Hi Chekhov! Really enjoying your white diamond au! I had a quick art question: How do you start comissions? I've been improving my drawing skills and thinking about drawing for others after having fun in artfight, but I don't know where to start? How much to charge, how to get paid, etc. Do you have any tips? Hope you're doing well! :)
Alright, since a few people have asked, Iāve decided to put together a few things about how to get started on commissions - what you need, what you should make, and how to keep things organized.Ā
This will get a little long, so Iāll divide it into 4 main sections:
1) Draw Art - Getting started
2) Get Commissioned - Making a commission sheet, Advertising
3) ??? -Ā Communicating, Setting Limits, Running the Business
4) Profit - Pricing Yourself and Getting Paid
* Disclaimer: Iām an artist, so this How-To will be illustration-focused. Iām sure many of these tips can apply to ANY types of commissions, but I will be focusing on the type I know best. If you are proficient in other types of commissions for other types of art - music commissions, photography, etc - feel free to chime in and leave a comment or make your own tutorial!
I think this is probably the most obvious part, but it needs to be said:
Before you start making art for other people, you must first be comfortable making art in general.
Iām not saying your art has to be Disney-quality, or industry-level! Not at all.Ā
BUT! You must be comfortable creating what you sell. If you try to sell something you have little confidence in, you will stress yourself out and possibly end up losing time AND money.
Donāt shoot for the moon if you havenāt landed on it even once. Sell what you know youāre good at. Your commissions donāt HAVE to include full-body illustrations if you donāt know how to draw feet/solid stances. Limit yourself to what you can do.
Things you need to should probably have before starting commissions:
1. Access to art materials or a fully downloaded art program
DO NOT - Use a free tutorial version that will expire in a month and leave you without a way to draw! If you are having trouble finding a program, try free ones like MediBang Paint Pro.Ā
2. Free time to complete the amount of commissions you want to take.
DO NOT - Take on or offer commissions if you KNOW youāre going to be overwhelmed with school or personal life for the next 2+ months. Pace yourself, otherwise youāll burn out, get stressed, and get discouraged.
3. A reliable way to communicate with your customers like a commissions-only emailĀ
DO NOT - Use your friend/family/college email. Itās hard to keep track of things as it is, and creating new emails is easy and free. And keep it professional if you can! Not many people will reach out to dong-wiggles20434 to ask for a design. Ideally, your email should be close to your brand - however you want to brand yourself. Usernames are fine!)
DO NOT - Use Instagram/Twitter/Tumblr to collect commission info unless you are ready to do the organizing yourself. Some people make it work, but in my experience, if you use these SNS sites to communicate with friends and network... youāre going to be losing commission inquiries right and left and accidentally ignoring people. Email is much easier to organize and sort into folders.
4. A portfolio or at least 2-3 pieces of each type of art youāre planning to sell.Ā
DO NOT - Advertise commissions without having any examples of the art you plan to sell. People will find it difficult to trust you if you canāt even give them a vague idea of what sort of drawing theyāll be getting.Ā
Disclaimer: These are not hardĀ ādo notās. If you have had a different experience, I respect that. Iām simplifying for the sake of streamlining this advice.Ā
So - you have your art, you have your art program, and youāve got all the time in the world. That means.... thatās right! Itās time to let the world know youāre taking commissions.
One of the most common ways artists signal to their audience that they can do commissions is by creating a commissions sheet. There are MANY ways to make this - and they range from simple and doodly ones to VERY complex designs. For example, hereās mine!Ā
There are many ways to organize a commission sheet. At its core, a commission sheet should display the types of art you WANT to be commissioned to make. Letās go over a few ways they can be done!
#1.... Body Portion Dividers!
This sheet is most common with those who want to capitalize on drawing people and characters. If you want to draw lots of characters, this is a great way to offer several tiers of pricing based on how much of their character your customers want to see.Ā
If youāre open to drawing many things but want to base your pricing off of how complex something is, you can split your tiers into done-ness. This type of commission is popular with those that draw characters AND animals, furries, etc.
If youāre more on the design side of things, or if you have various niche art styles that you canāt quite lump together, display a variety of your skills alongside each other! It helps if all the ones you have can be organized under a common customer - like those looking to advance their own business and get logos, websites, or mascots made for them!
You got your first commission... what happens now???
Well, ideally you have the time, tools and motivation to make things happen! Now all you have to do is... sit down and... draw.......
