Known killer Red Hood yelling "yaaaaas!" And making literary references is peak characterisation
he wasn't even looking at me and he found me
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@huntedreader
Known killer Red Hood yelling "yaaaaas!" And making literary references is peak characterisation
yo…. when jet breaks in the tea shop and accuses zuko and iroh of beinh firebenders….
do you think any of the patrons looked at zukos scarred face - obviously done by a firebender - and immediately think jet was an asshole? like
jet: hes a firebender!!!!
patrons, thinking about the backstory they concocted for zuko and iroh where their home was invaded by firebenders and they barely survived with their lifes so they could come and have a peaceful life selling tea in a city the war doesnt touch:
Jet: He’s a firebender!
The Patrons to the Tea Shop internally: You fucking stupid, sir? I think you might be stupid.
#if someone shouted something racialized at a food service worker and he pulled swords#if be like ‘yeah that’s fair’
He didn’t even use his own swords. He took them from a guard and the guards let him
This took me OUT 😂😂😂😂
Until You
Mark Grayson x Reader
One Shot (Mark's POV)
(Thank you @ryhsrunner for the prompt- tbh it prob wasn’t a prompt but I’m using it as a prompt bc I love a good angsty moment)
Mark had died forty-three times before he stopped counting.
Not always in dramatic ways. Sometimes it was a villain, something he hadn't seen coming fast enough, the kind of hit that would have been survivable on a better day. Sometimes it was his own fault in ways he couldn't stop replaying even after the reset made them technically un-happen. Twice it was nothing heroic at all — just wrong place, wrong timing, the universe making a point about how even Invincible could be caught off guard by ordinary disaster.
The reset always came.
He'd hated it at first. The disorientation, the grief of watching people un-know things he'd told them, the specific misery of losing progress on things that mattered to him.
He'd gotten used to it the way you get used to anything given enough repetitions.
That was, he would later understand, its own kind of damage.
It wasn't dramatic.
Iteration seven, maybe eight — early enough that he was still trying to be systematic about it, still treating the loop like a problem to be solved through sufficient heroic effort — he'd taken a different route back from a patrol that had gone sideways and landed on a roof to reorient, and you'd been there.
Just sitting on the ledge with your feet dangling, not in distress, not doing anything except existing in the particular way of someone who'd come somewhere to be alone and had their own kind of peace about it.
"You okay?" he'd asked, on instinct.
"I'm not going to jump," you'd retorted immediately. "I just like the height."
He'd almost left. He had things to do, leads to follow, the ongoing project of trying to figure out what was causing the loop and how to break it.
Instead he'd said "yeah, I get that" and looked out at the city for a minute, and somehow the minute had become twenty, and he'd left knowing your name and approximately nothing else and thought about the conversation for the rest of that iteration without being able to explain why.
The loop reset.
He went back to the roof.
There was a version of himself he was becoming — had become, iteration by iteration, in the long stretch of the loop — that he wasn't sure he liked.
Not cruel. Not broken, exactly. Just— loose. Unmoored from consequence in ways that started small and compounded. He'd said things to people that he'd never have said in a first-time timeline, because what did it matter, they wouldn't remember, the reset would take it back. He'd picked fights he had no business picking just to see what happened. He'd made choices in the field that were reckless because he would survive even if the outcome was bad and the outcome wouldn't stick anyway.
He'd gotten, in the middle iterations, in the long gray stretch, very good at not caring about things.
You were the exception he didn't have a good explanation for.
Every iteration, at some point, he ended up on that roof.
It wasn't rational. You weren't a clue. You weren't connected to the loop as far as he could tell. You were just a person who sat on rooftops and said things that were honest without seeming to try very hard to be, and who looked at him in a way that felt different from how most people looked at Invincible, like you were trying to see the person rather than the suit.
He kept coming back.
He told himself it was because it was easy. He told himself a lot of things in the middle iterations.
He learned you the way you learn things when time doesn't count… carelessly, gratefully, in pieces that accumulated without him tracking it.
Your laugh first, because it was specific. Not a polite laugh, not a performed one — it arrived when it arrived and it was always slightly surprised, like you hadn't quite expected something to be funny, and something about that kept catching him off guard.
Then the way you thought. You took questions seriously — not the way people sometimes did, where seriously meant ponderous and slow — but in a quick, genuine way, like you actually wanted to find the real answer rather than just a good-sounding one. He'd say something halfway to a real thought and you'd take it the rest of the way and hand it back to him reshaped and he'd look at it and think oh. that's what I meant.
He learned that you came to the roof when you'd had the kind of day that needed air around it.
He learned that you were funnier than you let on in the first twenty minutes of knowing you.
He learned that you asked about him — not Invincible, not the hero stuff, him — with a directness that would have felt intrusive from anyone else and somehow didn't from you. Maybe it was because you answered his questions with the same directness, maybe because it felt like an exchange rather than an interview.
