Hi, Iâm FĂ«a :))
Pronouns are whatever. Just pick something you like :)
I post Middle Earth related art and content on @feas-silm-project (open for art trades)
(Iâm gonna update this post when the timeâs right)
Claire Keane
Phantogram Three
Fieri Frames

Jar Jar Binks Fan Club

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$LAYYYTER

Discoholic đȘ©
TMBGareOK. The Official They Might Be Giants tumblr
Cookie Run:Kingdom Official!
The Bright Sessions

PR's Tumblrdome

blake kathryn
Cosmic Funnies
untitled
Cosimo Galluzzi
almost home
đȘŒ
noise dept.

shark vs the universe
seen from Philippines
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seen from China

seen from United States
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@ardanelvilyafeanturi
Hi, Iâm FĂ«a :))
Pronouns are whatever. Just pick something you like :)
I post Middle Earth related art and content on @feas-silm-project (open for art trades)
(Iâm gonna update this post when the timeâs right)
Lack of Love
So, you want to talk about why J.R.R. Tolkien never actually finished The Silmarillion? Letâs skip the usual Reddit-tier discourse about canon, casting choices, and whether Galadrielâs armor fits some arbitrary historical vibe check. Weâre missing the forest for the trees here, and honestly, the real story is way more elegantâand kind of a massive theological trainwreck.Tolkien didn't get stuck in his notes because he ran out of time or hit a writer's block. He got himself trapped in a philosophical dead end that Western Europe has been wrestling with since the Middle Ages. If the Professor were alive today, nursing a pour-over in a Greenwich Village cafe, heâd probably be the first to admit that his stubborn Catholic perfectionism totally painted him into a corner.See, Tolkien was a hardcore Thomistâmeaning his brain operated on the logic of Thomas Aquinas, who tried to marry Christian theology with Aristotleâs cold-as-stone rationalism. In this framework, God (Eru IlĂșvatar) is the Ultimate Architect and Lawgiver. He codes the "Music of the Ainur," sets the ground rules, and then basically ghosts the cosmos. There is this unbridgeable ontological chasm between the Creator and the creation. Salvation becomes a legal transaction: you just have to fix your broken will and make the "right" moral choices.
And thatâs exactly where the vibes go rancid. The rebellion of Melkor and the whole Noldor exodus? Itâs not some grand passion; itâs a revolt of pure, edgy intellect. FĂ«anor crafts the Silmarils like a brilliant, obsessive artist-scientist, but his genius is all brain and no heart. His sub-creation is just a hyper-fixated ego trip. Tolkienâs heroes are profoundly, deeply isolated. They donât have a hotline to the divine because their theology doesn't allow you to actually experience Godâyou just obey Him. If Tolkien had dumped Aquinas and spent some time reading Eastern Christian mysticsâthe Hesychasts, who were big on Theosis (the literal deification of the human being)âMiddle-earth would have had a radically different endgame. On the Eastern side of the fence, salvation isn't about submitting your will to a corporate checklist; itâs about Theosis. Itâs the wild idea that divine uncreated light permeates everything, and you can plug directly into the source through love, physically transfiguring the material world.
But in Tolkienâs Thomist cage, there is no uncreated light. The Light of the Trees of Valinor is totally material. It can be stolen, locked up in FĂ«anorâs fancy rocks, or literally sucked dry by a giant cosmic spider like Ungoliant.Because of this system defect, Love in Middle-earth never actually saves the day. Itâs just a beautifully tragic way to schedule a funeral. Look at Beren and LĂșthien, or Aragorn and Arwenâtheyâre magnificent stories, but theyâre essentially elegies about fading out. LĂșthien, despite having divine Maia blood in her veins, doesn't transfigure reality; she just signs away her immortality and dies. Her love doesnât resurrect Middle-earthâit just lets her claw back one Silmaril, which immediately triggers a chain reaction of genocidal elven civil wars and completely wrecks Doriath.By the time you get to the end of The Lord of the Rings, the world isnât savedâitâs just utterly drained. The Ring is in the volcano, sure, but the magic is dead, the elves are ghosting to the West, and humanity is left with a gray, flat, totally disenchanted reality. Frodo and Sam arenât carrying that burden out of some world-transfiguring love; theyâre just stubbornly fulfilling a contract. Itâs peak grindset, but it's devoid of actual glory.The Professor spent his final decades obsessively rewriting dates and commas because his poetic genius had built a world that was absolutely dying for some transcendent, world-healing Love to fix the Marred Earth. But his own dogmatic intellect, locked in that Western loop of "corrupted human will," flat out refused to let that healing happen. So weâre left with this magnificent, hyper-structured, but deeply depressing blueprintâa world where the heroes had flawless willpower, but their hearts never got to feel the warmth of actual transfiguration.
