Reading & Writing

writing. reviews. links. books. & assorted literary insolence. side blog. can't follow back (sorry). If there's a book you'd like me to read & review, msg me!

[tsunflowers]

the thing with romance for me is that you need to convince me through behavior and dialogue that the characters enjoy spending time with each other and seek each other out. even with enemies to lovers a foundation of mutual respect goes a long way. you can be like "he's the youngest ever general of the dragon slaying guild and I'm secretly a dragon, but he's the best swordsman I've ever fought and our sparring matches are the only thing that make me feel alive ever since my family was killed." if he implies something similar then bam, you have a reason for the two of them to hang out even though one of them knows it's dangerous. you can't be like "he's a dragon slayer and he's mean to me all the time but the flex of his arms when he swings his sword is just too sexy." it does not matter how many times you have your protagonist say "I shouldn't be drawn to him... but I am" if you never show a real moment of connection between them that draws them together

[thejakeformerlyknownasprince]

This is a perfect articulation of why, to me, soulmate AUs will never appeal. Your ship can be together because they like the same show, because they hate the same guy, because one finds the other awe-inspiring, because one finds the other endearing. They can have a bad relationship, a good relationship, a relationship built on lies — but it should be built on something. "We're together because we have to be" is the LEAST romantic possibility imaginable.

[thewriteadviceforwriters]

things i wish someone told me before i started writing (and also things i ignored anyway)

okay. writers of tumblr. i’ve compiled a list of things i desperately wish someone had sat me down and said before i started writing, not that i would’ve listened, because i was 14 and powered entirely by hubris, iced coffee, and my wattpad era.

anyway. here we go:

1. stop rewriting chapter one. i know you think it’ll fix everything. it won’t. it’s a hydra. you cut one head off, two Google Docs appear.

2. your first draft is not a treaty with god. it can be messy. it can be unhinged. it can have 47 placeholders named “idk something happens.” it’s fine.

3. perfectionism is just fear wearing a blazer. write badly on purpose. humiliate your draft. it builds character (yours).

4. word count culture is a scam. you are allowed to write 200 words and call it a day. you are allowed to write 5k and then disappear into the void for three business weeks.

5. google docs autosave WILL betray you. download backups. then back up your backups. then sacrifice a pen to the writing gods idk.

6. description is not pretty synonyms. it’s specificity. the torn movie ticket in their pocket. the buzzing light in the hallway. the chipped nail polish on their thumb. write the thing not the aesthetics around the thing.

7. dialogue isn’t two Shakespeare ghosts monologuing at each other. interruptions. trailing off. people lying. people avoiding the truth. people saying “whatever man.” let it get messy.

8. you don’t need a whole map before you start. sometimes you just need one character with one problem and the stupidest idea imaginable.

9. reading your old writing will make you cringe but also cry a little because wow you cared so much. keep that version of you alive.

10. don’t wait to ‘be good.’ you get good by writing the stuff you think is embarrassing.

11. also: nine out of ten times, your “bad” idea is actually the one that goes feral and grows teeth and becomes your WIP.

12. hydrate. no further explanation.

ok that’s it because if i keep going i’ll start confessing things about the time i wrote a whole novel in 2017 that will never see daylight again.

reply if u relate or if u too have 87 abandoned document fragments in your google drive.

[fictiontheory]

Went to a bookstore today looking for some romantasy or just general fantasy books and decided "this time I don't want anything that has royalty or nobility in it".

What I was left to select among maybe would've taken up one and a half rows on the shelf. And that's if you put most of the books with the cover facing out.

Shout out to the couple of cozy romance series, and that one book about pirates, but goddamn.

Pages upon pages of escapist fantasy centered on people who, if mapped onto reality, would actually be the among 1% who are currently making this world one we'd like to escape from in the first place.

There is no such thing as a "kingdom" without there being a massive underclass of people who toil in varying levels of deprivation, exploitation, and misery.

It's not even a "come on, it's a world of magical wizards, you're gonna have to handwave it and move on" kind of thing. It's a literal, actual logistical necessity. It'd be like having a world where there are no horses or other domesticated animals and then telling us to just ignore that fact when we watch characters ride into battle.

I can't tell if the resounding majority of books being centered around the highest status people is because a big part of the general, collective readership of these books dreams somewhere in their hearts of a world where they don't have to think about or care about what a "kingdom" actually is and where all that wealth and power came from. Because apparently the only way to momentarily escape our very real economic anxieties is to root for those made safe by their wealth because we can't (or don't want to) think of any other way to change the causes of those anxieties.

