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@eristwhile
ma-ko
hi, i made a quiz: which element of the enchanted garden are you?
results include: the blooming roses, the sun-faded sculpture, the wrought iron bench, the overgrown maze, the high tree-swing, the enormous, ancient tree, the fruit-and-flower tree, the sheltering gazebo, the lotus pond, the thorn-bramble, the stone path, and the gardener watering the flowers.
feel welcome to tag with your results/tell me how you found it!
Can you make like, a watercolor tutorial? Cause I've been trying to learn watercolor since I was baby and can never figure it out ❤
Hell yeah!! This tutorial might suck so my apologies and since I’m not sure where you’re at I’m just gonna start with everything I can think to say, and in terms of materials I’m just gonna tell ya what I use, but hopefully this’ll work for whatever you’ve got as long as it’s not a crayola set (that’s what I started on so I can say will full authority those are bad)
My deepest apologies to everyone abt the length of this post djdjdj I don’t freakin know how to do the read more thingy
So! To start, these are just the materials I use:
I use this portable set from Amazon, it’s lasted a while and the paints are really quite good for it being $15, It comes with a lot of variance in colors and shades, though I mix most of my colors myself! The white in that palette isn’t too great so for fixing mistakes I use this! It works pretty well for fixing any mistakes watercolors are wont to make.
I buy my brushes at Joann Fabrics And Crafts store, though I think most art stores will have a good selection. Joann’s usually has really good thin long brushes which are super useful since I paint small, as well as large and pointed brushes for painting large swaths of paint. I recommend having one or two of each, here’s a picture of the ones I use regularly and a paint covered ruler for reference!
Currently for all of my taz art I’ve been using this Arteza sketchbook (just in general be careful of your finger/hair oils touching the paper, that sketchbook especially will cause the watercolor to not adhere to the page if I touch it too much, so I just put a little scrap of paper under my hand while I paint and sketch and it works great) but for my professional work I use this Canson brand, if you’d like just a visual kind of reference for how I paint, albeit edited (I promise, it’s a lot less of a satisfying and fast process unedited) I do painting videos on tiktok!
Palette
So! Mixing paints. I’ll get to color theory in a second, but mixing your own colors is good to do, and most paint sets will come with a palette to use, but if they don’t any slick white surface will do! I use a big ol piece of glass from a frame and the white backing from it.
Swatching
I always do little test swatches before I lie the actual color down! It helps so ya don’t mess up colors, it’s become kinda muscle memory for me but usually just lil swatches like a couple centimeters wide and an inch long is probably gonna be enough for you to know if the color is how you want it!
Size
Just wanna say: I paint really small! The largest my paintings get is like 5 inches tall, and that’s usually only for my professional stuff, but I dunno if you’d like to do that! If you paint big, just be careful of using too much water or your paper will warp! It’s not the end of the world though, and use of water is something that definitely took me a sec to learn.
Drying
Make sure to let stuff dry! If you’re painting sections, for example like this painting I did, I let the red dry completely before painting the yellow! Or else those bois would’ve bled together, but if you wanna use that to your advantage, go ahead and mess with watercolor textures! Also If you’re using a lot of pigment, it’ll take longer, just don’t make the mistake I’ve made many a time in touching the not dry yet paint! But!! Be wary: watercolors are tricky bastards and if you want a smooth coat of paint, work fast! Or else some parts’ll dry and you’ll get a wonky coat, this isn’t all too worrisome except when you’re painting skin tones!
Pigment
Okay so pigment to water ratio is a tricky thing, and I must admit it probably comes with a bit of practice as dumb as that is to hear, but I’ll try and give ya some tips on how how to implement it!! So for my fanart work on here I don’t use a lot of pigment since I don’t use that many super saturated and flat colors, unlike in my tiktok stuff where I do thick coats of paint for maximum visual asmr stuffs or whatever. It also probably depends on the paints you’re using, but I’d recommend trying to find a consistency that isn’t too thick, or else it’ll be really weird to work with, and always remember to mix enough of a color before you start painting with it!!