He learned that he felt, on that roof, like a version of himself that he'd been losing track of.
That one scared him more than the dying had.
Iteration thirty-something — deep in the loop, in the stretch where he'd stopped being careful about the rules he'd made for himself — he'd told you.
Not everything. Not at first. But you had both been on the roof past midnight, and you'd said something about wishing you could go back and do certain things differently, and something in him had cracked open around the edges and he'd said:
"What if you could. But you had to do everything differently. Not just the things you wanted to change."
You'd looked at him. Really looked.
"Is that what's happening?" you'd asked with a tilt of your head. Not what do you mean or that's not possible. Just — immediate comprehension, direct question.
He'd looked at the city for a long time.
"Yeah," he'd replied softly. "That's what's happening."
He'd told you in pieces, over the next three hours, and you'd listened to all of it — the dying, the resets, the way the middle of the loop had felt, the things he'd done that he couldn't justify except that consequence had started to feel theoretical. He'd told you things he hadn't said to anyone because anyone he could have said them to would have forgotten them by morning.
"I don't know how to care about things the right amount anymore," he'd admitted, at some point. "Like the — the dial is broken. I either care too much or I've trained myself not to care at all and I can't always tell which one I'm doing."
You'd been quiet for a moment.
"You came back to this roof," you'd guessed. "A lot, I'm guessing, based on how well you know me for someone I've apparently only met once."
"Yeah."
"That's not someone who doesn't care," you'd stated with eyes full of conviction. "That's someone who found the one thing that still worked and held onto it."
He hadn't known what to do with that.
He still didn't, in the iterations that came after, carrying it into every reset like something too fragile to put down.
He'd told you his name in iteration thirty-one.
He'd thought about it for three iterations beforehand — not strategically, he wasn't running calculations about whether it was safe, he just kept opening his mouth and finding himself saying it before he'd decided to. On the thirty-first iteration he'd stopped fighting it.
"Mark," he'd stated finally. "My name is Mark."
And you'd said: I know.
And he'd said: How?
And you'd said: You seem like a Mark.
Which wasn't an answer, which he'd known wasn't an answer, and he'd looked at you looking at him with that particular look — the one that saw him — and laughed until his stomach hurt.
He wasn't going to talk about how he broke it.
Not because it was heroic — it was, in its way, the thing he'd been building toward across dozens of iterations of collecting information and making mistakes and learning what didn't work — but because the cost of it was the kind of thing he hadn't let himself look at directly yet.
What mattered was that it broke.
Tuesday became Wednesday, for the first time, and the reset didn't come.
He lay on the floor of his apartment and waited for it and it didn't come and he waited more and it still didn't come and then he pressed his palms flat against the floor — the real floor, the permanent floor — and breathed.
Out. In. Out.
The silence of a timeline that was only going to go forward.
It was the most terrifying thing that had happened to him in the entire loop, and that was saying something.
The problem with being Invincible after a time loop was that nobody knew.
William didn't know. His mom didn't know. Amber — and there was a whole complicated thing there that he couldn't think about yet — didn't know. Cecil didn't know, and Mark had mixed feelings about whether Cecil knowing would even be in the known column given what he'd learned about Cecil in the loop, but that was a separate issue.
Nobody knew that he'd lived the last however-long in a bubble of consequence-free repetition. Nobody knew what it had done to him. Nobody could see the way everything felt slightly unreal now that it was real, the way ordinary conversation felt like a test he wasn't studying for, the way every choice had this terrible new weight because he couldn't take it back.
He'd spent so long in the loop that the permanent timeline felt like the foreign one.
He had to keep reminding himself that when he said something now, people would carry it.
He had to keep reminding himself that when he made a mistake in the field, it would stick.
He had to keep reminding himself that the people he'd trained himself not to care about too much — the dial-is-broken thing — were real people in a real timeline who deserved to have someone who gave a damn about them looking out for them.
He was working on the dial.
It was slow going.
His mom asked him what was wrong three days in.
He was helping with dishes, the ordinary Tuesday-night rhythm of it, and she'd turned from the sink and looked at him with the specific attention of someone who had been watching carefully.
"Nothing," he replied on instinct, "Long week."
She kept looking at him.
His mother had this quality — she always had it but he'd forgotten, in the loop, in the long stretch of not being careful — of looking at him like she could see past the surface answer to the thing underneath. Not in a pressuring way. Just present. Just there.
"Nolan called," she said. Not a trap. Just information.
"I know." He'd seen the notification. He hadn't called back yet.
She didn't push. She went back to the dishes and let him stand there, and after a while he picked up a towel and dried things and the ordinary silence of it was something he felt in his chest like pressure releasing.
"Mom," he called out.
"Yeah?"
