I put my wordsing on a website of my own because that's a thing I can do.
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Mike Driver
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we're not kids anymore.
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2025 on Tumblr: Trends That Defined the Year

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I put my wordsing on a website of my own because that's a thing I can do.
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a while ago I read this sci-fi short story from the 50s where a guy is kidnapped and interrogated by aliens using a very sophisticated lie detector, but he realizes that the lie detector works off technical truth, and with some careful phrasing and misdirection, he manages to make them believe that humans are a race of immortal, overpowered, omniscient telepathic beings. and it works.
my favorite part is when he tells them that humans are "capable of transportation without the aid of spaceships or any vehicles, just by using mental power to control physical matter". it's true, we can. it's called walking.
okay I found it, it's The Best Policy by Randall Garrett
and it has other gems such as "I know beyond a shadow of a doubt what every member of my race thinks of you" (they don't know you exist) and "every human knows exactly as much about the location of your home planet as I do" (nothing)
Found a version you can read online that only had a couple of scanning errors that are easy enough to mentally correct:
https://ebookslib.org/reader/9260/
Tis a right chuckle!
hello fellow non-Black tumblr users. welcome to my saw trap. if you'd like to leave, please name one (1) Black woman author who is not Maya Angelou, Toni Morrison, bell hooks, Octavia Butler, or N.K. Jemisin. bonus points if she's published a book in the last five years.
For my own future reference, and for anyone else who wants it, a list of authors mentioned in the notes. (I cannot promise this is comprehensive, there are a lot of reblogs and I might have missed some.) I've included a link for each author, where possible I've tried to find one that leads you to their books, prioritising own websites/publishers, falling back on wikipedia otherwise.
If you find any mistakes in the links let me know and I'll edit. This post will be in two parts, because I literally broke tumblr with how many authors there were. I think it's about a hundred and fifty.
Faridah ĂbĂkĂ©-ĂyĂmĂdĂ© - speculative fiction
Marguerite Abouet - graphic novels
Elizabeth Acevedo - fiction, poetry
Chimamanda Ngozi Adichie - fiction
Tomi Adeyemi - young adult fantasy
K Ancrum - speculative contemporary young adult
Lily Anderson - fiction
Ashley Antoinette - fiction
Ama Ata Aidoo - poetry, fiction, plays
Kemi Ashing Giwa - speculative fiction
Kalynn Bayron - young adult, fantasy
Malorie Blackman - childrens' books, young adult
Natasha Bowen - fantasy
Gwendolyn Brooks - poetry
Natasha Brown - fiction
NoViolet Bulawayo - fiction
Constance Burris - speculative fiction
CL Clark - fantasy, speculative fiction
Wahida Clark - urban fiction
Lucille Clifton - poetry, fiction
Alyssa Cole - romance, thrillers, graphic novels
Kamilah Cole - fiction
Claire Coleman - fiction, essays, poetry
Maryse Condé - fiction, non-fiction, plays
Emma Dabiri - non-fiction
Edwidge Danticat - fiction
Angela Davis - philosophy
Carolina Maria De Jesus - memoir
Hayley Dennings - fiction
Tracy Deonn - fiction
Nicky Drayden - speculative fiction
Tananarive Due - horror, comics
Camille Dungy - memoir, poetry
Esi Edugyan - fiction
Zetta Elliot - childrens' books, teen fiction, adult fiction
Bernardine Evaristo - fiction
Conceição Evaristo - fiction, non-fiction
Eve Ewing - poetry, fiction, non-fiction, comics
Radna Fabias - poetry
Namina Forna - young adult fantasy
Latoya Ruby Frazier - non-fiction
Stella Gaitano - fiction
Camryn Garrett - fiction, middle grade
Roxane Gay - fiction, non-fiction, comics
Nicole Glover - fantasy, speculative fiction
Nikki Giovanni - poetry, essays
Jewelle Gomez - fiction, plays
