I liked 3.07 a lot more on second watch. If they rectify the errors next season, and if next season is a shorter wait, I will forgive it.
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I liked 3.07 a lot more on second watch. If they rectify the errors next season, and if next season is a shorter wait, I will forgive it.
If i can find aspects of 'The Rise of Skywalker' that I like, I can cope with a meh season finale of IWTV/L.
I might like it more on second viewing but I am waiting for release.
Lestat did not kill Paul.
The exact line in the TVL ep7 is "You are all here tonight because I murdered you, made you, or memorably traumatized you."
Paul fits into the latter category. Also, it was already covered in s01e06 that Lestat had nothing to do with Paul's death PLUS interviews with cast and crew at the time reiterated that Lestat wasn't lying about that PLUS Anne always maintained that Lestat had nothing to do with Paul's death in the books, either.
The Vampire Lestat (2026), s01e07 "The Failures"
shows these days try hard to find the most unpredictable story for their finales and so fuck up in the process. someone tell them it's okay to be corny and give the audience a chunk of what the audience really wants!
The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment
The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.
2026/07/16
I have been a major defender of S3 so far. I have the TVL critical tag filtered because i was getting so annoyed by all the whinge.
But that was a weak finale and it really has coloured some of my judgement of the prior episodes because I truly expected there to be payoff.
I still love this show and I will be excited for S4 if we get it. But the prospect of waiting two years for it is disheartening.
Now that everyone is discussing Nolan's Odyssey movie, I feel like it's a good time to let non-Italians know that the production dumped plastic props into the Italian sea. Weirdly enough I could not find any article in English about it but it's a fucking problem nonetheless.
I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.
Non è la prima volta che la produzione solleva un vespaio in Sicilia. A Lipari una squadra di sub sarebbe però già impegnata a bonificare i
They dumped plastic skeletons in environmentally protected areas, against the literal contracts they had to sign to get the permits to film in environmentally protected areas. Like they not only did a bad ecological thing that freaked out some divers, they literally broke environmental protection laws and their contract with the Italian government
Favorite thing about renaissance faires is that they have fuck all to to with the renaissance. This thang is not about historical anything this is about dressing up like a fairy and watching a joust
#a samurai with a flintlock pistol sitting next to a guy dressed as a caveman drinking a styrofoam cup of dr pepper#and it fucks severely
It's not THE renaissance, it's A renaissance. Of what? Up to you
Lestat’s Montreal home bookshelf
here is a list of what i identified in this video posted by matthew santos
and what if they were sisters huh what then
Loustat, Parental Failing and Claudia (iwtv 3x06)
(very long post!) this is actually the second part to my first meta where i address Louis and Lestat's own parental trauma and how this impacts their respective approaches to Claudia. this post is the continuation of that so please read that one first, it covers their parenting styles and abusive tendencies. this was actually inspired by a lot of what Sam Reid spoke about in the BTS/ After Dark about how important it is to give a child the space to hate you as a parent so they can learn about hate, and how Gabriella never gives that Lestat, and it made me think a lot about Louis and Claudia as well, especially after the seance scene.
as a fan of the vampire chronicles for 11 years and with tvl being my favorite book, i definitely have very mixed feelings on this season purely as an adaptation. it's obviously not what we all expected, and we know there was network/budget interference in some written scenes they wanted to film, but clearly certain choices were made for this to be a non-traditional adaptation regardless of episode count or them just filming in toronto. i've had ups and downs with that aspect of it, and have really, really missed my book accurate masc gabrielle, my lesmand scenes, my full nickistat arc, etc.
at the same time, i truly feel this has been a stellar season of television. i've adored (nearly) every episode beyond all reason, especially once i let go of my long-held book expectations and just enjoyed the show for what it is, this particular story that these writers wanted to tell. the head writers are all the same as seasons 1 and 2, and i personally do not feel any nuance or quality has been lost in that regard at all. it's been a huge stylistic shift, but i don't see how that wasn't the expectation from everyone, considering how much of a whiplash the source material perspective shift is. i've watched each episode at least 3 times and get something new out of them every time.
