
Origami Around
let's talk about Bridgerton tea, my ask is open
$LAYYYTER
Misplaced Lens Cap
Lint Roller? I Barely Know Her
Jules of Nature

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ
art blog(derogatory)
sheepfilms

PR's Tumblrdome
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祝日 / Permanent Vacation

Love Begins

Kiana Khansmith
Xuebing Du
wallacepolsom
Keni

No title available
trying on a metaphor
seen from Spain
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@hereticalteapot
Dame Archer kicks McDougal’s Scots ass there in the rain at the Washington Midsummer Renaissance Faire - August 11, 2018 - Photo by Douglas Herring
Oh NO.
me, a sheltered noblewoman: Pray who is that brave knight? Dame Archer:*turns around* me: gasp! *instantly in love*
Alicia Archer
my bi heart………
I’VE NEVER SEEN THE ADDED PICS
*dies*
Oh shit.
GAY KNIGHTS
Fellas I’m real gay
@0hheytherebigbadwolf HELP!!
Every June this inevitably winds up back on my dash. And I appreciate that. And I will reblog it. Every time.
Hey, it’s @archerinventive, and the Pride Knights!
words we ought to say more often:
apocryphal
anatine
wherewithal
grotto
umstroke
posthaste
superlative
beastmode
fuck OFF. WHO ASKED FOR THY OPINION
crepuscular
peripatetic
apropos
effervescent
taciturn
MBMaBM Fan: Have you watched MBMBM?
Me: Nah bro I’m not Gay
MBMaBM Fan: What?
Me: You talking about Man Booty Man Butt ass Butt Man?
A real page on the White House website
The American century of humiliation is goin great 👍
every time I think of putting political commentary in my art america just pumps out a new all time low shot and i have to wonder if ill ever keep up
Everyone meet just a normal goose :)
Glad you guys like this totally normal goose!
I am making everyone remember normal goose
Well, I can not find the original separate post of this so I’m just going to tack these on here
it's actually so crazy how much the simpsons would fucking suck if it didn't have any of the simpsons characters. just a bunch of shots of empty houses and streets for half an hour while nothing happens. that would be so badddd lol
yeah that tends to happen when you remove characters from media. without characters its all just background. i guess movies set in scenic locations would still land as kinda nature docs but even then
it only happens with the simpsons
this same criticism could be applied to nearly any media ever.
it's just the simpsons. are you a troll?
Dragon's right, if you remove all the Simpsons characters from Death Note it hardly changes anything
help
Extruding pasta
In the guise of Aphrodite Areia.
Fun Fact: Goku fights smarter. Vegeta fights harder.
As a martial artist, Goku's developed and cultivated his skills over the course of his life, mastering a variety of creative techniques and, more importantly, honing his mind. A quick-thinking and analytical counter-fighter, Goku prides himself on a creative and clever dismantling of his adversary's capabilities.
This is where Goku excels as a fighter. He's a formidable martial artist in his own right but when pressured, he falls back on a generally high understanding of violence and a creative mind for opening solutions. He reads his opponent's style and abilities, finds its weaknesses, and exploits them.
This, incidentally, is part of what what made Majin Buu such an insurmountable hurdle for him.
Majin Buu is a taffy monster made of magic who defies even this universe's conventional physics. He has no fighting style; He just does things, and his infinitely regenerative body and supreme liquid flexibility leaves no weaknesses to exploit.
He cannot be fought the way Goku fights.
For his own style, Goku has one particular signature technique and a couple other moves he's picked up from others. His mainstay is the Kamehameha. But he's innovated a wide variety of ways in which the Kamehameha can be used, based on the needs of his situation.
Goku's used the technique in a variety of ways, such as using it for propulsion instead of as an attack.
Bending it around the opponent's defense for a surprise attack.
Making stationary torpedos that he can fire at will to startle and disorient his adversary.
The coolest attack in Dragon Ball history YES I SAID IT. Learning to teleport? Cool. Kamehameha? Cool. Teleporting in while charging the Kamehameha in order to throw it directly under your opponent's guard before he even has an instant to react? Top-tier.
Point is, this is who Goku is as a fighter. Brilliant and innovative, bringing a great deal of cleverness and creativity to his fights. He breaks down his opponent's technique and adapts himself to the needs of the situation at hand.
Vegeta is also highly observant and analytical. Do not mistake me for calling him stupid. He makes plans of his own, and his greatest asset is his ability to follow everything happening on the field at once. It is next to impossible to get the drop on this man.