Feanor by Elena Kukanova https://tolkiengateway.net/wiki/File:Elena_Kukanova_-_Feanor_and_his_greatest_creation.jpg
the Noldor FĂ«anorians promising each other that when they die and escape from Mandos they'll meet again in Formenos, which quickly spreads among the Sindar FĂ«anorians as well (mostly as reassurance that they'll have friends in the Blessed Realm) and, well, the tale only grows from thereâŠ
#aka finarfinâs personal hell#the man just wants to keep tirion together#he keeps getting messages from concerned citizens being like#âtheyâre building really fast and thereâs a lot of them where do they keep coming fromâ#finrod who is kinda stressed and a little unsettled by the lack of defense in tirion- side eyeing the weapons stockpile#âwe could have one#no. for many reasons tirion will not have a public weapons stockpile#-finarfin (@lotrbitchesha)
It really doesn't help that none of the Fëanorians have sworn any fealty to Finarfin. They have, in fact, refused to swear fealty to Finarfin. Technically Formenos isn't part of Tirion and it's pretty far away, but this is very not reassuring if you are, say, someone who is very aware of how good the Fëanorians are at overthrowing kings and massacring cities.
(As far as the Fëanorians are concerned, the kingship by rights belongs to the House of Fëanor and only passed to Fingolfin and Fingon because Maedhros said so. Maedhros has said nothing about Finarfin inheriting, ergo, Finarfin isn't their king.)
Whenever the issue of Formenos comes up Finarfin's eye starts twitching. He's about to start petitioning the Valar to release one of the brothers just to have someone to keep them in check.
thinking about the Fëanorians holding a feast in the high hall of Formenos with the head table empty or nearly so, because their lords might come back at any time! they have to be ready for them!
#a very wet and sleep deprived Maglor arriving in the fourth age #sand still in his hair as he silently makes his way off the ship he hid on #thinking that formenos will be quiet and secluded and a great place to continue his self-imposed isolation #and getting a heck of a surprise when he opens the door and a massive crowd starts cheering (tags via @thescrapwitch)
He notices signs of habitation (impossible to miss the CITY that's sprung up around Formenos when there was barely a town there before), and that the keep itself has been repaired (no more massive broken doors or bloodstains on the parquet) but he wasn't expecting PEOPLE.
SO MANY PEOPLE. It's overwhelming. There he is in threadbare salt stiff clothes, thin as a rail and not a single bit of jewelry, and they're all so happy to see him. He's all but picked up by the crowd and gently deposited at the nearly empty head table. Tyelpe is maybe there and hands him a bread roll.
(Finrod might be somewhere there too, after he got fed up with his father and mother's lack of martial preparedness. Just because it's Valinor doesn't mean it's ALWAYS going to be safe. He'd rather go live with the Feanorians than people that tsk disapprovingly at him wearing a blade?)
No clue if someone alreadydid it but I wrote a fic? Itâs called Those guys at Formenos on ao3
An Archive of Our Own, a project of the Organization for Transformative Works
Summary: After the War of Wrath a lot of elves decide to sail to the undying lands again. As king Finarfin struggles to unify his people once more, a new problem arises further inlandâŠ
I can no longer be silent about my hot take....
Melkor did not invent metal.
Everyone thinks he did, but let's be precise.
He invented ska punk and I have textual evidence.
In ainulindale his music is described as:
"..loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice..."
I am a metalhead but also into all forms of music and essentially, Melkor during the ainulindale is:
*angry ska intensifies*
and I just can't get that thought out of my head and I have no one else I can physically tell that might get it... Now I can't stop imagining Melkor being like this:
above is an honorable mention ^^
see also, Melkor vs Eru:
This is the guy Mairon is dating, y'all. Morgoth is listening to sublime and reel big fish.
"His body recovered from his torment and became hale, but the shadow of his pain was in his heart; and he lived to wield his sword with left hand more deadly than his right had been."
