(HXG) is Dead

(MOSTLY VISUAL) Internet Finds by Alexis Budejen

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SORRY NOT SORRY

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Bonobo- No Reason (ft. Nick Murphy) a film about staying indoors. all visual effects achieved entirely in-camera... a very small camera... and a very big set. Behind The Scenes: youtube.com/watch?v=5jtE1kZxSo4Director- Oscar Hudson // oscarhudsonfilm.com Production Company- Pulse Films // pulsefilms.com Executive Producer- Sarah Boardman Art Director- Luke Moran-Morris // lukemoran-morris.co.uk D.P.- Ruben Woodin-Dechamps // rwdfilm.com Producer- Matt Posner Producer- Rik Green Video Commissioner- John Moule Record Label- Ninja Tune Director's Rep- OB Management 1st AD- Dan Smith 1st AC- Michael Hobdell 2nd AC- Grant Sheridan DIT- Ashley Hicks Gaffer- Genki McClure Electrician- Caspar Jones Set Decorator- Sakara Dawson-Marsh, Lottie McDowell Art Assistants- Jamie Yuan, Freddie Mason Model Maker- Robin Crowley Construction Manager- Richard Morrell // morrellandbert.com Construction Assistants- Henry Hatton-Brown, Dexter Turner-Ramsay Wardrobe- Celestine Healy Costume & Soft Props Makers- Laura Moran, Madeline O Bryen, Lily Balie BTS- Christian Cargill Runners- Tom O'Driscoll, Benjy Alfreds, Munro Gascoigne Prod. Assistant- Olivia Wilkes H&MU- Laura Wisenger & Suzanne Judge 3D Pre-Visualisations- Thomas Ormonde, Prosper Unger-Hamilton Grade- Toby Tompkins @ CHEATSpecial Thanks- George Rumsey @ Panavision, Angus Hudson,

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With snakey dildos and floppy noses, Inari Sirola’s film Eating in the Dark revels in its wackiness.

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Featuring animation segments by Alex Gamsu Jenkins, Pia Graf, Dal Park and Cheng, the Change the Week film aims to present research into the benefits of the four-day week in a visually appealing, accessible and playful way.

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(via Vibrant Textiles and Repurposed Eyewear Camouflage the Subjects of Thandiwe Muriu’s Celebratory Portraiture | Colossal)

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(via Elaborately Embellished Heart Sculptures by Ema Shin Reflect On the Anonymous Legacies of Women | Colossal)

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Great Read: Vision disease can't stop Paul Demeyer, animation director

At first blush, Paul Demeyer's office in Burbank is what you might expect for any animation director.

NO EXCUSES.

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(via Psychogeographies: 3D Collages Encased in Layers of Glass by Dustin Yellin | Colossal)

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(via Burberry Open Spaces Film - YouTube)

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Be brave enough to live life creatively. The creative is the place where no one else has ever been. You have to leave the city of your comfort and go into the wilderness of your intuition. You can’t get there by bus, only by hard work and risk and by not quite knowing what you are doing. What you’ll discover will be wonderful. What you’ll discover will be yourself.

Alan Alda

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(via Character, clay and carpet: Cadi Lane on her warm and tactile practice | Creative Boom)

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The Boat | SBS

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Charlie vs. The World

We calculated the carbon cost of your cocaine habit

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I have almost reached the regrettable conclusion that the Negro’s great stumbling block in the stride toward freedom is not the White Citizen’s Council-er or the Ku Klux Klanner, but the white moderate who is more devoted to ‘order’ than to justice,” MLK wrote in his 1963 letter from Birmingham Jail, “who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says ‘I agree with you in the goal you seek, but I can’t agree with your methods of direct action;’ who paternalistically feels he can set the timetable for another man’s freedom; who lives by the myth of time and who constantly advises the Negro to wait until a ‘more convenient season.

Letter from a Birmingham Jail [King, Jr.]

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SAME DAMN ‘LO SWEATER (via "Same Damn 'Lo Sweater" - From Palaces to the Projects - They All Love Ralph Lauren - Flashbak)

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The Number Ones: Los Lobos’ “La Bamba”

In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.

I passed up the opportunity to purchase the soundtrack to “La Bamba” on vinyl at a used record store once and I’ll never make that mistake again.