Annette Gordon-Reed - non-fiction (history)
Pumla Dineo Gqola - non-fiction
Deanna Grey - romance
Yaa Gyasi - fiction
Andrea Hairston - fiction
Lorraine Hansberry - plays
Saidiya Hartman - non-fiction, theory
Alexis Henderson - dark speculative fiction
Adriana Herrera - romance
Talia Hibbert - romance
bell hooks - fiction, non-fiction, poetry
Pauline Hopkins - fiction, non-fiction, plays
Nalo Hopkinson - speculative fiction
Jordan Ifueko - comics, fantasy, young adult
Samantha Irby - non-fiction
Justina Ireland - science fiction, fantasy, comics
Meka James - contemporary and erotic romance
Tiffany D Jackson - young adult
Beverly Jenkins - romance
Alaya Dawn Johnson - speculative fiction
Micaiah Johnson - science fiction
Mariame Kaba - non-fiction
Petals Kalulé - fiction, poetry [Petals is noted as using she/they, I'm not 100% sure of their gender identity and past a certain point it feels weird to investigate too much]
Mikki Kendall - fiction, non-fiction
Jamaica Kincaid - fiction, non-fiction
Zaire Krieger - poetry
Nella Larsen - fiction
Karmen Lee - romance
Kirsten R. Lee - young adult
Margot Lee Shetterly - non-fiction
Audre Lourde - poetry, non-fiction
And here's part two:
Terry Macmillen - fiction
Robin Maynard - non-fiction
Amber Mcbride - poetry, young adult
Janet Mock - non-fiction, screenwriting
Brittney Moris - comics, young adult, fantasy
Bethany C Morrow - fiction, science fiction, young adult
Leila Mottley - fiction, poetry
Beatriz Nascimento - non-fiction
Leticia Nascimento - I think non-fiction primarily
Gloria Naylor - fiction
Zora Neale Hurston - fiction, non-fiction
Grace Nichols - poetry
Siphiwe Gloria Ndlovu - fiction
Trifonia Melibea Obono - fiction
Shirlene Obuobi - comics, fiction
Nnendi Okorafor - science fiction
Melatu Uche Okorie - fiction
Chinelo Okparanta - fiction
Helen Oyeyemi - fiction
Nell Painter - non-fiction
Morgan Parker - poetry, non-fiction
Nikki Payne - romance
Koleka Putuma - plays, poetry
Claudia Rankine - poetry, plays, non-fiction
Sarah Raughley - young adult
Dia Reeves - fantasy, horror, science fiction
Kiley Reid - fiction
Stacy Reid - romance
Djamila Ribero - philosophy
Legacy Russell - fiction, non-fiction, poetry
Layla F. Saad - non-fiction
Sofia Samatar - fiction, non-fiction
Liselle Sambury - fantasy
Analeigh Sbrana - romance, fantasy
Namwali Serpell - fiction
Ntozake Shange - plays, poetry
Christina Sharpe - non-fiction
Nisi Shawl - fiction, alternate history
Jamison Shea - dark fantasy/horror
Patricia Smith - poet
Tracy K Smith - poet
Zadie Smith - fiction
Sister Souljah - fiction
Kiki Swinson - fiction
Mildred D Taylor - young adult/children's lit
Katerina Teaiwa - non-fiction
Teresia Teaiwa - poetry
Angie Thomas - young adult, middle grade
Leah Thomas - non-fiction
Spike Trotman - comics
Tloto Tsamaase - science fiction
Nikki Turner - urban fiction
Maxine Tynes - poetry
Ngozi Ukazu - comics
Shola von Reinhold - fiction
WanjikƩ wa NgƩgĩ - fiction
Jasmine Walls - graphic novels
Alice Walker - fiction, non-fiction, poetry
Jesmyn Ward - fiction
Monica West - fiction
Phyllis Wheatley-Peters - poetry
Rita Williams-Garcia - young adult, middle grade
Stephanie Williams - comics, non-fiction
Tia Williams - fiction, romance
Raquel Willis - non-fiction
Jamila Woods - poetry
Jacqueline Woodson - childrens' books, young adult, fiction, poetry
Alexis Wright - fiction, non-fiction
Zane - erotic fiction
Fiona Zedde - fiction
Attica Locke - Mystery/Thriller Fiction
Oyinkan Braithwaite - Fiction
Isabel Wilkerson - Non-fiction
Temi Oh - novelist and screenwriter
Karen Lord - author and editor
The Witch of Stolen Tomorrows had begun to notice an odd trend amongst her petitioners.
The latest was a farmer. He had braved the journey through the Testing Woods and arrived with his convictions mostly intact. He now sat on a tree stump by the Witchâs thornbush cottage, drinking a cup of bitter tea, and asking for a fairly standard boon.
"Oh yes," said the Witch, "I can make you a spell for a bountiful harvest, but what will you give me in return?"
