it’s been ten years
its been 12 years
13 years
14 years
15 years
16 years
17 years
loss is an adult today. happy birthday loss.
DEAR READER

#extradirty
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@theartofmadeline

Origami Around
Alisa U Zemlji Chuda
ojovivo

if i look back, i am lost
$LAYYYTER
"I'm Dorothy Gale from Kansas"

JVL
Sade Olutola
🪼
Stranger Things
let's talk about Bridgerton tea, my ask is open
Acquired Stardust

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oozey mess
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seen from United States
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@edeyleix
it’s been ten years
its been 12 years
13 years
14 years
15 years
16 years
17 years
loss is an adult today. happy birthday loss.
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
when i forget to log into ao3 and i have to click proceed to see an adult fic, i actually get a kick out of it. like i am an old timey queen and my bard is apologetic: “gentle lady, dicks doth touch in this next ballad. would you prefer another?” and i give him a gesture of command like, “nay, you may proceed, minstrel. bring forth the tale of dicks”
hope it’s not too late; I made this in Scriptorium
"Why do you talk so much about being intersex?"
Over 90% of parents of visibly intersex children opt for cosmetic surgery on their infants.
The ones that don't experience medical violence then, likely experience it as a teenager.
I didn't.
I am very rare in that I did not experience medical violence.
Why? Because I learned what intersexuality was as a young age, and I actively fought against what doctors wanted to do to me. All the way down to legal research on what medical care minors can be forced into. I remember walking into that doctor's appointment with the state law written down that proved that if I did not consent they could not do surgery.
That is why intersex activism is important. It saved me and it will save more.
yall will respect disabled people until theyre the "funny" disabilities and it pisses me off.
i am a little person. i am 4'0, i have ccd and achondroplasia. i have various other genetic conditions that affect me but i will be mentioning my identity as a little person mostly.
quit using little people as the butt of your jokes. no, you cant use the m slur it is a slur, no you cant call us gnomes or elves or dwarves or whatever the fuck you call us. we are real people, we arent little characters or creatures. we are LIVING BREATHING PEOPLE. quit treating us like kids or idiots. you dont have to baby us. quit making fun of little people's heights, ESPECIALLY PEOPLE WITH DISPROPORTIONATE DWARFISM. you are fucking ableist if you make fun of little people, you dont see us as people you see us a joke. im sick and tired of people i love and care for treating me as if im a joke and making fun of my height. fuck off
i dont care if we "look funny" or "haha tiny" its so fucking annoying and disrespectful to be treated as if the body isnt a living, breathing, full grown adult.
be better.
this is such a profoundly stupid thing to be mad about but. i periodically think about how banksy made one of my single favorite pieces of art of all time, and everything else he's ever done has sucked. man, how did you nail it once
It's this piece, titled The Banality of the Banality of Evil. Because on first glance, you're like. Yeah, okay, it's obvious what it's saying. Even nazis, even evil people can appreciate beauty, too. But then you learn its name, and suddenly the interpretation shifts a bit. The idea that evil is banal has in itself become banal. my first response to seeing a nazi on a bench is "oh it's about the banality of evil" and not "jesus christ there's a nazi on the bench."
and like. i dunno i think that's a really interesting way for a title to recontextualize a piece. it's finding nuance by tearing out the nuance you want to project onto it. it's not the greatest piece of art ever made, but i'd be lying if i said i didn't have a huge soft spot for it
Okay but I have to add to this
what I find really interesting is how the way this is drawn (especially considering who drew it) the art style seems extremely deliberate. This type of nostalgic landscape painting is very reminiscent of nazi art and specifically, Hitler's art.
Nazis were extremely judgmental of "entartete Kunst" (degenerate art). Bansky's usual work very well fall into this category! So for him to go for this style of painting in particular is another choice I find very interesting, because I can see some people react to this painting with some variation of "oh, I didn't know he could actually draw! I thought he is a hack but he is a real artist!" - and that is where they would agree with the Nazis.
I dunno I just find this piece very compelling