"If someone — if I knew something about you. Something you hadn't told me. Not because I was snooping, just because—" He stopped. This wasn't mapping onto reality very well. "If I knew you better than you knew I knew you. Would you want to know that?"
She was quiet for a moment. "Is this a real situation?"
"Hypothetically."
"Hypothetically." She handed him a pot. "I think I'd want to know that you knew me," she mused. "Not necessarily the specific things. Just — that someone had seen enough of me to know me."
He dried the pot.
"Yeah," he replied, “Okay."
She looked at him sideways. "Are you sure nothing's wrong?"
"Working through some stuff," he admitted softly, "I'm okay."
She nodded, slowly. "Okay," she said, in the tone that meant I don't entirely believe you but I trust you to tell me when you're ready, and went back to the dishes.
He stood next to her and dried things and let the ordinary motion of it be enough for right now.
He went back on a Thursday.
He hadn't planned it. He'd told himself he wasn't going to… that was the loop, that was the old habit, and he was in a real timeline now and needed to let real things develop at their actual pace without the shortcut of knowing someone across thirty iterations.
He'd gone on patrol. The patrol had taken him east. The east route went past the roof.
He'd landed before he'd made the decision.
The roof was empty.
He stood there for a minute, feeling something he was going to call relief and not examine too closely, and then he sat down and looked at the city and tried to practice existing in a timeline that only went forward.
The city looked the same as it had in the loop. Of course it did. The loop hadn't changed the city.
He'd changed.
He was sitting with that — the specific contours of what he'd become in thirty-seven iterations and whether it was reversible and what reversible even looked like — when he heard footsteps on the stairwell access.
He knew, before the door opened, that he knew those footsteps.
He'd been listening to them cross rooftops for longer than you'd been aware of him.
You came through the door and stopped when you saw him.
He watched you process it — surprise, then something more careful, then the settling into your own particular composure.
"Oh," you exclaimed, “Sorry, I didn't know anyone—"
"You're fine," he assured you with a gentle smile , "I was just—" He gestured at the city. "Route."
You looked at the skyline, then at him, with the look he'd catalogued across three dozen iterations — the one that was trying to see the person.
"Bad night?" you asked with a tilt of your head.
"Strange few weeks," he admitted with a sigh.
He watched you consider that, and watched you decide not to push.
You sat down on the ledge. It was the same spot, always the same spot, the place where you'd had thirty-seven conversations that you didn't know about — and looked out at the city.
He looked at you as you gazed out across the city.
I know you, said something in his chest that he didn't say. I know your laugh and the way you think and the thing you do when someone says something that actually lands, that half-second before you respond where I can see you actually received it. I know what you said to me in the dark of iteration thirty-something when I told you the dial was broken. I know you looked at me like I was a person and not a hero and I don't know how to explain what that cost me to leave behind every time the reset came.
I'm going to have to meet you.
I'm going to have to sit here and not use thirty-seven iterations of knowing you and let you be a stranger and let this be the first time, because it's the only time that counts and you deserve someone who's actually present in it.
That's the hardest thing I've ever been asked to do.
Nobody asked me.
"I'm Mark," he offered simply, like it was the first time all over again.
You looked over. Something showed on your face that he couldn't read — something that came and went quickly.
"Y/N," you replied, a soft look on your face.
He nodded before turning to looked back at the city.
"Do you come up here a lot?" he asked, and hated how small it sounded, how insufficient, how thin a thread to start rebuilding something this heavy from.
"Starting to," you replied, "You?"
"It's on my route," he said simply.
You were quiet for a moment.
"Does it get easier?" you asked inquisitively, your head doing the tilt it always did when you wondered about something, "Whatever strange few weeks you're having."
He thought about it. Really thought — not the deflective answer, not the hero answer.
"I think you get better at carrying it," he stated honestly, “Not the same thing as easier."
"No," you mused simply, “Not the same thing."
He looked at you.
You were looking at the city, your face in profile, the particular quality of your attention that he'd spent thirty-seven iterations learning to read.
Start somewhere, he told himself. She doesn't know you yet. That's not a loss, it's a beginning. Let it be a beginning.
"What brought you up here?" he asked, all while having to pretend he doesn’t already know the answer.
You considered the question. He recognized the rhythm of it — the taking-it-seriously quality, the actual search for the real answer.
"Needed to be somewhere that wasn't moving so fast," you stated barely above a whisper.
"Yeah," he nodded with a kind look, "I get that."
He meant it in ways he couldn't explain yet.
He was going to explain them. Not tonight — tonight was for starting, for the first careful thread of something real in a timeline that was going to hold — but eventually.
You were going to know why he'd meant it.
He was going to tell you.
Not because the loop had taught him that you were safe with the weight of it — though it had — but because in this timeline, the one that counted, he was going to choose to trust you with it.
That was the difference.
