Chaldea O.R.T(fanservant)
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@falisma275
Chaldea O.R.T(fanservant)
Been working on it slowly since May.
Here are the basic settings, I'll slowly update some weird doodles later.
Don't try to reason with me, this is a byproduct of Brainrot, so logic doesn't exist from the beginning (of course you can also understand that I'm just modifying CasGil because I want to see him in new clothes so bad (truth
What do you think would happen if the Lostbelt War was simply carried out properly?
The only way the Lostbelt War could only be "carried out properly" is Novum Chaldea not appearing. And Chaldea is relevant to the motivations of many participants, so why they don't appear alters the situation.
If the cause of the divergence is Chaldea dying in the prologue, Beryl has no reason to bother anymore, so he just remote-triggers everyone's Sirius Lights. However, Akuta amputated her Sirius Light long before, so only her Lostbelt doesn't explode. ORT could possibly survive the Sirius Light, but he would explode his own heart in one year anyway, so it's just a matter of waiting. Eternal China Ending.
If the cause of the divergence is Chaldea never returning from their Imaginary Number dive, there's no proof they're gone and Beryl will keep waiting for Mash, extending the conflict a lot more long-term.
What do you think would happen if the Lostbelt War was simply carried out properly?
The only way the Lostbelt War could only be "carried out properly" is Novum Chaldea not appearing. And Chaldea is relevant to the motivations of many participants, so why they don't appear alters the situation.
If the cause of the divergence is Chaldea dying in the prologue, Beryl has no reason to bother anymore, so he just remote-triggers everyone's Sirius Lights. However, Akuta amputated her Sirius Light long before, so only her Lostbelt doesn't explode. ORT could possibly survive the Sirius Light, but he would explode his own heart in one year anyway, so it's just a matter of waiting. Eternal China Ending.
If the cause of the divergence is Chaldea never returning from their Imaginary Number dive, there's no proof they're gone and Beryl will keep waiting for Mash, extending the conflict a lot more long-term.
I feel like some people need to relearn Genre Expectations... "Man, this tragedy sucks!!! Why didn't they just do XYZ, then everything could have ended happily!!" well, then it wouldn't be a tragedy, would it. "Man, this lighthearted teen romcom is terrible, it's so sappy and unrealistic!!" Well, yeah. If it had been gritty and dark, it wouldn't have been a lighthearted romcom, would it. Is the writing actually bad or are you just trying to order a milkshake from a Home Depot
That was it?
Nothing makes being a Fate fan more miserable than Other Fate Fans.
Have you ever articulated your thoughts on Ms. president? Like in the way you did with Kiara?
It can't be the way I did with Kiara because Olga is still not a character with a complete narrative. I don't have a conclusion already to work backwards what she's about. That said, I think the latest reveal about her is something with a lot to comment about.
Olga Marie Quest 2 reveals the original Olga Marie was created as a control unit for CHALDEAS's system. That's a thing we speculated about before but now it's important to have it confirmed. It's really significant information when it comes to defining Olga.
As we can see her now, Olga is a machine who was never told she was a machine. She assumed she was a real girl, and because of that, she thought she needed approval from the creator she assumed to be her real father. She didn't get the approval that should come naturally to her apparent identity, so she began to hold herself to higher standards for it, which also comes with holding everyone else to higher standards, consequently making her a deeply unpleasant leader.
Her complexes blew up with Marisbury death, which pushed her to take command of Chaldea before she felt like she was ready for it, and made her contend with the fact that despite her incredible power, she was somehow unable to Rayshift and contract Servants (probably a more extreme case of Daybit inability to summon because he's not part of Earth's humanity). Olga Marie never felt more out of place in the identity she wrongly assumed to be hers.
In contrast, U-Olga is far more aware of what she was made for and a lot more in her element. She still holds everyone to very high standards, as it shows in her commentary about humanity's war and fuel problems, but her attitude about it is less that of an aggressive boss and more that of an attentive teacher and advisor.
But even then, U-Olga still proves herself too heavily affected by labels and the perceived responsibilities attached to it. In her reset state, she found dear companions in Fujimaru, Mash, and Marine 4, and she found her ideal in the deinos society that Wak Chan showed her, but at that point, she couldn't bring herself to act upon these desires that clearly originated from herself, because she was vaguely remembering her identity as an enemy of humanity. The only thing that ultimately made her break out of this role was accepting the other role Fujimaru said belonged to her, that of Chaldea's director.
One of the bigger mysteries in Fuyuki's story is how did Olga rayshift to Fuyuki when as far as everyone knew, she was incapable of rayshifting. The answer Lev gives is that Olga Marie's body was vaporized by being at the epicenter of the bomb, and without the restriction of the body, her mind and soul were naturally capable of rayshifting. Back when this was all it had, Olga being a ghost through her Fuyuki screentime feels like a really random twist that added nothing to plot. But now, Olga being unaware she was a ghost becomes part of a pattern of Olga being always incorrect about what she is.
