I'm not trash, I'm recycling

This used to be an rp writing blog but honestly i've given up on it being anything but a shit show. this is mostly the 100 and ACoTaR rn. Perviously Superhoewrites

[mrdarcy]

Pride and Prejudice. Behind the scenes.

[omghotmemes]

Friday the 13th

[animatedtext]

[hatefuhk]

when people ask where you see yourself in 10 years

[turtle0verl0rd]

JUMPING ON THIS OPPORTUNITY

[rip-paramour]

LAST YEAR WE CAN REBLOG THIS GUYS

[thathighclassbitch]

Only year we can reblog this-

[patricksgibson]

her ❤

[goawfma]

i feel like we don’t talk about things like this enough

[omgthatdress]

This is officially the only good thing to come from the final season of Game of Thrones.

[the-catholic-inkling-deactivate]

You: This generation wants to fuck vampires and shit. What happened to the time when vampires were scary?

Me, an intellectual (who wrote her BA Thesis about this very topic): The Vampire as a literary device literally developed out of east European folk stories as a way to explore anxieties and fears around sex. You’re supposed to want to fuck them, that’s the whole point!

[pajamaslam-deactivated20190101]

the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA

[furikomaru-deactivated20190920]

That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body. 

[genresavvygentleman]

OKAY BUT HOLD ON THOUGH.

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.

The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.

[truelight8]

Daaaamn, Tony. That’s fucking deep, my guy

[genresavvygentleman]

I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.

[lgbtcaptains-deactivated2020101]

jake’s face of horror and disgust

[jodalovesstuff]

Anyone have the gif’s of the Chilean goalkeeper Christiane Endler lifting two of her teammates with ease.

I need them for um reasons lol

[moonlight-mery]

Let’s take a look at it one more time

[bitternest]

Just so we’re clear about what an absolute unit this woman is

[postmarxed]

👀

[tyrala1]

[feral4catra]

[flexible]

Update: She can actually hold up three team mates.

[dailymarvelheroes]

[phantomchick]

#Black Panther #erik killmonger #this never fails to make me laugh #it’s such a good delivery #I think one of the things that make erik really good as an antagonist is he genuinely had those cool and kinda funny moments #where you sort of shared in how satisfied he must feel #like the casual ‘hey auntie’ #even if you’re worried about the characters he’s threatening #you get that ‘wow i bet that was satisfying’ feel #at least i did #i couldn’t help but feel that connection #and when you’re sharing in an antagonist’s satisfaction #while still liking the characters they are up against  #you know they’re well written

[mikkeneko]

I think this is a great example of how well Erik manages to control the context of whatever scene he’s in. The first time he turns up in the palace, T’Challa tries to shut down his challenge to the throne by referring to him as an American chaos operative, but Erik turns it around on him by announcing his Wakandan name and heritage in xhosa, recontextualizing himself as a rightful Wakandan challenger.

Here T’Challa is taking him at his word, addressing him as a fellow Wakandan royal whom he can legitimately challenge for the throne, and Erik turns it around on him again  by responding and identifying as an American chaos operative, who feels no obligation to respect Wakandan traditions.

[ashes-acedia]

king n’jadaka

[effervescentbi]

ah, teenagers

[yourfavoriteneedsahug]

The holy trinity.

[midaete]

It’s Tom Holland I’m dead

[celebritiesandmovies]

[sassenachye]