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nerdygaymormon

#prose and poetry #religion

twiggy-in-pink

80slesbiab

laughconfetti

thank you The Beatles

idnkycmnbsesictoau

That’s Queen but yes thank you!

sovietshopaholic

[ID: a picture of the four members of the band Fleetwood Mac pointing at the camera. It’s subtitled “You’re GAY!” /End ID]

ratgasm

never before seen picture of KISS without face paint

justarandomgi

Thank you One Direction

loveinstreams

ben jones can get away with so much because barnaby knows the lad will take a bullet for him

sharp-tender-shock-deactivated2

This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8

headspace-hotel

I hate that my aesthetic sense agrees with this but everything you just said was correct

headspace-hotel

I went back to dig up this post because I was thinking about poetry.

This is one of those non-poem things that are among my favorite poems.

As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.

Because I’m insane, decided to scan the poem:

Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.

There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.

And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”

The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.

This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.

From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.

agent-octopus

Kept thinking about this ever since I saw it and had to do something

headspace-hotel

there's art now

jetlaggingbehind

questions-within-questions

Ah dang to go further; the floor is framed as a refuge. As if there is literally no other space in this house that hasn't been populated by his wife with flimsy inanimate fakery. There is no space for this man in this house save for the floor. There is no space for him on the sofa, oon the counter tops, and most notably, no space for him in the marital bed.

normal-horoscopes

I’d also like to point out the use of the word “has.” The wife has filled the house with chintz. She isn’t filling the house with chintz. She doesn’t fill the house with chintz. She has filled the house with chintz. Use of the past-tense makes the wife a subtly removed element in the story, someone whose presence we see in the environment, but who is blissfully distant during the actors throes of passion. There is an element of physical as well as emotional separation from the wife that is catalyzed by being fucked on the floor. Use of the past tense is an end to the wife presence in the actors life, a carnal catharsis amid cold fragility and emotional distance.

stargazing-enby

This is my new favourite post in the world

astronomical-bagel

everyone cheer for the one (1) time tumblr had reading comprehension

trekkiesagainstchastity

And, predictably, it's because it was about gay sex

valtsv

my that one friend that's too woke opinion is that in a similar vein to how you almost never see fat people or women without makeup on tv you never really see anyone experiencing incontinence issues unless it's a humiliating comedic moment at their expense and that's kind of scary

valtsv

like sorry to be the bearer of bad news but people piss themselves. when they're afraid. when they've experienced mental and/or physical trauma and their body needs a way to express that stress. when they've been sexually assaulted. when they get older and their muscles start to wear out from a lifetime of service. a not insignificant majority of people Will experience incontinence in their lifetimes and while there are steps you can take to manage it for your own comfort and others', there's simply no moral dimension to it whatsoever. & like i'm not saying every show and movie needs checkhov's bed wetting scene but we have seriously got to get more okay with acknowledging that somehow.

valtsv

mumblesplash

it’s so magical and beautiful that there are sprawling interconnected cave systems carved deep into the earth by various geological forces and you don’t have to go in them. there are miles and miles of stone passageways in total darkness that require you to exhale all the air out of your lungs to squeeze through parts of them and you don’t have to be there. some of these squeezes are underwater and require cave divers to take off their oxygen tanks and push them through ahead of them and me i am above ground looking at the sky as we speak. there are untold subterranean wonders no human has ever seen and i will not be the one to discover them #grateful #blessed

fnordseer5

oh the wifi password yeah it's the nicene creed in its entirety

freebroccoli

*spends 15 minutes painstakingly typing the creed in its entirety*

"password is incorrect"

*remembers that my host is Orthodox, rewrites entire creed but without the filioque*

shenzi-hemlock

Touching grass is not enough, some of y’all need to touch the hem of His garment.

garashir

hey friends where is that picture of boromir with the gondor flag except its a pride flag?

lesbiansforboromir

Couldn’t find it so I made another because you’re right that it’s a crime and it’s definitely my duty to remedy it

bobdylanyaoi

“Subverting” Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how “Wound of Christ” from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risqué way that challenges Christian beliefs. But what you don't know is that that stigma isn’t just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christ’s foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internet…where you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in fact…you're posting an image that was sexualized for you by the very Medieval saints you think you’re so different than…from “subverted” Catholic art.

