Locus Solus

[sadanandaom]

Dursun Şahin Zikir Perde Kaldırma

[dive-version]

I recommended Peter Brook’s film ''Meetings with Remarkable Men''

[kiramessa]

Since I watched Suspiria 2018 today, I’ve become absolutely fascinated by Damien Jalet’s choreography. It’s so raw and primal and full of a lot of elegantly controlled falls, sharp angles, and stilted, hard movements. And it seems like guttural breathing is a Thing in his work, too?

This one’s my favorite, but Les Médusées is also surreally beautiful.

[outofeverythingthisnamewasleft]

University of Pennsylvania, Philadelphia 1915. Cadavers in cold storage.

[funstealer]

Maison Margiela Artisanal Fall 2025 by Glenn Martens via simoncarle__

[chimeramilk]

[firagasoap]

EXILE WW runway collection No.5

[firagasoap]

[eroscestlavie]

Artist: The Contortions, Teenage Jesus And The Jerks, Mars, D.N.A.

Album: No New York (Released: November, 1978)

Tracklist:

1. The Contortions - Dish It Out (0:00) 2. The Contortions - Flip Your Face (3:16) 3. The Contortions - Jaded (6:30) 4. The Contortions - I Can't Stand Myself (10:19) 5. Teenage Jesus And The Jerks - Burning Rubber (15:10) 6. Teenage Jesus And The Jerks - Closet (16:57) 7. Teenage Jesus And The Jerks - Red Alert (20:50) 8. Teenage Jesus And The Jerks - I Woke Up Dreaming (21:25) 9. Mars - Helen Fordsdale (24:35) 10. Mars - Hairwaves (27:05) 11. Mars - Tunnel (30:49) 12. Mars - Puerto Rican Ghost (33:30) 13. D.N.A. - Egomaniac's Kiss (34:37) 14. D.N.A. - Lionel (36:50) 15. D.N.A. - Not Moving (38:58) 16. D.N.A. - Size (41:38)

[cetaceous]

Glass Distillation and Condensation Flasks a Drug Production Site captured by the Myanmar Military, Mongyai, Myanmar image credit: Anthony Wallace / Agence France Presse via: The Guardian

[turnupthestrobe]

[ether--net]

[scifiseries]

[dive-version]

Blade Runner ''Voight Kampff'' test machine

[wxmatija]

[opens0rceress]

Cyborg artist Joe Dekni with a sonar implant that allows him to perceive objects behind him

[orchidblack]

Hard to believe I'd never seen DECODER (1984) until now. West German proto-cyberpunk with an incredible list of credits, including cameos and soundtrack work by William S. Burroughs and Genesis P-Orridge, Christiane F. as a dreamy goth girlfriend, and Sleazy as second unit director. Abrasive, art-damaged nonsense with atmosphere to burn.

[everythingfor]

DIY instrument by Sleazy

[dive-version]

Stamp Axe Vol.6 No.1: Instrumains / Handstrument was a bilingual experimental art magazine / cassette project published in 1990 by Pier Lefebvre. The edition included:

30 artists who built their own musical instruments

participants from 8 countries via the Mail Art network

2 chrome audio cassettes, 90 minutes each

a 72-page publication (texts & graphics)

2 postcards featuring paintings by Henriette Valium

a case/box with a centerfold handprint by Gisèle Trudel

a limited edition of 250 copies (sold-out)

The project focused on handmade and recycled acoustic/electronic instruments (“instrumains / handstruments”), emphasizing self-generated sound and DIY sonic experimentation.

The archive record from e-artexte describes recordings made with instruments built from recycled materials and objects, accompanied by French and English texts discussing experimental sound practices.

It appeared within the broader Stamp Axe series published in Montreal during the late 1980s and early 1990s.

https://www.behance.net/gallery/3875255/STAMP-AXE