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Xuebing Du

ellievsbear
we're not kids anymore.

#extradirty

if i look back, i am lost

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art blog(derogatory)

shark vs the universe
sheepfilms

❣ Chile in a Photography ❣

JVL

gracie abrams

Love Begins
trying on a metaphor
Keni

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bliss lane
Today's Document

tannertan36
I'd rather be in outer space 🛸

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@heroineaddicted
Textpost Meme Masterpost
Shadow & Bone text post memes masterpost
Lion in Winter text post memes
Frankenstein (2025) text post memes #1
"Café et Croissant" Julian Merrow-Smith
i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
there’s very few things that drive me up the wall in fandom as much as this weird new assumption that fandom is primarily a space for younger people that older folks are only accepted into in a trial basis if they promise to centralize and accommodate younger fans, and further, anything else is creepy and predatory. IT’S OKAY FOR ADULTS TO PRODUCE CONTENT FOR OTHER ADULTS.
if I have to read “women in their 30s” used as an insult one more time I swear I’ll - step away from that user and just hang out with the other grownups who consistently create good content because I’m also an adult and too busy comparing car insurance to fight with teenagers on the internet, but goddAMMIT I’ll be annoyed
I’ve been in this hole since yall lil shits were three apples tall and I’ll die in this hole too
"Women in their 30s" and older ARE fandom and always have been!
"Women in their 30s" are the OGs of fandom as we know it*: know your fandom history! These are the women who saved/resurrected Star Trek with their devotion, originating slash fiction, conventions and so much more. These women risked obscenity charges when they shared their smutty fanfic in zine format through the mail in the pre-internet and everyone who has enjoyed a fandom experience owes them a debt!
I'm 43; I remember, years ago, reading about the letter writing campaigns to try to save the show and the emergent communities. Many of the main cast of the original Trek series had autobiographies out in the seventies/eighties and they wrote about the experience of learning about the devotion to their show and the astonishment they felt at the resurrection of it into the movies - this was well before everything was a remake/reboot!
Fandom has become something you can buy; it used to be something that you made. And you came to it with the assistance, grace and patience of your elders. Fuck.
THE ONLY SHIP THAT IS BAD IS CENSORSHIP
IWTVL S3 Ep5 Musings - Akasha's Monologue (Pt1 - Hell hath no fury....)
"She has Lestat's blood. If they do anything, it's come back with a vengeance." -- Delainey Hayles on Claudia's rage (Insider Interview, 2x7)
Like Rolin Jones said in the 3x5 After Dark, most of what Akasha says is a bunch of questions--no objective truths at all; just thoughts & concerns & puzzles & problems. But by the end of her speech, what's so scary is that she's not asking questions anymore; she's proclaiming HER Divine Right of Queens / Mandate of Heaven.
And what's so DEEPLY ironic about this entire monologue/tirade is that Akasha THINKS she's the victim; speaking for the downtrodden girls/women of the world who've been controlled/"arranged" by men (eg: Amel). She thinks she's the one who can lead the righteous revolution as the god(dess) reclaiming women's agency/power, and answer their (read: her) entire list of questions with blood. If you're not asked and you're not answered, SHE will decide. But this crazy heifer was NEVER the victim. 💀 And it's no surprise that Hannah Moscovitch wrote this episode, cuz she LOVES problematizing women's agency as abuse victims at the hands of men--which is why she said GabriellA's her favorite to write in S3. And this show is all about exploring how men can be the victims of abuse, too; at the hands of other men, or even women. 💀
But what I'm most worried about is if AMC will handle this with the sensitivity it deserves, when already I'm seeing flaws in the writing that is primed & ready to either blame Amel for all of these vampires' wrongdoings ("the Devil made me do it~!"), or worse: Blame Women/Eve for the Fall of Man; under the guise of giving women more agency at the expense of STRIPPING men of their own agency, to make everything a woman's fault (I haVe THe BLoOD oF AkAshA iN Me~!; YoU WeRe A TerRriblE mOthEr~!, etc).
Hurt People Hurt People