what ended up mattering more to me at the end of the day than specific book scenes being faithfully adapted was that book lestat was there in all his glory. to me, the most important aspects of my favorite character have been on full display - his chaos, his vulnerability, his love for humans, his theatricality, the violence inside him he reckons with. i love it all, and this season feels so unbelievably true to the character across ALL books in the series (specifically those 90s/00s years, like totbt and memnoch) in a way that s1 lestat actually didn't for me.
i used to say that showstat, while i also loved him dearly, was not quite the same for me as my bookstat, but that's really changed this season. this is the most book accurate the character has ever been, and again, that's the most important thing to me. i just love him so so much, and having a full season of him being so *himself* has made me extremely giddy.
Lestat's dedication to Halloween is charming. He answers his door with a plastic pumpkin full of sweets after just learning something earth-shattering, even if he is... not very mannerly to the children once he sees them dressed as his dead daughters, her murderer, and his estranged husband.
Then he is going to be out for the evening and leaves out a bowl and a sign on the door telling people to take some sweets.
He is so convinced of his own monstrosity but he does try to be good. He wants to be. And that is the essence of Anne's Lestat.
People saying 'why didn't Lestat get talked down' as if they didn't see Claudia saying shit about Lestat for two seasons, lmao. You are so fake watchers. For Lestat it was just another day to get dragged by her, it's Louis who was delusional.
Not to mention the Merrick seance in the books was worse because it was solely Louis' idea and Claudia went solely at Louis. If anything, Louis got little here.
"Bring your malice."
That is what Lestat said to her when Claudia turned her ire toward him here. Because yes, not only is he used to it, he expected it, and accepts it because she's always done so with him.
Claudia's hate for Lestat was never a secret, not even to Lestat himself. It never has been. So his getting dragged by her was not, in any way, some new thing to either him or her.
It's Louis who had the selfish delusions about Claudia and how she felt about him, not Lestat.
Lestat always saw Claudia -- and how she felt about him -- with clear eyes.
Louis, in contrast, never has. For him, he always saw Claudia in relation to his own issues and feelings, starting from the very moment he took her home and begged Lestat to turn her.
Hence why she reamed him wrt what he did with Bruce. Because that whole revenge thing wasn't about her, it was about making himself feel better.
And that is always what it's been with Louis when it comes to Claudia. And he has never broken out of his self-delusion about that, even after Paris and her death.
So yes, damn right Claudia went as hard at Louis as she did.
Whereas, with Lestat, it was just another day at the office between him and her.
And yeah, in the book Merrick, Claudia reads Louis so hard, he basically goes and tries to kill himself afterwards, by taking his coffin out into the garden and leaving it open for the sun to burn him to death as he's sleeping.
Because ghost-Claudia in the book not only told Louis to kill himself because it would give her pleasure in it, but then stabbed him herself for good measure, too:
[...]
[...]
---
So yeah, Louis in the show got off a bit more easily compared to the book, because at least Claudia didn't stab him before she left. And his guilt-ridden suicide attempt already happened back in 1973.
And that is because the show changed it to Claudia not even wanting Louis dead, because she didn't want him with her in the afterlife/hell, after having finally "ditched him for someone more worthy." (Whom she can't now even find again now, after finally finding her.)
post: I noticed that in act 1 there's a loaded gun mounted on the wall there. I bet by the end of act 2 it will have been fired
all the replies: you're a fucking idiot
*after act 2*
all the replies: how the fuck did you know that
okay but we can't know for sure that the loud noise and bright flash offstage—which occurred after the character who was holding the gun exited the stage with it—was a gunshot, because we didn't get to directly see it
I've never seen a tag with so much unfiltered neg in it, I'm having to block people left and right.
It's not hard to understand fandom etiquette, you're absolutely free to post neg (you're allowed and welcome to share your thoughts and critiques!), but if you want to put it in the main tags, then tag it accordingly. Thank you