nyancrimew

Do you have any lore-based theories as to why, in Phineas and Ferb, the leader of the O.W.C.A. (Major Monogram) and his intern (Carl) are humans, despite the organization otherwise being made up of non-human animals? I am personally suspicious that there may be some dimensions of power dynamics or exploitation of cheap labor at play, given the obvious outsized control humans hold over non-humans and the general lack of concern by human civilization for animal welfare.

im gonna be so honest i don't usually think about phineas and ferb lore

cognitohazardous

no one says big mood anymore. no one even says mood. no one says anything. all thats left is a dry wind, that scours my face until i bleed

jstor

100 open access books on JSTOR

African American Studies

An Appeal in Favor of That Class of Americans Called Africans, Revised and Updated Edition

Disrupting Colonial Pedagogies: Theories and Transgressions

J. A. Rogers: Selected Writings

The Race for America: Black Internationalism in the Age of Manifest Destiny

African Studies

Ethnicity, Identity, and Conceptualizing Community in Indian Ocean East Africa

Lagos Never Spoils: Nollywood and Nigerian City Life

American Indian Studies

Book Anatomy: Body Politics and the Materiality of Indigenous Book History

The Urgency of Indigenous Values

Anthropology

Graceful Resistance: How Capoeiristas Use Their Art for Activism and Community Engagement

Lacandón Maya in the Twenty-First Century: Indigenous Knowledge and Conservation in Mexico's Tropical Rainforest

Maya-British Conflict at the Edge of the Yucatecan Caste War

Neobugarrón: Heteroflexibility, Neoliberalism, and Latin/o American Sexual Practice

Our Hidden Landscapes: Indigenous Stone Ceremonial Sites in Eastern North America

Power and Place: Preservation, Progress, and the Culture War over Land

Voices of Indigenuity

Archaeology

Living Ceramics, Storied Ground: A History of African American Archaeology

New Deal Archaeology in the West

The Cretan Collection in the University of Pennsylvania Museum, volume III: Metal Objects from Gournia

Violence and Inequality: An Archaeological History

Architecture

Waterhouses: Landscapes, Housing, and the Making of Modern Lagos

Asian Studies

Hong Kong Public and Squatter Housing: Geopolitics and Informality, 1963–1985

Communication Studies

Covid and…: How to Do Rhetoric in a Pandemic

Hillary Clinton's Career in Speeches: The Promises and Perils of Women's Rhetorical Adaptivity

Influential Machines: The Rhetoric of Computational Performance

Migrant World Making

Nuclear Decolonization: Indigenous Resistance to High-Level Nuclear Waste Siting

Serial Mexico: Storytelling across Media, from Nationhood to Now

Stories of Our Living Ephemera: Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907

Unsettling Archival Research: Engaging Critical, Communal, and Digital Archives

Cultural Studies

Cultural History of British Alternative Cabaret (1979-1991)

Middlebrow 2.0 and the Digital Affect: Online Reading Communities of the New Nigerian Novel

Reconstructive Memory Work: Trauma, Witnessing and the Imagination in Writing by Female Descendants of Harkis

Toward a Gameic World

Development Studies

Hottest of the Hotspots: The Rise of Eco-precarious Conservation Labor in Madagascar

Urban Indigeneities: Being Indigenous in the Twenty-First Century

Education

Limiting Privilege: Upward Mobility Within Higher Education in Socialist Poland

The Vulnerability of Public Higher Education

Environmental Studies

Ecologies of Imperialism

Unsettling Agribusiness: Indigenous Protests and Land Conflict in Brazil

Feminist & Women's Studies

Reclaiming Time: The Transformative Politics of Feminist Temporalities

Recovering Women’s Past: New Epistemologies, New Ventures

Film Studies

Han Heroes and Yamato Warriors: Competing Masculinities in Chinese and Japanese War Cinema

