those who speak ill of edmundo diaz will not be seeing the gates of heaven
One Nice Bug Per Day
Alisa U Zemlji Chuda
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dirt enthusiast
Jules of Nature
TVSTRANGERTHINGS

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Janaina Medeiros
NASA

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Discoholic 🪩

oozey mess
let's talk about Bridgerton tea, my ask is open
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PUT YOUR BEARD IN MY MOUTH

shark vs the universe
RMH
d e v o n

@theartofmadeline

Andulka
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@digitmrspock
those who speak ill of edmundo diaz will not be seeing the gates of heaven
when the characters never really make peace with it
Happy Pride to all the beautiful gay fat people in my phone, let’s get even fatter and gayer this month!
hate when I rb a post that i think is just good but it turns out it's vaguing like fifteen other posts and now it looks like I've take a Stance even though I just woke up and haven't even been born yet truly
Saved this because it is so true.
>settings
>world settings
>set to "your oyster"
The instant regret and disappointment in both their faces for me
eddie played the same role in buck's arc as karen did in hen's arc. btw. eddie and karen were both the first ones to know something was wrong and question their partner, but they were not the only ones to help them through. for both, the 118 came together to support them (with hen's montage happening over two months vs buck's montage happening over his withdrawal). everyone showed up, but karen and eddie were hen and buck's constants throughout their respective arcs. once again, the show paralleled buck and eddie to a canon couple (who have been married for over a decade), and to me, that's so much better than eddie helping buck on his own.
9-1-1 -> 9x04 | Reentry
WWDITS (2019 -2024) I 4.05
hi! for the writing prompts, 8? :)
8) thighs wrapped around a waist
It's quiet for just long enough for Buck to start panicking.
It feels more intimate, now, warm air exhaling from one of their lips in one breath, inhaled by the other in the next. Slow, instead of ragged. Deliberate, instead of desperate.
Scared, instead of sure.
"I--" he says, because he's always been incapable of leaving things well enough alone. He watches Eddie's chest, bare and golden. He doesn't let his eyes fall lower, doesn't let himself take in the way Eddie's waist looks against his fingers, the curve of his thighs over Buck's hips. He can't let himself remember this. He's fooling himself if he thinks that it's not seared into him already. "We just--"
"Yeah," Eddie says, when Buck can't quite bring himself to complete the sentence.
"And you--"
"I know," Eddie says. And there's a little tremble in his voice, something that's already beginning to retreat. Buck wants-- Buck can't-- Buck has to--
"Eddie," he says, and the word still feels shiny and new in his mouth, even after all these years. Even after tonight, when he must've used up a lifetime's worth of Eddie's, murmured and moaned and tucked into secret places.
"Buck," Eddie says, and there's something caught there, too. There's a hitch of air over Buck's lips, like Eddie wants to say something else. He doesn't.
For a moment, it feels like that's it. The glass fractured between them falling back into shape. Buck can't look into his eyes. Eddie can't say it out loud. Nevermind the come on their stomachs, their swollen lips, the bruises they won't be able to hide.
Buck thinks, believes, tells himself that they can still come back from this. It's them. They have to.
Then Eddie's thighs shift slightly, and Buck's fingers tighten involuntarily.
He doesn't mean to. He needs to let Eddie go. If Eddie can't-- if he's not-- Buck can't do this halfway, can't be the anchor on another sinking ship. Not anymore, and especially not with Eddie.
But his hands don't listen to him. They press into Eddie's sides, the divots of his hips. If Buck looks down, he knows he'd be able to map out the bruises they're going to leave. He doesn't. He can't. He watches the St. Christopher against Eddie's sternum instead, trying to force himself to relax, to let go, to say something easy and funny, something to make Eddie laugh, to forget all of this.
But Eddie gets there first: fingers against Buck's jaw, and Buck wants to close his eyes but it's Eddie. It's Eddie. It's always been Eddie.
It's Eddie, brown eyes looking down at him, something awed in his gaze. It's Eddie, muscles relaxing under Buck's grasp, going liquid and soft and letting Buck hold onto him. It's Eddie, a smile cresting his face like sunrise after the longest night of the year: slowly, then all at once.
"Buck," Eddie says again. And, oh, Buck can hear him, now.
"Eddie," Buck replies. Eddie's legs shift again, but only to wrap themselves tighter around Buck's waist. Buck's hand go loose, but only so he can run them up Eddie's sides, cup his face.
He can feel Eddie's cheeks shift under his fingers, the soft swell of his smile running through his fingertips and directly into his heart.
"Hi, Buck," Eddie says, something other than fear in his voice.
Buck laughs, startled, wondering. "Hi, Eddie."
(touch prompts!)
always a little funny to me when filmbros are vehemently anti fanfiction but love to discuss film theories. Maybe my theory is that the 2 main guys sucked each other off. And swallowed
“supporting neil gaiman isn’t as bad as supporting jk rowling because he isn’t using his money to hurt trans people and he doesn’t seem bigoted!” is a real take i’ve seen and i am going to blow a gasket. “he doesn’t seem bigoted” He raped and trafficked women. Paying for his works and engaging in fandom for them is giving him money and good publicity that he uses to curry good favor with the masses and silence his victims in ongoing legal battles. You are enabling a rapist and abuser.
just because he is not funding legislature to harm victims of sexual assault and trafficking en masse does not mean that there is no one harmed by him gaining publicity and money. show some compassion to the women he has hurt and disengage with his works. “just pirating” and “just writing/reading fanfic” is still engaging, especially if you are posting publicly about them. move on.
happy birthday, gilbert baker. (june 2, 1951 — march 31, 2017)