Okay, I greatly appreciate the discussion here about the need for interdisciplinary work in academia, and the need to reach outside of academia and talk to specialists when looking at the uses of tools, but somehow people always have to turn this into a âgotcha!â where the stuffy academics get shown up (even though this very thread shows some archeologists reaching out to craftspeople to ask about how tools are used because they recognize the need for that knowledge and expertise).
âA hairdresser comes a long, looks at a few and is like, âYeah, theyâre sewn.â
âDonât be silly!â the archaeologists cry. âHow foolish, sewn hair indeed! LOL!â
So she went away and recreated them on real people using a needle and thread and the mystery of Roman hairstyles was solved.â
Did they? Did they really? The archeologists all laughed at the plucky hairdresser and then she proved her theory by simply recreating the styles?
See, what actually happened is that Janet Stephens (the hairdresser/hair archeologist in this post), who published an article about her theory in The Journal of Roman Archeology in 2008, spent about 6 years of research pursuing her idea that perhaps Roman hairstyles were sewn hair and not wigs. She did both hands-on experimentation sewing the actual hair, and more traditional research reading through a ton of sources. This is coming from an interview done with Stephens herself:
âLots and lots of reading, poring over exhibition catalogs, back searching the footnotes to the reading and reading some more! It helped that I am fluent in Italian and, in 2006, I took a German for reading class. Working in my spare time, the research took 6 years.â
âI am an independent researcher, but my husband is a professor of Italian at the Johns Hopkins University, so I have library privileges there. We are friendly with colleagues in the Classics/Archaeology department and at the Walters Art Museum. They were kind enough to send me articles and clippings, read drafts and help with some picky Latin, though I try not to impose.â
(Source: http://www.thehistoryblog.com/archives/14729)
Wow, so people in the Classics/Archeology department and at the art museum sent her articles and clippings and HELPED her with her research as opposed to laughing at her in their gentlemanâs club! Itâs almost like people working the archeology/art history these days arenât all stuffy old white guys from the 1950âs!
Stephens also presented her work at the Archeological Institute of America Conference, and according to the interview I cited above, it was apparently well received: âIt seemed to create a a lot of buzz and people said they enjoyed it. Itâs not every conference where you go to the poster session and see âheads on pikestaffsâ!â
Like, thereâs plenty to be said about the ivory tower and the need for interdisciplinary work, and the racism/sexism etc. that newer researchers are working against, but framing this story as âhairdresser totally shows up the archeologists with her common sense!â is needlessly shitting on the academics involved here (and the humanities in general have been struggling to maintain funding at many universities in the US, they donât need to be further attacked), as well as greatly over-simplifying and downplaying Janet Stephensâ achievement. I think itâs more respectful to acknowledge the six years of work that she put into the project than to tell the story like she just sewed some hair and then all the archeologistsâ monocles popped out.
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