Iām going to say something that may be a little controversial:Ā
Commissions arenāt fun.Ā
No, no, hear me out: I have fun doing commissions!Ā I genuinely enjoy drawing characters and coming up with designs. But even with all that said, commissions are, first and foremost: WORK
Iām not saying this to discourage you, Iām saying this to keep things realistic. When I first began commissions, I thought it would be just like any other type of drawing. I would sit down, imagine a thing, draw it... it would be fun!Ā
But then I realized that I couldnāt just draw what I wanted - another person had an idea in mind and had asked me to do it. I stressed over getting the design correct from descriptions. I stressed over not having the right reference for the pose the commissioner wanted. I stressed over not being able to draw the leg right in the way I had promised I would do. I stressed about billing. I stressed about digital money transfers. It was difficult, and time-consuming, and I did not enjoy it. At all.Ā
And a part of that is definitely on the commissioner - we, as artists, NEED to demand proper references or descriptions. We, as artists, NEED to limit the amount of changes weāre going to make at the flick of a finger. We NEED to demand clear instructions and set boundaries. Thatās also super important.Ā
But also - donāt be discouraged if you find yourself exhausted drawing your first commission. MANY artists go through this. Adjust your rules, fix up your limits, practice putting your foot down on finicky commissioners who expect you to read their mind! It does get easier, but you have to communicate and put in the effort and act as your own manager AND your own customer service AND your own accountant. Thatās what youāre looking at.Ā
Good limits and boundaries to set:Ā
Limit the amount of changes a person can ask to make.Ā āI want blue hair.ā Next email:Ā āNo wait, yeah, make it red.ā Next email:Ā āActually I changed my mind, can I get the blue but like, lighter?ā Next email:Ā āNo, not that light.ā ... At some point, we have to stop. I personally allow 2-3 changes on the final stages of a commission before I start refusing or start asking for extra money.
Demand clear instructions and/or references. If something isnāt described, you have to take artistic liberty and design it, but thatās difficult! And if the customer is not happy with it but canāt tell you more? Thatās not your problem - the burden of reference is on THEM. You cannot read their mind, and thatās not your fault.
Get at least half the payment up front! This is a good balance between the āpay before artā and theĀ āpay after artā conundrum that will limit the amount of woes between artist and customer. (Iāll touch upon this a little more in the Profit section.)
Where possible, create good habits! Tag your emails and organize your folders. I have a tag on my emails for active and finished commissions. I also keep my emails on Unread until I have time to sit down and properly look at/reply to them.
My Commissions in the folder are also organized chronologically and I mark down which ones are paid and which ones are not.
(I understand not everyone can do this, but if you want to give it a try, it does make things easier in the long run. Again, this advice is just what I have found personally helps.)
One last thing - I do not want to shame ANYONE for taking their time with commissions!Ā Commissions are complex, and they take time and work. You can draw in 8 hours, but some things take research, materials, etc. Some illustrations realistically take up to half a year, or, depending on whatās involved, several years!!
THAT BEING SAID - itās good manners to be upfront with your customers about how long you expect the commission to take. If you think youāre busy, just say that! Explain that you have a lot going on, and you will probably take (insert time period here).
And if your commissioners are worried, work out a system to keep them updated! I send my commissioners updates when I finish the lineart/flat colors/etc and I try to be clear about how long everything will take. I try to estimate with a +3-5 days buffer to give myself extra time... and recently Iāve been using it. Always say a bigger number than you think youāll need.Ā
If someone wants a rushed commission... make them pay more. If ANYONE wants a commission doneĀ āby the end of the weekā - thatās an automatic rush-job for me because Iām juggling an irl job and several commissions at once. I WILL charge a rush fee and I wonāt feel bad about it.Ā
If someone wants a commission within 24 hours...... Well, they better be paying you 3x your normal amount, or more. And remember - you CAN refuse! Itās perfectly reasonable to sayĀ āNo, sorry, that sort of turnaround time is not realistic for me.ā
Food For Thought - Invoicing
Many artists Iāve commissioned in the past have not used Invoicing, but Iāve recently begun to fill out invoices and file them in my Commissions folder just to keep track of things. Itās not necessary until you start getting into the Small Business side of Freelancing, but itās not a bad idea to get into the habit early in case you might need to do it later for tax purposes.Ā
Hereās what my Invoice looks like, for example.Ā
Iāve optimized it to help me remember who, what, and how much is involved! It also contains important info for my customers like where to send the money.
One of the hardest things for artists is pricing themselves. Iām not going to tell you which way is BEST - there is no BEST way, only the best way for YOU.Ā
One of the options available to you is pricing by the hour. It includes averaging out how long it takes you to draw a specific type of art (whatever youāre offering as a commission) and multiplying that by an hourly wage youāve decided on.
