not a fruit philanthropist

[kijimha]

just because you havent seen me post about The Character in a while doesn't mean i'm any less insane about them in private

[stackhousesookie]

SALTBURN (2023) “Any visual metaphor is important—the space between people, the height between people, whether they are choosing to use it or not.” — Emerald Fennell

[jmojellybae]

Ella Purnell plays characters who have no idea what the fuck is going on

We have a huge development

[jakeperalta]

the thing is I already know that men and society at large hate women. I know that young men in particular increasingly skew right and towards misogyny (I've read the articles, although all I really need to do is spend any time on any part of the internet to see the evidence). but then every so often something like this happens where it still somehow surprises me. like my god.. they really hate us this much.

[ultfreakme]

Debbie and Ruth from G.L.O.W gave me that friends to enemies to friends to lovers arc everyone asks for and my god was it a glorious mess.

[whygaia]

i fixed this one

The Ninth (my beloveds)

and it’s back in print

[pottersfieldcustodian]

[grey-ves]

Especially with the release of The Unwanted Guest, I feel like I see too much focus on the “romantic” (as in idealized and regarding any type of love) message of the series and not enough on what I personally think tazmuir’s actual thesis statement is. We forget that she is a horror author, and I think that is her entire goal. Every set of relationships we’re presented with are codependent, unhealthy, consumptive. Someone is consuming someone they love, someone is being consumed by someone they love. Even if they claim not to, even if they try to find a more “fair” way to do it (ex.: Paul), it’s still what is happening in the end. (Abigail and Magnus are the only exceptions I can think of.) Pyrrha is the only character who seems to recognize this, and she tries so hard to call it out, but no one listens because they think it’s romantic. Because every relationship is either seen as romantic or wretched, both by the characters and by the readers, even though they are all so bad. I think tazmuir is trying to make readers question this. Why do we find certain toxic relationships - like Harrow and Gideon - romantic, but others - like John and Alecto - horrifying? Why is one acceptable but not the other? Where do we draw the line? In regards to TUG, why do we jump from changing each other with love, to consuming each other in its name?

I think this will be even more clear in AtN.

[mercuryfountain-deactivated2024]

If Taylor Swift used her power for good she would be such a great stochastic terrorist. She would post on Instagram "Hey guys, Tay here. Just wanted to say that whoever delivers me the head of Ron DeSantis on a platter will get free Eras Tour tickets. #ShadeNeverMadeAnybodyLessGay." It would be at her doorstep in two hours.

[warningsine]

—Betty Gilpin

[fromdarzaitoleeza]

Susan Sontag from " I, etcetera ".

[deviika]

Albert Geiger

[alleycatboy]

maybe i can gaslight myself into being okay

[alleycatboy]

wait this is just cognitive behavioral therapy

[societyclub]

JENNIFER'S BODY (2009) dir. karyn kusama

[beguilingcorpse]

rating ways to advertise the locked tomb

"lesbian necromancers in space": 5/10. technically true, except that gideon isn't a necromancer and for the most part they aren't in space. can also be tonally misleading; implies a fun space opera adventure and fails to mention the impending emotional devastation. that being said it is iconic and (mostly) effective

"murder mystery in a haunted gothic castle": 8/10. MUCH better at capturing the tone and plot of the first book, but still a little off. imagine picking up the book because of this blurb and then watching gideon nav make a mean girls reference in the first 20 pages. the whiplash could kill you

"a locked tomb mystery": 5/10. nondescriptive and a little misleading, but i can't give this any lower than a 5 because the pun is very good. gideon would love this one and that should count for something

"gay goth among us": 10/10. i'm not even going to pretend like this one doesn't nail it. try and argue against this. you can't. captures the murders, the space-y setting, the queer characters, the tone and aesthetic, AND the contemporary humor. chef's kiss

"enemies to lovers 'i hate everyone but you' slow burn": 1/10. true if you squint. the relationship between gideon and harrow would make booktok weep

"catholic homestuck": 9/10. this means nothing and explains everything

this tweet by tamsyn muir:

[Image ID: A tweet by "tamsyn should be writing" @tazmuir: "sure, I edited from 12 o'clock to 4.30, but how much of that time did I spend on the discovery that the basis of my novel is 'what if these two were... teenage girls'", followed by an image of Skeletor and He-Man. /end ID]

10/10. conveys the pop culture savvy of the series, the complex dynamic between the main characters, and the humor of the writing style all at once. also makes me laugh every time i think about it

[skelescrawl]

Gideon the Ninth is a pretty good book

[fleshes-and-ends]

abigail mentioning “home” and harrow’s instinctual thought being of gideon,,,,,,, im going to launch myself into fucking dominicus