None of you have actually seen a renaissance painting
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
taylor price
Xuebing Du
ojovivo
Sweet Seals For You, Always
cherry valley forever
★
almost home
Misplaced Lens Cap
Sade Olutola
PUT YOUR BEARD IN MY MOUTH

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tannertan36
untitled

titsay
Claire Keane
Game of Thrones Daily
The Bowery Presents

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@fairfanmaiden
None of you have actually seen a renaissance painting
Barbie as the Princess and the Pauper 👑🪡
What if Buffy's mom hadn't found out about slaying at the end of season 2 and Buffy had to convince Spike to stay in town and pretend to be in a band with her because that was the cover story they'd told Joyce
And then eventually end up accidentally actually starting a band because it’s easier than maintaining the lie
Joyce says they can use the garage to rehearse and she always makes them snacks. Buffy starts to worry she'll never get Spike to leave
Buffy insists on calling the band Slayer and Spike keeps failing to convince her that there’s already a band with that name
Low key I feel like Buffy would just see it as a cover and it’s a ‘fake band’ but Spike gets like way into it and it’s a Real Band™️ to him and he’s a little annoyed Buffy doesn’t take it as seriously. He’s always like “you missed practice this Tuesday what the hell’s up with that. We have a gig next week btw”
#he starts trailing after her on patrol to bitch about missing practice or how she's sloppy on her chords #starts pitching in on the slayage because vampires keep interrupting his tirades #''EXCUSE ME we are having a ROW'' *stakes fledgling* #no chip necessary spike is literally the guy in the band with zero chill about the band #he undeads the band. he unbreathes the band. he spends all his time not sleeping... on the band. #(willow is their manager xander is the merch guy) #(giles was secretly plotting to lure spike into a trap until he notices spike is... actually better at corralling buffy on patrol than he is #because spike doesn't want her injuring her hands or doing anything that fucks with her breath control) #(giles is also weak to the nostalgia of it all and tunes their instruments when he thinks they're not looking) #(when faith arrives mid-S3 she's quickly recruited to sing backup) (via @entirelytookeen)
@worldsokayestdragon :
#spike after learning Oz plays guitar: why İsn't he in the band? #buffy: he's already in his own band. which is actually a real band unlike our fake band that you keep forgetting is just a cover story #spike: we're never going to make it in the music industry if you don't stop calling our band fake
Spike (with reluctant but knowledgeable backup from Giles) finally convinces her that "Slayer" risks bringing copyright lawyers down upon their heads, a fate worse than vampires
Buffy turns around and re-names their band "Fake"
Ok I Don’t go here but this whole thing is very. very. very funny.
a specific type of suicidism that i haven’t seen anyone talk about yet is that suicidal people are unable to talk about their experiences, unfiltered, in mainstream online spaces. you look up the word “suicide” on any social media and you get a pseudo-nice message about how much the corporation really truly cares about you :(🫶
a few examples:
what this really is (allegedly) is a signal of not being liable should you die. connection, community, etc. for suicidal people doesn’t matter because suicide is a no-no word for corporations. so instead of being able to talk about your experiences as someone who lives with suicidality, you’re either forced to use advertiser-friendly toddlerspeak (e.g. “sewer slide”) costing you your dignity, or you get hotlines shoveled your way - hotlines that can call the police on you if you are too candid about your suicidal experience.
TL;DR: being a suicidal person violates community guidelines.
Ted Chiang, “Why A.I. isn’t Going to Make Art.” The New Yorker.
You know that thing would eat you if you died, right? *pointing to the false image of you that others perceive*
"The Stone Hares" by Meraylah Allwood.
As someone who has overcome substance abuse, I find this decade’s framing of addiction incredibly insulting.
Somewhere along the line, we decided that any repeated behavior, any source of pleasure, any coping mechanism, any habit that isn’t monk-like and productivity-optimized must be labeled an addiction. You like scrolling art before you create? Addiction. You watch comfort shows after work? Addiction. You check your phone in line at the grocery store? Addiction. You drink coffee with breakfast? Addiction. The word has been stretched so thin it barely means anything anymore, except “a behavior I personally disapprove of.”
Addiction is not “I enjoy stimulation.” It is not “I have habits.” It is not “I seek input before I produce output.” Addiction is a specific, devastating pattern of compulsion, harm, loss of control, and often self-destruction. It dismantles relationships. It corrodes trust. It hijacks the reward system so thoroughly that survival itself becomes secondary. It is not equivalent to liking Pinterest boards or needing music to focus.
When everything becomes addiction, nothing is. The language gets diluted, and with it, the gravity of what actual addiction is. People who have clawed their way out of substance abuse know the difference between compulsion and preference, between destructive dependence and deliberate engagement. Collapsing those distinctions into a trendy moral panic about “dopamine” is not enlightened. It’s sloppy. Unserious, even.
There’s also something deeply puritanical about it. The 2020s seem obsessed with pathologizing pleasure. If something feels good, it must be suspect. If it captures your attention, it must be hijacking your brain. If it isn’t explicitly productive, it must be rot. We’ve replaced older moral frameworks with neuroscience-flavored shame, but the tone is the same: you are wrong for enjoying things.