Before Fuyuki, she assumed she was a human when she was actually a part of a Mystic Code. In Fuyuki, she assumed she still had a body when she didn't. From Olympus to Mictlan, she assumed she was an alien god who traveled to Earth to answer the SOS signal of a tortured peer (but in her Mictlan reset state, she changed her fake backstory to answering Earth's death cries) when she was unknowingly a Servant version of the Alien God CHALDEAS in the position of one of its Apostles. I don't have a conclusion to drop since the story isn't over, but I look forward to seeing how the 4 E-Olga Maries are also misinformed about their identity.
Have you ever articulated your thoughts on Ms. president? Like in the way you did with Kiara?
It can't be the way I did with Kiara because Olga is still not a character with a complete narrative. I don't have a conclusion already to work backwards what she's about. That said, I think the latest reveal about her is something with a lot to comment about.
Olga Marie Quest 2 reveals the original Olga Marie was created as a control unit for CHALDEAS's system. That's a thing we speculated about before but now it's important to have it confirmed. It's really significant information when it comes to defining Olga.
As we can see her now, Olga is a machine who was never told she was a machine. She assumed she was a real girl, and because of that, she thought she needed approval from the creator she assumed to be her real father. She didn't get the approval that should come naturally to her apparent identity, so she began to hold herself to higher standards for it, which also comes with holding everyone else to higher standards, consequently making her a deeply unpleasant leader.
Her complexes blew up with Marisbury death, which pushed her to take command of Chaldea before she felt like she was ready for it, and made her contend with the fact that despite her incredible power, she was somehow unable to Rayshift and contract Servants (probably a more extreme case of Daybit inability to summon because he's not part of Earth's humanity). Olga Marie never felt more out of place in the identity she wrongly assumed to be hers.
In contrast, U-Olga is far more aware of what she was made for and a lot more in her element. She still holds everyone to very high standards, as it shows in her commentary about humanity's war and fuel problems, but her attitude about it is less that of an aggressive boss and more that of an attentive teacher and advisor.
But even then, U-Olga still proves herself too heavily affected by labels and the perceived responsibilities attached to it. In her reset state, she found dear companions in Fujimaru, Mash, and Marine 4, and she found her ideal in the deinos society that Wak Chan showed her, but at that point, she couldn't bring herself to act upon these desires that clearly originated from herself, because she was vaguely remembering her identity as an enemy of humanity. The only thing that ultimately made her break out of this role was accepting the other role Fujimaru said belonged to her, that of Chaldea's director.
One of the bigger mysteries in Fuyuki's story is how did Olga rayshift to Fuyuki when as far as everyone knew, she was incapable of rayshifting. The answer Lev gives is that Olga Marie's body was vaporized by being at the epicenter of the bomb, and without the restriction of the body, her mind and soul were naturally capable of rayshifting. Back when this was all it had, Olga being a ghost through her Fuyuki screentime feels like a really random twist that added nothing to plot. But now, Olga being unaware she was a ghost becomes part of a pattern of Olga being always incorrect about what she is.
Before Fuyuki, she assumed she was a human when she was actually a part of a Mystic Code. In Fuyuki, she assumed she still had a body when she didn't. From Olympus to Mictlan, she assumed she was an alien god who traveled to Earth to answer the SOS signal of a tortured peer (but in her Mictlan reset state, she changed her fake backstory to answering Earth's death cries) when she was unknowingly a Servant version of the Alien God CHALDEAS in the position of one of its Apostles. I don't have a conclusion to drop since the story isn't over, but I look forward to seeing how the 4 E-Olga Maries are also misinformed about their identity.
I made a meta post about Ophelia like 3 years ago on a blog I have since deleted. Here's me trying to rewrite it without the twitterspeak.
I feel like a semi-popular take back when LB2 first came out on NA was that Ophelia was not actually in love with Kirschtaria, that she had mistaken admiration for love out of compulsive heterosexuality, and that she was actually in love with Mash.
I think the first two parts of that statement just straight up aren't true. It's a cool idea, but I just don't think you can dismiss her feelings for him as fake without dismissing her arc entirely? At that point, it's just a different character.
Ophelia isn't mistaking admiration for love; the entire first half of her arc is the reverse, with people constantly trying to get her to admit that she is in love as she insists that the only thing she feels for Kirschtaria is admiration. "Admiration" isn't consistent with the weird, singleminded devotion she has towards him. This is pointed out. She eventually admits she is bullshitting you.
