MET GALA "Costume Art" Exhibition 2026
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The idea, curator Andrew Bolton said, is āto reflect on your own lived experience, hopefully to create a connection, empathy, compassion towards each other.ā Not only does this interactive element transform a visit to the museum into a small voyage of self discovery, but it is a bodily experience that cannot be replicated digitally. This at a time when humans are being replaced by machines and AI anxiety is pervasive. āThe whole show is structured around a typology of bodies, and these are bodies that you see across the museum when you encounter artworks,ā Bolton explained. āThe simple thesis for the show really is the fact that the dressed body is the connecting thread throughout the entire museum.ā What you wonāt see anywhere else at the Met are mannequins of diverse body types modeled after named individuals, like those commissioned for āCostume Art.ā And this is transformative in many ways. As the scholar Llewellyn Negrin notes in her catalog introduction, not only do mannequins project a beauty standard, but their ādimensions often dictate the sizes of the garments shown, and the garmentsā sizes correspond to the idealized proportions of the preferred mannequins, resulting in a mutually reinforcing process that perpetuates the privileging of culturally esteemed body types.ā
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