That was the thing the loop hadn't been able to give him.
The choice.
You stayed until the city got quiet.
He didn't leave when his patrol said he should.
When you finally stood to go you said "same time?" in a tone that was light and maybe-joking, an easy out if he didn't take it.
He took it.
"Same time," he echoed with a soft laugh.
He watched you go down the stairwell.
He sat on the roof alone for a long time after, in the permanent un-resetting night, learning what it felt like to have something to look forward to that was going to stay.
It felt like standing on solid ground after a long time at sea.
Strange and necessary and a little overwhelming.
Real.
Written for my gorg Baddie Beta Reader: get well soon! Mwahh
@huntedreader
Read this! it's a command and not a question! MY DEAR AUTHOR KILLED IT
jason todd being a crier is important to me somewhere fundamental right up between my heart and my lungs.
Someone on twitter put this together but even still it’s missing my favorite Lost Days moment
Every time someone, whether in-universe or in meta tries to say that Jason's a "loner" I think about two things:
First of all, the fact that Bruce is frequently referred to as a loner, both in universe and out, as if he doesn't literally constantly have his emotional support child and a rotating cast of lovers (sometimes multiple in any given story at once). In this instance, it's used to try and make Bruce seem "cool," which whatever ig.
Batman #359, which, is so fucking funny to me because this is before Batgirl and Talia showed up in this story. Catwoman to. It was a real fucking ensemble. He's berating himself for snapping at Dick, and sending some civilians (The Todds btw) to die, against Dick's advice, because he's being bitchy about Catwoman. Like, my man, you have a mental breakdown every time you're truly alone. You're not a loner but maybe you should be.
Secondly, is Jason a loner or is he just always alone and isolated? Is he a loner or does he just not know how to be any other way? Jason consistently through both pre- and post-crisis express a lot of desire to be around other people/build connections, as well as referencing factors that isolate him from them. (I'm not sourcing every incident here but here's Jay trying to bond with Bruce right after he gets taken in, and some stuff wrt Jason at school)
Detective #527 (Pre-Crisis)
Batman#395 (Pre-Crisis. This is him being jealous of Catwoman, sure, but given how often in this arc it's referenced that he's isolated from the other kids in school- despite being on some kind of presumably sports team. I think it's baseball? I'm trying to find the exact issue that it actually SHOWS him on said team but it is referenced in the issues leading up to when they switch over the histories.)
Batman Annual #12 (This is Post-Crisis)
In Brothers in Blood Jason's trying to reach out to Dick. I'm not saying he did it the right way or that Dick was wrong for rejeting that, but he did literally expressly say that he was trying to reach out to him. in his brief period that he worked with the Titans, it's explicitly stated that he'd had to sneak out from under Batman's nose to join up with them. Jason has a sparse few interactions with mostly adult heroes in Pre-Crisis and the only hero his age he gets to meet is Kid Devil/Eddie Bloomberg and that's nebulously canon or not since Pre/Post-Crisis was a soft, slowly rolled out reboot where they changed a lot of things in retrospect but also implicitly kept others. (N52 was also like this but I get the impression Crisis was marginally more organized.)
UtH was Jason reaching out to Bruce for connection. Again, not really the right way to go about it but he pretty obviously/expressly wanted affirmation that his relationship with Bruce DID matter to someone other than himself because he felt it had been stripped from him and false.
Someone who keeps reaching out to other people, but gets rejected because they did it wrong, is not a loner.
When those attempts fail and he reaches out less and less, that's not loner behavior, that's lonely behavior, maybe even a dash of self-loathing. When he starts sabotaging his relationships further he thinks they're already fucked, that's not loner behavior, that's bad coping mechanisms for childhood trauma. I don't care that they state it exactly that he's some kind of "loner," his actions don't agree with that statement.
Is his status something of a self-fulfilling prophecy at this point? Yeah. I keep seeing people refer to him this way and, jesus. y'all wanna ostracize him so badly sometimes. You don't want him here you don't want him there. You use the "loner" rhetoric to enforce the idea that his isolation is a good thing that he wants. They use it IN UNIVERSE from the mouths of characters who have biased views about him.
If he's such a loner why does he keep going back? Why does he answer every call? Like a beaten, but unfortunately faithful dog that can't help but return to their abusive master.
Safety Off
Jason Todd Headcanons Sparring With His Crush (you)
The Setup
-Jason suggested the sparring sessions himself and played it off as "you need the practice" even if you're already perfectly capable. He needed a reason to spend time with you that didn't scream I think about you constantly and this felt plausibly deniable.
-He mentally coached himself before the first session. Be normal. Be chill. It's just sparring. He was neither normal nor chill for a single second of it.
-He shows up in a compression t-shirt and sweats and still somehow looks annoyingly good and he knows it and pretends he doesn't. They’re gray sweatpants too bc he’s a lil slut.