Is It Hard to Pretend to Be Kind?
Is it hard to pretend to be kind? A strange question. One that would likely be asked by someone who still believes kindness is a state of the soul, rather than a form of power. As though a gentle voice cannot be a weapon. As though an outstretched hand always means salvation, and not the beginning of a chain.
No, it is not hard. There is even a certain beauty in it â cold, precise, almost musical. Pretending to be kind is easier than being openly cruel. Open cruelty awakens resistance. It makes hands reach for swords, gates slam shut, prayers rise in whispers, and ancient oaths return to memory. A monster standing at the threshold inspires fear. But a guest who comes with a quiet word, sympathy in his eyes, and a promise to ease pain can enter where no army ever could.
I understood long ago: fortresses rarely fall from a blow. More often, they are opened from within.
Mortals trust too easily what is pleasant to hear. Tell them the truth, and they will turn away. Give them hope, and they will bow their heads. Say, âI understand you,â and they will show you themselves where the blade should be placed. Not in the heart. The heart is too obvious. No, better in doubt, in resentment, in exhaustion, in that old wound they have spent years covering with pride and calling character.
I did not come as the Lord of Darkness. There was no need. Darkness that declares itself darkness is foolish. It loses before taking its first step. I came as an adviser, an ally, as one who seemed to see more in them than others ever had. I told kings that their fear was wisdom. I told warriors that their anger was justice. I told exiles that their envy was the memory of a rightful claim. And all of them listened. Not because they were weak. No. Weakness is too simple an explanation. They listened because every living creature, at least once, longs to hear that its darkness is not darkness, but wounded light.
That is where the fall begins. Not in a scream. Not in blood. Not in betrayal committed beneath a moonlit sky. The fall begins in the moment a person first allows himself to believe: âPerhaps I have the right.â The right to vengeance. The right to power. The right to be an exception to the rules. The right to be cruel for the sake of a greater purpose. The right to commit a small evil in the name of a greater good. How carefully they speak those words. How noble a lie can sound when wrapped in duty, destiny, and salvation.
And I merely listened. Sometimes I nodded. Sometimes I remained silent a little longer than necessary. Silence is a magnificent instrument. In it, people complete your intentions for you. They see depth in quietness, wisdom in restraint, mercy in softness. They do not understand that before them stands not a soul, but a mirror. I did not show them myself. I showed them their own desire â polished, elevated, adorned with words until it no longer seemed shameful.
Kindness is the safest mask. No one tests it. They thank it. Before it, they open the doors of homes, throne rooms, and hearts. They would never entrust keys to an evil being, but to a kind one they will explain exactly where the keys are kept. To the kind, they confess their fears. To the kind, they name their enemies. To the kind, they reveal the weakest walls and explain why, one day, the fortress may fail to withstand a siege. Such elegance. How much of the work mortals do themselves, if only they are given the feeling that they are not being judged.
And yet the most amusing part is not their trust, but their gratitude. They thank you for advice that leads them farther from conscience. They thank you for comfort after which they become more obedient to their own hunger. They thank you for a promise in which the sentence is already hidden. âYou changed my life,â they say, their voices trembling. Yes. Exactly. I changed it. They simply do not yet know into what.
Do not imagine that power always arrives in iron and fire. Iron breaks the body, fire devours walls, but both leave enemies behind. True power acts differently. It does not demand worship at once. First, it frees a person from loneliness. Then from doubt. Then from shame. Then from choice. And when he finally notices the collar around his neck, he has already grown used to calling it a crown.
I have seen the great ones fall. Not from curses, not from blades, not from the thunder of wars. They fell because of words spoken at the right hour. âYou must save your people.â âYou deserved more.â âThey betrayed you first.â âYou are simply doing what others lacked the courage to do.â Each phrase was a small key, and each key opened a door deeper than the last. And beyond the final door, it was not I who awaited them. No. Beyond the final door, they awaited themselves â without ornament, without justification, without the light that had so long kept them from seeing their own abyss.
I do not create darkness in hearts. That would be too crude. I merely lift the veil from it.
That is the art. Not to force, but to allow. Not to break, but to incline. Not to drag into the dark, but to place the candle so that the shadow looks like a road. Let a person take the step himself. Let him name it necessity. Let him look back later and be horrified by the distance he has traveled. By then, regret will change nothing. Regret is late music. It sounds beautiful among ruins, but it does not rebuild towers.
