*It's the legend.
(AKA it took a while but I made it through deltarune chapters 3 & 4)
Spoilers under the cut!
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The Stonewall Inn
EXPECTATIONS
$LAYYYTER
todays bird
Claire Keane
occasionally subtle

oozey mess

tannertan36
YOU ARE THE REASON
Xuebing Du
Noah Kahan

roma★
hello vonnie

Product Placement
PUT YOUR BEARD IN MY MOUTH
🪼
★
Doug Jones
seen from Bangladesh

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seen from Indonesia
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seen from Kenya

seen from United States

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seen from France
seen from Saudi Arabia
seen from Türkiye
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@jabberclocky
*It's the legend.
(AKA it took a while but I made it through deltarune chapters 3 & 4)
Spoilers under the cut!
In Undertale, the difference in physical structure between humans and monsters represents their different... let's say "ontological" status; humans are more physical because they're more real that monsters, right, they're the ones with real agency and moral patienthood; the world is implicitly telling you that monsters don't matter, they aren't moral patients, they are to humans as NPCs are to a player. They aren't real people made of flesh and blood, they're made of magic! That's the joke, I think.
Now Deltarune, with Lightners and Darkners, takes that subtext of ontological superiority and brings it even closer to text; the Darkners are literally not real, Ralsei encourages you to disregard their lives; the Lightners stand above them in the great chain of being, and closer to the Sun.
It would then stand to thematic reason that Monsters, as Lightners in the world of Deltarune, where we already know they don't have Magic, all bleed. This is what I have been staunchly defending for years now. And yet the game has just danced around it the entire time— if it's just a simple fact of the world, why not be straightforward about it? Why treat Susie bleeding four chapters in like a big deal? Why let Darkners so consistently talk about blood?
—Deltarune does not borrow Undertale's symbolism here; blood does not anymore stand for "real", or, rather, if it does, it stands for "real" as in "visceral", as in the opposite of "sanitized".
I don't actually know if Lightners bleed or not, but it doesn't matter, because either way, this fact would not be brought up. This is not a place where things like violence or blood are talked about (just ignore the weird man in the weird costume). This is just a quaint little town! Nothing bad ever happens here. We especially wouldn't talk about it around the kids! We're protecting them from it! Kids shouldn't worry about things like blood or trauma— So even a giant bloodstain on the floor goes unacknowledged.
The Light World doesn't allow talking about anything uncomfortable. Horror movies and rock music that may contain references to scary things are banned! But in the Dark Worlds, where the kids are free from the eyes of the grown ups, and can talk about everything weird and uncomfortable they're going and have gone through, the things they know are there just under the surface but aren't allowed to speak of— they can talk about blood. The Darkness itself manifests gushing from a wound in the Earth!
And Susie— well she talks about blood all of the time. She bluntly acknowledges the truth that "everyone bleeds". And when she rejects the prophecy, when she calls out the lie of the religion which claims to be all about everyone being always nice to one another, she, herself, bleeds.
tl;dr :
And because of that, the kids noticeably and consistently lack the conceptual vocabulary to talk about what's happening in Hometown, and have to use the language they do have to approximate it, badly – first and foremost the language of games; toys; stories.
Noelle can't say "Kris did something," she can only say "it snowed," and "It was snowing so hard, I couldn't see anything." Kris goes to Art Therapy, trying to depict what they saw behind the tree, and draws the trees of Card Kingdom instead – and the Forgotten Man and Mancountry are games, too. The closest we've gotten to the "core" of what Kris is hiding was through MANTLE, game abstraction wrapped in game abstraction wrapped in game abstraction like the shielding of a nuclear waste disposal site, while some shrieking, giggling, unspeakable fear sits at its center and writhes hard enough to tear through that defensive layer and torment Kris in flesh.
They can't say it without a video game to do the talking for them – and that game, derived from Dragon Blazers / Lord of the Hammer / The Prophecy, carries its own conceptual load, doesn't it?
Chapter 5 has given us Noelle being unable to talk about suicide even while actively works towards drowning herself.
...and when she gains the "strength" to "do something crazy" she seems to be still imitating and borrowing from her behavior in video games, replicating a noclip glitch -a kind of liberating act that comes natural to her- in real life.
...and if the words are forbidden, committing the act is such a taboo the world will retcon it away rather than let Kris and Noelle drown, and pushing forward breaks the world itself.
Meanwhile in the Dark World we get an extended segment about a joke character just straightforwardly trying to kill himself. Also this visual:
(of course with Yellow himself arguably being an expression of the suicidal ideation of Kris, who the world not only denies a vocabulary but a voice and the opportunity to open up about everything they're going through, leading to them creating the kind of Dark World where a joke character tries to kill himself, only to get embraced, comforted, and told it's not his fault—)
So I follow N. D. Stevenson (comics writer and animator, most famous for Nimona and She-Ra and the Princesses of Power) and his husband Lee Ostertag (also a comics writer and animator) on Instagram. When I started following them, they were both publicly presenting as women, and then a few years ago N. D. came out as transmasc nonbinary, and then earlier this year Lee also came out as transmasc. Anyway this is all setup to say that Lee had the chance to make the funniest post of all time and he took it:
Absolutely iconic.
ACCIDENTALLY LEFT MY MACERATED APPLE SYRUP ON THE STOVE AND IT CARAMELIZED I GUESS?
it was super thick and dark and golden and bubbly so i took it off the heat. happy accident.
tastes delicious so good. idk what to do with it though
thank you for your recommendation! with brief consideration, it has been disregarded.
But reylo really is the most heterosexual ship out there because the man’s violence and anger and general immaturity are taken to be romantic and the woman’s clear feelings of disgust/hatred/fear of the man are completely ignored.
to think they crucified me for this and acted like I was shitting on DV victims. I’ll add that reylo is white as FUCK.
Samus ‘Super Metroid’ Super Nintendo
If not a goat I would be a highland cow, theyre cute
the world begins with you
no one says big mood anymore. no one even says mood. no one says anything. all thats left is a dry wind, that scours my face until i bleed
wake up sheeple of shibuya! new gen kobayashi twewy anniversary art!
making a collection
Wait I have more
Did you hear a new love language just dropped? yeah its crazy. Its called just fuckin biting them.
reblogging this but shaking my head the whole time to show i don't believe in love languages
Reblogging this while biting someone and shaking my head the whole time to rend flesh
Please stop being nonbinary too. God only created one gender. You must conform to that.
THERES ONLY ONE NOW?????
Daniel Santangelo (Ethiopian-Eritrean-Italian, 2004) - Beher & Ashtar (2023)