When you do this, I stress - do NOT price yourself below minimum wage if you can help it. When you first start out, aim for the $15/hour mark and adjust accordingly.Ā
Other ways to price your art:
- Per complexity: Portraits vs full body should be scaled based on how difficult you find one vs. the other. You can also easily decide on a price for a sketch and double it for lineart, triple it for full color, etc.
- Per type: Look up for industry prices for website design and logo design. They may surprise you! You donāt have to charge that much, but it helps to keep things in perspective.Ā
Itās okay to change your prices! Keep your commission sheet image handy so you can update the amounts as you grow. :)
Payment up front or after completion?
Some artist take full payment up front. Some only demand payment after theyāve finished and sent out the piece. I personally think these are both risky for everyone involved.Ā
I recommend doing at least HALF of the payment BEFORE you start the commission. Calculate your full price and ask for half before you start working on it in earnest, to make sure the person can actually pay you. Then, when they receive the full piece and are satisfied, they can complete the payment.Ā
I personally work in this structure:
> Someone emails me with their idea/reference
> I send back a rough draft sketch that shows the idea/pose (only takes me 10-20 minutes so not a huge loss if they ghost) and quote them a price
> They can pay the full thing upfront OR pay half
> I finish the commission and send updates when I do the lineart/colors to double check anything so they have multiple chances to spot any errors
> If the person paid only half on completion, I send them a low-res version of the finished thing, they finish up their payment and THEN I send them the full-res version plus any other filetypes/CYMK proofs, etc.Ā
Many of the people who commission me pay me up front even though I offer they pay half - and Iām really flattered that they trust me that much! Because of that, I feel encouraged to update them frequently and ask for their input as I work, so they have the peace of mind knowing Iām actually doing their commission.Ā
Great, but how do I get PAID????
There are NUMEROUS ways - these days money is relatively easy to transfer over digital means, and you have a few options.Ā
Paypal is perhaps one of the oldest digital wallets and is geared towards businesses. By setting up a PayPal and connecting it to your debit card of bank account, you can tunnel a pathway from your online business directly into your hands in a matter of days.Ā
Paypal also offers Invoicing - you make an invoice, price it and send it to the personās email and they can pay whatever way they need! (It also allows partial payments.)
Pros: transfers from PayPal to bank account are free, and take a couple of business days. It also has no upper limit to the amount of money you can move in/out each month. It can force refunds due to the nature of its business-oriented payment system.
Cons: Because itās used by businesses for larger transactions, PayPal may demand a more rigorous proof of your identity. It may also take longer to set up and be harder to get used to. Iāve also heard that they can be a hassle when it comes to closing your account.Ā
Venmo is another type of digital wallet that acts much like paypal, except for a few key differences - it is NOT made for businesses (so depending on whether youāre officially registered as a freelancer, you may not be able to use it). I personally donāt use venmo, so I cannot speak to its usefulness, but I know a few people that use it for casual transactions. Itās easy and quick! :)Ā
Keep in mind that you cannot force a refund over venmo! The transactions are final.
Thereās also CashApp, GooglePay (which could load gift cards but also allows peer-to-peer transactions) and Iāve heard good things about Due, though Iāve never personally used it.
Other ways to pay: Iāve had people pay me over Patreon by upping their pledge, and Iāve had people pay me over Ko-Fi by donating a specific amount.Ā
Many people even use Etsy - the website specialized for independent small businesses selling art - by listing their commission sheet and offering up severalĀ āslotsā of commissions, which allows you to track taxes AND allows your clients to pay using whatever they feel comfortable with.
If youāre in Canada, you can even pay by emailing money directly from bank account to bank account - check whether your country offers this type of service! Thereās no shortage of ways to move money in the digital world.
Just like everything else, thereās no singularĀ āBestā way. It just depends on what works for you.
I think that just about wraps it up! I canāt quite think of what else to put here - but Iām sure other artists will chime in with their own advice. :) Iām very sorry this became so long but I hope it was helpful!Ā
Obligatory Disclaimer: Iām not qualified to give legal or accounting counsel. Please double-check the laws in your own country/state in regards to taxation of freelancing work and do your own research. If you are underage, DEFINITELY get an adultās permission before you start doing commissions, and have the adult help you through the process.Ā Ā
OTHER POSTS YOU MAY FIND USEFUL:
An Extended Post on Pricing Yourself for Commissions
Dealing with Imposter Syndrome/FeelingĀ āNot Good Enoughā
Advice for Starting Digital Art
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