The farmer gulped. "My firstborn child?"
"By the dick-shattered sky.â The Witch exclaimed. âWhat?"
"Oh. You don't take firstborn children?"
"I am a witch of ancient promises, timeless dreams, and fresh blood.â The Witch announced. âOf course I take firstborn children. It's just a bit weird that it was your first offer."
I enjoyed this!
Every morning, the queen asked her magic mirror to show her the most beautiful person in the world.
The mirror replied "To whom?"
"The miller who made the flour for my bread," the queen would say, or "Whoever spun the thread my shawl was made of".
The mirror would show her, and she'd be amazed.
The first time, she says "To me," and the mirror dutifully shows her her reflection. And she is pleased.
The second time, she says "To the King," and she is pleased to see herself once more.
The third time, she says "To the Royal Advisor," and is once more satisfied to see herself.
The fourth time, she says "To the scribe who takes the King's letters." She is shown the man's wife. And she seethes, but quiets herself, for it is only right that a man loves his wife.
The fifth time, she says "To the Court Wizard," and is shown the man's departed mother as he remembers her from his youth, radiant and smiling and warm and larger than life.
The tenth time, she says "To the Stable Master," and is shown the fastest horse in the stable, majestic and free as the wind even in captivity
"To the baker," she is shown the man's daughter, young and adorable and full of joy and laughter.
"To the artist who did my portrait," she is shown a painting of a woman done by the man's teacher, who he still looks up to now that he is well established himself.
"To the Royal Knight," she is surprised but not displeased to see the castle's entire guard force in the middle of doing drills.
The one hundredth time she asks the mirror, and it asks her "to whom?" she once again says, "To me." And she does the same the one hundred and second, and again and again and again.
It is a different person each time, and they are all beautiful.
I donât just want to be with you. I want to live with you. In the kingdom under the hill, we could have been together forever. I didnât want
I keep reading Naomi Kritzer stories and then my eyes are all wet. Please send help.
Years before the covid pandemic began, author Naomi Kritzer wrote the charming, emotionally genuine short story "So Much Cooking," which was a pandemic log through the eyes of a cooking blog. The premise is that the author is a home cooking blogger raising her kids, and then a pandemic hits--and bit by bit she's feeding not only her own, but her sister's kids, some neighbors' kids, and so on, in a situation of pandemic lockdown and food shortages.
It's very good, and was prescient for a lot of the early days of the covid pandemic. I found myself returning to it often in the first couple of years because of how steadfast it was in its hopefulness.
Last year she wrote a novelette, "The Year Without Sunshine," which attacks a similar problem in a similar way; instead of pandemic, this one is about the aftereffects of a distant nuke or a massive volcano explosion (it doesn't say), which has churned a great deal of dust into the air, causing massive damage to society and agriculture. The story covers one neighborhood, pulling together to keep each other alive--not through violence, but through lawn potatoes and message pinboards and bicycle-powered oxygen concentrators.
I recommend both stories. They're uplifting in a way that a lot of what I see lately isn't. They're a bit of a panacea for constant fearmongering about intracommunity violence and grinding hatefulness. We can be good to each other, if we try.
These are both great stories, and very hopeful despite the subject matter.
So this is one of my favourite authors now.
The Year Without Sunshine has an audio version at the bottom, too, for my fellow story listeners.
She also has a lot of other shorts linked to on her website, as well as books out.
People who comment on my website may find themselves receiving fae gifts, as a reward for making me do little happy dances because someone liked my weird little stories enough to tell me how it made them feel.
I cannot guarantee anything about the nature of the gifts, when you may receive them, or if you will actually receive anything.
Just know that if you feel you have received a gift after commenting something delightful on my site, you should probably make sure you have used it up before midnight (where applicable) and not tell anyone about it. Except me, you can tell me, and I will grin wryly with the knowledge of your reward.
Unless your gift turns out to be teeth. Then you should bury them immediately. You don't wanna know what happens otherwise, trust me.
Thanks, commenters, you all make my shrivelled little heart burn a little brighter!
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)
âwe didnât know any better,â the crewman says, and swallows, presenting the chest to the captain. âwhat do we do now?â
âkill it,â the captain says, but the ice is melting in his eyes.