Vegeta pays attention.
Vegeta is always paying attention. He splits his focus incredibly well and quickly interprets what he's seeing and hearing with a critical eye. He misses nothing.
He is. Always. Paying attention. The one time someone actually managed to get the drop on him - and I cannot stress this enough - it was a person Vegeta did not know existed because he had not been a part of this battle up to this point.
Am I saying that Yajirobe's cowardice saved the world by not revealing his presence to Vegeta until this fateful moment? Yes. Yes, I am saying that. We literally have a counter-example from someone Vegeta did know and account for to contrast it with.
Vegeta is always paying attention. Unless he doesn't know you exist.
So. Yeah. Vegeta is incredibly brilliant and observant. But what he's not is a martial artist. Vegeta, instead, is a soldier. He's comfortable in the realm that overwhelming power creates.
Vegeta hits hard.
He hits very hard.
He hits very, very, VERY hard.
In fact, Vegeta hits harder than Goku does. That's not to say that Vegeta is stronger than Goku; Vegeta and Goku go back and forth on who's stronger in the given moment over the course of the series. But Vegeta's attacks are stronger than Goku's.
To understand what that means, you need to understand that certain kinds of ki attacks have a multiplying effects on their user's strength. Attacks such as the Kamehameha or the Makankosappo, which concentrate ki before firing it, produce a much greater level of ki than their user's standard power output.
When charging a Kamehameha, Goku's battle power reading on the Scouter rises dramatically. This is the secret of techniques like the Kamehameha: they concentrate ki into a point before releasing it all at once, like pulling the pin on a grenade.
As concentration moves go, the Kamehameha isn't actually that great. The versatility and creativity that Goku brings to it is what makes it so formidable. Pound for pound, it kinda sucks. Piccolo's Makankosappo here makes the Kamehameha look like noob shit.
This kind of ability is non-standard among ki attacks, which are typically like throwing long-range punches. In fact, it's super-rare among the Planet Trade to be able to do this. Raditz had never even heard of a move like this.
Vegeta had. He knew of exactly one.
I am so sorry to do this to you but we're going to have to talk about battle power numbers here for a moment. Vegeta's clocked at 18,000 BP as of his battle with Goku on Earth; it's brought up a few times in the Namek arc.
Goku, iconically, is OVER 9000 8000!!!
At the moment Vegeta and Goku's attacks meet, Goku is channeling the Kaio-ken x3 which is exactly what it sounds like. He's inflated the ki inside his body to 300% capacity. The drawback is that his body is now an overinflated balloon ready to pop at any moment from all this swelled and bloated ki inside of him. But the gain is that he's outputting 300% power.
At this point in time, Vegeta has a battle power of 18,000. Goku, formerly >8,000 is now >>>24,000. Goku, further, is using the Super Kamehameha rather than the regular one he used against Raditz, which brings with it a higher level of power multiplication.
Nonetheless, the Galick Gun is winning against the Super Kamehameha. Goku is forced to resort to a x4 Kaio-ken - which does leave his body utterly destroyed and incapable of continuing the fight - in order to have enough power to overcome a superior magnification from a weaker opponent.
We see another direct comparison between the two in the Cell arc. That killer Warp Kamehameha fired point-blank into Cell when he least suspects it, which hits him dead-on and unloads its absolute maximum power into him? It does this.
Brutal. If Cell didn't have both Frieza's ability to survive ludicrous levels of harm and Piccolo's regeneration, it would have been over right here. Meanwhile, a glancing blow from Vegeta's Final Flash left him looking like this.
Despite Vegeta being far less powerful than Goku was when he fired that move, the effect is about the same - With implication that if Vegeta hadn't pulled the Final Flash back at the last second to avoid destroying the Earth, he would have erased Cell completely.
Goku's shot hit Cell point-blank and full-on to do about as much damage, albeit with deadlier aim in terms of killing a humanoid being.
This is the distinction between Goku and Vegeta as fighters. Vegeta is very smart, and Goku is very strong. Neither of them is lacking in intelligence or power. But they are philosophically very different fighters.
Pound for pound, Vegeta's moves hit harder than Goku's. He is the unparalleled master in taking the power he has and channeling it into as much destructive force as humanly possible.
On the flipside of that coin, when backed into a corner, Vegeta falls back on outputting as much direct force as he can. Goku gets to thinking his way around the problem at hand and devising a creative answer.
