraks. After all, Jones is the man helming Warcraft, the film based on the ridiculously popular videogame. But Jones also directed another film, one, which in all honesty, is going to be remembered a lot longer than Warcraft.

In Moon, Sam Rockwell plays astronaut Sam Bell, who lives and works alone in a production base on the moon. The only ‘thing’ he has for company is a computer called Gerty. He’s counting down the days till his relief arrives and he can head back to Earth, but is anyone coming? What follows is a psychodrama so subtle the silence magnifies the intensity manifold. Moral of the story? Don’t go to space in anything that has a talking computer.

http://www.youtube.com/watch?v=twuScTcDP_Q

Love

This independent, low-budget 2011 film is destined to become a cult classic. Directed by William Eubank it focuses on an astronaut aboard the International Space Station who loses contact with Earth. As days turn into weeks, and his life support systems begin to fail, his solitary confinement begins to take a toll on him. As he searches for answers about Earth’s silence he begins to uncover a rather inconvenient truth. Suitably claustrophobic and with a soundtrack worthy of admirable attempt at Kubrickesque bravura, Love is so much more than its name.

http://www.youtube.com/watch?v=YiYmAixzpMg

127 Hours

James Franco is known for his leftfield roles, just watch his inspired performance as a drug-dealing MC called Alien in the superb Springbreakers. But in 127 Hours Franco plays a mountain climber who becomes trapped under a boulder while canyoneering alone near Moab, Utah and resorts to desperate measures in order to survive. And by desperate measures, the filmmakers MEAN desperate measures. A brilliant performance in a movie that surpassed all expectations.

http://www.youtube.com/watch?v=OlhLOWTnVoQ

Cast Away

“Wilson! Wilson!” the words still resonate every time you pick up a volleyball, or…well…see a FedEx sign. Tom Hanks’ portrayal of Chuck Noland, a FedEx executive stranded on a deserted island after his aircraft crashes is adrenalin-fuelled goodness. Where Crusoe had his Man Friday, Hanks has Wilson the volleyball with gall. The film suffered from being about 30 minutes to long but otherwise Hanks is pretty decent. Also we wish Wilson had a few more lines.

http://www.youtube.com/watch?v=PJvosb4UCLs

#top films #best actor #gravity film

Disney set to make 5th Indiana Jones, god help us all!

By Dean Williams

There is a scene from Raiders of the Lost Ark,in which Indiana Jones (played by Harrison Ford) is confronted by a sword-wielding psychopath in a crowded market. Originally, Indiana Jones was supposed to attack him with his whip and relieve him of his sword, unfortunately a bout of food poisoning meant that Ford couldn’t stay on set for too long. Ford suggested just “shooting the sucker”, and thus was born one of the iconic scenes of the film.

That’s the beauty of Raiders of the Lost Ark, it’s chock-full of classic moments: from rolling boulders and pits full of snakes to a soundtrack (courtesy John Williams) that stands the test of time, much like the Ark itself.

Directed by Steven Spielberg and written by George Lucas and Philip Kaufman, Raiders was the first in what would become a highly-popular, not to mention lucrative, Indiana Jones franchise.

The news released last week that Disney has bought the rights to continue the series has been met with delight and no small amount of trepidation by fans of the franchise.

When Raiders released in 1981 it was already destined to smash through the box office. Although Spielberg had released 1941, arguably his worst film, a few years earlier, both Ford and Lucas were still riding the crest of the superb The Empire Strikes Back.

Audiences expected the spectacular, and that’s exactly what they got. Raiders notched up Oscars for visual effects, sound, editing and art direction, while being nominated for Best Picture, Best Director, Best Cinematography and Best Music.

Raiders lost out to Chariots of Fire, Spielberg lost, shockingly, to Warren Beatty (who won for Reds) and Williams lost Best Music to Vangelis.

Vangelis would go on to write the score for Ford’s next project, which would come to be regarded as one of the greatest films ever made (but more on that in a later post).

Raiders was the best franchise-opener Spielberg and Lucas could have hoped for. It also cemented Spielberg’s legacy as one of the few directors who could combine artistic and technical excellence with the innate ability to rock the box office.

