god turn me into a flower @joanofarchaic - Tumblr Blog

I want the record to state I have never been this hard in my entire life

Ok no more today good night horses

We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife

weirdlandtv

Cartoon by John O'Brien for NEW YORKER magazine, 1991.

cosmonautroger

nowadayz

LE FABULEUX DESTIN D’AMÉLIE POULAIN 2001, dir. Jean-Pierre Jeunet

dogpuppy

strawberrymilkshakeearrings

there a baby fox living under our deck and he literally looks like that "full of milk" drawing except somehow rounder

strawberrymilkshakeearrings

ROTUND

toonfinch-deactivated20231219

artistic rendition

strawberrymilkshakeearrings

im actually crying rn thank you so much

ndnbutch

personally I am of the opinion that vegans who are like “the way our food system currently works under capitalism on a large scale is exceptionally cruel to all animals including humans and is not sustainable, so I’m doing what I can to make the most ethical choices available to me about what I eat and encourage others to do the same” are generally very reasonable people who I agree with in spades. but vegans who seem to think human beings are not themselves animals who are ultimately also part of the food chain but instead some kind of other paternalistic higher entity that can never engage in ethical and sustainable hunting practices (and especially the fringe I’ve seen who think other carnivorous animal predators are also evil and need to be eliminated) are people I regard as foolish at best if not actively anti-indigenous and racist

forthegothicheroine

A explicitly abusive version of [King Lear] robs us of our ability to feel for Lear. But an explicitly sympathetic Lear robs us of the ability to feel for his daughters. So I think the best version of Lear is exactly the one that Shakespeare wrote: ambiguous. It's the only version in which each character is frustratingly, but fascinatingly, complex. Cordelia loves her tyrannical and mercurial father, but she can't bring herself to say it. It's a paradox- and a question- so rich and sad that Shakespeare required a whole play to explore it.

Jillian Keenan, Sex with Shakespeare: Here's Much to Do with Pain, but More with Love