A political union, in writing.
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@illmakethemloveme
A political union, in writing.
Part 2
insp.
House Stark art made using Midjourney.
in celebration of todayâs news, hereâs one of my favorite jonsa manips so far!!
say what you will about political genius cersei lannister but history will remember her progressive reforms (inventing the idea of firing the kingsguard, elevating bastards to the small council, probably like doubling the funding to STEM research between qyburn and the pyromancers, setting the tower of the hand on fire, etc.) thats the first queen of westeros and its first ever ruler to not have any targaryen blood (unless).
#do you think queen cersei had girl power? so you think queen cersei effectively utilized girl power by having 3 children with her brother? (via @desempleadas)
Most of the fandom has not actually seen the depth of GRRM's statement that Theon and Jon are foils. That doesn't start in ACOK with the Sack of Winterfell, which stems out of Theon's trauma of being a political hostage. Even after Robb relieved him from that.
The roots of it are in Theon's misogynistic treatment and abuse of women without considering the repercussions because he is a high lord's son and could use that privilege to get away with it. He never cared what the women felt, the dubious consent of it all (which did go as far as assault/rape at times) or the possibility of fathering bastards (where we're suggested he might've - the merchant's daughter and the miller's wife - both unnamed, which tells you a lot). He didn't care that he was leaving those children without care or to deal with a life of shame because of the stigma around bastards. To Jon, that was a mockery of his own existence.
Sure, some of it was jealousy over not being judged for his higher birth and was allowed partake in certain things that Jon was excluded from. And, yes, Theon was still a privileged hostage as Ned's ward. But he used that as an excuse to take and take until it was so huge with the Sack of Winterfell and child killing that it couldn't be ignored. Theon and people like him were why Jon wanted to join the Watch.
And there's more points of comparison, which go beyond his relationship with the Starks. It is partly because Theon refuses to accept Balon making Asha his heir, that he decides to take Winterfell by force to prove himself to his father. It wasn't not just about showing his allegiance to House Greyjoy but to one up Asha and prove he was more worthy of Pyke than her. Just read his ACOK chapters. Asha is on his mind so much and with so much bitterness. Jon refusing Winterfell because it is Sansa's by line of succession - even though he had the most distant relationship with her - is actually a contrast to this. He is hurt by her calling him "half brother" and her distant behaviour influenced by Cat, but he never truly resents her even as he resents Cat. It isn't just about who gives into taking Winterfell out of the deep desire to be a Stark, even though that is also part of it.
When Jon realises he will never be granted any lands of his own, he chooses to join the Night's Watch voluntarily. Theon has to commit war crimes during the Sack of Winterfell to consider taking the black and finding a place to rise for himself.
A brother of the Night's Watch. It meant no crown, no sons, no wife . . . but it meant life, and life with honor. Ned Stark's own brother had chosen the Watch, and Jon Snow as well.
I have black garb aplenty, once I tear the krakens off. Even my horse is black. I could rise high in the Watchâchief of rangers, likely even Lord Commander. Let Asha keep the bloody islands, they're as dreary as she is. If I served at Eastwatch, I could command my own ship, and there's fine hunting beyond the Wall. As for women, what wildling woman wouldn't want a prince in her bed? A slow smile crept across his face. A black cloak can't be turned. I'd be as good as any man . . . (Theon VI, ACOK)
Even when he considers it, he thinks of himself as a prince and as this foreshadowed Jon's wildling arc, Theon would likely make the choice Mance made. If any character POV fits the songs of Bael the Bard and Rose o' Winterfell and the narrator of Dornishman's Wife in stealing people's daughters and wives for amusement with the dubious consent angle, it would be Theon. Maybe not anymore, but it's also because he can't.
Jon's Lord Commander arc in ADWD also parallels Theon's Prince of Winterfell arc in ACOK. But it's also a contrast because Jon did cross the line at times, but never so far that he couldn't come back. He does a child swap too driven by Maester Aemon's "Kill the boy" and his own trauma of lacking a mother, but to save rather than to serve his selfish interests and kill. In his nightmares, he becomes the villain doing what Theon actually did. It doesn't mean he doesn't have blindspots because he does, but even as he is breaking vows, he is driven to save multiple sides while buying into the Machiavellan mindset and stewing in his desire for vengeance. He fails, just like Theon does, but the difference is he still uses his power to save more than destroy.