Goku is a surgical scalpel. Vegeta is a warhammer.
Incidentally, this whole dynamic is on full display during their fight.
Like. Full stop. Vegeta beats Goku. In direct Fuck You We Versus terms, Vegeta wins the fight.
"I can take this guy because I have a special technique now that will multiply my strength to insurmountable levels!"
"So do I, motherfucker; You're not special. Hell, even my multiplier's bigger than yours. Get fucked."
But Goku solves Vegeta.
"Krillin, hit him with this. It's way stronger than all of us and it will fucking waste him."
"Gohan, for the love of our green God in the Lookout, DO NOT DODGE. Trust me, I know what I'm doing."
"GOHAN, MONKEY TIME, SON!"
In the straight fight, Goku gives it everything he has to try and overcome Vegeta's insurmountable strength, but Vegeta bends him in half.
Nonetheless, from his broken and bloody spot on the ground, Goku is able to coordinate Vegeta's defeat through tactical leadership alone.
Nice! I love this take!
Ummm she's literally sensitive :/
this is the best tag I’ve ever gotten in my notifs actually
Fascinated by everyone's but especially American's desire to give medieval keeps, especially in colder regions, central heating (and I think Winterfell is to blame for this trope, where, to it's defence, the hot springs were not a matter of comfort but survival wrt the deadly fantasy Winter that's not real irl), because I'm always like. okay I know they told you in middle grade that castles were all cold and drafty but like ... no also what
There's generally going to be rooms dedicated to and build for warmth, the living quarters, both for nobles and their servants. This will be the central living tower, or parts of it called a Kemenate (literally 'room with a stove'), the great hall and work spaces around the kitchen. You can put the Kemenate on top of the hall to catch the big fires' and daily living's heat through the wooden floor, but you often can't put wooden stuff on top of the kitchens (that's a fire risk). If you have the money and space, you build a whole separate comfy place for living because you don't have to stay in the most defensible part of the castle all the time. These separate living buildings are also called Kemenate and are often build from wood, cob, brick etc.
People used to wear much more clothes indoors, including while sleeping, and those clothes were much thicker and sturdier than what we largely wear today. Every time you think of how cold those stone walls are, think about everyone wearing a linen shift + two-ish layers of wool on all body parts except hands and head + stockings and shoes + some kind of head-covering. In Ye Old Middle Ages, women are probably wearing a wimple, which is kind of like a modern Hijab in terms of coverage. People wear shifts, socks, and a head-covering to bed.
I think people used to radiators also really underestimate how much a large open fire/tiled stove heats up a room. Also, middle and northern Europe (as well as parts of Northern China) had and to this day have beds and benches build into tiled and cob stoves. Those fuck.
Beds are enclosed so you stay warm in them, either by curtains, in wall niches or with wood. There's also a type of bed that's inside a chest (like a coffin) so you can stuff your stuff inside during the day and put down the lid to use it as a bench. That's also another reason for people to always sleep in groups. Depending on the era, one of the jobs of a lady's maid or a retainer might literally be warming their master's bed. In early times and among servants, people also sleep in large groups in rooms together in general even outside a farming context, often with animals like pet dogs, too, which further warms everything up.
Walls are not bare, cold stone, but covered with a layer of plaster or cob, tiles or wooden panels, sometimes layered, and believe me, this makes such a difference. Source: I lived in a Ye Olde German Farmhouse with 70 cm thick stone walls and flag stone floor and all that converted to modern flats for a while.
On top of that you hang tapestries on the wall, which are not like modern printed cloth but basically wall rugs, sometimes several inches thick, and rugs or rushes (like a light cover of hay) on the floor on top of stone, tile, wooden panelling or a cob floor cover that goes over the heave flag stone. Pillows and blankets on all sitting surfaces, often on top of panelling (in the case of benches build into the stone). The roof of a room is also tiled, panelled or plastered. Upper stories will generally have wooden floors. Stories in a tower heat each other upwards, so the nicer rooms are further up.
The inner stone walls of a castle, even if stone and very thick, will heat up a few degrees in comparison to the outside walls if the castle is continually heated/lived in, and also trap heat inside, and this will make a difference. Inner walls might also be thinner and made of wood, cob or brick. You're defending against the outside, after all.
You put stuff in the windows. Holy shit. Screens of wood, horn, cloth or leather/hide, often treated for extra insulation. Why are these fantasy castles all so drafty.