Or if it's because publishers really don't want to put out stories where where readers can get all the things they love in escapist fantasies (magic! wonder! epic adventure! romance! even spice!) but set in worlds where there are no kings because, as it turns out, we didn't actually ever need kings. Because the whole thing with royalty and oppressive hierarchies was actually holding us back from even better stories the whole time.

Could be both.

[punksalmon]

whenever you take too much time to write something know it is because stephen king has been stealing your life force

[lost-in-eriador]

in 2026, remember how GOOD writing feels. remember how satsfying it is to get your characters to the point you have been dying to get to, where they will experience the love, fear, relief or whatever the feeling you want to bring to life may be. let this year be the year of writing, prgress and of satisfactory endings.

[midwinterhunt]

Hot Writers Don't Gatekeep

the writers REALLY liked my artist resource post, so I thought i'd give y'all my dragon hoard of things i use for writing

Reverse Dictionary, you type in the meaning of a word, and it gives you a bunch of words that mean that. (MY MOST IMPORTANT OFFERING IN THIS LIST)

Slang Dictionary, what it says on the tin.

Anglish Translator, Anglish is if English evolved without borrowing from other languages and it really itches my brain (Anglish is if english grown without borrowing from other languages and it truly itches my brain)

Incorrect Quotes Generator, Put character names in, and incorrect quotes come out. Really fun way to goof around with your characters' dynamics.

Handspeak, an ASL dictionary

Library of Babel, Odds are, the finished version of your wip is in here somewhere

The best fantasy map maker i have ever used

Glitch Text Generator is one I use A Lot, does ť̷̨̢͓̤͔̤̤̝̺̯̄̔̄̌̄͗͒͋͂͋͝ḩ̵̼̜͍͚͕̏̓͊̈̉̆̄͐́͗͒̈̃̊̚͜i̵̻̐̇̎̏̀̋̌̃̇̿͘̚s̴̮̔̂̇͒͑͝͝ͅ to your text

Totally not bootleg microsoft office

Emotions Thesaurus a guide for writing emotions and their associated body language

Mythcreants, has a whole bunch of stuff you can read to learn more about the technical aspects of writing

A decent article talking about what to think about when creating a language

Trope Talks, particularly good for beginner and younger writers or people who have a hard time reading. Honestly this whole channel is a fantastic format to get information into my adhd rattled brain.

FOR MY AO3 BESTIES! Postimages will host your image forever so you can embed it into your work

Ambient Chaos, sometimes the only thing in the world that can kick your brain into writing mode is nuclear sirens and lofi beats

Radioooooo, play a station from any place and year. Particularly helpful for period pieces.

[midwinterhunt]

Food timeline, when foods were invented

[571rr-deactivated20251227]

I talked with someone who works in book publishing, and they mentioned they get a lot of AI slop these days. I asked how they know what's human-written, and they said that there's one thing that will reveal AI slop without error, and that's the author not knowing their own creation.

A real author can talk about their story for hours. They love to elaborate every character, every twist, every detail. Because those existed in their head long before they ever made it to the paper. They were loved before they were written.

AI slop wasn't. It was just vomited into existence.

Someone who generates their story with AI will never bond with their story the way real writers do. That's why they may not know what to say when they're asked why did the character do this, or even remember the scene in the first place. It's something they read, not something they wrote. And to a writer, those are not the same.

There's a unique bond between the creator and the creation. If your writing doesn't come of you, you'll always lack that.

I keep hearing soon we won't be able to tell. And perhaps, in a superficial sense, that's true. But there is a difference. It's not em dashes or repeated words. It's whether the story was made by someone who loves it and cares about it.

If the writer's eyes light up when asked why did the character do that? and they start their very own Ted Talk about that specific scene...

then it's real.

[fictiontheory]

AI is only dangerous to mediocrity.

If you're a writer who's doing their best to tell a good story to whatever audience they can find and you're scared about AI? Don't be. I don't care if you think you're the worst writer in the world. Don't be scared. If you really have a genuine story to tell and strive to tell it in the best way? You will be fine.

If you're someone who wants to become their own social media brand and rapidly turn out books that are on-trend and just good enough to make money but you scruple at using AI? Then yeah, be afraid. AI can turn out meandering, tepid, forgettable schlock far more efficiently than you can.