âwe canât,â the first mate says desperately, praying she wonât have to fight her captain on this. âwe canât. we - i wonât. we wonât.â
âi know.â
x
âdaddy,â she says, floating in a tub of seawater in the hold, âdaddy, la-la, la-la-la.â
her voice rings like bells. her accent is strange; her mouth isnât made for human words. it mesmerises even the hardiest amongst them and she wasnât even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
âdaddy,â she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
âdonât worry,â he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
âfather,â she says, one day, as she leans on the edge of the dock and the captain sits next to her, âwhy am I here?â
âyour mother abandoned you,â he says, as he always has. âwe found you adrift, and couldnât bear to leave you there.â
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. âalright,â she says.
x
âwhy am I really here?â she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
âwe didnât know any better,â the first mate says, staring into the water. âwe didnât know- we didnât know anything. we didnât understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.â
she wants to be furious, but she canât. she already knew the answer, from reading the guilt in her fatherâs eyes and the empty space in her own history. and she canât hate her family.
âitâs alright,â she says. âi do have a family, anyways. i donât think i would have liked my other life near as much.â
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. âi donât mind,â she says, when the captain fusses over her, ânow i match all of you.â
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. âwe shouldnât fight him,â she says, peering through the spyglass.
âwhy not?â the mermaid asks.
âheâll win,â the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. âare you sure?â she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
âdonât worry,â she says, with a bright laugh, âit was fun.â
x
the second time, they are pushed by a storm into a royal fleet. they canât possibly fight them, and they donât have the time to escape.
âlet me up,â the mermaid urges, surfacing starboard and shouting to the crew. âbring me up, quickly, quickly.â
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but sheâs so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
âyou know we are dying,â the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
âi know,â she says, âi can feel it coming.â
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaidâs deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
âwe love you,â the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
âi love you too,â the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
âguard the ship,â the captain says. âyou always have but you know theyâre lost without you.â
âwithout you,â the mermaid corrects, with a shrug that makes waves. âwhat will we do?â
âi donât know,â the captain says. âbut youâll help them, wonât you?â
âof course i will,â she scoffs, rolling her eyes. âi will always protect my family.â
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
âyou know, i heard stories about you when i was a little girl,â she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. âis that so?â she hums, smirking with teeth sharper than the swords of the entire navy.
âthey said you could sink an entire fleet and that you had skin tougher than dragon scales,â the new captain says, grinning right back at the monster who could eat her without a momentâs hesitation. âi always thought they were telling tall tales.â
âand now?â
âthey were right,â the new captain says. âhow did they ever befriend you?â
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. âthey didnât know any better.â
She protects her family.
Humanity has finally reached the stars and found out why no one had contacted us. The universe is in a sad state. As such, Doctors without Borders, Red Cross, and many othe charities go intergalactic.
The thing the recruiters donât tell you about space battles is that you die slowly.
Ships donât blow up cleanly in flashes and sparks. Oh, if youâre in the engine room, youâll probably die instantly, but away from that? In the computer core, or the communications hub? You just lose power. And have to sit, air going stale and room slowly cooling, while you wait to find out if the battle is won or lost.
If itâs lost, nobody comes for you.
It had been about half a day (thatâs a Raithar day, probably a bit shorter than yours) and Kvala and I were pretty sure we had lost. Kvala was injured, Traav and I were dehydrated and exhausted, and Louv was dead, hit by shrapnel when the conduits blew.
Most fleets give you something, of course. For Raithari, itâs essence of windgrass. I looked at the vial.
âItâs too soon,â Traav said.
Kvala gestured negation, shakily. She had been burned when conduits blew, and her feathers were charred, and her leftmost eye was bubbly and blind now. Even if we were rescued, she probably wouldnât survive. âYou know weâre losing the war.â
They couldnât deny that. âIt doesnât mean we lost the battle.â
âDoesnât it? The Chreee have better technology. Better resources. And they have their warrior code. They donât care if they die.â
âWe canât give up!â Traav protested. They were young, a young and reckless thar who had listened to a recruiting officer and still believed scraps of what they had been told. âAny heartbeat nowââ
There was a clunk. Something had docked with our fragment of the ship.
âYou see?!â Traav crowed triumphantly.
Kvala exchanged glances with me. The Chreee never bothered to hunt down survivors. What was the point, after all?
The Aushkune did.
There werenât supposed to be Aushkune here. They were supposed to hide in nebulas.