oh that is actually fascinating. in fact, to add on- a detail I omitted because I just kinda forgot to mention it. The reason there’s two signatures in the corner is because it was a painting in a thrift shop, Banksy adding the Nazi, and then returning it to the shop.
I think there’s something interesting about recognizing the lineage of this type of art and wanting to mess with it, subvert the intent, and explore the topic and legacy. It’s potent. I really like this piece
I was thinking this out in the tags but I think it deserves to be here.
So in summer of 2024 I was on an Alaskan cruise that ended up also having a gathering of 800+ Christian nationalist qanon people, no hyperbole at all. And it was one of the weirdest weeks of my life.
But one experience from it was this very strange feeling that this painting reminds me of. When you view this painting youre observing the nazi observing the landscape. When I was I'm Alaska looking at melting glaciers and massive untouched mountains and wilderness, I was also looking at nazis looking at it. And it made me wonder how they saw it, where their appreciation for the natural world sits.
I wondered if they knew that the landscape was only there because it was protected from mining and oil refinery. Or how they were taking in the visibly shrinking glacier without reflecting in horror about the effects on climate change. I looked and thought about the people whose land it was well before settlers, I sought out that history on our excursions, I know they didn't. When we all watched whales together I wondered if they cared, or if they were looking at sacrifices they were willing to make.
It was very surreal because I could hear them talk about how beautiful it all was. But I knew we weren't looking at the same thing, not really, and I wondered *what* exactly they saw.
Just like I wonder about what this nazi sees in this landscape, and how that vision aligns with his others for the world. If it's something he feels entitled to, something he sees as a sacrifice, something cold and aesthetic without any wonder or love for the natural world and the people in it.
Because if beauty and nature can't shift evil what the fuck can
There is absolutely a platonic explanation for that
But I will also entertain the non platonic for my own edification do u understand
Monty, my poor baby
"Halloween adults are just as bad as disney adults" "Furries are worse than disney adults"
I gotta be real, I thought we were critical of disney adults for aggressive loyalty to a really gross mega-corporation, or refusal to engage with media that isn't for kids, not because people... have hobbies?
"i asked chatgpt and-"
ok i asked locomotion. and he said the devil's name? im older than the devil sir. why, the first time anyone wondered where to go, they dreamed me into existence. i became a nightmare child. the end of things is the beginning, the beginning is the end, the snake eats its own tail before there ever was a snake. i am the silver line and the silver line is me
I’ve a theory that no longform is no one’s favourite (the evidence for this theory is I have seen people say their favourite lf is from my bottom five) so to prove this Tell me your favourite longform on the tags. ESPECIALLY IF YOU THINK YOURS IS UNDERRATED !!
finally, someone for tumblr
[Image description: Screenshot that reads: St. Julian the Hospitaller is the patron saint of clowns and circus workers, innkeepers, fiddle players, jugglers, childless people, and murderers. End description.]
looks like his feast day is in TWO DAYS
happy this guy's day, everybody
if magic was real I'd get really into wizardry long enough to learn like 3 spells then move on and 4 years later id be like oh yeah I remember how to summon flame. probably. and then id do all the hand motions out of order and explode
he's actually way too angelic to be a real person
Hello SFTH fandom!
You might have heard YouTube has stopped allowing stylised subtitles, including our beloved coloured subtitles. Sadly, it’s true, and nobody has the slightest idea why.
The good news is, we’ve found an alternative solution! It’s nowhere near as good as what we had before, but at least we’ll still have colours.
My lovely teammate is testing out the new format in tonight’s play, and we’re bracing ourselves for technical issues. So if your device had colours before but not today, or if you spot anything that doesn’t display properly, especially after the premiere, please let us know. If you see any public SFTH videos going barefoot, also let us know.
Feel free to reach out, either here or on Discord. I use the same handle across all social media platforms. My DMs are always open.
It’s been more than a year since our subtitles came out as gay colourful, and I’m so happy to see you guys welcome them with open arms 🧡 I sincerely hope they don’t have to go back into the closet to white.
Happy longform day!