Some of us over here at JMA are going to see these 'awkward' kids this Friday at Schubas!
The Bowery Presents
almost home
tumblr dot com
Stranger Things
todays bird

@theartofmadeline
I'd rather be in outer space 🛸
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One Nice Bug Per Day
Sade Olutola
Monterey Bay Aquarium

blake kathryn
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Sweet Seals For You, Always
Cosmic Funnies
KIROKAZE

#extradirty
Keni
RMH
trying on a metaphor

seen from Malaysia
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seen from Israel
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seen from Singapore

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seen from Pakistan
@goldengrooves-blog
Some of us over here at JMA are going to see these 'awkward' kids this Friday at Schubas!
Artist: BOY
Track: Little Numbers
Label: Gronland Records
Fantastic album by an adorable Swiss and German female duo!
Getting ready to see The 1975 tomorrow @ Subterranean!
Artist: Sleeper Agent
Track: Get Burned
Album: Celabrasion
Label: Mom + Pop
Listening to some Janelle in the office today
Getting ready for Nelarusky tomorrow at Metro!
Nachtmystium - Silencing Machine Review
Nachtmystium combines many genres from the thrash of power-violence, to psychedelic rock. Though influenced by a wide variety, Nachtmystium most closely resembles a black metal band. On their newest record, Silencing Machine, they do their best to combine the nihilistic lyrics, double kick drums, and screeching speed-guitar parts to craft one monster of an album.
Genre-bending psychedelic guitar backs an eclectic splatter of ghost-like synthesizer riffs that bolster Blake Judd’s guttural, pervasive howl. On songs like “Give me the grave,” Judd combines all of this. “Down here in the dungeon/ Locked up for life/ Can’t see the light/ I want to leave this madness” he shouts over adrenaline-laced drums. The lyrical trend of imprisonment shows up throughout the album, as Judd muses on the negative range of human emotions.
Ultimately, the album works as a catalogue of Nachtmystium’s history. They draw from their early career - as a band that could have held its own as a part of second-wave Norwegian black metal - and from their more diverse recent releases. The band does a good job of changing its tempo throughout the album in order to not assault the listener with repetition, in addition to providing eery instrumentation on a tried and true formula. Black metal purists may not find exactly what they want, but those open to interpretation will find a breath of fresh air in a genre full of spin-offs.
~ Jordan Reyes
Throwback Thursday at the office with some good ol' Pavement
A day for the Replacements.
Some days, a man's just gotta listen to Ariel Pink. Make that every day actually.
sometimes in life, a man's just got to get down. #officejams
Listening to the Dirty Projectors' Newest Album Swing Lo Magellan
Beach House @ Pitchfork
Despite the intense heat and humidity, I had a great time at Pitchfork, as the small crowd and space made for an easier, more enjoyable festival experience. The highlight for me was Beach House. Due to the low-key nature of their music, Beach House weren’t particularly enthusiastic, but I appreciated listening to their soothing live set. The temperature had dropped significantly by the time they took the stage, enhancing the mood of the audience - I was instantly drawn in by their professional sound. They were so spot on, I felt as if I was listening to the recorded album. I'm glad I had the opportunity to see them live, as I now appreciate their music that much more.Â
~ Hannah McCaleb
Ty Segall @ Pitchfork
Being a longtime fan of Ty Segall, I was happy to see him pull out some classics like “Standing at the Station” from 2009’s Lemons as well as demonstrating his outstanding work on his newest release Slaughterhouse, which was recorded with his backing band in one take. Segall put everything into the performance, managing to surf all the way to the back of the crowd before returning to the front. It was definitely my kind of show, as I’m a fan of anything rock n’ roll from metal to punk to surf. Throughout his set, Segall demonstrated his ability to master all genres on the rock spectrum, while still managing to have fun and incorporate the audience.
~ Jordan Reyes
Listening to The Kooks at the office today.
Mike Boyle with Alexis from Sleigh Bells at Pitchfork Music Festival
~ Photo Taken by a Pitchfork Festival Goer