But if there wereâ
If there were, we were too late. The windgrass couldnât possibly destroy our nervous systems in time to stop the corpse-reviving implants, and once you were implanted, it was overâor it would never be over, depending on how you looked at it and whether Aushkune drones were aware of anythingâ
Footsteps.
Bipedal. The Aushkune were supposed to be bipedal.
And then the blast door opened, and a figure stood in it. My first thought was, robot? Thatâs almost worse than Aushkune . . . But no, it was a being in some sort of suit.
Who wore suits?
âFriendly contact,â the suitâs sound system blared, as the being moved over to Kvala. âUrgent treatment. Evacuation.â
âWho are you?â Kvala struggled upright.
Despite the primitive suit, the blocky being was using up-to-date medical scanners. âLow frequency right angle shape,â it explainedâor maybe didnât explain. Two more figures came into the room and put Kvala firmly onto a stretcher.
âYouâre with the Chreee, arenât you?â Kvala was not at all happy to be on a stretcher.
âNot Chreee,â the sound system said. âYou Man. Soil Starship Nichols.â The being hesitated. âRescue Chreee as well. On ship. Will separate.â
âYou what?â I said faintly. Who would do that?
âOath,â the being explained.
âWhat kind of oath? To what deity?â
The shoulders of the being moved up and down. âSeveral different. Also none. For me, none. Justâoath.â
I exchanged glances with Traav, who looked as unsettled as I was. I had never, ever heard of groups cooperating when they couldnât even swear to or by the same power.
The being scanned me. âHave water,â it said. âRecommend.â
Raithari have fast metabolisms. I couldâwouldâdie of thirst quickly, and painfully.
âWhere will you take us,â Traav asked, âafter you give us water?â
âRaithari to Raithar. Chreee to Chreeeholm.â
âChreeeholm would kill them for failing,â Traav remarked.
The being hesitated, and then said, âWar news sometimes bad. Sometimes lie.â
We had learned long ago not to believe the recruiting officers, but what did that have to do with anything?
âAnd youâwhat?â I asked. âJust fly around looking for battles and rescuing victims?â
The being seemed to consider this. âBest invention of soil,â it said finally.
Most of what it was saying didnât make any sense. Did it worship soil? But it had said that it had sworn to no deity . . .
Madness.
On the other handâwar was a deliberate, rational act by deliberate, rational people, and I wanted no more of it. So why not embrace madness and see what happened?
âSoil StarshipâRrikkol?â I asked, stumbling over the word.
âYes. Soil Starship Nichols.â
I followed the being in the suit.
Took me well over a minute to realize "low frequency right angle shape" was Red Cross.
This whole thing is brilliant with translation stuff.
Punching God simply seemed like the only reasonable response.
I had closed my eyes for the last time, then opened them again to see the big bearded bastard standing there, looking all beneficent and peaceful, smiling like he expected me to be happy about being dead. Just chilling out in front of those huge, obnoxiously ostentatious pearly gates.
So, of course, I punched the smug fucker. I balled up my fists, walked up to him without saying a word, and as he spread his arms in what I think was meant to be a paternal gesture of acceptance, I knocked him right on his holy arse with one solid right hook.
Lying there, holding his jaw, he didn't even look surprised. He just stared up at me, while I shook with rage, sweat beading on my head, which was still bald even here in the afterlife.
"You absolutely atrocious piece of shit," I snarled at his white-robed form, spitting the curses like they would cut him.
"You sadistic, cruel, vicious arsehole," I growled, standing over him still wearing my hospital gown. I could feel the spaces in my flesh where the cannula had been. There was a ghostly sensation of monitors that had been attached to my skin since forever ago, but were now suddenly absent.
I glared at him, eyes blasting rage from beneath an absence of eyebrows. But I wasn't really seeing the ambivalent, bearded face. Instead, her face was burning bright in my mind. Her lovely, loving, youthful face stained with tears I once thought she would run out of, but that hadn't stopped even after however long it had been. Every visit, there had been more tears, and I knew there would be more, so many more, now that I was gone.
God didn't try to get up. He didn't try to argue, or protest. Something in his eyes seemed to accept this. It was almost like he expected it. He stopped rubbing his jaw, looking up at me with a horribly agreeable expression.
"I forgive you," he said, his voice reverberating deep and resonant, like gentle thunder.