Like, idk, I know Americans especially can't pop down to their nearby castle museum to have a look around, but even with people who can and do: The castles you'll see, even the ones who aren't 'ruined' are ruins. They're stripped down. I remember touring Norman towers in England, and those places do look dire and are cold because even if they're still standing, they're ruins. It makes such a difference to get to look at a castle that is still lived in, has been inhabited until recently, or has been historically restored where these amenities are preserved. The exact amenities will depend on the era, of course, but they'll be there. The publicly accessible parts of Burg Eltz are a great example to google, especially since I promise you, you have seen this specific castle before. They have pictures on their English language website here, and the German National Geographic has a few further inside pictures here. Seeing a place like that that isn't a ruin with bare, stripped walls, nothing in the windows, no decorations and furniture etc. makes you realise that yeah actually. My characters are probably just gonna go grab a pillow if their ass is cold on the window's stone bench. Blankets are a pretty old technology, humans (elves, dwarves, whatever) can figure that one out.
Oh these links are a FANTASTIC reference!
Remember the painting of Ivan the Terrible cradling his dying son?
Yes, yes, unequalled representation of unspeakable grief and guilt and horror, that's not important right now. Look at how heavily carpeted everything is -- multiple layers of carpets! -- and how heavily dressed they are.
a lot of my disillusionment with the trans "community" comes down to the fact that too many of you take "gender is different from sex" and go "ah ok, so instead of saying women are fragile and men are strong, I should say afabs are fragile and amabs are strong. to be Inclusive"
then you just treat gender like a surface level aesthetic draped over what someone "actually" is. really is indistinguishable from terf rhetoric
you all need to unpack your bioessentialism, but we also need a better theory of gender than "it's just dressup." I will pick my words carefully here, but the word "gender" itself refers to so many different phenomena that have been lumped together, and we need to un-lump them
in a feminist context, "gender" has historically referred to externally imposed categorization and the internalization and performance of said categories. in a paper I wrote on this subject, I called this sense of the word "extrinsic gender"
"intrinsic gender," on the other hand, is what I used to refer to the sense of the word "gender" that a lot of trans people are talking about when they discuss social gender dysphoria and euphoria. it's the internal sense of category that's resistant to external impositions
but then we also use the word "gender" to refer to subconscious sex, which is the term Julia Serano coins in Whipping Girl to name the phenomenon we're talking about when we talk about bodily dysphoria. it is the "gender" being "affirmed" by gender affirming healthcare like HRT and bottom surgery
so, "gender" is: a social classing system, a performance, and at least two internal phenomena as well. and I really don't know if it's doing us a service to conflate all of these things!
a lot of people lately seem to be going heavy on the "performance" use of the word, ignoring (intentionally or otherwise) social classing, intrinsic gender, and subconscious sex. this seems to have led to a lot of "progressive" people treating trans women like men "amabs" who wear womanhood as a costume, and nobody understands why that's wrong because they also think gender is just a performance
see also "why can't you just be a femboy/feminine man/etc"
furthermore, some trans people experience social dysphoria but not bodily dysphoria, and vice versa. but bodily dysphoria in particular has gained some stigma in the last few years
because we use the word "gender" to discuss both "intrinsic gender" as I termed it above, and subconscious sex, there's been a certain strain of argument from some trans people that says that medical transition reaffirms societal gender norms about bodies, and that bodily dysphoria must only result from externally imposed norms about what kind of body corresponds to what gender, and thus it would just go away if the gendered associations were unlearned
I'm strongly of the opinion, though, that our bodies are not like clothes! gender dysphoria related to clothing would generally have to do with one's intrinsic gender clashing with the gendered norms of their culture surrounding clothes, but I believe "gender" dysphoria related to the body itself is really, in large part, subconscious sex dysphoria, and this component cannot be alleviated by changing norms or associations. I strongly believe I would still seek HRT and bottom surgery if I lived my whole life in a cultureless vacuum
you cannot sidestep my dysphoria by regendering parts of my body I'm trying to change, and frankly it causes me a lot of strife that fellow trans people who flirt with me think they can talk about my body however they like as long as they gender it correctly. the word "girlcock" is not a magic dysphoria repellent, because the dysphoria doesn't just come from the gendering
oh wait just realized i can edit my own posts.
like you can't edit reblogs anymore but you can still edit your own post even after it has a thousand notes or whatever.
i have the opportunity to do the funniest thing.