In 1984, Indiana Jones and the Temple of Doom hit theatres. The hype preceding the film was gargantuan, but the movie itself failed to live up to expectations.

While ‘Indy’ still had the fans rooting for more, the supporting characters (so pivotal in the success of Raiders) seemed to lack the charisma required to share the screen with their swashbuckling leading man.

Although Temple of Doom didn’t do too badly at the box office, it signaled the start of a cooling down period for the franchise.

Five years later, Spielberg and Lucas decided to dust off Indy’s bullwhip and fedora and give the hero one more romp on the screen, but this time they had an ace up their sleeves.

First they brought back Denholm Elliott and John Rhys-Davies. And then came the coup, when they decided that Indy’s father needed to be an integral part of the story. Cue Sean Connery.

Indiana Jones and the Last Crusade had all the elements that made Raiders such a success (great writing, eye-watering stunts, and solid performances), but what it also did was give the hero a glimpse of mortality. Unlike Superman and Batman, who let’s face it, are going to keep returning to the screen for generations to come, Indiana Jones is only human. The Last Crusade forced fans to realize this.

The film received a decent response from critics and did reasonably well at the box office, but to many the writing was on the wall for the franchise: Ford was getting too old.

So when it was announced that almost a decade after the Last Crusade, Ford would be reprising the role in Indiana Jones and the Kingdom of the Crystal Skull, there was a sharp intake of breath around the world.

In 2008, Kingdom of the Crystal Skull released and Ford had turned 66. The magic was gone.

The Guardian’s Peter Bradshaw wrote: “Watching this new Indiana Jones movie is like seeing a healthy, if elderly, elephant forced out of dignified retirement and made to caper and do tricks, to the obvious detriment of its health. There are some splendid stunts and one authentic flash of Spielberg genius. But the whole thing looks a trifle pointless.”

Over the decades, the Indiana Jones franchise has spawned numerous spin-offs that have graced, and at times scarred, TV and cinema screens across the globe, but few have captured the raw entertainment of Raiders of the Lost Ark, or the reflective derring-do of The Last Crusade.

And just when you thought Indy would be finally, and peacefully laid to rest in that special place in our collective memories, news that an as-yet-untitled fifth project is in the works comes barreling through our fond reverie.

Disney, quick to capitalize on their new acquisition have roped in Spielberg to direct the new project, and ‘surprise surprise’, Ford will be back as Indy. Seeing as there’s little chance that the film will release before 2015 (late-2014 at the earliest) it’s hard to imagine a 73-year-old Indiana Jones prancing about chasing Iranians or North Koreans (we presume).

Who knows Spielberg may finally decide that he’s had enough and direct a spoof: Indiana Jones and Rampaging Zimmer Frame…anyone?

This article is free to reprint across all media, but author must be notified prior to use.

#indiana jones #disney #steven spielberg #harrison ford #film #franchise

The Top Albums of 2013

This is my list...

Heartthrob by Tegan and Sara

The Afterman: Descension by Coheed and Cambria

Wonderful, Glorious by Eels

Nanobots by They Might Be Giants

Specter at the Feast by Black Rebel Motorcycle Club

The Terror by The Flaming Lips

My Shame Is True by Alkaline Trio

Pioneer by The Band Perry

Tape Deck Heart by Frank Turner

Such Hot Blood by The Airborne Toxic Event

Golden by Lady Antebellum

The Greatest Generation by The Wonder Years

Random Access Memories by Daft Punk

Once I Was an Eagle by Laura Marling

American Ride by Willie Nile

Where the Heaven Are We by Swim Deep

The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You by Neko Case

Lousy with Sylvianbriar by Of Montreal

Magpie and the Dandelion by The Avett Brothers

Prism by Katy Perry

Everything is Debatable by Hellogoodbye

The Marshall Mathers LP 2 by Eminem

The Bones of What You Believe by Chvrches

Crimson/Red by Prefab Sprout

We Were Here by Turin Brakes

Fellow Travelers by Shearwater

Southeastern by Jason Isbell

#top albums of 2013 #top 10 #music #charts

Nelson Mandela 1918 - 2013

#nelson mandela #death #obituary #south africa #apartheid

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