We'll have to see if AMC sticks to the book canon, where Akasha was a young girl in an arranged marriage to the foreign king, Enkil. Dragged from her homeland (I assume AMC will change it to Nubia), Akasha was stuck living in Egypt, a strange AF kingdom with religious customs she found totally backwards & barbaric ("in the old ways and in the old laws, this was arranged...into the land where the dead are kept"). We don't know if she ever liked/loved Enkil (highly doubtful); or if their biological son Seth (book!Fareed's Maker) was a child of rape & domestic abuse, the way all of the Lioncourt brothers were. What we DO know is that Akasha wasn't exactly a doormat in that marriage, and in many ways Akasha completely took over. I've talked at length about how Akasha changed Egypt's laws to get rid of Enkil's cannibalism, and created mummification instead. Akasha also convinced Enkil to destroy the cannibalistic land of the redheaded Twins, Mekare & Maharet; smashing their altars & shrines ("where the dead are worshiped").
Akasha told Enkil to kidnap The Twins in order to steal the witches' coveted magic (their familiar, Amel; "Why is Amel in their mouth?"). When that failed, Akasha ordered The Twins to be publicly raped by Khayman ("why is the girl curled...why limp in the straw?"). The Talamascan Jesse Reeves is a descendant of that rape, cuz Maharet got pregnant by Khayman with a daughter, Miriam. In addition, Maharet's eyes were gouged out ("what is it to see...you have not seen") so she could no longer see spirits; and Mekare's tongue was cut out ("and why is her death prolonged?") so she could no longer talk to spirits ("Why does he tell HER [Mekare] what God has said?"). Even as a human, Akasha was a tyrannical, twisted, sadistic, entitled, greedy, selfish, jealous, bitter AF wench who was mad that Amel loved Mekare, but wouldn't obey HER ("Why must MY voice be smooth?"), specifically since she was also a religious fanatic who thought her religion was superior, but for a so-called "goddess" she had NO MAGIC; and HATED that The Twins were a bunch of peasant cannibals who actually had REAL magic that Akasha's "civilized" gods never gave her access to.
Amel took revenge on Akasha, and started haunting her, and when her court finally assassinated the Mad Queen, Amel accidentally fused with her body and turned her into the first vampire ("divine error"; "what does it mean if you are not asked?"). According to Gremt (the ghostly founder of the Talamasca), Amel "was no more" when he fused with her, having gone more or less silent ("and what does it mean if you are not answered?... I am The Voice!"). As the Mother of All Vampires, ALL vampires have the Blood of Akasha/Amel in them. Akasha made Enkil & Khayman; Khayman made Mekare (and a bunch of others to rebel against the Parents); and Mekare made Maharet. Millennia later, Akasha made Rhoshamandes, then Rhosh made Eggs Benedict, then Magnus the Alchemist kidnapped Eggs & stole his blood to turn himself into a vampire, then Magnus made Lestat, etc etc.
Parallels are Parallelling
GabriellA, Akasha, and so many other problematic characters in Anne Rice's problematic universe all exemplify how AR revels in the grey spaces of moral binaries. Hannah Moscovitch explained GabriellA's entire tragic backstory, which Lestat only VERY briefly summarized, but that we never actually got to SEE on-screen (I hate this effing season). Even in the books it's clear that she was married (read: SOLD) off against her will as a child to a total a-hole who dominated & controlled & raped & abused & disrespected her. But regardless of what GabriellA was a as a girl, or even as a human, that wench has been pure EVIL as a vampire. ❌🙅 And I love how swiftly the fandom showed their hypocrisy over swearing that morals are different for vampires than humans, and that we shouldn't judge them or say any of them are good/bad, when 3x3 literally had GabriellA, Magnus & Bruce all being evil AF sexual abusers in the same dang episode. 🤡
As a vampire, GabriellA shed all of her gendered social designations to become a pure monster, "a fever in the night;" the Lamia pushing the Great Conversion hoping to see "mothers throttling their babes, all writhing on the ground, till no light remains, no hope of light, and we, the devils, rule." Both GabriellA and Akasha are radical feminists who want women to take over the world. However, GabriellA is the opposite of Akasha, because she's a speciesist who wants TVL to "Make More!" vampires and take over the world. Conversely, Akasha is a narcissist, who wants as few vampires as possible (because all vampires are linked to her Sacred Core/Amel, and it weakens her/Amel if too many vampires are connected to her). She wants to rule as a goddess over humans.
I'm constantly talking about Nature vs Nurture wrt Amoral vs Immoral vampires (x x x), cuz I strongly disagree that vampires are inherently & irredeemably evil in essence). They're preternaturally human, with human souls, emotions, wants & fears--"all feels amplified." Vampirism merely brings their worst qualities out--their addictive bottomless hunger just manifesting in different ways (addicted to blood as "food, sex, home" (Lestat); or parasitic control (Armand/GabriellA) / codependency (Louis); or voracious knowledge (Claudia/Daniel); etc). Akasha assumed that her evil behavior was justified because of her vampirism (ie: Amel), but Maharet told her to her face that Akasha was evil because she chose to be evil, and refused to learn or grow or change in all her thousands of years.