Sparring Session
- He is so careful with you physically, in a way that's almost contradictory given that the man throws hands with supervillains for fun. His grip when he's adjusting your stance is deliberately controlled but firm enough to be useful, and gentle enough to be a whole entire thing.
- Definitely corrects your form with his hands more than his words. Moves your arm, repositions your foot, adjusts your shoulders and every single time he does it he goes very slightly quiet afterward like he surprised himself.
- He talks so much trash when you're actually going at it. It's his comfort zone. The teasing is genuine but it's also armor — if he's laughing at you he's not accidentally saying something sincere.
-"That all you got?" and "My grandmother hits harder" and "Come on, I'm literally standing still—" and then you land something good and he shuts up for two full seconds which is the highest compliment he has.
The Crush Leaking Through
- He lets you work harder for it than he'd let anyone else, because he actually respects you and refuses to be condescending but when you're genuinely struggling he finds a reason to slow things down and show you instead of just telling you, which means getting closer, which was not thought through.
- He catches you when a move goes wrong before you even fully register you're falling. Reflexive. His hands are just there on your waist. He plays it completely cool and you can see it costs him something. Jason pretends he doesn’t notice how well you fit together.
- There's a specific face he makes when you do something that genuinely impresses him: jaw tight, quick look away, something getting swallowed down before it can become an expression. He doesn't compliment you immediately. He makes you wait, like he needs a second to compose himself first.
-"...Not bad." Highest form of praise from Jason Todd. He's rotating that moment you earned it for the next week.
When You Get Close to Beating Him
- He gets competitive in a way that's almost flustered. He wasn't expecting you to be that good and he genuinely doesn't know whether he wants to win or wants to just keep sparring with you forever so he stalls.
- Does not go easy on you but may have subconsciously given you a half-second window he wouldn't give anyone else. He would take this secret to the grave.
- If you actually pin him or get your arm to his throat… he goes still. And the stillness is a completely different energy from his usual loud, sharp presence. It's very quiet and he's looking at you and the teasing is just gone for a moment.
- Then he says something like "Lucky shot" in a voice that's slightly lower and huskier than usual and gets up and rolls his shoulder and acts like he's totally fine and he is NOT totally fine. (And if he replays that moment in his head all week, so what? He is soo normal about it)
The Accidental Sincere Moments
- At some point between drills he hands you a water bottle before you ask for one. He already knew you'd need it. He doesn't acknowledge that he noticed.
- If you come in looking tired or off, he dials back the intensity without announcing it. Doesn't ask what's wrong. Just adjusts. You might not even notice he did it deliberately.
- He keeps a running mental catalog of every improvement you make and tries desperately not to bring it up organically in conversation because it would reveal that he's been paying very close attention.
- One time he said "you're getting really good" completely unprompted and with zero sarcasm and then immediately picked up a weapon and suggested you go again before you could respond to it.
Physical Awareness (He Is Suffering)
- Jason Todd is a physical person and sparring is deeply physical and being this close to someone he has feelings for in this context is a particular kind of torment he has absolutely brought on himself.
- There's a version of him that could be completely professional about this. That version is not present. That version left when you showed up.
- He doesn't let it be weird… he's too controlled for that but there's a charge to every moment of contact that he feels in his chest and processes later alone at 2am while staring at his ceiling.
- The one time you grabbed his wrist to demonstrate something back to him he forgot what he was saying mid-sentence and covered it by coughing. The fact that his face was beet red was because he was working out…. No other reason….
After the Session
- He always finds a reason to linger. Wrapping his hands, checking the equipment, some invented task. He's not ready for you to leave yet and he'd rather die than say so.
-The walk-out conversation is where the realest version of him shows up: guard down, tired in a comfortable way, a little quieter. These are the moments that are actually dangerous for his composure. (I’m sorry all I can imagine is Jason in a compression shirt drenched in sweat… DROOLING!)
-He will text you something training-related later that night. It is not about training. It is framed as training. You may or may not know the difference. (And if the two of you end up staying up all night texting who’s to say?)
-"Same time next week?" Casual. Effortless. His heart is doing something unreasonable while he waits for your answer.
Jason Todd will absolutely fall for you in a gym with bad lighting while pretending he's just doing you a favor… and he'll realize it happened about three sessions too late to play it cool anymore. He has never once played it cool.
This one’s for you bby @huntedreader
Worlds best Author ❤️ your beta reader will continue to scream now because DAMN 👏🏻
Enough
Red Hood x Vigilante!Reader | One Shot
(I am trying my hand at angst- it def turned out more hurt/comfort lol)
The plan had been simple.
In retrospect, that should have been the first warning sign.
Simple plans had a way of detonating in Gotham. The city had a sense of humor about that — a mean, black-comedy kind of humor that mostly landed on the people trying to do good in it.