No one's favorite book or movie or TV show will ever be written by AI. In fact, nobody's favorite so-bad-its-good book, show, or movie will be written by AI.

AI will never be able to surprise us, because a surprise requires an expectation. AI expects nothing. It can't. It has no self. It is, in the end, an electric parrot that has had enough math and CPU's crammed in that it squawks out what we want more effectively than before. But it's just squawking.

It can only pull from what's already been done and in the ways it's already been done. It can't come up with a fresh take. It cannot take a big swing with such sincerity and miss so incredibly that it becomes a task failed successfully and charms the audience anyway.

AI cannot give you the warts and scars and the non-conformity and the generosity and the defiance and insight and passion and parody and critique and "oh my god, I thought it was just me!" and understanding that comes from a person.

So if you're in it to tell a story that compels you to write the words to the best of your ability and put them out into the world and hopefully get some kind of compensation for it? Don't let it bother you. Write. Your story will always be superior to any AI.

Yes, it may make the marketplace harder for you, but that's an issue with the publishing industry, capitalism, Amazon dot com (in no small part), and our general society. Ceasing to write or turning to AI will not solve that problem.

Go and write your amazing human story. Do your best to get it out there in whatever way works for you, and do not judge the worth of your stories or yourselves as authors by the size of your audience or how much money it makes.

[solarsthoughts]

just your daily gentle reminder to go and write that story you so desperately want to read.

go on now, do it.

cause turns out i want to read it too. so go write it or else.

[the-dust-jacket]

I finally saw Sinners! Yes, it was amazing!

In honor of this gorgeous movie, here are a few books featuring history, horror, race and colorism, music, monsters, siblings, and things that go bump in the night.

Ring Shout by P. Djeli Clark

Vampires of El Norte by Isabel Cañas

Fledgling by Octavia Butler

Kindred by Octavia Butler

Lovecraft Country by Matt Ruff

The Ballad of Black Tom by Victor LaValle

Sister Mine by Nalo Hopkinson

Dread Nation by Justina Ireland

That Self-Same Metal by Brittany Williams

[doormouseetcappendix]

Afro-Futurist Reading List Vol 2.

Afro Futurism Reading List Vol 1:

Afro Futurism Reading List Vol 2:

Black Speculative Fiction Breakdown by Genre

African Fantasy (early myths and fables from the continent): Forest Of A Thousand Deamons: A Hunter’s Saga by Daniel O. Fagunwa The Palm Wine Drinkard by Amos Tutuola My Life In The Bush Of Ghosts by Amos Tutuola Simbi and the Satyr of the Dark Jungle by Amos Tutuola The Brave African Huntress by Amos Tutuola Feather Woman of the Jungle by Amos Tutuola Ajaiyi and his Inherited Poverty by Amos Tutuola The Witch-Herbalist of the Remote Town by Amos Tutuola

Utopia (alternate histories written during the jim crow & antebellum eras): Blake Or The Huts Of Africa by Martin Delany Imperium In Imperio by Sutton E Griggs Light Ahead For The Negro Edward A Johnson One One Blood by Pauline Hopkins Black No More by George Shuyler Lord Of The Sea by MP Sheil

Space Opera (far future sci fi worlds of interplanetary travel): Nova by Samuel R Delany Stars In My Pocket Like Grains Of Sand by Samuel R. Delany Binti Trilogy by Nnedi Okorafor An Unkindness Of Ghosts by Rivers Solomon Midnight Robber by Nalo Hopkinson Rayla 2122 Series by Ytasha Womack Trouble On Triton by Samuel R. Delany Babel 17 by Samuel R Delany Empire Star by Samuel R Delany The Galaxy Game by Karen Lord The Best Of All Possible Worlds by Karen Lord Ancient Ancient by Klini Iburu Salaam Escaping Exodus by Nicky Drayden Ascension: Tangled Axon by Jacqueline Koyanagi Teleportality by T Cisco Nadine’s Bible Seris by T Lindsey-Billingsley Nigerians In Space Series by Deji Bryce Olukotun

Aliens (alien encounters): Lilith’s Brood Trilogy by Octavia Butler Lagoon by Nnedi Okorafor Rosewater Trilogy by Tade Thompson The Lesson by Cadwell Turnbell The Wave by Walter Mosley

Dystopia (oppressive futures and realities): Friday Black by Nana Kwame Adjie Brenyah Riot Baby by Tochi Onyebuchi War Girls Series by Tochi Onyebuchi Sunshine Patriots by Bill Campbell Gunmen’s Peace by Milton J Davis Dragon Variation by T Cisco

