
JVL
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almost home
wallacepolsom
YOU ARE THE REASON
I'd rather be in outer space 🛸
hello vonnie

#extradirty

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ojovivo
Aqua Utopia|海の底で記憶を紡ぐ

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One Nice Bug Per Day
"I'm Dorothy Gale from Kansas"
Game of Thrones Daily
$LAYYYTER

if i look back, i am lost
Claire Keane
he wasn't even looking at me and he found me
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@digitizedworld
LEFTOVER SALES WILL OPEN ON JANUARY 31ST until supplies last.
If you missed out on the preorder period and you would like to get reminders be sure to 📰 sign up for our newsletter! 📰
Remember, this is the last time. Unlike preorder sales, this sale has limited quantities.
Once they are gone...
They. Are. GONE.
If you have questions, ask away!
Reblog so she lives forever.
20 years. If this gets posted and we all survive for another 20…things might be alright.
me: wow im super sensitive and emotional right now. what the hell is going on
the notorious menstrual cycle:
Hmmm...
“Never let your enemy tell you how many of you there are. Never let the man that you’re against form your opinions. This is the trick that’s played on everyone who’s oppressed: when you have a revolution in a country, the first thing you take over is the radio. Then, you start telling the people that the war is over, so all of them surrender. They believe that thing right there. And once they take that over, they start telling you where you are and where they are, and you fall right in line — it’s plain thought control. The majority of the American people aren’t segregationists. The majority of the American people aren’t imperialists. But the government is. The structure is; the power faction is. So, how, then, do all the majority go along with it? Because those who sit in power over the television, over the radio, and over the press are constantly telling those who are the masses how free they are, how this they are, and how that they are.”
every time i sit down 2 watch a horror movie i think of that one tweet :/
rb if you too sit down in ur room and watch horror movies alone
@eisbruch
I also think that all the "um okay knives out & glass onion were good. Wrap it up now" posts are so funny. You're tripping if you think there's not going to be at least five Benoit Blanc films lol
What part of "the detective franchise is back babey" did you not get. There were 14 Poirot films and that's not counting the show which was a standard season for most of its run. 69 Columbo episodes. Like it or hate it you are going to be seeing Benoit Blanc until the day he stops making money and then some.
He hasn't even been on a train yet for fucks sake
HE HASN'T EVEN BEEN ON A TRAIN YET!!!!
“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.
Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”
I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
Regarding Norman Rockwell, I also want to shout out “New Kids in the Neighborhood (Moving Day)” in 1967:
Also for LOOK magazine, but leaning on his themes of youth and suburban life. Expressing both hope for the curiosity and open-mindedness of children, and the bitter recognition of the suspicion of adults towards racial integration (see the face peeking out of the window in background). It’s notable that this is what he wanted America to be, too. He hoped for a better future.
I think that MAD Magazine artwork is really good and really poignant, and it’s also interesting to put it in conversation with Norman Rockwell’s own political evolution in his art as well.
everyone is like. its been a horrible year!!! WHY has this year felt so bad and gruelling??
it's the genocide and ethnic cleansing, the fever pitch hatred of migrants, women, and lgbt people allowing for the prospective abandonment of international human rights law. it's the various modes by which late capitalism and the fascist state is brutalising you and everyone around you. it's trauma. you can do a lot to decide the terms on your own life, but we are all connected to each other and there's a lot to feel and bear witness to and to resist, and that IS a gruelling responsibility.
whatever this year has looked like for you personally, it has been immeasurably traumatic for the global working class. and we should all feel connected to that.
anyway. like rosa said, the most revolutionary thing one can do is always to proclaim loudly what is happening.
I always have to start the New Years with this picture.
Forgive yourself
i fucking love tumblr on new years i scroll past a glittertext gif wishing me a happy 2002 i scroll past my mutual wishing me a happy 2018 i scroll past a gifset wishing me a happy 2013 i scroll p
happy 1915 everyone!
“…use things to have good days.”
the loading screen trying to convince me to use even one of my 3000 consumables
Congrats if you survived this year because what the fuck was that