I made this so now all y'all have to look at it.
Every thousand notes I’ll make him thiccer.
date of origin: 5th of january, 2017.
hold on i’m gonna add on to this
I FUCKING KNEW IT
I fucking love this post
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🩵 avery cochrane 🩵
PUT YOUR BEARD IN MY MOUTH
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YOU ARE THE REASON

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Product Placement

roma★
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@jafojade
I made this so now all y'all have to look at it.
Every thousand notes I’ll make him thiccer.
date of origin: 5th of january, 2017.
hold on i’m gonna add on to this
I FUCKING KNEW IT
I fucking love this post
spinning sonic and shadow around in my mind
whee!!!
raise a glass to the posts you love that end up deleted. to the fanart and fanfics you lose track of and can't locate. to the blogs you used to look through that ended up unexpectedly disappearing. to the things you didn't archive because you always assumed they'd be there.
I reblogged this yesterday, but I want to reblog it again. Diabetic ketoacidosis turns your blood acidic and will essentially burn you from the inside out.
The stories you hear of people dying from rationing, this is what happens to their body.
Affordable insulin isn’t just a right, it’s a necessity.
No one should have to die like that when it’s preventable with access to proper medication.
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What the fuck
This is absolutely fascinating. I've now been looking at Alex Colville's paintings and trying to work out what it is about them that makes them look like CGI and how/why he did that in a world where CGI didn't exist yet. Here's what I've got so far:
- Total lack of atmospheric perspective (things don't fade into the distance)
- Very realistic shading but no or only very faint shadows cast by ambient light.
- Limited interaction between objects and environment (shadows, ripples etc)
- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture
- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don't communicate the body language that would usually go with it. They look like dolls.
- Odd composition that cuts off parts that would usually be considered important (like the person's head in the snowy driving scene)
- Very precise drawing of structures and perspective combined with all the simplistic elements I've already listed. In other words, details in the "wrong" places.
What's fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.
But Colville wasn't a computer, so he did these same things *on purpose*. For some reason he was *aiming* for that precise-but-all-wrong look. I mean, mission accomplished! The question in my mind is, did he do this because he was trying to make the pictures unsettling and alienating, or because in some way, this was how he actually saw the world?
imagine you make microwave popcorn and by wild chance every single kernel has the same exact popping point and after like a minute in the microwave the bag instantly fills up with a single earsplitting gunshot noise would that be fucked up or what
The way this video holds up my mental health today...it's like Atlas holding up the sky
the sweetest baby
Everything changed in that moment.
( re-draw of a scene from the project Shadow short film )
warmbing my foot's
[ID: very small kitten sitting on top of a laptop charger. End ID]
He’s so cool
Truly, a prickle in Eggman's side.
Shadow just went through 3 reactions all at once when talking to Sonic,
Annoyance,
Agreement,
And "what the fuck is wrong with him?"