The Raven boys (i’ll draw Blue and Noah soon)
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oozey mess
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pixel skylines
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Xuebing Du
cherry valley forever
★
occasionally subtle
$LAYYYTER

izzy's playlists!
KIROKAZE

ellievsbear
sheepfilms
"I'm Dorothy Gale from Kansas"

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hello vonnie
Not today Justin

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@indeterminate64
The Raven boys (i’ll draw Blue and Noah soon)
did a reread recently, love them
The best thing about Heated Rivalry turning everyone into fujoshis is seeing people regress into their obsession with whatever angsty ass gay book got them through middle-high school. People bringing up AFTG, the Raven Cycle, the Song of Achilles, ALL the ancient texts. It’s actually sort of beautiful in a “cringe is dead and we’re dragging its corpse around the walls of Troy” kind of way. Anyways WHAT DO Y’ALL KNOW ABOUT SIMON SNOW
“He'd come to the Foxhole Court every inch a lie, but his friends made him into someone real.”
I’m not gonna lie it’s borderline embarrassing how long I’ve worked on this that I’ve spend 2 days tryna figure out how to caption it to make it less embarrassing but oh well. It also made me realise the banner says exy ncaa instead of ncaa exy but at this point that’s none of my business
Short of being inside Nora’s head here is a (mostly) (I think) biblically accurate and to scale model of the Foxhole Court and Nora I have a several questions.
Also rendered so many images of this I had like 50 cameras in the scene would y’all care if I just did a photo dump.
God I have so many things to say about working on this I had to restart like 8 times it was a mess but if I start I won't be able to stop Imao though if anyone's interested in a breakdown of all the sections and materials I would be more than happy to make a post yapping about it.
Viewport renders below
The Foxhole Court P.2
I’m still working on putting together a breakdown but the fact that I learnt so much by making this is making it hard every time I implemented something I learnt a better way of doing it which is probably why it took 5 months to build lmao. Even now the urge to rebuild everything from the ground up is strong, and I’m ngl that urge will probably win. Mainly on a texturing and optimisation level though it’ll still have the same structure.
Anyways I’ve started blocking out the exterior and the sheer size of this thing is insane. (65 THOUSAND SEATS NORA??? THATS TO MANY SEATS!!! Damn near set my desk on fire rendering these the fan was running so hot) I will be trying to post more WIPs though, and maybe a fly through animation of the place but it may kill my mac so no promises.
Viewport renders below
Happy Neil banging out the tunes day!!!
”They hugged again, merrily, waltzing messily in the kitchen, and kissed, merrily, waltzing more…”.
This quote inspired a pynch comic:)
The heavy world's upon your shoulders, will we burn on or just smolder? Somehow, I know I'll find you there. Oh, you wanna see if you can change it (change it), still, I know I'll see you there.
↑ I put this verse but they all work, somehow (i wanted to do an even longer drawing at the beginning, sheesh).
Linking music with content is my absolute favorite thing to do. I did it with aftg, and also for trc with this post (muse!!) and obviously the animatic, which happens to have turned 1 year old very recently (happy birthday).
Anyway, I'll do a trc reread soon, last time was two years ago (!!), i've read extracts since but it won't do for much longer.
Something is terribly wrong. Something is terribly wrong. Something is terribly wrong. Something is terribly wrong.
Everyone do yourselves a favor and click on this link to have a transformative media-based experience
I don’t need to. The Detroit Lions will still suck and I’ll continue betting on them because I’m stupid.
No you…. really need to click the link
WHAT THE FUCKING FUCK
This does deserve to go around again
On Friendship.
do you have any advice for those in the very early stages of thesis-writing? currently desperately clinging to the mantra of "shitty first drafts," et al
Unfortunately, there is no place where you will more whole-assedly have to embrace the "shitty first draft" mantra than in academic writing, especially in thesis writing, especially if this is your first-ish crack at an advanced and major piece of original research. I'm not sure if this is for an undergraduate senior thesis, a MA-level thesis, or (my true and heartfelt sympathies) a PhD dissertation, but the basic principles of it will remain the same. So there is that, at least. This means that yes, you will write something, you may even feel slightly proud of it, and then you will hand it into your supervisor and they will more or less kindly dismantle it. You have to train yourself to have a thick skin about this and not take it as a personal insult, and if your supervisor is remotely good at their job (not all of them are, alas) they will know how to be tactful about it and not make it feel like a direct and extensive commentary on your private worth as a person. But you will have to swallow it and do what you can, which can include -- if you're the one who has done the research and know that's how you want to present it and/or you are correct about it -- pushing back and having a conversation with them about how you think your original approach does work best. But that will come later. The first step is, yes, to mentally gird yourself to receive critical feedback on something that you have worked hard on, and to understand that no matter how much you grump and grumble and deservedly vent to your friends and so on, implementing the feedback will usually make your piece better and stronger. That is the benefit of working with a trained expert who knows what makes a good piece of research in your particular academic field, and while it doesn't get easier, per se, at least it gets familiar. Be not afraid, etc.