Jon's arc in ADWD shows how difficult it is to be a hero because he so easily could end up like pre-Ramsay Theon. He so easily could end up like Mance or Stannis. He so easily could end up like Jaime, whose AFFC arc also is written as a comparison to Jon's ADWD arc. If read closely, it shows how they both are foils too, and hints that it's not a redemption arc truly, even if it seems like it. But that's for another post.
Wildling King Jon x Queen in the North Sansa AU~
Commissioned again by the amazing @littl3bird (@j0nsansa on twitter)! This one was a lot of fun to work on, and the concepts and ideas were stunning. Thank you, once again for reaching out to me about this commission!
OH MY GODDDSD
One that brought Valyria its doom.
HOUSE OF THE DRAGON (2022-) S01E01 | âThe Heirs of the Dragonâ S01E10 | âThe Black Queenâ
At the green grass and the reeds, the tall elm, the ripples dancing across the surface of the sunlit pool. Another dragonfly was moving across the water, or perhaps it was the same one. What shall it be, Dunk? he asked himself. Dragonflies or dragons?Â
âThe Hedge Knight
Game of Thrones Season 3 Episode 5: Kissed by Fire
I'm already so fucking tired of wheel of Time being compared to game of thrones or called the next got, not the next got, a better got, a worse got etc. seriously just stop. there's more than one fantasy story out there and not every fantasy story is comparable to fucking game of thrones
You may be as different as the sun and the moon, but the same blood flows through both your hearts. You need her, as she needs you âŠ
~Eddard (AGOT)
Kit Harington ed i famosi BaBĂ
Sansa was being an asshole by calling Jon âhalf-brotherâ.
There. I said it. I said it, I mean it and I will not take it back.
 It was not her âbeing politeâ, it was not her ârecognizing the difference between their stationsâ and it is different from the other siblings calling him Bastard brother. Sansa said it to deliberately create distance between them (something Jon noticed). She even went out of her way to correct Arya when she called him brother. The others call him âbastardâ as a descriptor, she uses âHalfâ to be mean.
Does this make her the worst person in the world? No. Did they seem to have a decent relationship, if not as close as he had with the others, despite this? Yes. But neither of those two facts change this point.
What I am mostly getting at here is that we need to stop putting her on a pedestal. Anyone can look at my blog and see Sansa is easily my favorite character in ASOIAF. Recognizing her flaws or the shitty actions she has taken does not mean I am a Sansa anti or Sansabut. Taking away these flaws and pretending they donât exist means (for me personally) less enjoyment of a character.Â
Either way I am looking forward to seeing Jon and Sansa reunite come Winds of Winter. Â
No?
How is half-brother more offensive than bastard? She called him her half-brother ever since she learned what bastard meant, i.e. since she learned that bastard is offensive and it hurts for him to be reminded of it.
We are well aware Jonâs presence and closeness to her kids hurt Cat, so calling him âbrotherâ would hurt her instead. There isnât a perfect choice here, letâs start with that.
We are also aware that a few Starklings call each other names at some point (take Sansa and Arya), does make them assholes? I guess, if you mean young teenage siblings bickering makes them such. So, even if she meant to throw a dig at Jon (which thereâs no evidence to), letâs acknowledge that all siblings do that.
Didnât Robb address Jon as âSnowâ - does that make him an asshole? Consistency!
We also know Sansa wants to be a proper lady and might have been nit-picky about everyoneâs titles and proper names? As in getting facts right, teacherâs pet style, without malice?
Lastly, thereâs a deliberate distancing in the story specifically between Sansa and Jon that might allude to a romantic attraction later in the books. âHalf brotherâ emphasises lack of a strong sibling relationship, which would make any romance significantly more icky otherwise.
had to make this a bit more PG to follow guidelines lolâŠ. (if you look a little closer youâll see thatâs not stopping Jon tho jfdkh)
Kit Harington and Richard Madden at the Eternals premiere, Oct 18