"Fuck you, you rotten cunt," I snapped back, pulling back a bare foot and kicking him in the guts with a satisfying thud. I did it again, and again, not stopping until my foot ached from the impacts. He had curled up into a defensive ball by that point, and I took a step back, breathing hard.
As my breath slowed, feeling my lungs working in a way they hadn't for years, I heard a strange sound behind me. Something like a drain emptying, or mud sucking on a shoe as you pull it out of a bog. Turning, I saw a massive hole in the blank white ground. A black abyss, several meters wide, filled at first with nothing but absolute darkness. Then, as I watched, eyes fixed on this perfectly circular hole carved in the smooth floor, a flicker of light began to dance in the bottom of it.
"Please, don't go," came God's voice from behind me. It was softer than before, gently pleading, a protective note at the edges. The resonance, the depth, the authority were still there - but there was something else underneath them that felt oddly wrong. It was so confusing that I thought for a moment it couldn't be him. I turned to face him again, and found him standing on the spot where I had left him curled into a ball, looking just as disgustingly peaceful as before.
"You don't get to ask anything of me, you shitstain," I told him, my brief curiosity fleeing at the sight of his beatific features. "You don't get to ask for anything more from me," I declared, blood boiling as I stepped towards him once more, my fists two burning orbs of rage.
"It's ok now, it's all over, you can rest," he tried to reassure me, voice full of that supernatural authority that I couldn't trust, with a kindness that felt awfully practiced. He raised his hands in a somewhat awkward attempt at a calming gesture.
I stopped. I stopped and stared at him incredulously. I could rest? I could fucking rest?
I looked down at my hospital gown. At the marks on my arms. At the lines that showed the traces of every dose of chemo, every drop of morphine that I had to lower the dosage of every time my family visited, just so I could be something like lucid.
"I don't want to fucking rest, you turd," I growled, eyes snapping back up to glare daggers into that wrinkled face and benevolent expression. "I want to rip your damned legs off and beat you to death with them," I shouted, voice cracking from my bubbling emotions. I moved towards him again, fingers flexing as a part of me wondered if God could bleed.
He held out his arms as though to keep me away, but I batted them aside and smashed my fist into his nose. I wasn't sure if the crunch came from him or my knuckles, but I didn't care. He didn't go down this time, only stumbled back a little. So I grabbed his stupid robe and pulled us together again, bringing his face back into hard contact with my fist. I could feel my face contorting into a bestial snarl, punching him over and over again, until I felt a wave of rage and horror and despair tear itself free from my aching chest, and I let out a scream like nothing I'd ever heard before.
It felt like my throat ripped asunder as I cried out, releasing my grip and dropping to my knees, tears flowing down my face as all that I had held onto for so long finally overcame me. There, at the gates of heaven, I wept like I had never wept in all my life.
I don't know how long I sobbed for.
When I breathed in deep, sucking up all those feelings and drawing myself back together, ragged and worn though every edge of me was, I felt his hand resting gently on my shoulder.
"It's ok now," he said, soft and kind once again. Like he understood. As though he could ever possibly understand.
I shook him off my shoulder and stood up. I stumbled forward at first, but I managed it on the second try. I wasn't used to using my legs any more, and that initial surge of rage had subsided into something that couldn't quite keep me from noticing how my body felt ill-fitting.
"It's never going to be ok again, you flaccid prick," I told him, the embers of my rage still burning behind my reddened eyes. "It will never be ok for her ever, ever again. How the fuck can you say that? How the absolute shit can you have the gall to tell me it's ok, when she had to watch her mother die when she was just twelve years old? When she had to watch me fucking waste away in agony, she had to watch me become a little less myself with every visit, while she tried to go school and do well on unending exams, and deal with everything else kids have to fucking deal with already?"
I felt tears still running down my cheeks, but slower now. My eyes were sore. I couldn't look at him any more. I couldn't look at the lie of his compassionate face for even a second longer. So I turned and looked down at the yawning chasm in the floor again.
A warm light flickered there in the darkness, and I walked with unsteady steps to the edge of it. I lowered myself onto my knees and looked down, peering past the brilliant whiteness of this place into a very different space.
The light was flickering fire. Looking straight down I could see a dry, rocky road extending away from me, leading to a huge pair of iron gates that stood wide open. They didn't look like they could even close any more, they were so rusted. It was clear no-one was spending their time making sure the gates could keep anyone in, or out.
