Coco noo

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cherry valley forever

JBB: An Artblog!
Lint Roller? I Barely Know Her
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titsay
$LAYYYTER
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Peter Solarz
I'd rather be in outer space šø
todays bird
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Xuebing Du

Janaina Medeiros

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Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
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Three Goblin Art

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@gothberries-r-us
Coco noo
Tetia's interactions with Eoleo really have me thinking about the potential parallels that Tetia has with Olruggio.
Olruggio and Tetia: Two witches who are keen to help people whenever they can. Olruggio is a well-known witch and inventor who specialises in fire magic. His magical inventions are there to make life easier for others as well as allow access to basic necessities such as warmth and light. On the other hand, Tetia is a young apprentice witch who had only recently made her debut with magical inventions. Her inventions utilise and specialise in earth magic. Her instent staff and serpent's bed of sand are both things that utilise earth (sand and dirt). Tetia's invention also exists to make life easier for the common folk by allowing them access to shelter and comfort.
Both Tetia and Olruggio's inventions are distributed to those who need them as they help civillians using their inventions. Their inventions are also found to be incredibly useful during the Silver Eve festival: olruggio's invention is used to defeat the curtain leech, and Tetia's invention is used as temporary shelter for those escaping the chaos.
Olruggio and Tetia are two kind and compassionate characters. It is their desire to help people to the best of their abilities, which makes them critical of the witches code. Olruggio and Tetia consider breaking the witches code in some way, shape, or form to be able to better help people. This is mainly focused on helping people by allowing them access to knowledge. Why should people be prohibited from life changing knowledge that can benefit them? Is a question that both of these characters ask and can't find it in themselves to justify such a thing.
What further connects these two as strong parallels is their relationship with monarchs as witches. Witches are taught to be secretive and keep their distance from monarchs. Monarchs and witches are unable to stand side by side as it is against the witches' code to function in the times of the old prior to the formation of the pact. This is due to the tragedy that is associated with many witch and monarch stories, with the monarchs ending up dead and wars being created. Olruggio and Tetia are both put in positions where the monarchs propose a cooperation deal, a chance to go back to the old ways. Both experess wariness at this proposition with Olruggio successfully declining the offer while Tetia seems to be interwoven in a complicated relationship with Eoleo. Olruggio's beliefs about witches and monarchs are made clear that he disagrees with the alliance due to its historical consequences. However, Tetia finds herself questioning and critiquing this rule. Why can't witches be friends with monarchs? There surely isn't anything wrong with such a thing, is there? Tetia is still naive to the diplomatic workings of witches and monarchs, unlike olruggio.
It's also interesting to notice that Olruggio and Tetia both catch the eyes of a monarch in Ezrest. We see King Ezrest watching Olruggio's silver Eve performance in chapter 61. We see Tetia catch the eye of Prince Eoleo, who she chooses to hide from the Palace guards during the Silver Eve festival.
Tetia and Olruggio's characters also focus on the concept of transformation. It's ironic that the importance of appearance and clothing is brought up in reference to their characters and specifically when it comes to the Silver Eve arc as a way to differentiate themselves from outsiders and other witches. Olruggio and Tetia believe and use items like masks and clothes as a way to 'transform' into different people and to be viewed differently as a result. Olruggio utilises the cosmetics mask to make himself look presentable to his clients who would like to meet him and require some of his magic while Tetia switches cloaks with Eoleo and is deemed to look like royalty.
Both of these characters are shown to aid both monarchs and civillains. Their work and training (in Tetia's case) is built up to complete their duties as witches, which is to make everyone happy at the end of the day. Tetia loves hearing people thank her and wants to be a witch who is able to see and hear people's content at her work while Olruggio is a witch who has managed to achieve such a thing. Tetia would like to be known internationally while Olruggio has built a strong, seemingly international reputation about himself as the light witch.
Tetia's current optimistic and outgoing demeanour can be said to be very similar to young Olruggio. Both characters hear the gossip surrounding Coco and Qifrey and are ironically the first peer to approach them in the great hall and the atelier.
Vincent Price as Vincent Van Ghoul -
13 Ghosts of Scooby Doo (1985)
always by your side
i love witch hat atelier
I'm not gonna give up just because I can't do something! I will never let myself succumb to that despair! (Witch Hat Atelier, 2016 - present)
isnt tartahs eyesight problem genetic? thats why he wouldnt use glasses, because they wouldnt do anything for him
While genetic disorders canāt be cured, there are certainly things weāve made to help make oneās quality of life better. Inherited genetic disorders, such as diabetes or asthma, have specific medical instruments that help people with those conditions to manage their symptoms even though they will never be cured. Of course, the success rate of the item efficacy for each person and the itemās efficacy itself is the kicker. Plus, grandpa has those sick fucking glasses, why canāt Tartah look fly too?
Genuinely asking, and please think before you vote, would you be a brimmed cap or a pointed cap? I have my own thoughts but I wanted to know what everyone else thinks they would be.
brimmed cap
pointed cap
apprentice uniform for brushbuddy too so they dont feel left out
is this something
them!!
agott would actually like to deal with these coco feelings in less than 2 decades, preferably
(commission info // tip jar!)
The one thing I canāt get behind is Tartahās vision. Surely someone could make him some glasses that would help him see color. Contraptions do not break the pact. He comes from a witch family. I know we have it for Plot Reasonsā¢ļø but that seems like a problem that is easily fixed.
apprentice uniform for brushbuddy too so they dont feel left out
Qifrey is Such A Character because I'm like twenty chapters in to witch hat atelier and pretty much the only things he's done has been have whimsical little cottagecore picnics, be nice to children, and have category 9 domestic events with the whole adult man who lives in his attic. And somehow he does all of this whilst projecting an aura of horrible, tangible sadness. Mans is frolicking in meadows and giving the general impression of a haunted victorian orphan. He's cooking sweet potatoes and I fully expected him to tell the reader he was waterboarded as a child. He's entrancing.
So Sam is obviously short for āSamuelā but what if Dean was short for āDeanuelā
Everybody loves JinMao, meanwhile my Roman Empire is Lakan and Fengxian and it pains me that I don't see any more fana arts of them
You ever seen the look someone has when they fall in love? Exactly that frame.
It's funny how the feared Fox of the East, the master tactician, the eccentric of the empire, looks so human in the presence of a woman who defeated him in a game he's so well versed in.
It's finding the same person who speaks the same language as you, sit on the same wavelength and resonated.
You have to pry this ship from my cold, tightly shut coffin and dead hands. They mean so much to me.