Super Robot Wars by Koni Yoshiyuki

❣ Chile in a Photography ❣

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Andulka
ojovivo

shark vs the universe
Alisa U Zemlji Chuda
styofa doing anything
Show & Tell
will byers stan first human second
Stranger Things
dirt enthusiast
todays bird
YOU ARE THE REASON
he wasn't even looking at me and he found me
Peter Solarz

Love Begins

祝日 / Permanent Vacation
No title available

#extradirty
seen from Germany
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@gbotrev
Super Robot Wars by Koni Yoshiyuki
Drachtoberfest: Beer Dragon Art Prints - Created by Liz Chesterman
Prints available for sale at her Etsy Shop. Pins available through Kickstarter.
I know I said I was going to sleep, but I couldn’t help but look at all the kit previews that were just released.
Holy shit do they all look good. Even the Nanami kit seems to be a vast improvement over the previous MS Girl kits. (Finally! Swappable expressions!)
蒼く眠る水の星にそっと by 夜ト★海産物は敵 [@Yototeitoku]
Ridiculously SUPERIOR Cosplay Found here
Girlyman is on Twitter… What’s next Sanguinius on Instagram? Curze on Tumblr? Fulgrim on SnapChat? Lorgar on Blogger?
Daimos vs. Voltes V
What if oxygen is poisonous and it just takes 75-100 years to kill us?
My science teacher said he thinks that’s true actually
Yeah this is actually pretty much exactly what is going on. It’s why anti-oxidants are such a big deal. Bonus fact: oxygen oxidizes stuff in your cells or, in other words, it’s not toxic, just setting you on fire very very slowly.
What if there are aliens out there but they subsist on entirely different substances and they’re just scared as shit of us and our crazy ass hell planet? Once in a while some alien anthropologist type suggests checking out the people on this inhabited planet out towards the galaxy’s edge. The other aliens just look at the naive academic with horror. No!! We do not go to that world. That is where the DEATH BREATHERS live. They recreationally consume poisons and are more or less composed of biological fire. Their atmosphere is made of rocket fuel. We must leave the DEATH BREATHERS in peace. Do not go there. Do not.
I tend to always reblog posts about humans being terrifying weirdos to aliens.
@brainsforbabyjesus
okay but…that is actually what went down on earth about 2.5 billion years ago.
Earth was doing just fine with a mostly nitrogen/carbon dioxide atmosphere and everyone was happy to go on living in anaerobic bliss and then cyanobacteria suddenly hit the scene, altered the atmosphere composition so that there was a ton of oxygen gas and killed practically everything (97% or more of all species on earth).
We are literally descendants of the DEATH BREATHERS and cyanobacteria is our deadly mother.
The cyanobacteria holocaust is so big, it doesn’t even have a cool name; it’s just called “The Great Oxygenation Event”; the *second* most apocalyptic extinction event in our planet’s history is the one that’s called THE GREAT DYING (the Permian-Triassic event, about 252 million years ago).
This shit makes like the rock-throwing that wiped out the dinosaurs look like kindergarten.
The Great Dying is my absolute favorite nickname for an epochal event.
Cyanobacteria, Mother of Death Breathers.
Can we talk about how the Deadpool movie, which the media has largely referred to (in so many words) as a fuckboy’s wetdream, not only gives a female sex worker an empathetic role, but treats her and her work more respectfully than about 99% of so called feminist media?
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At no point does the movie imply that Vanessa is tainted because she is a sex worker. At no point does the movie imply that Vanessa is unworthy of love because she is a sex worker.
At no point is Vanessa portrayed as “broken.”
At no point does the movie imply that being a sex worker makes Vanessa a bad girlfriend. At no point does Deadpool ask or expect Vanessa to sacrifice her job for their relationship.
At no point is Vanessa slut-shamed for her job, by either protagonists or villains.
Think about that.
Denigrating sex workers is so taboo within the Deadpool movieverse that even the villains won’t do it.
We know that Vanessa experienced sexual abuse, and that it’s shaped the person she’s become and influenced the choices she’s made. The movie clearly acknowledges that sexual abuse is real, and that it is damaging, and that people who experience sexual abuse struggle to lead “normal” lives and get “normal” jobs.
But the movie never hands sexual abusers the mic.
There is no sexual abuse porn in this movie. There are no voyeuristic rape flashbacks. There are no misogynist monologues. The audience learns about Vanessa’s abusive past from Vanessa, on Vanessa’s terms, through Vanessa’s own words.
This seems like the bare minimum of dignity any female character should be granted, yet so much media fails to meet this extremely low bar.
The movie makes it very clear that Vanessa has a life outside of sex work. She does not live on a stripper pole. Sex work is something Vanessa does. Sex work is not who Vanessa is. She has an apartment. She wears pajamas. What other fictional universe can say the same? I can think of one tv show, but that’s about it, and that show’s viewership is nothing compared to Deadpool’s.
Now on the one hand, I’m not necessarily happy that Vanessa’s character arc revolves almost entirely around her romantic relationship with the lead male protagonist. But on the other hand, I find it very refreshing to see a sex worker in the media whose character arc does not revolve entirely around the fact that she is a sex worker. Hate to say it, but for sex workers in the media, being relegated to the role of love interest is actually a step up.
Most feminist media would rather pretend sex workers don’t exist than write storylines of any kind for them.
This.
And the people who call Deadpool a fuckboy’s wet dream sure as heck didn’t watch the same movie I did.
The movie has:
A very funny moment in which the joke is on those who assume that sex workers have abusive pasts, not on the sex worker. (The comparing abuse thing gets ridiculous enough that they’re both clearly lying).