You had learned this.
You had really learned this and yet you had still looked at the blueprint Jason spread across the hood of the car two hours ago and thought: yeah, okay, this could work.
Marcone was a mid-level weapons trafficker who had recently made the mistake of moving product through the East End, which put him squarely in Red Hood's territory and, by extension, yours.
The job was a two-person operation:
Jason would take the east entrance, you would take the west and you'd both box Marcone's men in from your sides, grab the manifest from the office on the second floor, and then be back at the safehouse before midnight.
Clean. Contained. Simple.
What had actually happened was that Jason had called you twenty minutes in — his voice clipped and controlled, which was how you knew it was bad — to tell you that; the east entrance had been a decoy, that there were twice as many men as the intel suggested and that he was pinned down three blocks away dealing with a situation that was developing.
"Go back to the car," he'd said. "Wait for me."
You had said, "Copy that," which was technically not a lie, because you had understood the instruction perfectly.
Then you had gone inside anyway.
The reasoning had seemed sound at the time. Marcone was in the building. The manifest was in the building. If Marcone got spooked and ran before Jason got clear, six months of work evaporated, and more weapons ended up on more streets and into more hands that would use them on people who hadn't signed up for any of this. You were good. You had trained hard and been trained well, in part because Jason had an almost pathological need to make sure the people around him could handle themselves.
You can handle this, you had told yourself.
Three of Marcone's men were already down in the corridor behind you, which was evidence in your favor. The problem was what was in front of you.
Viktor Renn was not what the file had described. The file had called him personal security, which conjured something in a suit with an earpiece. Viktor Renn was six-foot-four of Eastern European muscle with hands that looked like they'd been assembled from spare parts and eyes that registered your presence the way you'd register an inconvenient weather pattern — something to get through, not something to worry about.
He had hit you twice and you had felt both of them in places you didn't know you could feel things.
You were in the second-floor office. The manifest sat on the desk ten feet away. Renn stood between you and every exit, which was a layout problem you were working on solving while simultaneously trying not to get your skull caved in.
Your earpiece crackled. "—still there? Talk to me." Jason's voice, lower than usual, strained at the edges.
You ducked a swing that would have taken your head off your shoulders and came up behind Renn's arm, going for the joint, but he was faster than he looked — they always were, the big ones who had survived long enough to be good at this — and he pivoted and caught you by the vest and threw you into the wall.
The drywall cracked.
You didn't.
Margin.
"Still here," you managed, pushing off the wall. Your left eye was swelling. You could feel your ribs complaining about the evening's events, "Minor complications."
"What kind of complications."
"The large kind. Don't worry about it." You spit blood. "Where are you?"
"Two minutes out. Maybe less. Stay on the line." A pause, and under his control there was something rawer... something that sounded like worry wearing a thin disguise. "Tell me you went back to the car."
You didn't answer that.
"Tell me you went back to the car."
Renn came at you again. You had been reading his pattern — three exchanges now, enough to see it — and you knew the move he was building toward, the overhand right that was his finisher, the one he'd been setting up with body shots. You also knew you couldn't take another two minutes of this the way you'd been taking it. He was bigger and stronger and fresher, and time was not your friend.
You thought about what Jason had taught you once, months ago, when you'd asked him how he thought about a fight he couldn't win clean.
I don't fight to win, he'd said. I fight to make sure the other guy loses. Those aren't the same thing.
You hadn't understood it then but you understood it now.
Renn threw the overhand right.
You didn't dodge it.
You stepped into it.
The impact was spectacular and white-hot and briefly took the room from you — but you were inside his reach now, too close for the power strikes, and you drove your elbow into his throat with everything you had. You felt him choke and reel, and followed it with a knee to the inside of his thigh that buckled the joint, and when he went down you went with him and you didn't stop, because stopping was losing, because you hadn't come here to win, you had come here to make sure he lost —
"Hey." The voice in your ear was different now. Closer. Real. "Hey, stop. I've got him. I've got him."
Hands. On your shoulders. Pulling you back.
You fought them on instinct — one hard backwards elbow — and heard a sharp exhale and a familiar goddamnit that cut through the static in your head and made you stop.
Jason.
He was behind you, both hands gripping your arms now, solid and real and here, and Renn was on the floor in front of you, not moving in the way that meant unconscious rather than dead. You registered that slowly. You registered a lot of things slowly.
"I've got him," Jason repeated gently again, quieter. Directly in your ear, not through the comms. "It's done. You can stop."
You stopped.
Your hands were shaking. You hadn't noticed until now.
Jason turned you around and even through the helmet you could feel him looking at you; taking inventory, doing the rapid damage assessment he always did when things went wrong, cataloguing everything he'd have to account for later.
"You didn't go back to the car," he stated shakily.
"The manifest—"
"I don't care about the manifest right now."
