you’re all at the club? well I’m in my jammies. snrkmimimi
noise dept.
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@theartofmadeline

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Today's Document
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Cosmic Funnies
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occasionally subtle

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🩵 avery cochrane 🩵
Keni

tannertan36
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KIROKAZE
todays bird
hello vonnie
sheepfilms
Lint Roller? I Barely Know Her
Xuebing Du
seen from Philippines
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@flannelandrippedjeans
you’re all at the club? well I’m in my jammies. snrkmimimi
Alice Te Punga Somerville, Always Italicise: How to Write While Colonised - Kupu rere kē
me as a writer: Oh no I can’t write that, somebody else already has
me as a reader: hell yes give me all the fics about this one scenario. The more the merrier
This one is so hard to accept. Reblogging to knock that into my brain.
Me as a writer: I feel like I’m repeating myself, I’ve already used that theme, I’ve already written that kink, that other character uses that speech pattern so this one in another fandom can’t, I feel like I’m writing predictable things, is this different enough from that other thing I wrote, are people filling out bingo cards by my work? :sobbing:
Me as a reader: oh hell yeah this hit the spot exactly, I hope this writer has written 20 more just like it
As one friend said when I felt I was reusing a theme too much, nobody ever says, Did Agatha Christie write about murder again?
I actually laughed out loud at the last one. A very good point.
“I love this, I hope there isn’t anything else out there like it!” Said no one ever
Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.
The first thing I’d do is make the characters actually be adults. Still young, but adults, in the mid to late 20s range. Mystery Inc. is a private detective type business that they run together. In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost. The stakes can be higher; sometimes a bad guy is legitimately trying to kill them. Sometimes the mystery they’re trying to solve is a murder. Sometimes they actually get hurt on their cases.
Fred: the core of Fred’s character should be that he’s incredibly kind. Like, give a stranger the shirt off his back kind. The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind. He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too. While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.
Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money. Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing. She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her. Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.
Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe. Dating, engaged, married, I don’t care. They are stupidly in love, ride or die for each other. There’s no will they, won’t they, no worries about cheating. They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.
Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma! His wife is standing right there!” “Oh. Sorry.”). She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes. She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws. Is breaking and entering really so bad? Not if it gets them answers.
Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense. He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option. He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).
Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him. Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices. The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it. Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.
Sorry as someone who teaches rhetoric this is a wonderful response to the Paradox of Tolerance. I cannot tell you how many times my students have had debates about this. This is the response. This does indeed fix it. I cannot wait to tell this to my classes now. Philosophically and rhetorically this completely resolved the Paradox of Tolerance and I am floored by its simplicity and angry I never saw it before.
*watching my idiot prince regent on the dance floor* yes, my liege. throw it back most indubitably, sire
Danai Gurira as Richard 111 in Shakespeare in the park in New York
Interstice - Brendon Burton
Source: The New York Tattler, July 8, 1909.
Never ever be normal about fictional characters but please GOD be normal about the people who play them, I am begging you
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The Crescent Moon by Montague Dawson
mary oliver, worm moon
Pour one out for all the stories you'll never find again, that you barely remember in totality, but that left an impression on you that you'll never forget.
The short stories from standardized tests that you only had a few minutes to read, but those minutes will last a lifetime.
The books on the library display shelf you used to occupy time until your mom could come pick you up from school.
The graphic novel you picked up when you were first getting into comics and could never find again.
The single lines or themes from stories you otherwise don't remember, save for the one thing that you saw and internalized as a new part of your personality.
Let's pour one out for the books that built us, even if we never could find them again, and couldn't of we wanted to.
I love this sentiment and for anyone else who feels the same I just want to point out that there's a tumblr and also a reddit for that where others can try to solve your nostalgia mystery!
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human: dude you've been in our d&d group for literally like three years, you don't need to keep asking if you're invited every time
vampire: i knowww, i just get anxious ok?
human: oh fair
I feel personally attacked. Lol
IT’S CALLED AN AESTHETIC, SUSAN.
I hope you don’t mind, but I slowed the gif down because that is a FANTASTIC move.
this is the kind of shit that gets described as “quickly disarmed him” in writing and truly doesn’t do it justice