Experimental (literary tricksters): The Ravicka Series by Renee Gladman The Freedom Artist by Ben Okri The Structure Of Dante’s Hells by LeRoi Jones The House Of Hunger by Dumbudzo Marachera Black Sunlight By Dumbudzo Marachera Yellow Back Radio Broke Down by Ishmaeel Reed The Last Days Of Louisiana Red by Ishmaeel Reed The Sellout by Paul Beatty Koontown Killing Kaper by Bill Campbell The African Origin Of UFOs by Anthony Joseph Quantum Black Futurism(Theory & Practice Volume 1) by Rasheeda Philips by Rasheeda Philips Spacetime Collapse: From The Congo to Carolinas Spacetime Collapse II: Community Futurisms by Rasheeda Philips consent not to be a single being trilogy by Fred Mot

Post-Apocalyptic (worlds falling apart): The Purple Cloud by MP Shiel Dhalgren by Samuel R Delany The Parable Series by Octavia Butler Brown Girl In The Ring by Nalo Hopkinson

Dying Earth (far future post-apocalyptic worlds + magic):

The Broken Earth Trilogy by NK Jemisin The Einstien Intersection by Samuel R. Delany The Jewels Of Aptor by Samuel R. Delany The Fall Of The Towers Trilogy by Samuel R. Delany Who Fears Death by Nnedi Okorofor The Book Of Phoenix by Nnededi Okorofor The Prey Of Gods by Nicky Drayden

Alternate History (alternate timelines and what-ifs): Mumbo Jumbo by Ishmael Reed Everfair by Nisi Shawl The Underground Railroad by Colson Whitehead The Water Dancer by Ta-Nehisi Coates The Insh'Allah Series by Steven Barnes Ring Shout by P Djelia Clark A Dead Djinn In Cairo by P Djelia Clark The Black God’s Drum by P Djelia Clark Washington Black by Esi Edugyan Pimp My Airship: A Naptown By Airship Story by Maurice Beaudice The Dream Of Perpetual Motion by Dexter Palmer Pym by Matt Johnson, Dread Nation Series by Justina Ireland From Here to Timbuktu by Milton J Davis

High Fantasy (magical kindoms and high adventures): The Neveryorn Series by Samuel R. Delany Black Leapard Red Wolf by Marlon James The Deep by Rivers Solomon & Clipping Imaro Series by Charles R. Saunders The Children Of Blood & Bone by Tomi Adeyemi The Children Of Virtue & Vengeance by Tomi Adeyemi The Sorcerer Of The Wildeeps by Kai Ashai Washington A Taste Of Honey by Kai Ashai Washington Beasts Made Of Night Series by Tochi Onyebuchi A Place Of Nights: War & Ressurection by Oloye Karade, Woman Of The Woods: A Sword & Soul Epic by Milton J Davis Temper by Nicky Drayden They Fly At Ciron by Samuel R. Delany Anansi Boys by Neil Gaiman The House Of Discarded Dreams by Etakterina Sedia

Magic Realism (literary naturalism with surreal, dreamlike, and mythic imagery): The Echo Tree & Other Stories by Henry Dumas The Kingdom Of This World by Alejo Carpentier General Sun My Brother by Jacques Stephen Alexis The Famished Road Series by Ben Okri The New Moon’s Arms by Nalo Hopkinson The Salt Roads by Nalo Hopkinson Montaro Caine by Sydney Portier Mama Day by Gloria Naylor Redemption In Indigo by Karen Lord Mem by Bethany C Morrow

Urban Fantasy (modern citybound fantasy): The City We Became by NK Jemisin  Sister Mine by Nalo Hopkinson The Chaos by Nalo Hopkinson The Intuitionist by Colson Whitehead Blue Light By Walter Mosley Fire Baptized by Kenya Wright

Time Travel (stories unstuck in time): Kindred by Octavia Butler Version Control by Dexter Palmer Recurrence Plot by Rasheedah Phillips

Horror (nightmare, terrors, and hauntings): Beloved by Toni Morisson African Immortals by Tananarivue Due Fledgling by Octavia Butler The Gilda Stories by Jewelle Gomez Lakewood by Meggan Giddings The Ballad Of Black Tom by Victor Lavalle Lovecraft Country by Matt Ruff The Changeling by Victor Lavealle Zone One by Colson Whitehead The Between by Tananarive Due The Good House by Tananarive Due Ghost Summers: Stories by Tananarive Due Unhollowed Graves by Nunzo Onho Catfish Lullaby by AC Wise