The male lead repeatedly posed in female come-on positions. This one is my favorite:
He’s even on a bearskin rug in front of a fire. The humor in this pose is “Haha, isn’t it silly to pose a character like that.” It’s designed explicitly to make people think about how commonly female characters are shown in these kinds of ridiculous poses. Going to tell me that’s not a feminist visual joke?
An under-age female character who is never sexualized. Yeah, this girl
Look at that. A practical costume, her breasts are minimized rather than emphasized. We only see Negasonic Teenage Warhead as badass, not “cute.” And she’s treated like a teenager, not a child or an adult.
Oh, and Deadpool doesn’t rescue Vanessa in the end. He throws her a weapon so she can rescue herself. Which she does, because she’s badass.
I’d actually call Deadpool a feminist movie, and an important one. Why?
Because they probably tricked an entire bunch of fuckboys into watching a feminist movie ;).
So, why was it so feminist?
Two words: Ryan and Reynolds.
Ryan Reynolds wanted to do this movie. He wanted to do this movie for years. Reynolds is basically a Deadpool cosplayer who managed to convince a movie studio to pay him a lot of money to be a Deadpool cosplayer.
Guess what Ryan Reynolds also is?
A feminist. He says he’s going to push for even more badass ladies in the sequel. (I think we’re going to see Vanessa with superpowers. They had her long enough to expose her to the agent, if not to activate it).
I’d love to see Vanessa with superpowers, and I enjoyed the hell out of Deadpool.
I forgot one, and an important one.
When we are shown the strip club Vanessa works at, it is not filmed the way movies always film strip clubs.
It’s filmed as if we were going to an office. It’s just “this is where Vanessa happens to work.” No low shot angles to show off women’s bodies, no soft porn music.
Just very…matter of fact.
Can we also bring up that Deadpool does NOT shame Negasonic’s name choice? It screams OC but he’s still supportive of it.
Of course he’s not gonna shame it, it’s the best fucking thing he’s ever heard in his life and he’s pissed at himself that he didn’t think of it first.
I actually heard the movie described as a “Fan Movie in the best possible way” because the people making it clearly cared about the material. Rather than a “Wet Dream” of any kind.
On the “equality/women are people too” front I liked how she defended her autonomy when someone did try to slut-shame her. A huge guy slaps her ass, and when he’s grabbed by Wade, instead of Wade punching him for slapping Vanessa, she grabs him by the balls and threatens him herself. He goes to defend her, which is good, and then she defends herself, which absolutely makes the scene perfect.
“Gonna apologize Fat Gandalf?”
No means no, whether said by a prostitute or nun.
I love Deadpool even more now
all these wonderful reasons why this is one of my favorite movies
Director of Photography Breakdown - Roger Deakins
Roger Deakins. A man who has developed the irrefutablereputation of a cinematographer with unmatched consistency. If he works on amovie, it looks good. His style is often referenced for what we have come toexpect in aesthetically pleasing contemporary cinema. In this post I willattempt to break down constant techniques he uses and develop through linesbetween films.
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Wide Shot
Deakins is a master of the extreme wide shot.Perfect lens choice and composition allow him to establish space like no other.Often these shots are used at the beginning or end of a scene to lead us intoor ease us out of a moment. I find that when I experience shots like thisviscerally, with the character, it provides a perfect entrance into the headspace of the characters within the scene. The shot from Skyfall (upper middle shot) is not only incredible to look at, but it is used as an opener to establish the emotional turmoil he is experiencing by returning to the harsh and unrelenting landscape of his childhood. In the top shot from True Grit, the shot is used to establish the isolation and privacy Mattie hops to experience when visiting the grave of Rooster.
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Establishing Shots
I think these are my personal favourites when it comes to Deakins work. Every establishing shot is on point. Not only are they all composed to perfection, but the slight tweaks in variety keep them interesting. I found 4 examples in which the subjects are never in the same part of the frame. On top of that, he uses leading lines and lens choice to create depth and completely establishes colour palette for every scene with these awesome shots.
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Mid Shots
Although there are only two examples here, they are the perfect ones to represent the strength in Deakins’ mid shots. For the first shot, both the vertical and horizontal thirds are filled with interesting material. It creates immediate depth with the shallower depth of field, with the closer out of focus grass, the subject and then finally the fence trees and sky outside the focal plane. In the second shot from Prisoners it demonstrates Deakins’ excellent use of the leading lines in the desk to draw our eye to the subject in the center of the frame. It is also a perfect representation of his use of practical’s to light a subject in low light.
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Close Ups
Finally the close ups, the bread and butter of most DP’s. Deakin’s is definitely a fan of unconventional these types of shots. These frames scream unconventional, from a close up with no light on the subject, to the side view of the parked car, they are trying to break the mold of what we expect from an average close up shot. Why follow the textbook when you can create your own.
The Brews of Middle Earth - Created by Cory Freeman
All designs on sale at Cory’s TeePublic Shop as T-shirts, prints, and cases, starting at $13.
I love these!!
I need to brew those! 😳
Hmmm…. so many choices!
MAD-3R “Marauder” Hvy-Mech #mecha – https://www.pinterest.com/pin/356769601714900293/