$LAYYYTER
Three Goblin Art
todays bird
almost home
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titsay

izzy's playlists!
Mike Driver

Andulka

tannertan36
Sade Olutola

Product Placement

Kiana Khansmith

Kaledo Art
Claire Keane

❣ Chile in a Photography ❣
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DEAR READER
Cosimo Galluzzi

Discoholic 🪩

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@gabberforth
For Leptonyx on Bluesky!
One trick pony
i am so so gently asking abled storytellers to try this little exercise: consider that maybe the main character doesn't miraculously get through traumatic event number 8277 with minor injuries. maybe they don't make a full, narratively-convenient recovery. there are tangible, long-term effects on their health. they are disabled. there are lots of ways to be disabled, and you can pick whatever makes the most sense. the point is that because they're the main character, they have to stay at the heart of the narrative. what happens to your story after that? just for the sake of this exercise, you're not allowed to have them spiral into helpless depression, or collapse under self-loathing, or turn their story into a quest for a cure or an uplifting recovery narrative. think it through instead. how can you tell this story with the character's disability? what needs to change? are there any reasons why these changes can't happen?
at the end of it, you might change nothing. but I think this is worth doing, because sometimes you'll find that the reason you didn't want your character to have a limp, or lose a limb or sense, or have some kind of SFF-appropriate fantasy disability is because of internalised biases. those are worth challenging & i truly believe that creators miss out on richer stories when they view disability either as a fate worse than death or as nothing more than a catalyst for tragedy.
if it doesnt kill you its sure to leave a horrible scar
what a mess
A short comic I made about my experiences as a seasonal worker, and the way places change you.
in so fascinated by borzoi dogs, they are my huge inspiration to do original art they are like magical creatures of dogs
🌼Let's get groovy~🌼
Kerry Guinan
Artists, 2019
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Dominican Republic.
Images: Photograph of 3 canvases from the series in the solo exhibition 'Our Celestial Sphere' at Pallas Projects, Dublin, 2019.
Supported by the Arts Council of Ireland, Limerick Institute of Technology, and Fingal County Council. Images: Pallas Projects/Studios & Kerry Guinan.
(Original caption from artist’s website)
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Do
And after contacting the Irish Museum of Modern Art and being referred to a curator (!), they provided me with the caption information that was used when displaying the work for the Staying With The Trouble exhibition in 2025 (thank you so much IMMA staff!!)
Artists is a series of blank, square canvases, each signed by a staff member in the manufacturing facility that produced the canvases in the La Romana Free Trade Zone, the Dominican Republic. The manufacturer, Daler Rowney, is a popular supplier of art materials in Ireland. The artist coordinated the project remotely by contacting the facility manager. The signatories volunteered to take part in the project upon invitation. They are Johan Rivera, Carlos Roa, Aneury Rondon, and Orlando Saldivar.
Anyways, I’d spent about the last 6 hours of my life trying to find out this information after some discussion on artist supply chains came up on the dashboard. Hope you enjoy the work as much as I do.
Lovely to see we have spaces where you can gain access to so much literature!
continue experimenting with my OCs designs in sky cotl
SURVIVAL INSTINCT
N’KISI BRICOLAGE STURGEON
carved and painted mahogany, mica, nails, handmade paper, found natural objects, tintypes, 1800’s text paper, Ethiopian and Coptic bindings
13x59x14 inches
Invention of bread is weird bc it’s like some Neolithic ppl were like “hey you know that tall grass thing that’s sorta edible but not really how about we take it and grind it into a very very fine powder which is extra backbreaking right now bc the wheel won’t be invented for awhile and then we mix it with water and heat it up and you know what let’s also toss some mold in there just to see what happens”
there are a number of distinct steps though, each of which can be observed in isolation. “grind tough seeds to make them edible” is practiced with other foods besides grains (like acorns). the natural next step after that is to add water, which gives you porridge: a common ancient roman meal was puls, very similar to modern cream of wheat. once you have that you also have a simple dough, and baking it to preserve it is a logical experiment (as is baking some you forgot about and left out for a few days, just so you don’t waste it... voila, leavened bread)
there could have been, and probably was (though i’m not an archaeologist) a substantial time between each of these innovations. it’s not too hard to imagine people being chill with “grind seeds for soup, select plants for bigger seeds” for a good while
Do you ever wonder how many amazing things are fated to go forever uninvented because each step necessary to invent them is a completely unintuitive thing to do?
Okay, that's not how bread was invented. I wrote a potted history, I could try to dig that out if anyone is interested?
Please do
I'm putting this on my bread blog, because of course I am. Also tagging @appendingfic who I think expressed interest.
Tens of thousands of years ago people foraged and hunted for their food and ate whatever they could. Among their forage were wild cereals, which included the ancestors of modern cultivated wheat, barley and others.
People like sweet things. Grains are starchy, but if sprouted they start converting those starches to sugars, so people would've left grains in water to sprout. These sprouts are also easier to digest, thus more nutritious, which bestowed an invisible advantage on those sprouting their grains.
If grains are left in water too long, however, they begin to ferment. Alcohol is produced. People like alcohol.
In ancient Mesopotamia the fermented grains were experimented with, resulting in an early form of beer. The process of making that beer was quite complicated and involved a combination of sprouted and mashed grains.
People wanted beer all year round, but early beers did not have long shelf lives and the grain could only be harvested at certain times. So the ancient Mesopotamians invented a way of storing the ingredients for beer.
It was made of the grain mash, honey, dates and spices that were fermented to make beer. For storage, prior to fermentation, the mixture was baked dry, cut into smaller pieces and baked again to remove all water. This produced bapir, a product very much like biscotti, which could be stored for later rehydration and fermentation. Sometimes it was eaten instead.
I've made bapir, and I've eaten it. It is brittle but delicious. It's also a form of unleavened bread.
Bread was invented as a way to store the ingredients for beer, which was most likely a development from a chance discovery. Leavened bread (that is, with bubbles) may well have been discovered when a mixture like that for bapir was accidentally allowed to ferment before baking. Yeast is responsible for both alcohol production and leavening.
There's a lot more to it, in terms of the cultivation of grains and the development of milling, than I've written here. It's been a process of millennia to go from chewing sprouts to eating soft white bread like that pictured. But every step along the way was small and simple.
I never would have guessed that beer pre-existed bread. I've always just assumed that beer was an accidental discovery by breadmakers.
Nope, beer came first. Mead is also very old.
Thanks, ancient humans!
Australian First Nations people developed their own bread making culture independent of the beer-base route. As far as I'm aware, pre colonial Australia had little to nothing by way of fermented drinks at all, so the likelihood of beer being part of the evolution of native breads is unlikely. Their breads, made from native grasses, are both leavened and unleavened. There's also different bread making practices using different grains, dependent on location - Australia is big and Indigenous culture over here is no more a monolith than it is anywhere else. Kamilaroi bread is different to Yuin bread, for example.
The colonization of Australia actively suppressed Indigenous knowledge, and creating an image of the idle wandering tribes was required to justify taking Aboriginal lands. This means a lot of the archeology of how First Nations people developed their breads has not just been lost but deliberately suppressed. The idea that they were settled enough to have ovens, let alone a bread-making tradition, is only now really being examined. I wouldn't be surprised if the grains-porridge-bread route was true for Aussie breads, though.
Floppy shop💾
This is a piece I drew in 2022. It’s been four years, but it’s still one of my favorites🧡