Spooky Halloween Pokemon !!
+ Bonus Ditto. Just a regular Ditto. Nothing unusual about him.

Janaina Medeiros
dirt enthusiast
ojovivo

Product Placement

blake kathryn

Discoholic 🪩

oozey mess

@theartofmadeline
hello vonnie
tumblr dot com
Monterey Bay Aquarium

JVL
Today's Document
DEAR READER

shark vs the universe
Peter Solarz
sheepfilms

titsay

Love Begins
he wasn't even looking at me and he found me

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@kiwigoalie
Spooky Halloween Pokemon !!
+ Bonus Ditto. Just a regular Ditto. Nothing unusual about him.
BEHOLD!!! I HAVE AT LAST BECOME A TRUE MASTER AND COMPLETED THE TUTORIAL PORTION OF WARFRAME
TennoCon 2025: really cool story evolution, confirmed return to Tau that was and Tau that is, new companion, new lore
Also TennoCon 2025: hot goth French nun
Waeframe Fandom: *enough gooner nonsense to fuel the birth of a new star*
Hey, so Wally's line of "I can be your father, your lover. Your friend. I give the dead back their voice. All you have to do... is ask" uh... that shit feels like a threat. It's not offering to *BE* our lover or parent or friend; I think it's saying it can "become" them, stealing said people's face and/or bodies/minds and literally *being* our lover/parent/friend....
And since the Drifter doesn't have parents... that leaves one thing for it to mimic
I think we need to discuss what The Hex looks like from The Scaldra side given they have no clue of anything regarding Warframes.
January 12th 1999, Viktor Vodyanoi is baffled that 50+ new members joined The Hex litterally overnight.
He has no idea which of them, if any, are the Drifter Nightingale keeps talking to on the coms.
Oh my god this idea is so funny
Honestly go read the tags and reblogs yourself because it's hysterical, here's my thanks for making me almost piss myself
I never thought about the 1999 expansion like this and now I cant stop.
"Sir, we've been ambushed by someone with no face and a fleet of screeching ghost horses"
"HOLY FUCK GIANT SPIDER?!?!"
Defeating the Scaldra is not an easy task when you have a kitty handicap
Defeating the Scaldra is not an easy task when you have a kitty handicap
A mark on your forehead identifies the god you must worship to stay alive, usually by joining its local church or temple. Your mark is unknown, meaning an old, forgotten god sponsored you. To survive, you must either find an old temple to worship at, or do the arduous task of building a new one
Nobody in your small coastal village has ever seen the Godmark that you were born with. It’s a dark russet sequence of criss-crossing lines, with a vertical arrowhead on the left and a circle on the right, just over where your brow meets your temple. Some of the traders who come down from the mountain say it looks like one of the scripts used in the hinterlands, but not a language that any of them recognize.
“If she’s got the temperament for it, she should try her luck inland,” they advise. “No point her starting a temple here if she’d find her people elsewhere, with a little searching.”
At first, your parents are reluctant to send you away. Though you’re well-behaved and diligent in your chores, you’re a sickly child with no God to worship. And besides, you’ve always been the dreamy type–inclined to lose track of time watching the path of rain droplets chasing down the window, or the fronds of an anemone as it sways in a rock pool.
Instead, they send you to the temple of the Storm to learn all you’ll need for your own God. You are happy there, for a time: making up beds and serving food to the castaways who pass through, keeping vigil at the lighthouse, burning incense and praying with the loyal widows and orphans of the drowned.
One such widow, an old, old lady, touches the mark on your forehead. “I recognise those letters. We wrote this way in the town where I grew up, way off past the mountains.”
Your heartbeat quickens. “What does it say!?”
She squints, eyes engulfed by wrinkles and hidden behind smudged glass. “A… Ar… Oh, I can’t remember how to speak it. I left before I learnt my letters properly. There was a war, you know. But I remember,” she says, mistily, “the most beautiful pink and white flowers used to grow, on the borders of the wheat fields…”
You try to ask more questions, but remembering the war distresses her, and so you speak of other things. When she’s drifted off to sleep, you get to your feet, go home and tell your parents: you are leaving in search of your God.