TL;DR: RIP Claudeleine
So it's a gigantic tragedy that the vampires who probably could've benefited the most from learning about Akasha were Claudia & Madeleine--the TRUE victims of this story, since they're DEAD. 💀 And they were killed before they ever really got the chance to LIVE. Meanwhile Akasha wasted millennia doing eff all, when she could've gotten off that slab and LIVED in the world, instead of watching from afar understanding literally NOTHING but hating EVERYTHING.
SHEILA ATIM as AKASHA INTERVIEW WITH THE VAMPIRE | Season 3, Episode 5, "New York"
positive news following she-ra's removal:
ALL 52 EPISODES ARE NOW STORED ON THE INTERNET ARCHIVE!
720p
1080p [removed]
thanks to reddit user u/Pokesnap682 for pointing that out!
this means that you will always be able to watch/download the show, even (and especially) when third-party direct download servers (such as google drive), among other piracy streaming services, are unavailable!
A solar eclipse <3
Favourite BTVS Speeches: ↳ Rupert Giles, Innocence.
#remember that time a teen girl had sex on a show and it crashed and burned but her father figure was like ‘i think you made a good call’#like legitimately ‘based on the evidence- hitting that was 100% understandable and i support you’#oh - oh you were expecting an ‘i told you so’ or some kind of slut-shaming#LET ME INTRODUCE YOU TO RUPERT F*CKING GILES
something about leia organa that is still revolutionary in 2025 is that her capability as a leader is never mocked, diminished, or somehow otherwise belittled because of her gender. the narrative and every character around her takes her role as a leader of the alliance completely seriously. no one has to make a qualifier that “she’s a strong leader But….” whereas many stories (including star wars stories!) feel the need to contextualize women leaders as “women in a man’s world” who have to constantly navigate patriarchy, rather than leaders who deal with complex problems and who make decisions that affect those around them. no one ever discounts leia because of her gender. she explodes onto the screen as a capable leader and no one questions it
this scene still feels so incredibly fresh and modern every time i watch it
Something I like about Leia is that she's good at diplomacy, and while she often ends up butt-kicking in some way, she always starts off with trying to reason and negotiate. That's what leadership looks like: she uses her words first and tries to avoid using fists (metaphorical fists, of course), but she also isn't so committed to pacifism that she doesn't operate practically for the world she lives in. She absolutely can fight, but she really makes an effort to avoid it. So many of the "strong female characters" that were offered when I was growing up in the 90s and 00s were just action heroines the audience is supposed to be impressed by because they're quick to fight and good at it—they're unsentimental and invulnerable, ie, patriarchal fantasies of male action heroes, but with boobs—while Leia takes very seriously the role of a leader in terms of what the repercussions of what she does will have on other people.
She's also pretty darn cool in terms of being a princess. I was never a princess girl growing up, for a lot of reasons, and I'm sure part of it was because the princesses marketed toward little girls in the 90s always seemed to resent being princesses. "Oh I'm trapped by who my family is, I'll never be able to choose my own life, it's all obligation to other people and I'm coddled and just want to have an adventure!!!" Blah blah blah. This was a way of making a heroine more palatable to the weird cultural post-feminism of the 80s and 90s, and, I think, comes from a very American mindset; we are drunk on individualism, and without having the tradition of even a symbolic monarchy to inform us culturally, inheriting a lifetime of responsibility to others, with your entire life mapped out for you before you're even born, seems oppressively limiting to the point of being terrifying.
Leia, though, takes her role as a diplomat seriously, and feels a healthy sense of responsibility to the people she leads. She puts the needs of the greater good at the forefront of any concerns and keeps herself out of the equation, instead of unilaterally ordering her underlings to do her bidding. She starts life as a princess, being trained with the expectation that she will lead Alderaan, and taking it seriously; then she's a senator, part of a governing body of representatives of their respective peoples that argues and negotiates to a consensus; and when she finally is a leader all by herself, it's because the Resistance have all come to respect her as the best person for the job after decades of proven experience. She's pretty darn cool!
FRANKENSTEIN (2025) dir. Guillermo Del Toro
This.
I will forever reblog this every time it’s on my dash because it should be this loud and simple. 💖
Shadow and Bone Fan Edit [ V ]
#book quotes but make it show aesthetic
this seems relevant