Beyond them, the darkness ended. Warm light glowed from fires that burned everywhere. Huge bonfires, little campfires, massive blazes in the distance that I couldn't see the source of. And all around them, were people.
People huddled around each pyre, in great crowds. They were indistinct, as was the sound of them that reached my ears. There were so many I couldn't possibly count, gathered in groups and wandering between them in ones and twos. So, so many people. Huddled around for warmth and comfort, collected in crowds that moved gently back and forth like a glittering ocean.
"Please, don't. You don't have to. I forgive you," came that gentle voice me from behind me, rising above the growing din of conversation that spilled up out of the hole.
With a sudden flash of revelation, I realised what I had missed in his voice. I realised what note I hadn't registered through the fog of my anger.
He was scared.
I turned to look over my shoulders, and scanned his face. I looked hard at the lines that creased there, and he seemed to realise I had seen something different in them. Something about him changed. Maybe it was how he was standing, or a little detail of his expression I couldn't put my finger on, but there was something desperate about God.
I looked past him, eyes narrowing. I looked again at the pearly gates of heaven, taking in the sight properly for the first time. I looked at the ornate details, the great banks of clouds on either side. I looked at how they were very firmly closed.
I looked past them. Past the vertical bars wrapped in golden filigrees, up to the rolling hills, the green pastures, the white lights shining from the brilliant blue sky.
I saw what wasn't there. Not one person. Not a single one.
"Won't you forgive me, too?" he asked, his voice tiny, pleading. There he was, all alone, the little man who made it all, begging for someone to forgive him. To forgive him for everything. Literally, for every single thing.
I took a deep breath.
"Go fuck yourself, shithead," I said, as I pushed myself forward into the darkness, towards the constellations of campfires, and all the people who came before me.
They were waiting for me, smiling.
I'm going to be at Eastercon next weekend. Tis the UKs biggest regular literary SFF convention, and I'm looking forward to catching up with some of my fellow nerds there. If you're going, and see me (I will have Fae Papercuts on my badge, along with my actual name) then make sure to tell me you like my shoelaces so I know where you know me from.
I'll be there tomorrow! Looking forward to seeing old friends, nerding out and getting inspired!
I'm going to be at Eastercon next weekend. Tis the UKs biggest regular literary SFF convention, and I'm looking forward to catching up with some of my fellow nerds there. If you're going, and see me (I will have Fae Papercuts on my badge, along with my actual name) then make sure to tell me you like my shoelaces so I know where you know me from.
Oh hey, look, I did another recording! Thought it would be good if I did one of my own, and I really like this one.
Please enjoy my reading of "Still A Monster", a story about what happens when you decide you simply have to ask Medusa about herself
It's too big for Tumblr, so I have to start putting files on my website. On the positive side, it means you can download them as mp3s and keep them forever. On the negative side, I don't know if my website is prepared for streaming reasonably large files to many people at once, so let's find out if it falls over. You can read the text while you listen along, too.
If it gives you feels, you have to tell me. Thems the rules.
Absolutely excellent! I did get the feels (though I didn't get to experience the story until now) and it's a wonderful story. Absolutely gutted by the twist. Excellent work!
Yesss, I thrive on giving people the feels đ
Oh hey, look, I did another recording! Thought it would be good if I did one of my own, and I really like this one.
Please enjoy my reading of "Still A Monster", a story about what happens when you decide you simply have to ask Medusa about herself
It's too big for Tumblr, so I have to start putting files on my website. On the positive side, it means you can download them as mp3s and keep them forever. On the negative side, I don't know if my website is prepared for streaming reasonably large files to many people at once, so let's find out if it falls over. You can read the text while you listen along, too.
Oh hey, look, I did another recording! Thought it would be good if I did one of my own, and I really like this one.
Please enjoy my reading of "Still A Monster", a story about what happens when you decide you simply have to ask Medusa about herself
It's too big for Tumblr, so I have to start putting files on my website. On the positive side, it means you can download them as mp3s and keep them forever. On the negative side, I don't know if my website is prepared for streaming reasonably large files to many people at once, so let's find out if it falls over. You can read the text while you listen along, too.
I was thinking I would turn my website into a static site to save on the overhead of running a dynamic one, and just found some bloody delightful comments from lovely people on my stories! đ„čđ Thank you so much, kind people!
So I'll be leaving it as a dynamic site, but I am gonna look at moving to hosting that's a bit less of a faff.