Yes, it's true that she makes no real attempt to act on her feelings for him, but she makes no real attempt to act on her feelings about literally anything... which is, you know, the point of her character arc. She doesn't love Kirschtaria because a relationship between them will never happen; I think it's more accurate to say that the impossibility of those feelings are why she refuses to admit she loves him, and why it's so important to her development that she does.
So she expresses her feelings for Kirschtaria by doing her best to advance his goals. It's the only way she knows how. But her behavior towards Mash is actually kind of similar; she debuffs her own servant when he attacks her (knowing damn well that the whole Lostbelt is screwed if he "dies"). That's a bit much for "I want to be her friend." On her deathbed and throughout the Lostbelt, she herself admits that her feelings for Kirschtaria and her "desire to befriend" Mash are in direct conflict; she can't commit to fighting Mash, but she can't betray Kirschtaria, either. It's an either/or. She's being pulled in opposite directions.
Almost as if her feelings for Mash and her feelings for Kirschtaria are similar.
Ophelia doesn't even know Kirschtaria that well. They didn't talk much in Chaldea, no matter how much she wished to. They aren't particularly close. All she really knows is that he risked his life to revive the other Crypters, but that's just one moment she has zero context for. Why would she be in love with him?
Ophelia doesn't know a single thing about Mash except for the general circumstances of her creation, which she can see herself in. They didn't talk at all in Chaldea, no matter how much Ophelia wished to. The Mash she sees now, in front of her in the Lostbelt, is an entirely different person -- strong, beautiful, self-assured, nothing like Ophelia. An enemy that must be defeated at all costs. Why would Ophelia want to get closer to her?
And with Mash, you can read it how you wish -- platonic or romantic doesn't matter so much. The irrational part of Ophelia's feelings for Mash is that they exist in the first place, where the irrational part of her feelings for Kirschtaria is that they're specifically romantic. It makes sense for Ophelia to admire Kirschtaria's power, and it makes sense for her to admire him as a person. These are consistent with the stories she tells about herself. But it doesn't make sense that she's in love with Kirschtaria, and that's why it's important that she does. It doesn't make sense that she'd want to be friends (or more) with Mash; that's why it's important that she does. I'm sure the intention is "just friends", but the way it's positioned in the story -- in opposition to Ophelia's loyalty to Kirschtaria -- implies much more. So YMMV.
Ophelia is ashamed of herself for having feelings she can't explain, for being hopelessly devoted to a man she barely knows, for selfishly wanting to get closer to a sworn enemy. She hates herself for having these desires because she knows they'll never be realized. She's supposed to be competent! She's supposed to have her shit handled! She shouldn't be preoccupied with regrets and impossibilities. That's the central conflict of her emotional development; the "irrationality" is precisely what makes those emotions important.
Her feelings for Kirschtaria and her feelings for Mash are, ultimately, two sides of the same coin. Either/or. So I think that acknowledging Ophelia's feelings for Kirschtaria as valid actually strengthens the argument that she's in love with Mash.
She's torn between her feelings for two people. She doesn't have the strength of will to fully commit to fighting Mash, but she'll never betray Kirschtaria, either. She can't decide whether she loves or resents her parents. She can't decide whether she wants to interact with or shun others.
Ophelia's problem is that she lacks the confidence, maturity, and resolve to follow through on her own emotions. She can't be true to herself. But her emotions contradict themselves, and she herself doesn't know what being "true to herself" would actually look like. So the resolution isn't just to pick a side and stick to it...
Ophelia's coming-of-age story is about having the confidence to acknowledge her own feelings, the maturity to understand that they're still valid despite being irrational, and the resolve to know that she's no less of a person because of it. Yes, she and Kirschtaria wouldn't be a good match. Yes, the idea that she and Mash could have any sort of relationship considering the circumstances is bizarre. But those feelings exist, and there's nothing wrong with her for having them.
She thinks Mash and Kirschtaria are an either/or, but those desires can exist simultaneously. She's fine the way she is, contradictions and all. And it's only when she realizes that that she's able to get up and stop Surtr.
TLDR: Ophelia's feelings for Kirschtaria and her feelings for Mash are inextricably linked because they occupy the same role in Ophelia's character arc. I think she is probably bisexual. I wish she got more screentime. I reread her FLB chapter and now she's my favorite Crypter again.
To be honest, your discussion of Minase's positive and negative qualities piqued my interest. What do you think are the main recurring fgo writers' strong and weak points? Also where would you rank the lilim harlot event?
For the sake of brevity, I'll stick to one per writer. Picking apart everyone to the extent I did with Minase would take forever and would be better done after their respective Ordeal Calls.