Young Adult (books for young adults): Akata Witch Series by Nnedi Okorofor Zarah The Windseeker & The Shadow Speaker by Nnedi Okorofor Long Juju Man by Nnedi Okorofor Ikenga by Nnedi Okorofor Tristan Strong Series by Kwame Mbalia A Song Below Water by Bethany C Morrow Daughters Of Nri by Reni K. Amayo A River Of Royal Blood by Amanda Joy 47 by Walter Mosley

Comics (graphic storytelling) George Herriman Library: Krazy & Ignatz (1919-1921) by George Herriman The Boondocks Complete Collection by Aaron Mcgruder Birth Of A Nation by Aaron Mcgrudger, Reginald Hudlin, & Kyle Baker Prince Of Cats by Ronald Wimberly Concrete Park by Erika Alexander & Tony Puryear Incognegro Series by Matt Johnson Your Black Friend & Other Stories by Ben Passmore Bttm Fdrs Ezra Clayton Daniels & Ben Passmore Sports Is Hell is Ben Passmore LaGuardia by Nnedi Okorofor & Tana Ford Bread & Wine: An Erotic Tale Of New York by Samuel R Delany & Mia Wolff Empire by Samuel R Delany & Howard Chaykin Excellence by Brandon Thomas Bitteroot by David F Walker, Chuck Brown & Sanford Greene Black by Kwanza Osajyefo Niobe: She Is Life by Amandla Stenberg & Sebastian A Jones Black Panther by Christopher Priest Black Panther by Reginald Hudlin Black Panther by Ta-Nehisi Coates Shuri by Nnedi Okorofor World Of Wakanda by Roxane Gay Truth: Red, White, & Black by Kyle Baker House Of Whispers by Nalo Hopkinson & Neil Gaiman Naomi by David F Walker, Brian Micheal Bendis, & Jamal Campbell Far Sector by NK Jemison & Jamal Campbell

Short Stories (collections by single authors): Driftglass by Samuel R Delany, Distant Stars by Samuel R Delany Bloodchild & Other Stories by Octavia Butler Unexpected Stories by Octavia Butler Falling In Love With Hominids by Nalo Hopkinson Skin Folk by Nalo Hopkinson, Kabu Kabu by Nnedi Okorofor, How Long Til Black Future Month? by NK Jemisin Nine Bar Blues by Sheree Reneee Thomas

Anthologies (collections from multiple authors) Dark Matter edited by Sheree Renee Thomas So Long Been Dreaming edited by Nalo Hopkinson Conjure Stories edited by Nalo Hopkinso Whispers From The Cotton Tree Root: Caribbean Fabulist Fiction edited by Nalo Hopkinson Afro SF: Science Fiction by African Writers edited by Wor. W. Hartmaan Stories For Chip: A Tribute To Samuel R Delany edited by Nisi Shawl Octavia’s Brood: Science Fiction Stories From Social Justice Movement edited by Adrienne Marie Brown & Walidah Imarisha Mothership: Tales of Afrofuturism and Beyond edited by Bill Campbell The City: Cyberfunk Antholoy edited by Milton J Davis Steamfunk edited by Milton J Davis Dieselfunk edited by Milton J Davis Griots: A Sword & Soul Anthology by Milton J Davis & Charles R Saunders Griots: Sisters Of The Spear by Milton J Davis & Charles R Saunders

Non-Fiction (histories, essays, and arguments) Afrofuturism And The World Of Black Sci-Fi & Fantasy Culture by Ytasha Womack Afrofuturism 2.0: The Rise Of Astral Blackness edited by Reynaldo Anderson & Charles E Jones The Black Imagination: Science Fiction, The Future, and The Speculative by Sandra Jackson & Julie E Woody-Freeman Afro-Futures & Astral Black Travel by Juice Aleem The Sound Of Culture: Diaspora & Black Technopoetics by Louis Cude Soke Black Utopia: The History Of An Idea From Black Nationalism To Afrofuturism by Alex Zamalin Afrouturism Rising: The Literary Pre-History Of A Movement by Isiah Lavendar III A Pure Solar World: Sun Ra & The Birth Of Afrofuturism by Paul Youngquist Where No Black Woman Has Gone Before: Subversive Poryrals In Speculative Film & TV by Diana Adesola Mafe Black Kirby: In Search Of The Motherbox Connection by John Jennings & Stacey Robinson Super Black: American Pop Culture & Black Super-Heroes by Adilifu Nama Black Space: Imagining Race In Science Fiction Film by Adilifu Nama Black Super-Heroes, Milestone Comics, And Their Fans by Jeffery A Brown Emergent Strategy: Shaping Change, Changin Worlds by Adrienne Marie Brown