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a familiar voice.
The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.
“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and chuckled.
“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”
The other god was struck speechless. “…. Why would you want to live here?”
“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”
I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.
This is amazing!
Ships with height differences. Reblog if you agree
Don’t forget age difference
just got back into gardening so i’ve forgotten. are basil leaves supposed to be this big
am i the problem
op are you a hobbit
Silly phone, you're not detecting an analog audio accessory, you're detecting soup, from the bowl of soup I dropped you in.
Shepard: *sneaks through at 2 AM*
Kaidan, ficking on a light and turning around in a chair: You wanna tell me where you were?
Shepard: I-I was with, uh, Garrus!
Garrus, turning around in a chair: You wanna try again?
"don't speak ill of the dead" don't be a piece of shit before you die.
once again, dont speak ill of the dead is for your uncle who had an alcohol problem, not the politician who upheld the oppression of millions of people
As a big thank you for reaching 25K on IG, I did a poll on what I should draw and 90's Good Omens won! So here is that 🫡
My favorite thing about fanfic Zuko is that he just does not have a reference point for sexism. Like:
Some person: isn’t that women’s work?
Zuko, thinking of Azula, Mai, and Ty Lee: women’s work? You mean homicide?
When Zuko becomes Fire Lord he’s sitting in a meeting where there happens to be only one female advisor, Takiko (Which strikes him as a bit weird but for now he’s got bigger gazellefish to fry because he’s still trying to figure out who is worth keeping around even if *sometimes* (every day) he’s tempted to just turf them all out and start from scratch rather than deal with the paranoia) and Takiko’s in the middle of giving a presentation when they run out of tea. One of the male advisors remarks on this loudly, staring pointedly at Takiko. Because some female in the room “obviously” she’s the one who should be making the tea.
Takiko, used to this nonsense, starts to move towards the pot but to the collective shock of everyone in the room she is waved away by the Fire Lord.
“No, no, you’re in the middle of your presentation, I’ve got this,” says Zuko.
Male advisor: *sputtering* “My Lord! Surely Takiko can do that. Is it not below your station to pour tea?”
Zuko: “It’s fine. Uncle Iroh always pours his own tea and he’s ranked above all of you.”
*Room collectively recalls that Uncle Iroh is Dragon of the West*
Male advisor, changing tack: “She has uh… much more experience with such things.”
Zuko: *displaying an impressive level of control in using a fire technique to heat the pot that he learned during his time working in the Earth Kingdom tea shop* “I doubt it.”
(The kicker: Zuko makes better tea than anyone in the room has had in an official meeting in *years*.)
I’d like to believe that after the meeting, Takiko privately thanks Lord Zuko for making tea and awkwardly laughs how all the other male advisors always have her do it because she’s female. And Zuko later commands the first male advisor who looks Takiko’s way the next time they run out of tea to make it instead.
Actually, alternative idea: He brings Azula in as part of her rehabilitation and let’s them try to explain to Azula why she should make the tea.
And Azula, a female, who has clawed quite near the top of the Fire Nation ladder, knows exactly why she’s being looked at for tea. And she proceeds to play her favorite game: Delectable Tea or Deadly Poison.
Zuko, who has been surviving that game since Azula figured out how to use a spoon and has consequently built-up a decent tolerance to most of the common poisons that she’s likely to get her hands on while on very-strict-probation, and has furthermore developed enough of a knack for noticing when she’s smiling like that to know when not to drink the tea, considers this an excellent way of outsourcing the “who gets replaced?” decision.
(If you’re stupid enough to drink Azula’s tea when she’s smiling like that, you’re too stupid to be one of his advisors. And if you’re sexist enough to smirk when Azula is forced to make tea, then you definitely have it coming to you.)