If you're in the writing stage, I assume that you've moved past the topic-selection and general-research stage, but allow me to plump once more the services of your friendly local university library. You can (or at least you can at mine and probably in any decently well-equipped research university) schedule a personal consultation with an expert librarian, who can give you tips on how to find relevant subject databases, create individual research guides (these might already be available on the university library website for classes/general topics), and otherwise level you up to Shockingly Competent Research Superhero. So if you're still looking for a few extra sources, or for someone else who might be reading this and is still in the "how the heck do I find appropriate and extensive scholarly literature for my thesis??" stage, please. Go become a Research Ninja. It's much easier when you have a minion doing half the work for you, but please do appreciate and make use of your university librarian. It's much more effective than haphazard Google Scholar or JSTOR searches hoping to turn up something vaguely relevant (though to be fair, we all do that too), and it's what your tuition dollars are paying for.
Next, please do remind yourself that you are not writing the whole thesis in one go, and to break it down into manageable chunks. It usually does make sense to write the whole thing semi-chronologically (i.e. introduction, lit review, chapter 1, chapter 2/3/4 etc, conclusion), because that allows you to develop your thoughts and make logical connections, and to build on one piece to develop the next. If you're constantly scrambling between chapters and zig-zagging back and forth as things occur to you, it will be harder to focus on any one thought or thread of research, and while you might get more raw output, it will not be as good and will require more correction and revision, so you're not actually hacking yourself into increased productivity. You should also internally structure your chapters in addition to organizing your overall thesis, so it makes sense to draw up a rough outline for section A, section B, section C within the body of a single chapter. This will make you think about why the segues are going in that order and what a reasonably intelligent reader, who nonetheless may not have the specialized knowledge that you are demonstrating for them, needs to move understandably from one section to the next.
Some academics I know like to do an extensive outline, dumping all their material into separate documents for each chapter/paper and kneading and massaging and poking it into a more refined shape, and if that works for you -- great! I'm more of the type that doesn't bother with a ton of secondary outlines or non-writing activity, since that can lead you away from actually writing, but if you need to see the fruit of your research all together in one place before you can start thinking about how it goes together, that is also absolutely the way that some people do it. Either way, to be a successful academic writer, you have to train yourself to approach academic writing in a very different way from fun writing. You do fun writing when you have free time and feel inspired and can glop a lot of words down at once, or at least some words. You do it electively and for distraction and when you want to, not to a set timeline or schedule, and alas, you can't do this for academic writing. You will have to sit your ass down and write even when you do not feel like writing, do not feel Magically Inspired, don't even want to look at the fucking thing, etc. I have had enough practice that I can turn on Academic Writing Brain, sit down, bang something out, sit down the next day and turn on Academic Editing Brain, go over it again, and send it off, but I have been in academia for uh, quite a while. The good news is that you can also automate yourself to be the same way, but the bad news is that it will take practice and genuine time invested in it.
As such, this means developing a writing schedule and sticking to it, and figuring out whether you work best going for several hours without an interruption, or if you set a timer, write for a certain time, then allow yourself to look at the internet/answer texts/fuck around on Tumblr, and then make yourself put down the distraction and go back to work for another set period of time. (I am admittedly horrible at putting my phone away when I should be doing something else, but learn ye from your wizened elders, etc.) You will have to figure out in which physical space you work best, which may not be a public coffee shop where you can likewise get distracted with doing other things/chatting to friends/screwing around on the internet/doomscrolling/peeking at AO3, and to try to be there as often as possible. It might be your carrel in the library, it might be your desk at home, it might be somewhere else on campus, but if you can place yourself in a setting that tells your brain it's time to work and not look at WhatsApp for the 1000th time in a row, that is also beneficial.
Finally, remember that you do not have to produce an absolutely world-beating, stunningly original, totally flawless and perfect piece, even in its final form. Lots of us write very shitty things when we're starting out (and some of us, uh, still write very shitty things as established academics), and you do not have to totally redefine your entire field of study or propose a groundbreaking theory that nobody has heard of or anything like that. A lot of academic work is small-scale and nuanced, filling in spaces on the margins of other things or responding or offering a new perspective on existing work, and it's best to think of it as a conversation between yourself and other scholars. They have said something and now you're saying something back. You don't need to be so brilliant that everyone goes ZOMGZ I HAVE NEVER HEARD OF THAT BEFORE; by its nature that happens very rarely and is usually way out on a limb (extraordinary claims require extraordinary evidence, etc); you just need to continue the dialogue with a reasonably well-constructed and internally plausible piece. So if you think of it that way, and understand that a shitty first draft will usually develop into something that is good and valuable but not SHOCKING NEW REVELATION clickbait hype, you will take some of the pressure off yourself and be more able to shut up that perfectionist voice in your head. However, all of us have some degree of imposter syndrome and it never entirely goes away, so you'll have to manage that too. Etc etc as before, it doesn't vanish altogether, but it gets easier.