Colors and unifying them
Unifying your colors can be a dope trick! Basically like instead of using a bright green and a bright blue and yellow and pink for a color scheme you can change each color depending on if you want like a warm tone or a dark/blue tone! So the bright green would turn into an army green, the yellow would get orangier, the blue would be kinda greyish, and so they’ll all fit nicer with the pink or reds and the piece will be soft and nice on the eyes! Some examples of how if unified colors and stuff in my work below! Also I should say, I use a lot of edits to get it this warm toned! On my iPhone there’s a lil slider for warmth and tints and stuff
So I’m a big fan of warm and orangey toned stuff so for mixing paint here’s the color you’d add to make one color less bright and more neutral so it doesn’t clash with the other colors! This gets into color theory which there are probably some great YouTube videos on! This mixing also goes vice versa.
Blue: add orange, green: add red, Red: add green to make a nice brown or a skin tone, yellow: add purple.
Also! Watercolors are tricky when mixing, basically you’re not always gonna get a perfectly saturated vibrant color when you mix two colors together like red and blue to make purple, so it’s usually just best to use a purple watercolor if you have it.
painting light:
This is honestly something I’ve just recently been incorporating into my work and I don’t have a great way to explain it so I’ll just give a few references. Painting light and shadow isn’t nescessary but if you wanna do it here’s a kinda easy way to:
Painting shadow
For shadows don’t just use grey or black! This usually can make a piece desaturated (or so I have been told) so instead you can use a blue or maybe a red or pink depending on if you’re painting skin or not! Also if you wanna add just a bit of dimension to your piece but don’t wanna go overboard on the shadows, i usually just paint a lil half triangle under the chin!
Blush
It’s not nescessary but it’s a way I’ve found fun to make the characters look more human and cute! Just on the ears, fingertips, knuckles, knees, shoulders, nose if you draw noses, elbows, and toes should do the trick!
black paint
Black is an extremely tricky color to paint with! Sometimes if you’re painting like a goth outfit for example and you have a lot of overlapping black shapes, it’s hard to differentiate them and so I usually do these weird lil lines to show distinction between things!
Lastly, I hope you have lots of fun and tons of success in whatever form that may come in! Let me know if you have any more questions or clarifications or details! Sorry this took me so long! <3
Millennial Sisyphus keeps entering all the information from his resume into the web form, only for it to delete everything when he tries to move to the next page. He just goes back and types it all up again, over and over again, forever, and he never gets a job.
Millennial Tantalus has been promised that his unpaid internship will become a paid position as soon as the company has space for him. Every week he sees their new job posting. Every week he asks his boss if he can have a real job. The boss shrugs apologetically and says he’ll just have to make do with being paid in experience a little longer. He goes back and keeps working, over and over again, forever, and he never reaches the fruits of his labors.
Millennial Persephone can’t get a job without a degree, but because she had to take out loans to pay for college, she must spend 1/3 of her life working just to pay them off.
Millennial Cassandra’s title is Social Media Coordinator, she was hired to be the expert, but every time she tries to explain the problems in her company’s social media decisionmaking, the managers don’t listen…and end up hiring expensive PR flacks to repair the damage to their reputation when things blow up exactly as she predicted.
Millennial Medusa uses multiple shades of primer and opaque foundation to cover the scars snaking across her face, hiding the bruises, aligning the asymmetry in her broken nose and jaw. Red matte on the lips, green shimmer on the lids. Flawless liner on the first try. She’s had lots and lots of practice. She films her transformation in secret for all to see and learn, and again, men are turned to anonymous stone faces screaming in horror. “Liar!” “Witch!” “Take her swimming on the first date!” These words do not discourage her. These words are a challenge. GlamGorgonXx posts another video.
Millennial Prometheus uploads another PDF to his site. He’s lost track of the printing and edition of this textbook. He knows they just rearranged some of chapters then charge 150 dollars per copy, and the professor wrote the book himself. the ZIP fills uploads successfully, and he starts uploading the next one. He isn’t afraid of the potential lawsuit. knowledge shouldn’t held out of reach like this.
Millennial Circe screenshots all the lewd messages she gets from men on online dating sites and posts them on her very popular Instagram along with their pictures and usernames. When people accuse her of attempting to destroy their reputations, she insists she’s just revealing them for the pigs they truly are.