And when heroes speak of evil, I almost want to smile. They look for a monster. They expect ashen breath, a burning crown, an army on the horizon, a voice that makes stone tremble. They are ready to meet the enemy at the gates, but they do not recognize him at their own table. Evil rarely enters with thunder. More often, it arrives on time. It remembers your name. It says, âYou are tired.â It pours the wine. It listens without judgment. And it never asks for too much on the first evening.
First, a small thing. Almost nothing. One silence where the truth should have been spoken. One glance aside when one should have intervened. One concession that can be explained as prudence. Then another. And another. That is how not only towers are built, but falls as well: stone by stone, decision by decision, until one day a person discovers he is living inside a fortress he built for his own imprisonment.
Is it hard for me to pretend to be kind? No. What is hard is hiding my contempt for those who mistake softness for mercy. What is hard is not showing hunger when they themselves bring their hands to the jaws. What is hard is waiting for that final moment when the mask is no longer needed, but still useful. For I know how to wait. I have waited longer than kingdoms endure. Longer than dynasties live. Longer than mortal memory can preserve its own mistakes.
I know this: every fortress eventually grows tired of being a fortress. Every heart eventually longs to be understood. Every soul, even the brightest, carries within itself a door that would have been better left unopened. And it is to that door that I come â not with a battering ram, not with an army, not with flame. I come with a kind word, with quiet sympathy, with a promise that sounds like salvation.
And when the door closes behind them, they finally hear the true sound of my smile: not laughter, not a growl, not a cry of victory, but the thin scrape of a ring against stone. The whisper of ash. The breath of the mountain. And the silence in which it is already too late to ask who let the darkness in.
you know, out of literally everything insane about sauron one thing that truly never fails to just floor me about him is how little was known of him until the creation of the ring.
Of course, as readers of the Silmarillion we all know how pivotal of a figure he will eventually be, and are presented with all of these isolated incidents of his existence in the Silmarillion and histories as clearly marked narrative events. We know that Thu is Sauron, that Mairon is Sauron, that the Necromancer and Annatar and Zigur are all different names and faces for the same perceptive bit of fire. But those that experience those thousands and thousands of years of history, they don't. Sauron was not just not a household name, he as a concept did not exist. The people of first age Beleriand knew of ten dozen insidious servants of Morgoth, spirits of malice, influences on their lives. They knew of the terrible sorcerer who terrorized the lands with his vicious wolves. They knew of the dread regent who once kept rule in Angband as it rotted beneath the ground, waiting for Melkor to return. They know of the fiery soldier they saw in the battle under stars, decimating their troops before they had barely set foot on mortal soil. They knew of the trickster spirit who took the forms of their dead loved ones, played out the facade for far longer than necessary to extract any amount of ransom. They knew, vaguely, of an old tale of Aule's greatest Maia, gone wayward and disappeared with the Dark Lord. Some escaping Angband might know of a certain beautiful man who attends the lord's side, lithe and lovely, or a torturer of Maedhros, purveyor of many cruel experiments. But rarely, if ever, were even two of these faces correlated. There were many forms of evil, to them, and only so many of these small evils could possibly survive after his death.
To learn, for the elves when he finally put that damn ring on for the first time, that not only have you been fooled once, that your lovely Annatar was a servant of Morgoth, but that he was all of them.
All this time, after thousands of years, it was a one man play, and the name beneath every single role was the same ungodly dedicated freak of a man, and you are all FUCKED IN THE ASS.
being a silmarillion fan is looking at a piece of fanart featuring forty different elves who all have the same shade of either black or gold hair and instantly being able to tell by their vibe who is who and which finwhatever is which
I have completed my combined map of Beleriand and Middle Earth! 4 ft by 2 ft, oils.
Featuring dotted line for the journey of the Ring, and also featuring a tiny shackle and tiny chair on Thangorodrim.
Things Morgoth Invented, but not be mentioned
Black Humor
Mosquitoes
Crush the foot finger on the corner
Swear Words (The only evil thing Fëanor fixed to put into the Quenya Dictionary)
Toxic yaoi
Bad food textures
hiccup
I often think about what exactly Mairon would feel at the downfall of Numenor.