The words landed oddly.
Jason cared about every mission component. He drilled contingencies for contingencies. Hearing him say I don't care in that flat, quietly angry voice was more alarming than shouting would have been.
"I'm okay," you rasped out.
"You're bleeding from your ear."
"That's probably fine."
"It is not probably fine."
He had one hand on the side of your face — gauntlet off, bare hand — tilting your head toward him. His thumb brushed your jaw just below the worst of the swelling and you didn't mean to, but you leaned into it slightly, because the room was still tilting and his hands were steady and you were tired in a way that went deeper than muscle.
"What did you say to him?" Jason asked. His voice had shifted again — something underneath it that you couldn't read yet, but that felt important. "Before I got here. I heard part of it on the comms."
You winced as you thought back. The last thirty seconds before he'd arrived, when you'd stepped into the punch and Renn had grabbed you by the jacket and you'd looked him in the face and said —
"I said I didn't need to win," you said. "I just needed to make sure he lost."
Silence.
"Those," Jason replied carefully, "are not the same thing."
"I know. You taught me that."
Another silence, different from the first. His jaw worked behind the helmet. He looked at Renn on the floor, then back at you, and when he spoke again his voice was very quiet and not entirely steady.
"I taught you that so you'd know how to survive, not so you'd know how to—" He stopped. "You were willing to take that hit."
"It was the only angle I had."
"You were willing to take that hit," he retorted again, like you hadn't spoken, like he was still processing the shape of it. "You stepped into it. I saw the replay from your camera. You stepped into it."
"It worked."
"It worked," he repeated, and there was something in his voice that you had only heard a few times before... not anger, exactly, and not fear exactly, but the space where they overlapped, the particular frequency of someone who had looked at a moment and understood how differently it could have ended.
"You have a concussion and two cracked ribs and you're bleeding from your ear and you want to tell me it worked?"
"I got the manifest."
He made a sound that was not a laugh. "You—" He stopped again. His hand was still on your face. He hadn't moved it. "Yeah. Okay. You got the manifest."
"Jason."
"What?"
"I knew you were coming."
He went very still.
"I heard you on the comms," you reasoned. "Two minutes. Maybe less. I just had to make sure he wasn't operational when you got here. I wasn't trying to—" You paused, picked the words carefully. "I knew you were coming. I just had to hold the line."
The room was quiet except for Renn's unconscious breathing and the distant sound of sirens starting somewhere below, which meant you needed to move soon.
Jason's thumb moved again, a small careful motion along your jaw, like he was checking for damage or like he needed to confirm you were real and present and still here.
Maybe both.
"Next time," he started, and his voice had come down from that dangerous quiet to something rougher and more honest, "you wait for me."
"Next time don't get held up."
"That is not the takeaway I—" He exhaled hard. "You're impossible."
"You already knew that."
"Yeah," he agreed with a sigh. "I did."
He looked at you for a moment longer — really looked, in the way he rarely let himself, in the way that made you feel accounted for in every particular — and then he pulled his hand back and reached past you for the manifest on the desk, tucking it into his jacket.
"Can you walk?"
"Obviously."
"I'm going to ask you that again in thirty seconds and I want an honest answer."
"Still obviously."
He made the not-laugh sound again, and this time there was something almost warm underneath it. He got his arm around you as you moved toward the door — supporting without making a production of it, the way he'd learned you preferred — and you leaned into the solidity of him and didn't comment on it, and he didn't comment on you leaning, and that was its own kind of conversation.
"Two cracked ribs," he said, in the stairwell.
"I've had worse."
"That doesn't help."
"It helps me."
He said nothing to that, but his arm tightened slightly, and that said enough.
The car was where you'd left it. The city hummed its indifferent nighttime hum around you. Somewhere in the east end, three blocks over, someone was probably dealing with the situation Jason had left in his wake, and you found you didn't have the bandwidth to care about that right now.
You sat in the passenger seat while he drove and let yourself feel the full inventory of the evening — the ribs, the eye, the ear, the shaking that hadn't fully stopped — and decided that all things considered, you'd take it.
"You scared me," Jason admitted. Just that. Flat and honest and not dressed up.
"I know," you answered smally. "I'm sorry."
"No you're not."
"I'm sorry you were scared."
A pause.
"Yeah," he said. "Okay. That one I'll take."
The city moved past the windows. You didn't fill the silence, and neither did he, and it was the kind of quiet that didn't need filling — the kind that meant something had been established between you, some new notation in the ongoing document of what you were to each other.
I knew you were coming. I just had to hold the line.
He had heard that. You had meant it. And now it was in the air between you, settled, real, permanent.
You'd deal with what it meant later.
For now, you let your head tip back against the headrest, and you breathed, and the car carried you home.