Millennial Odysseus is starting to suspect there’s something wrong with his GPS…
This episode was pure pain.
oh no my heart
S04E09 - Lancelot Du Lac (deleted scene)
#one of my favorite parts of the ep tbh #like can we just talk about how merlin’s just seen all this really important epic shit about the battle #and he’s using the one chance he has to get some kind of message to arthur before it’s too late #and it’s not as if he’s got all the time in the world #but he doesn’t just launch right into it #the first thing he says is he’s sorry #and that he didn’t want to leave him #reassures him he’s a good king #like fuck #even now at a time like this #he is still arthur’s loyal and devoted friend before he is anything else (brolininthetardis)
#not to mention that arthur takes that moment and doesn’t even question it for a second #it’s merlin talking to him #and merlin /feels/ real in that moment #what he’s saying /feels/ like the man he’s grown to know #so instead of questioning it or thinking it was just a dream #or wondering why he would be hearing merlin #or ANY of that #all he does is get the hell out of that bed and get to work making sure his men know about what he was told #that his men are secure #he trusts in merlin so much #that he would even trust and believe in a dream version of him #because he knows merlin would never lead him astray (magicalembrace)
Day 2,191 since the Merlin finale. I’m still not over it.
#we’re all merlin in this scene t b h
I find suspicious/angry Merlin incredibly sexy
LETTERS & QUIPS: An instrumental mixtape for stories set in the early 19th century. [listen]
1. Theme from Mansfield Park - Lesley Barber // 2. Emma Woodhouse Was Borne - Samuel Sim // 3. Piano Summary [Episode One] - Carl Davis // 4. Lady’s Waltz - Benoît Groulx // 5. Piano Concerto #20 in D minor 2nd mov. Romance - Wolfgang Amadeus Mozart // 6. Willoughby - Patrick Doyle // 7. Strange Leaving With Books - Benoît Charest // 8. All The Better For Her - Patrick Doyle // 9. Rondo Favorit in Eb major, Ben 613 - Ignaz Pleyel // 10. Departure (Reflection) - Max Richter // 11. Excellent Notion - Patrick Doyle // 12. Without Suspicion - Samuel Sim // 13. Nocturne no. 5 B Flat Major Andantino - John Field // 14. Winter into Spring - Carl Davis // 15. German Dance in F Major - Joseph Haydn (version by Hrshgn) // 16. Sense and Sensibilty 2008 Piano Piece - Martin Phipps (version by TweedleDee1) // 17. The Living Sculptures of Pemberley - Dario Marianelli // 18. Larkrise to Candleford Theme - Flora Thompson (version by Tweedledee1) // 19. Telling The Truth - Carl Davis // 20. Basingstoke Assembly - Adrian Johnston // 21. Voi Che Sapete - Wolfgang Amadeus Mozart (sung by Cecilia Bartoli) // 22. Pilgrims on a Long Journey- Coeur de Pirate // 23. To The Ball - Adrian Johnston // 24. The Hole in the Wall (Hornpipe from Henry Purcell’s Abdelazer)- Henry Purcell // 25. Fireworks - Lesley Barber // 26. Andante in F Major - Ludwig van Beethoven // 27. Elizabeth Observed - Carl Davis // 28. Frank Is Free - Samuel Sim // 29. Camera Obscura - Alexandre Desplat // 30. Piano Trio in E Flat, Op. 100 (adapted) - Franz Schubert // 31. Leaving Netherfield - Dario Marianelli // 32. Runaways - Adrian Johnston
Cover: Portrait of Lady Selina Meade, later Countess Clam-Martinic (1797–1872), Thomas Lawrence, painted in 1819 [x]
I think the best piece of advice I have got ever was in my third year of CS, in an algorithms and complexity class. I remember when we went up to the blackboard and someone was stuck in some part of a problem, the professor always told us to take a step back. Literally. So I remember people took a step back (even, sometimes some people returned to their seats to see the whole blackboard) and it seemed, they magically got the answer. In those times I questioned that. How someone who has been stuck in the same problem for a long time, take a step back and then see what’s the problem?
Then, one day, I was in the blackboard and was stuck somewhere, the professor gave me that advice. One step back and I saw the blackboard in a different way. I was able to keep on writing a solution for the problem.
After that, I found it doesn’t need to be a literal step back. It can be going for a walk, drink or eat something, whatever. You know that, if you ever feel stressed and you can keep going on, relax, but you seldom do that. At least, I don’t.
So, today, I was programming something, but it didn’t work. I was 100% sure, I understood what I needed to code, but it wasn’t still working. I decided to brush my teeth and drink water; meanwhile I was summing up what I had done. I rethought the whole problem for a moment, and I got it! I was focused in the details, instead of the whole picture.
Autumn seemed to arrive suddenly that year. The morning of the first September was crisp and golden as an apple.
Yaaas