Oc blog!
I've created an oc blog, let's see where this brings me :3 https://www.tumblr.com/dekirufranscorner?source=share
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Janaina Medeiros
hello vonnie
Misplaced Lens Cap
PUT YOUR BEARD IN MY MOUTH
Game of Thrones Daily

Kaledo Art

roma★
YOU ARE THE REASON

#extradirty
2025 on Tumblr: Trends That Defined the Year
Not today Justin
Show & Tell
Three Goblin Art

Discoholic 🪩
Monterey Bay Aquarium
One Nice Bug Per Day
I'd rather be in outer space 🛸

blake kathryn

@theartofmadeline

seen from Singapore

seen from Malaysia

seen from Malaysia

seen from Italy
seen from Austria
seen from Sweden
seen from Malaysia
seen from United States
seen from United States

seen from Germany

seen from Malaysia

seen from Singapore

seen from United Kingdom
seen from Germany

seen from Spain

seen from Malaysia

seen from China

seen from Malaysia

seen from United States

seen from United States
@dekirufran
Oc blog!
I've created an oc blog, let's see where this brings me :3 https://www.tumblr.com/dekirufranscorner?source=share
Giveaway prize for Piipia on bsky, thank you again for entering and for the patience! Danny belongs to Piipia and Vulas to Shiftyblook
Day 2: Cuddling somewhere Here's the Vampire Au hehe :3 (the pose was half referenced) if you'd like to see my wips (and soon wips of my comic Burning Red), I have a p4treon for that!
There used to be a lot of activities that took place around a populated area like a village or town, which you would encounter before you reached the town itself. Most of those crafts have either been eliminated in the developed world or now take place out of view on private land, and so modern authors don't think of them when creating fantasy worlds or writing historical fiction. I think that sprinkling those in could both enrich the worlds you're writing in and, potentially, add useful plot devices.
For example, your travelers might know that they're near civilization when they start finding trees in the woods that have been tapped, for pitch or for sap. They might find a forester's trap line and trace it back to his hut to get medical care. Maybe they retrace the passage of a peasant and his pig out hunting for truffles. If they're coming along a coast, maybe your travelers come across the pools where sea water is dried down to salt, or the furnaces where bog iron ore is smelted.
Maybe they see a column of smoke and follow it to the house-sized kilns of a potter's yard where men work making bricks or roof tiles. From miles away they could smell the unmistakeable odor of pine sap being rendered down into pitch, and follow that to a village. Or they hear the flute playing of a shepherd boy whiling away the hours in the high pasture.
They could find the clearing where the charcoal burners recently broke down an earth kiln, and follow the hoof prints and drag marks of their horse and sledge as they hauled the charcoal back to civilization. Or follow the sound of metal on stone to a quarry or gravel pit. Maybe they know they're nearly to town when they come across a clay bank with signs of recent clay gathering.
Of course around every town and city there will be farms, more densely packed the closer you are. But don't just think of fields of grains or vegetables. Think of managed woodlands, like maybe trees coppiced-- cut and then regrown--to customize the shape or size of the branches. Cows being grazed in a communal green. Waiting as a huge flock of ducks is driven across the road. Orchards in bloom.
If they're approaching by road, there will be things best done out of town. The threshing floor where grain is beaten with flails or run through crushing wheels to separate the grain from its casing, and then winnowed, using the wind to carry away the chaff. Laundresses working in the river, their linens bleaching on the grass at the drying yard. The stench of the tanners, barred from town for stinking so badly. The rushing wheel-race and great creaking wheel of the flour mill.
If it's a larger town, there might be a livestock market outside the gates, with goats milling in woven willow pens or chickens in wooden cages. Or a line of horses for the wealthier buyer or your desperate travelers. There might be a red light district, escaping the regulations of the city proper, or plain old slums. More industrial yards, like the yards where fabric is dyed (these might also smell quite bad, like rotting plant material, or urine).
There are so many things that preindustrial people did and would find familiar that we just don't know about now. So much of life was lived out in the open for anyone to see. Make your world busy and loud and colorful!
i humbly present to you:
OC ask game:
❤️🔥physical intimacy edition ❤️🔥
how do they feel about physical intimacy? how do they feel about sex?
would they have sex with a complete stranger?
how do they feel about their gender and their body in relation to sex?
what are their feelings on sex/physical intimacy under influence (alcohol / drugs)?
are they ready to go whenever or do they need a lot of preparation to get into a ~mood ?
do they see themself as experienced?
do they know what they like? are they able to ask for it directly?
is there anything that always turns them on?
what about something that would certifiably ruin the mood?
do they prioritize pleasuring others or pleasuring themself?
do they take on a more active or passive role in sexual encounters?
favorite sexual acts (giving & receiving)
favorite positions (topping / bottoming / other ?)
favorite kinks (giving & receiving)
have they ever had a surprising (sexual or nonsexual) experience that opened their eyes to new desires or kinks, if yes what was it?
do they have any secret sexual fantasies? would they be able to tell someone about it?
sex toy preferences?
if they had to create a sexy playlist of sexy songs to have sex to, would they do a good job or would their partner(s) groan and die of cringe?
do they tend more dominant, submissive or vers?
besides sex, what other forms of physical affection or intimacy are meaningful to them?
Break up with fanart
To make a long story short, I put too much pressure on myself ("you should illustrate books from others" or "you should become the nex big artist in this fandom" and was convinced anything else outside that was meaningless) and it broke me from enjoying doing fanart. Maybe I'll come back one day, but for the time being you can find me on dekirufranscorner where I'll post my ocs :3
I’m so mad because this worked
help me roger
Reblogging myself because
Originally posted by gifs-for-the-masses
Reblogging myself because… what was that? Five minutes?
O_O
………my friend has made me curious
help me roger
Update: after I reblogged this someone messaged me offering me tickets to the sold out Hausu screening with a Q&A and autograph session with the director
let’s do it, roger
Roger helppppp
I need you Roger!
ROGER PLEASE
Roger, it’s not for me - it’s for my friends — please bring good luck to the folks that I follow on here, they need it far more than I do. Thank you. :)
Day 1: holding hands I decided to do the otp challenge spread from now till september 2026 to hype the release of Burning Red! If you're curious stick around :3
No new art, but look! I got the chance to meet Rick RIordan and get a copy signed :3
If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?
Thank you so much for this!
I did this series of drawings for Hivework's kiss art challenge back in february this year!
Cuddling in the modern au :3
From that vampire meme that was going around! I have a vampire au for them that I want to eventually sell in the form of a comic :3 but first the itchio problem must be solved (if you know you know)
I had this one in my phisical sketchbook for so long :3
Let me tell you the tragic tale of a kami by the name of Yato-no-Wakahiko…
Style study! With my characters from Burning Red :3
Please leave me alone pfff I did this to make teen me happy. I've had this idea for the longest time and thankfully I made it better than the original idea. I haven't watched yashahime (except for like episode 13) but I think the first scene is set a bit before yashahime starts (so before moroha and everyone meet). Basically it's a dream (probably Sango's) set during Japan's era of ancient burial mounds and the roman empire, where Sango's brother goes missing and the only clue is that he's been brought to Rome. There he meets Miroku (who's name isn't Miroku of course) and they form an alliance. Over time they fall for each other (Miroku falls first), they find Sango's brother but there's a battle to get him back, and then Sango's feelings get out. It's so stupid but I had so much fun drawing it. I made this just so it could get out of my head!