probably an alien idk @extr4terrestriall - Tumblr Blog

getting an attack on artfight elicits the same reaction a six year old gets on christmas morning im genuinely giggling n kicking my feet over this

#ive gotten two so far and i feel so blessed #actually masterpieces #artfight 2026 #artfight #oc posting #nye speaks into the abyss

iliketobeirl

Ouuuu shiii

allsadnshit

Two things can be true at once unless I don't think so then they aren't anymore sorry

gaysforbyler

‼️St5 spoilers‼️

Will Byers says “Fuck AI”

gaysforbyler

This seems appropriate to reblog rn

twiggy-boy

You know, every time I draw something stupid, I think to myself "surely I can't top this!" And then somehow I draw something even dumber

Edit: NOOO NOO WHY IS THIS GETTING NOTES??? STOP IT!! ONLY LIKE 10 PEOPLE WERE SUPPOSED TO SEE THIS AND THEN ID BURY IT UNDER MY REPOSTS NOOO

s-kim-bial

Happy birthday, till 🤍

byleriskillingme

YALL IM CRYING

wheezingwheeler deleted their ENTIRE ao3 account 😭😭😭

I went to look them up to see if super soaker was still up and this was all that came up IM DYING

iluhbyler

IM CRYINGGGGGG

extr4terrestriall

this is fucking killing me i love you people

#byler #wheezingwheeler #claude

pearlssz30

Everyone get more Pipabeth pilled now!!!!!!!

bluemoonscape

I haven’t seen anyone talking about this. And imo. This is one of the most important shots of the whole video.

I keep seeing people say how crazy Mizi is and how innocent Sua was in comparison, but that’s just not true. I adore both Mizi and Sua, by the way. This isn’t criticism of either of them. But you can’t ignore what Sua does here if you want an accurate portrayal of their relationship in this world.

When Mizi becomes an idol, she’s manufactured into a sex symbol, crafted into something that can appeal to the male gaze despite how we KNOW she’s a lesbian. Specifically, we can see how Mizi’s breasts are often framed promiscuously to further her objectification:

So this shot where Sua finds Mizi, tied up and helpless, incoherent, and the first thing she does is frame an unaware Mizi’s breasts as if in a photoshoot—bitterly, ironically, before relief takes over—it goes to show something major about Mizisua’s relationship in both the ALNST and ZOMST verse.

In ALNST, Sua enables Mizi’s infantilization (something often levied against women in a misogynistic context) of herself by keeping Mizi “in the dark” (although Mizi is more aware than either of them want to acknowledge). People rightfully criticize Till for his innocent vision of Mizi to comfort himself with, but Sua has a version of Mizi in her head that she uses to comfort herself, too. She and Till aren’t incredibly different in this regard.

In ZOMST, this translates not to infantilization, but to objectification. Sua is bitter over Mizi’s decision to let the industry use her in this way, she’s disgusted by it, but then she wields it herself when Mizi is finally helpless and incapable of pushing Sua away again by miming taking a photo of Mizi’s breasts.

Mizi is objectified in ZOMST by everyone: the industry, herself, the crowd, and even the person she loves the most.