Monsters on Maple Street: The Twilight Zone and the Postwar American Dream

The Rise of Central American Film in the Twenty-First Century

Mapping the Stars: Celebrity, Metonymy, and the Networked Politics of Identity

Food Studies

The Visible Hands That Feed: Responsibility and Growth in the Food Sector

Gender Studies

Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

Surgery and Salvation: The Roots of Reproductive Injustice in Mexico, 1770–1940

Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848-1918

History

Captivity's Collections: Natural History and the British Transatlantic Slave Trade

Our People Are Warlike: Civil War Pittsburgh and Home-Front Mobilization

Reimagining the Educated Citizen: Creole Pedagogies in the Transatlantic World: 1685-1896

Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi

Language & Literature

Abraham Lincoln and the Bible: A Complete Compendium

Blood and Ink: The Barbary Archive in Early American Literary History

Ethical Crossroads in Literary Modernism

Faking It: Victorian Documentary Novels

Genre Networks and Empire: Rhetoric in Early Imperial China

The Lost Texts of Confucius’ Grandson: Guodian, Zisi, and Beyond

Understanding Agatha Christie

Latin American Studies

Awakening the Ashes: An Intellectual History of the Haitian Revolution

Law

Creating a More Perfect Slaveholders’ Union: Slavery, the Constitution, and Secession in Antebellum America

Linguistics

Cantonese Since the Nineteenth Century

Publishing Contemporary Foreign Poetry: Transnational Exchange in the Italian Publishing Field

Middle East Studies

Outcasting Armenians: Tanzimat of the Provinces

Music

Fantasies of Music in Nostalgic Medievalism

Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson

Lieder in America: On Stages and In Parlors

On Music Theory and Making Music More Welcoming for Everyone

Peace & Conflict Studies

Remaking the World: Decolonization and the Cold War

The Coup and the Palm Trees: Agrarian Conflict and Political Power in Honduras

The End of the Future: Trauma, Memory, and Reconciliation in Peruvian Amazonia

Uniting Against the Reich: The American Air War in Europe

Unwilling to Quit: The Long Unwinding of American Involvement in Vietnam

Performing Arts

Sonic Strategies: Performing Mexico's War on Drugs, Mourning, and Feminicide

Staging Existence: Chekhov's Tetralogy

Philosophy

Phenomenology in an African Context: Contributions and Challenges

Violence and the Mimetic Unconscious: Vol. 2 The Affective Hypothesis

Violence and the Oedipal Unconscious: vol. 1, The Catharsis Hypothesis

Political Science

Beyond Othering: A Gandhian Approach to Conflict Resolution in India and Pakistan

Local government and democracy in the United Kingdom

Paradoxes of Emancipation: Radical Imagination and Space in Neoliberal Greece

The Cost of Voting in the American States

The New Star Chamber and Other Essays: Annotated Edition

Population Studies

Central American Migrations in the Twenty-First Century

Psychology

Ferenczi Dialogues: On Trauma and Catastrophe

Public Health

Irish Fever: An Archaeology of Illness, Injury, and Healing in New York City, 1845–1870

Tuberculosis Control and Institutional Change in Shanghai, 1911–2011

Religion

Christan Colleges and Universities: An Empirical Guide

From Jesus to J-Setting: Religious and Sexual Fluidity among Young Black People

The Hispanic Faculty Experience: Opportunities for Growth and Retention in Christian Colleges and Universities

Science & Technology Studies

Composting Utopia: Experimental Infrastructures for Organics Recycling in New York City

Sociology

Apartheid’s Leviathan: Electricity and the Power of Technological Ambivalence

As Legend Has It: History, Heritage, and the Construction of Swedish American Identity

Continuous Pasts: Frictions of Memory in Postcolonial Africa

Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana

Research as More Than Extraction: Knowledge Production and Gender-Based Violence in African Societies

The Souls of Jewish Folk: W. E. B. Du Bois, Anti-Semitism, and the Color Line

Technology

Transnational Families in Africa: Migrants and the role of Information Communication Technologies

Urban Studies

Living Politics in the City: Architecture as Catalyst for Public Space

jstor

FYI, all of these books were made open access as part of our Path to Open program, where included books are set to become open access three years after their publication date.

Many of the above books can be downloaded as PDFs in full!