Obviously, at that point, heâs openly rebelling against the Valar, and his tragic end is likely already a foregone conclusion to the arc that began when he forged the One Ring and concretely chose to prioritize dominance over cooperation. If he hasnât given up on fixing middle-earth, heâs certainly at least gotten very distracted. But thereâs still an enormous contrast between Tar-Mairon and third age Sauron, and I donât think it comes down to the loss of his fair form.
Becauseâthink about it. Mairon believed from the beginning that the gods didnât take the active role in the world they should. He believed that life, all life, deserved perfection, and he was willing to interfere to that end to the point of joining Melkorâarguably the antithesis to his entire worldviewâto gain the power necessary to achieve it. Sure, he clearly enjoyed the whole âdark lordâ shtick (one doesnât end up the Lord of Werewolves without finding evil at least a little fun), but his central goal remains somewhat recognizable for a long while. Thereâs a reason that, when he wants to fix middle-earth at the start of the second age, he jumps to âmake magic rings that can reshape realityâ rather than âkill everyone in a war,â and thereâs a reason he didnât run to the Valar. Fear was part of it, of course, but alsoâwhy would he trust them? They just destroyed half a continent in a necessary war they delayed for thousands of years, and Eru, the one responsible for all of this, didnât even get involved!
So, not unfairly, he considers the Valar to have abandoned middle-earth and its people. They have little interest in rebuilding, so heâll do it himself. And it doesnât work, and it doesnât work, and it doesnât work. And by the time heâs in Numenor, heâs just about had it with the people he (in his mind) is trying to help doing anything but listening to him, so he lashes out at the Valar. After all, hasnât he spent centuries trying to do their job? Shouldnât they be the ones to feel afraid for once, after so long hiding behind their mountains?
And then he gets a response. Not from the people of Aman. Not from the Valar. From Eru.
Itâs the first time in thousands and thousands of years that the creator of all has intervened in the world. Iluvatar didnât even weigh in on the War of Wrath against Melkor himself. But now, for the sake of a maia and some random human king, he makes his will known. And what does he do?
He sinks an island of fifteen million people, he restricts Maironâs shapeshifting, and he leaves again.
He doesnât help. He doesnât save any of the people Mairon was exploiting. He doesnât communicate any advice or counsel. He punishes those who would disrupt his specific preferences about who gets to live where, and thatâs it.
How could Mairon see it as anything other than proof that he was right all along? That the gods would rather sit in isolation and let millions die than take risks? That itâs more important to punish a violation of an arbitrary order than it is to build something new? That the world itself, all of creation, was created by a being who does not care for his children?
No wonder Mairon gives up on everything but warfare and nihilistic conquest! He put everything he had into disrupting the world to prove a point, and the only thing god himself had to say in response was âno.â No, you donât get to change things. No, this is the way it will always be. No, we would rather rearrange the entire solar system than allow an expression of free will (and of course it wasnât just an expression of free will, not really, but Mairon isnât going to consider all the logic at this point). No, you donât get to sing unless itâs the melody I dictate.
I imagine, in that moment when he realized what was happening, he finally understood exactly why Melkor raged against the world the way he did.
tagged by @lycheemetamorphosis from my main but i will answer on my sideblog hehehe
rules: Go to pinterest, search for âmy vibesâ + a color you like and post the 9 pics you find most aesthetic
i tag anyone who wants to do it !!! but i will call out @paintandichor @lipsticklens @will-grahams-fawn @hyperfixatinglove @floralpotions
@reviiely @tom-failure
@bubbletealife @cffeine @colourful-void
I like yellow :DDD
Tags: @ervvinz @tabsters @violetscanfly @rhiirysss @drawingev
ourple.....
@illumiiiz @possibly-a-jellyfish @asher-dear @idonsson @kagstobioisthelightofmylife @fieldoforchidsandmoonlight
funny how the first few photos were phthalo/sage green KDKSKDJKDKD those r my favorite shades<3
npt (sorry this is like the third tag game i feel like a spammer): @ackermanandsukuna @anyadanielleee @lemonsunnyhoney @crazydudecopper @ryomenlettuce @f2lix + open !!