And last but not least, though I'm sure I don't have to say this: for the love of fuckin' god, do not use ChatGPT. Even the genuinely shittiest paper in the world that you still worked on researching, organizing, and writing with your own brain is better than that. Trust me.
god, the people you put on this planet to listen to my chemical romance are being forced to work
Gerard Way writing mcr's first new song in a decade
Against Still Life
by Margaret Atwood
Orange in the middle of a table: It isn’t enough to walk around it at a distance, saying it’s an orange: nothing to do with us, nothing else: leave it alone I want to pick it up in my hand I want to peel the skin off; I want more to be said to me than just Orange: want to be told everything it has to say And you, sitting across the table, at a distance, with your smile contained, and like the orange in the sun: silent:
Your silence isn’t enough for me now, no matter with what contentment you fold your hands together; I want anything you can say in the sunlight: stories of your various childhoods, aimless journeyings, your loves; your articulate skeleton; your posturings; your lies. These orange silences (sunlight and hidden smile) make me want to wrench you into saying; now I’d crack your skull like a walnut, split it like a pumpkin to make you talk, or get a look inside But quietly: if I take the orange with care enough and hold it gently I may find an egg a sun an orange moon perhaps a skull; center of all energy resting in my hand can change it to whatever I desire it to be and you, man, orange afternoon lover, wherever you sit across from me (tables, trains, buses) if I watch quietly enough and long enough at last, you will say (maybe without speaking) (there are mountains inside your skull garden and chaos, ocean and hurricane; certain corners of rooms, portraits of great grandmothers, curtains of a particular shade; your deserts; your private dinosaurs; the first woman) all I need to know tell me everything just as it was from the beginning.
*releases pack of dads into home depot* go……be free
invasive species encroach on lesbian territory
This is a common misconception because they’re such similar environments, but you should be aware that dads are native to Home Depot, while lesbians are actually native to Lowe’s. At this point, however, both dads and lesbians have made themselves at home in both Home Depot and Lowe’s to the point that trying to separate them back into their original ranges would probably do more harm than good to the delicate ecosystem of large chain hardware stores.
A properly raised and socialized Dad will be perfectly comfortable cohabiting with Lesbians. Its not really “encroaching on another’s territory”. You wouldn’t say that about foxes in a forest that also homes bobcats, would you? No. It’s just two different species that have both evolved to live in similar/the same environment. As long as they recognize each other as equals, Dads and Lesbians are more than capable of cohabitation.
Now, if you were to release a pack of Lumberjacks into a Lowes or Home Depot, that’s where chaos will reign. Being adapted to a far harsher and more demanding environment, the Lumberjacks would simply push Dads and Lesbians both out and also consume far more than a sustainable amount of resources. It would be like releasing bears at a country club.
As a former timber-harvester… I feel this is potentially accurate in theory. But highly improbable in actuality.
Lumberjacks, like most megafauna species generally require more space than the average hardware store, even a big box store could provide. The misconception is that Lumberjacks are a social species because of how they often work and live together.
This is a matter of necessity, not preference, and a survival technique for thriving under the LogBoss.
A “pack” of Lumberjacks, if not under the environmental pressure of a LogBoss will naturally disperse until they each have a wide territory.
Lumberjacks rarely fight for territory.
One on one, a Lumberjack could drive out a Dad or Lesbian, however the latter tend to travel in social packs.
Lumberjacks will passively retreat on the presence of large numbers of people. Kind of like Sasquatch.
Getting a “pack” of Lumberjacks assembled would be hard enough unless they were forced into a Hardware Store by a LogBoss. In that case, they would already be in a heightened and potentially agitated state far above their natural behavior. This artificial scenario can be likened to a circus animal running amok. If it had been in the wild, the incident would not have occurred.
Free-roaming Lumberjacks are the cryptids of the Hardware ecosystem. They are surprisingly quiet and unobtrusive.
Please stop labeling Lumberjacks as dangerous roving social predators. They are intermediate level omnivores and remarkably peaceful unless threatened.
As a hardware store worker I can say that this is all 100% accurate.
now how in the FUCK am i supposed to leave tumblr when a god tier post like THIS is just is just waiting for me daily?!?!?!
question where does the “art student” or “DIYer” “crafter” or “soap maker” or “miniaturist“ etc. who has ventured into the store for supplies fall into the ecosystem/what is their impact of said ecosystem?