Jason, my baby 😭
Hak as a Boyfriend Headcanons
He is so the "I don't care but actually I care SO SO SO much" type
Protectiveness
Hak has a very instinctual, almost primal need to put himself between you and any threat. He won't make a big deal of it, he just does it, and if you point it out he'll shrug and say "don't read into it."
He's hyper-aware of your surroundings at all times. You could be at a festival and he'd already have mentally clocked every exit and suspicious person before you finished your first bite of food.
He won't smother you though. He respects your ability to handle yourself, but the moment something feels off, he's right there.
Teasing & Affection
His love language is absolutely acts of service wrapped in a thick layer of sarcasm. He'll carry everything you're struggling with while making fun of you for struggling.
Expect constant teasing nicknames. He uses humor as armor, so if he's roasting you, it means he's comfortable. Andthat's basically intimacy for him.
Genuine, soft compliments from him are rare and hit different because of it. When he quietly says something sincere, no jokes attached, your heart stops a little.
He's not big on PDA in front of others but in private he's surprisingly tactile: a hand on your back, pulling you close without explanation, resting his chin on your head.
Communication Style
He's terrible at saying "I love you" with words, at least at first. He says it by staying up to watch over you, by memorizing your preferences, by showing up every single time.
When something actually bothers him emotionally, he goes quiet instead of talking about it. You'd have to learn to read him : a tightened jaw, a shift in his eyes.
Once he actually opens up though (and boy does it take a while), he's unexpectedly thoughtful. He's been observing you closely this whole time.
Day-to-Day Boyfriend Things
Hak absolutely will steal food off your plate and dare you to say something about it.
Incredibly reliable. "I'll be there at noon" means he's there at 11:50.
Falls asleep easily around you because you're one of the few people he genuinely feels safe with… even if he'd never admit that's the reason.
Competitive about everything, even stupid little games. He cannot let you win and you'd have to accept that about him.
His idea of a perfect date is probably something active, sparring, hiking, exploring, but he'd sit through something boring you love without a single real complaint (just fake ones, for the bit).
The Deeper Stuff
His devotion runs incredibly deep. He's the type who has already decided on you completely and just... acts accordingly, quietly, without needing it acknowledged.
Hak has a hard time believing he deserves softness, so if you're gentle with him he genuinely doesn't know what to do with it at first.
He would never ask you to choose between him and your own goals or dreams. He'd follow you into chaos and call it just another day.
You'd always feel like the most protected, most seen person in the room… even when he's pretending not to pay attention to you.
Bottom line: dating Hak is being loved fiercely and quietly by someone who shows it in every way except the obvious ones… until one day he does that too.
A special post for the world best Beta Reader ILYYY @huntedreader (also a hak fic is coming soon... :p )
BEST HAK SHIT EVER
Splitting my free time between reading No Man's Land and playing Tomodatchi while listening to EDM for Accountants/Big Bang Theory/Bob's Burgers while the world is burning seems pretty apt for a millennial such as myself
It's a canon event
JASON TODD FELL IN LOVE WITH MY MII ON SIGHT IN TOMODATCHI LIVING THE DREAM
I REPEAT. JASON TODD IS IN LOVE WITH ME
I really am living the dream
Jason Todd deserved better.
April 27th, the day boomers and gen X killed this little baby.
Jaybin is too cute.
It just says so much about them that they killed him. How? He just wanted love. HE WASNT A PROBLEM CHILD, HE WAS JUST CHILD WITH PROBLEMS 😭😭
My daily reminder that I'll never stop being mad at boomers fully for multiple reasons
Well, after a few edits on the serious side, have a completely unserious edit of Jason Todd and his fav comfort food. 😆
As an avid Hamburger lover myself, I getcha Jay, I totally getcha... 🍔🍔🍔
I love my man in red
Ariel & Eric effortlessly serving husband & wife goals in The Little Mermaid 2.
Easily one of my favorite couples EVER that I draw inspo from when I write even to this day
Reblog with your animal. It’s toucans for me
Alright the fact that I turn 30 in two months and people only know my boyfriend and I by "the giant German shepherd owners."
I've peaked haven't I
Starting my read of Road to No Man's Land and it's the beginning of my quest through the entire gigantic event that is No Man's Land. I am so FUCKING READY to get into this entire beast of crossover events
My Invincible Bible is calling to me, tho. It's begging me to hurry up but Mark has to wait a minute, I'm easily about 3,000 pages from finishing everything having to do with No Man's Land.
I think I finally found my sparkle again
I love my burger eating babies that can kill someone at the drop of a hat 🥰
Will I get flagged as a mature post if I say they could eat something else too?
I'm back bitches and I'm here to tell you all IM READY TO POST MY DC AND INVINCIBLE LOVE
REBLOG IF IT'S OKAY FOR ME TO BOTHER YOU IF YOU'RE MY MUTUAL