oh boy i like this one (i love yellow) also np jaezyl i love the tags
np tags my loves!: @ackermanandsukuna @finla2 @byfulcrums @only-a-randomcabin6demigoddess @sol-is-the-reason @vampskull27 @saltbottleyan @kyuurius @thelibrarydemon
Idk what else to do, but this was funny
@the-froggit
I tried to go for a punk vibe
@dindjarinsbian @bitbrain86 @quorratronlegacy @yewfae @mai-komagata @idk
LET'S GOOOOO
Thank you @the-froggit đ©·đ©·đ©·
@kisses-in-the-void @angband-thrall-no-1035 @moringottocake @winds-of-zephyr416 @endless-natterings @the-other-syd @utumnofish @undeadbuddy @outofangband @dragonofmordor @javraje @killer-laurent @lemoneyshipz @cinemairon @rebornflameofthenoldor
Thank you @yewfae!! I went for yellow and I think it got me pretty well!
Tagging: @ardanelvilyafeanturi @fakecirilla9 and anyone else who sees this and hasn't already been tagged by someone on this list! đ
Thanks for the tag @angband-thrall-no-1035!!
Tagging @a-bit-too-dyscrasic, @crisis-of-florian and everyone else who might stumble upon this thread!
If you ever tagged me to do one of those tag game thingies and I never did it:
1) Thank you, seriously. Those are fun and being included shows that my followers care enough to want to learn more about me.
2) Very sorry about that, itâs extremely likely that I said to myself âCool! But Iâm busy at the moment, Iâll have to do this later today or tomorrowâ before proceeding to just straight-up forget, now itâs too far back in my notifications and/or your blog to find again.
T R(ex)ochallor
Fingolfin going on his suicide and rage fueled quest
Rochallor returning alone and fatally wounded to Fingon
@wanderingnork put this idea in my head but for a long time I had no idea how to draw it, but it's finally done !
Also lyrics from Time Stands Still by Blind Guardian
Elrond as viewed by NĂșmenoreans is hilarious. Aristocracy is one thing, and their long kept histories and direct descent from the elves.
But someone lowborn - still educated, still familiar with the stories. Faithful or not. Lifespan lower than the upper class, but longer than other humans - but that doesn't matter - thousands of years is a long time. The Roman Empire was more recent than this guy.
Because imagine the founder of your nation and its first king, who was told to have been born as the son of a bird and a star, lived to be 500, and who died 2000 years ago. Just. Has a sibling. Who is still running around. You can go visit him. You can! He's very friendly. He wrote the medical book your healers study from. He updates it religiously every other decade. You don't hear from him often because he lives fairly secluded from society and seems to prefer a quiet life but every few hundred years something batshit insane happens and he's right there. At the center of things. Pretending to be a background character, as if Sauron didn't look warily at him expecting him to turn into another LĂșthien incident. Maybe he's shy?
You are a sailor. You meet him on one of your journeys to Middle Earth.
He's not shy. He's just crown-phobic. He looks like every single painting of Tar-Minyatur you've seen. He glitters under starlight. Literally. His parents are a bird and a star and you keep forgetting that's not a metaphor. Everyone is in love with him. He sings to the birds. He has had a slowburn one-sided romance going on for the past 1000 years. His crush has yet to find out but the king is running a betting pool.
Holy shit I just thought of ANOTHER FĂ«anor and Melkor parallel (gosh they are such mirrors of each other what the hell JRRT Iâm in your coffin walls): elevating the status of their partners.
Nerdanel isnât noble class and FĂ«anor marries her despite that breaking class boundaries, making her a higher class than she was ânaturallyâ in.
Sauron is a Maia and not meant to be equal to one of the Valar but Melkor makes him a partner in his works, raising him to the place that Manwë, a fellow Vala, was supposed to occupy in creation.
So interesting that they both broke that social class boundary in who they chose as partners.
And you could read so much into the ego centric choice of both to require a partner that is âlesserâ so that they eclipse them/ have their own way without resistance. But textually that doesnât happen with either Nerdanel or Mairon. Nerdanel is literally positioned as advisor and vital sources of wisdom and calm to FĂ«anor that he is a fool to ignore at the end. Mairon is said to complete Melkorâs works, he inherits his place as Dark Lord and runs Angband in his absence.
So itâs not that they chose someone lesser in order to overwhelm them but that they actively raise their partners to their own status, and require the different skillset/perspective of that class.
Both Melkor and Fëanor show they care for many other things more than class. It's also maybe interesting to inquire into how those two rebellious "subcreators" are that way to further characterize their uncaring attitude to social/cultural/spiritual conventions.
Himring