Most of the above are native to craft and hobby stores (art students, historically, are native to museums, but having been introduced to hobby stores, have found a niche for themselves and thrived), but all can be seen in hardware stores on occasion due to territorial overlap. They are generally low-impact, as they tend to stick to specific small areas and primarily utilize different resources. While a large group of any of them can be disruptive (art students, in particular, are known to travel in packs), in general, they are more likely to have territorial disputes with one another than with the local fauna.
A point of clarity -“crafter” is a bit misleading; while it conjures a specific image, much like ‘fish’ or ‘reptile’ it actually covers a broad array of wildly disparate species, and in general, more descriptive nomenclature is preferred. Fiber artists in particular are a genus to watch out for, particularly in groups. Beware a roving pack of domesticated quilters. They fear nothing, will go anywhere, and due to their social nature, will often seek interaction from other species that thrive best in solitude. They are quite friendly, and will happily adopt members of other species; the concern is that their adoptees do not always wish to be adopted.
#in search of taxonomic precision and peaceful coexistence (via welkinalauda)
I do wonder how lesbian/bisexual lumberjack-mimickry fits into this
I can say as a former craft store worker that if you wish to see true fear, look into the eyes of a Dad who must venture into a craft store. Despite the overlap of familiar beings known to him from his native hardware store habitat, Dads are instinctively aware that craft stores are not for them; they contain unfamiliar perils and even the seemingly familiar may have strange variances and unnerving secrets. (”Why is this airbrush so small? What do you mean nails, why would you… WUT!!”)
Only experienced silverbacks or the boldest young Dads dare venture into a craft store for long without his mate or offspring to keep roving Craft Ladies at bay and guide him in this strange ecosystem. If a Dad enters with his mate and is separated from her, he will often scuttle for the seeming familiarity of Woodcrafts, Models, or Paints (the latter not to be confused with Fine Arts, unquestioned territory of art students), but he eyes Scrapbooking and Jewelry with trepidation and will usually venture into those exotic areas only in the company of females of his pack.
Lumberjacks are rarely spotted entering craft stores of their own volition, for while they do not fear it as Dads do, they know it is an environment unsuited for megafauna such as themselves.
Hardware store Lesbians generally adapt more easily to craft stores, although they may enlist another Lesbian of a subspecies more adapted to that environment to guide them until they find their niche. Lesbians have even been known to seek the aid of a Craft Lady, a native fauna that share similarities with Lesbians but are usually smaller and nimbler to suit their chosen habitat. Dads who witness this are often awed by the Lesbians’ temerity, for although larger, Dads are generally wary of the cunning and dexterous Craft Ladies and may mistake their enthusiastic pack greetings as predatory swarming.
Craft Ladies, secure in their ecological niche, have no fear of interlopers and take the presence of non-native beings in stride, although they may become territorial about scarcer resources.
The only truly invasive species that threaten craft stores are Brides-to-Be, who are mere annoyances individually, but like locusts may descend in hordes and lay waste, leaving swathes of destruction in their wake. Fortunately for the Craft Ladies, Brides-to-Be are seasonal and usually only a threat in the spring and early summer.
It Got Better
Man, nobody’s even mentioned the territorial rivalry between Knitter and Crocheter subspecies yet.
Seriously. Guys. Knitter and Crocheter subspecies are naturally armed, either with pinions or hooks, and their battles for resources are legendary.
The idea of inherent enmity between Knitters and Crocheters is a common misconception, but much like hierarchical wolf pack dynamics, hostility between these subspecies seems to occur only in captivity or under unusual stresses.
In their native ecosystems, these two closely related populations rarely advance beyond threat displays over territorial boundaries. When food and nesting materials are plentiful, they have even been known to establish joint colonies, sharing resources and helping tend each other’s young.
Hybrid offspring, while rare, have been observed in the wild. It is unknown whether these hybrids are capable of reproducing, but if they are, it may suggest that their common ancestor is even more recent than previously thought.
Not ONE PERSON has brought up cosplayers.
the last time i was in a joann’s, i walked past a display of fabric specifically marked as for cosplayers. The craft ladies have welcomed them.
Cosplayers are a highly adaptive and wide ranging subspecies, spanning across craft stores, hardware stores, and art supply stores in their search for the correct resources. It is thought they may be an off shoot of craft ladies adapted for a wider range, or the result of crosses between hardware store lesbians and craft ladies.
Cosplayers will seek resources far and wide until they have located the exact items needed to complete their colorful appearance. They then descend in a mass flock at a seasonal gathering, where they often preform ritual displays of their adornments for their fellow cosplayers to gain standing in their packs. Thus they tend to be transient visitors to any one ecosystem. Like Brides-to-be they can sometimes arrive in large packs just before a gathering and consume large numbers of resources very quickly, but the system usually has time to rebound afterwards.
They are Boyfriends