What bothers me most is how casually the word is thrown around in creative spaces. If you gather inspiration through music, images, movement, conversation, suddenly you’re “stimulus addicted.” If you can’t brute-force a novel in a silent white room with no input, you lack discipline. Never mind that many artists throughout history have relied on immersion, community, environment, and cross-media inspiration. Now it’s framed as weakness, as though the only legitimate art is produced under self-imposed sensory austerity.
This framing flattens nuance. There is a difference between avoidance and incubation. There is a difference between doomscrolling to numb out and deliberately engaging with material that fuels your imagination. There is a difference between compulsively chasing a hit and consciously choosing input that enriches your work. But nuance doesn’t trend. Alarmism does.
There’s also a strange individualizing move happening here. Instead of asking why people are exhausted, overstimulated, underpaid, isolated, or burnt out, we zoom in on their coping mechanisms and label them addictions. Instead of examining structural monotony, economic precarity, and social fragmentation, we scold individuals for having “bad dopamine habits.” It’s easier to diagnose people’s scrolling than to confront the conditions that make endless scrolling appealing.
Calling everything an addiction also erases agency. It suggests that people are perpetually hijacked by their brains, incapable of intentional choice unless they purge all sources of easy stimulation. That’s not empowering. It’s infantilizing. Adults are capable of enjoying things without being enslaved by them. Adults can have rituals, comforts, and creative processes without it being pathology.
When I hear the word “addiction” tossed around to describe normal human behavior, it doesn’t sound like insight. It sounds like moral grandstanding dressed up in pop psychology. And for those of us who have actually lived through the wreckage of substance abuse and fought to reclaim control, it feels like watching something serious get turned into a meme.
We deserve better language. We deserve distinctions. We deserve a culture that can tell the difference between compulsion and preference, between harm and habit, between numbing out and nourishing ourselves. Not everything that holds our attention is a disorder. Not everything pleasurable is a vice. And not everything repetitive is an addiction.
Letter
idk man I'm thinking a lot about the discourse being reported in this post and my own post about crushes, which has garnered a lot of responses like this one
and I don't know exactly what to do with this yet but I'm fascinated, in a really upsetting way, by the way some of these people seem to conceptualize romantic and/or sexual attraction as an act of violation that no one should do to people they like and care about. if nothing else it raises some really compelling questions about what they think actually goes on between people who have sex and/or romantic bonds with each other if that's not supposed to be something that happens between friends.
I would like to point out that being your friends having a crush on you is the greatest fear of pretty much every aromantic person
I don't know about that (source: me, aromantic)
In case it's not common, reading is a part of your job as a writer.
Not every reader is a writer, but every writer MUST be a reader. Reading inspires you, motivates you, and keeps your creativity flowing. Make sure to read more than you write.
The sooner you start, the sooner you'll be done with it and the sooner you can stop thinking about it. Go on, up you get, it won't be as bad as you think.
You won't want to do it later either. You might as well just do it now. Even if you don't finish it all, anything you manage to get done now is something you don't have to do later (when you still won't want to do it)
one of the most eye-rolling trends on this website is people talking up how woke their sexual preferences are. you can't scroll for five minutes here without seeing someone patting themselves on the back for their heroic role in the feminist struggle because they like hairy pussy
consider the first fictional old man you aren't attracted to that comes to mind. that man is now your father. how are things?
very good
pretty good
decent
not great
horrible
While watching a DVD from the library my TV popped up a message saying to press a button if I wanted to watch this from additional providers.
It's never done that before so I looked it up and turns out Roku TVs have added all sorts of creepy things in the privacy section since I last checked.
One of which being they take screenshots from what you're watching and send them to third parties to identify it.
Fucking hell! Remember when every fucking device in your life wasn't a spy implanted in your home and working against your interests to try and sell your data? Remember how nice that was??
Remember when the TV was just a tool that would play the things you plugged into it?
Why must the future suck SO much?
TVs collect a huge amount of data. Here's how to use privacy settings to limit the surveillance on TVs from LG, Samsung, TCL, and every othe
A good rundown on what each brand of TV is up to and which settings you should turn off.
PSA - Do not buy an LG smart TV. They just added a line to their terms of use that it's the user's responsibility to inform any guests in their house that by entering they consent to be recorded, in order to comply with wiretapping laws. That thing is literally recording you.
You can find tutorials online telling you how to open that thing up and physically remove the mic and wifi module. Frankly I don't trust anything less.
Please watch the Gamers Nexus video on LG Smart TV's and monitors! It's basically malware at this point.