*cover image from Ytasha Womack’s “Afrofuturism: The World Of Black Sci-Fi & Fantasy Culture”

(please post anything I might have left out in the comments) 

[idontgettechnology]

Sometimes I get too in my head with my writing. Especially about my smut. I reread every last word with the most critical of eyes and think, Ooh is that cringe? Will that be too graphic? Will this word or phrase take people out of the scene?

And then I read a book. A published, hardcover, NYT bestsellers list book and...

Did you get that?

Someone looked at this sentence (likely more than one someone, tbh) and was like, 'Yeah. We'll print that.'

So the moral of the story, my fellow heathen smut writers, is that we're fine.

As a matter of fact, we're actually fucking amazing.

[creativepromptsforwriting]

Daily Writing Challenge

Write 5 sentences for your WIP right now. (x)

Imagine a place where you would like to be and write about what you would do there. (x)

What are your OCs pet peeves? (x)

Write a 10 sentence long short story about the object next to you. (x)

Write a summary for a book you would love to read. (x)

Write down 10 words that describe your MC. (x)

Write a micro story about an unusual love. (x)

Explain your MCs motivation in 3 sentences. (x)

Write a poem about an empty house. (x)

Write a 5 sentence long short story from three different perspectives. (x)

What nicknames does your MC have and who gave them to them? (x)

Write a new piece of lore for your WIP. (x)

Write a micro story about someone saying "thank you". (x)

Write about one your OC's tattoos or someone getting one done. (x)

What do you admire about your MC? (x)

Write the dialogue for a scene that's been on your mind. (x)

Write a road trip scene. (x)

Write about your MCs favourite outfit. (x)

Write about something that you can see from your window. (x)

Write about a normal day in your MC's life. (x)

Write 100 words today. It doesn't matter about what. (x)

Write a funny scene. (x)

Write down everything on your mind for five minutes. (x)

Write about your OC's first meeting. (x)

Write a scene in a grocery store. (x)

Write a micro story about an artist and their muse. (x)

Write an end scene, without the beginning. (x)

Write 10 sentences for your WIP right now. (x)

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[madamethursday]

My fellow disabled folks: are you doing NaNoWriMo and will you use AI?

I'm disabled. Doing NaNoWriMo elsewhere/on my own due to the AI.

I'm disabled. Doing NaNoWriMo and using Nanowrimo.org but NOT using AI.

I'm disabled. Doing NaNoWriMo, WILL use the AI.

Not disabled. Not doing NaNoWriMo AT ALL because of the AI.

Not disabled: doing NaNoWriMo elsewhere because of the AI.

Not disabled: doing NaNoWriMo, using Nanowrimo.org, but not the AI.

Not disabled: doing NaNoWriMo and WILL use the AI.

Not disabled: not doing NaNoWriMo at all because of the AI

Nuance option. Will elaborate in comments.

Voting ended onOct 19, 2024

For those who didn't know: https://slate.com/technology/2024/09/national-novel-writing-month-ai-bots-controversy.html

As a disabled person, seeing the "but, but, disabled people" defense of AI is strange to me. Were a lot of disabled people campaigning to have AI?

I'm personally not happy about it. I'm also not convinced that it would really be as useful to disabled writers as some people are saying, especially in this context. I also haven't heard any of the disabled writers I know saying they felt a need for it.

But I don't know every disabled writer in the world, so I'm asking the question.

And if we could keep comments respectful of each other's basic humanity, that'd be great.

[fictiontheory]

Followers, please circulate this around (all, like, five of you)

[midwinterhunt]

hot artists don't gatekeep

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.

[tofupixel]

MapCrunch. Environment artists rejoice. Random locations, filter by indoor or outdoor, rural or urban, specific country. Great for realistic/authentic building ref.

[natalieironside]

You should never create anything with a wide audience in mind. The so-called "general audience" doesn't exist; it's a fiction made up by advertising executives. Most of the time, great art and literature is made with the intention of pleasing no more than 4 or 5 specific perverts of the author's acquaintance

[artisimpossible]

I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.

So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."

I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.

Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.