I hesitate to call Higashide's comedy his strong point because his huge hits are about as frequent as his huge misses. I suppose I'll go with clarity for Higashide's main strong point. Even when I think he sucked at delivering his point, I can always tell what he's trying to say, which is not something I can say about Sakurai's most compressed scripts. His weak point is his lack of ambition. It's nice to have at least one person in FGO's team who will never try to escalate things, but I can't see it doesn't make his stories more forgettable in the long run.
Minase was already detailed in his own post.
Meteo’s best quality is a tone setter. Requiem, Salem, and all his events come with an atmosphere that feels very tangibly different from what FGO usually does. Often his events are bad, but never they lack a unique identity. Which segues into his weak point, being that many of his events are comedy events and the man is simply not funny. Bullying Erice is his only consistently good joke, and when he tries other things, the results are more miss than hit. See Las Vegas and Wandjina World Tour for major examples of comedy events that failed hard at the comedy side.
Nasu is a master recycler. I don't know how he does it but the man is constantly reusing the same structures, the same themes, or the same dynamics and somehow it never feels repetitive. There is always something that makes the whole recipe feel fresh and unique despite being so easy to recognize the same usual ingredients there. And what I dislike about Nasu in FGO is how he's still stuck at the concept of selling waifus from the girls with routes days. Everyone has their list of characters who get ship tease with Fujimaru but only in Nasu's case it feels like an overwhelming majority and that some of the choices create too large of a difference between the summoned character and the character in the main story. Was it really necessary to do this with, say, Morgan? Melusine? Tenochtitlan?
And Sakurai I saved for last because one major reason this post took this long is that I was struggling to sort out what is characteristically good and bad about her. Well, even now I don’t have a simple and satisfying answer. Things can’t be simple with Sakurai, unfortunately. One friend of mine described the experience of reading Sakurai scripts as “playing chess against an opponent that doesn’t tell that you are in a game of chess” and that’s honestly a fascinating way to phrase it.
Sakurai is an intriguing combination of inflexibly ambitious and inflexibly professional. She has grand ideas for her characters and she will include them in the script without fail. But she's also strictly adherent to script size limitations. While Nasu is making Camelot and Avalon le Fae with total disregard to every possible limit, Sakurai is cramming so much into Septem's and London's microscopic file space that it becomes utterly incomprehensible. Nasu wrote Last Encore's plot as a whole ass novel and hired Sakurai to convert that into anime scripts because Sakurai is his expert in fitting a lot of stuff into tiny spaces. Tunguska was tossed at Sakurai because probably no one else could fit into its raid event constraints. And because she doesn't compromise on what goes in, her alternative is not revealing the mysteries about her characters but laying out all the hints so the players can figure it out themselves, which is a really fun thing once you're used to it (read: aware that you're playing chess against her).
And the answer to "Where would I rank the Lilim Harlot event" is 1st place.
Woobie point: Servants who're like "The past is past :) I don't hold grudges :) Let's move forward :)" because if they think about what happened in their past they'll start screaming and never stop.
beautiful women
cute girls
bishounen men
ikemen
at a phase in my life where when i get the sense a book is trying to offer me Representation (TM) i hiss and scream and start kicking and ripping bricks out of the wall. this character's Coherent Identity And Articulation Of Their Issues had Better fit in with the rest of the worldbuilding (it won't)
meet my new oc blorbinia who introduces herself to other people in fantasyland with exacting microlabels based on her recurring visions of Social Media Identity Discourse from this world. it is her goal in life to establish as many other people's labels as possible because she believes if you die without knowledge of your Correct Terms then the gods don't know what Community you belong to and your soul roams the empty betweenspace of the afterlife forever.
blue archive sensei is like some kind of grain weevil to me. you think it'd be easy enough to avoid him by just not caring about blue archive, but he shows up everywhere in fanart for every franchise and I want to annihilate that nasty little beast with a can of sensei dissolving spray
sensei is a special kind of wretched because he takes like ten seconds to draw and can tempt an artist to effortlessly turn any art of a fully clothed female character into some sort of heterosexual gnome-based harassment prelude
hitting him with a broom. get that goblin out of here.
Growing up with your starters
Artist: esasi8794 / Twitter
The captions are also really cute, although they mostly describe what’s in each photo:
Bulbasaur: Somehow, nomming on my clothes… has become a weird habit of theirs.
Venusaur: That hasn’t changed now that they’ve grown, but they’re very gentle.
Charmander: It’s my first attempt, but I made a plushie so that he wouldn’t get lonely.
Charizard: That plushie seems to be his favorite even now.
Squirtle: Squirtle’s a bit timid and hides behind me at the smallest things.
Blastoise: Looks like they’re scared of the first Pichu they’ve seen. You’re not really hiding!
@noelle217
This is adorable
They just posted some more!
[source]
And some more!
You forgot these!!!
I’m disappointed that these were left out
SO MANY GOOD ONES AAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHH
If I ever don’t reblog this, kill me