hey, wait, i've got a new complaint

I do art sometimes. art blog

[sasukeyul]

I love how almost everyone in the books thought the red comet came for their boring asses. Like theon honey its not YOUR sign sit tf down.

[elinordash]

Are not revolutions transfigurations? – Victor Hugo, Les Misérables

[elliespectacular]

Happy 24-6-01!

[alphacrone]

“use ai or fall behind” why are you acting like asking copilot to write an email is a particularly sought-after skillset

[seinfeldtv]

[zeroaddzero]

Bruce & Clarence duetting on "Fire", from The River tour rehearsals.

[jonesybird]

trying a different style with baby theon!!!!

[draconym]

i would rather see the information for an event handwritten in sharpie on a paper towel than see another AI generated flyer

[gothammite]

i have something to say 

[endlesswire]

The Who performing “Won’t Get Fooled Again” on Top of the Pops, July 7, 1971. [x]

[lydiamarsin]

A nice day to remember how absolutely forced Eddie’s redemption arc was because he literally never needed one. Eddie had already chosen to stay and help MULTIPLE times before his sacrifice and it added nothing to his story because he had already proven himself to be a hero in his own right. The only aspect of his character that supports a coward to hero redemption arc were a handful of shoehorned comments about running away from danger.

With Chrissy, he didn’t leave while she was still fighting to live. It wasn’t even a situation where he could help her. Yet, he stayed with her till the very end despite how traumatizing it was and how he could’ve been targeted next (because mind you, he had no idea what was attacking or why.) The other times where Eddie ran actually ended up HELPING our characters gather the information they needed and provided them another body to fight alongside them. When there was something Eddie could do, he ALWAYS helped even when he didn’t want to. The biggest example being that he didn’t want to jump into Lover’s Lake to help Steve but he did anyways. On top of that, he could’ve let the others do all the fighting to save Steve. But he immediately picked up a boat oar and started fighting alongside them.

[birdwarde]

some spring frogs!

[zookie-art]

Spending 2025 painting the artworks my younger self always wanted to do~

[geddyqueer]

It Could Happen To You: mediocre tv show with baffling politics has really compelling characters in it

[sidgwicks]

[scutesketch]

YOUR ART ON TUMBLR IS BEING USED TO TRAIN AI!

The setting that prevents your work being used to train AI models is turned off by default! I had no idea about this until now! Artists, go to your settings, click “visibility”, and turn on this setting! Protect your work!

[mellosakicc]

To add some clarity this setting must be turned on under each individual blog's settings, so you have to do it one by one (kind of a pain in the ass and probably meant to be so they make more money from their partnerships).

[television-bodies]

reject modernity (enjolras actors in any way acknowledging enjoltaire) embrace tradition (“I remember thinking of talking to Aaron about the subject as we started filming, and as I was about to talk to him he was interrupted by someone else, and then suddenly I understood. That was the perfect example of what the dynamic between us should be. And I realised that actually NOT talking to Aaron about it at all was the perfect way to create that subtextual thing between Grantaire and Enjolras. And actually, I didn’t talk to anyone about it. Not even Tom. I just kept it a secret and thought that if people can read into it, great, and if people don’t notice it, that’s also fine because it’s not the main focus of the student plot. I still don’t know to this day if Aaron even knows about the whole E/R relationship, but it doesn’t matter, because I don’t think Enjolras should.”)