Korallenberg (Coral Mountain) 🏔- second half of the 1600s.
Material: plaster and coral
Collection of Schloss Ambras Innsbruck
occasionally subtle

Discoholic 🪩
Stranger Things

祝日 / Permanent Vacation

blake kathryn
will byers stan first human second

Origami Around
Today's Document
h
RMH
Monterey Bay Aquarium

Love Begins

⁂
tumblr dot com
ojovivo
hello vonnie
Peter Solarz
Cosmic Funnies
almost home

tannertan36
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@hag-archive
Korallenberg (Coral Mountain) 🏔- second half of the 1600s.
Material: plaster and coral
Collection of Schloss Ambras Innsbruck
(via 鈴木一也 a.k.a 大司教さんのツイート: “子供泣くわ。… ”)
Tumblr is where girls go to be alone with other girls who are being alone and that's why I've been using this site for so long
Koichi Sato The Women's Memorial Service 1979
a post even a mutual couldn't love
Creepy knife handle inscribed with the words ‘MAKE YOU BLEED’. Made around the late 1600s to early 1700s, and found buried in Norfolk, England in 2010.
Art Nouveau symbolist earthenware ceramic vase Designed by Eduard Stellmacher. Circa 1900-1902 for RStK (Riessner, Stellmacher & Kessel)
(Via Sardonicus.eu at Bluesky)
Andrew Wyeth; Wind From the Sea 1947
Nico Alvarado, Tim Riggins Speaks of Waterfalls
A game of confronting creators with rage.
I made my third game today between classes. Chamounix: Facing the Monster is a collaborative game for 1-4 players inspired by My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage by Susan Stryker
“I hope you live without the need to dominate, and without the need to be dominated. I hope you are never victims, but I hope you have no power over other people. And when you fail, and are defeated, and in pain, and in the dark, then I hope you will remember that darkness is your country, where you live, where no wars are fought and no wars are won, but where the future is. Our roots are in the dark; the earth is our country. Why did we look up for blessing — instead of around, and down? What hope we have lies there. Not in the sky full of orbiting spy-eyes and weaponry, but in the earth we have looked down upon. Not from above, but from below. Not in the light that blinds, but in the dark that nourishes, where human beings grow human souls.”
— Ursula K. Le Guin, “A Left-Handed Commencement Address” (Mills College, 1983)
Michael Hutter, Death Is Teaching Two Maidens, 2007
Laura Kasischke
My diaries are letters from my former self to my future self. My poems are replies to those letters.
— Vera Pavlova, "Heaven Is Not Verbose: A Notebook." Translated by Steven Seymour. (via Poetry Foundation)
Jesus Christ!!!
James baldwin’s the artists struggle for identity. Btw.
"That I have experienced my share of traumatic experiences, have survived abuse of various kinds, have faced near death from accidental circumstance and from violence (different as the particulars of these may be from those around me) is not a card to play in gamified social interaction or a weapon to wield in battles over prestige. It is not what gives me a special right to speak, to evaluate, or to decide for a group. It is a concrete, experiential manifestation of the vulnerability that connects me to most of the people on this earth. It comes between me and other people not as a wall, but as a bridge."
Olúfẹ́mi O. Táíwò, Elite Capture, 2022