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@klngslandings
the thing is the king charles portrait is genuinely incredible and exactly how I would execute a portrait of a member of the british royal family but also I literally cannot fathom why the british royal family would have it made
like yeah if I were going to make a portrait of king charles I would absolutely have just his smugly smirking face leering out of a mass of red that could only be read as blood and gore, and have his military uniform fading ambiguously into the same background to lay bare the brutality of imperialism concealed by the pomp and ceremony of the british state, and make the entire thing sort of look like it was decaying to indicate the rot of the empire. like I really struggle to imagine a better visual metaphor for the nightmarish history of a dying empire than the king's spiffy military uniform and saber and sash and rows of epaulets being literally made out of a rotting field of blood and gore. but like why did he have it commissioned... why did he have it MADE and then say Looks great I'm putting it on the wall... HE EVEN LOOKS LIKE HE'S IN HELL
I’m so glad they invented laying on a man’s chest
Larry Francis, Wawa Sunset, Oil on canvas
Keep your voices loud!! Keep making noise!!
— Franz Kafka, Letters to Felice
by the time you’re 25 you should know what substance you’re going to abuse forever
Kantha (Bengali: কাঁথা) is a form of embroidery originating in Bengal region, i.e. Bangladesh and the Indian states of West Bengal, Tripura and parts of Assam. It has its roots in nakshi kantha, an ancient practice among bengali women of making quilts from old saris and rags by sewing them together. In modern usage, kantha generally refers to the specific type of stitch used. The kantha needlework is distinct and recognised for its delicacy. The stitching on the cloth gives it a slightly wrinkled, wavy effect. Today, kantha embroidery can be found on all types of garments as well as household items like pillowcases, bags and cushions.
While it is an increasingly diversifying art form, traditional kantha embroidery motifs are still sought after. Traditional kantha embroidery is two-dimensional and are usually of two distinct types: geometric forms with a central focal point, carried over from the nakshi kantha tradition and influenced by islamic art forms; and more fluid plant, floral, animal and rural motifs with stick-figure humans depicting folklores and rural life in Bengal.
1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 | textile series
Israel blows up Gaza's "Palace of Justice" compound which housed the Palestinian Supreme Court, the Court of Appeal, the Court of First Instance & the Magistrate. 100,000s of vital case documents are gone. Deliberately targeting civilian infrastructure is a War Crime!
Israel's soldiers took victory images inside the Palestinian Supreme Court before blowing it up into pieces. This proves the facility constituted ZERO danger to the Israeli military & no militants were hiding inside it at the time it was destroyed. Again, a war crime!
The Israeli army, on Monday, blew up the main courthouse in the Gaza Strip, known as Palace of Justice, located in south Gaza City, Anadolu
I grant you refuge from hurt and suffering.
With words of sacred scripture I shield the oranges from the sting of phosphorous and the shades of cloud from the smog.
I grant you refuge in knowing that the dust will clear, and they who fell in love and died together will one day laugh.
“I Grant You Refuge” by Hiba Abu Nada (trans. Huda Fakhreddine)
Oh man, my art history degree finally has a use On Here.
The banner to the right on the flag is a piece of Picasso's Guernica. Here is the full piece (click for full size):
Picasso was commissioned by the Spanish Republican Government (this was the government *at odds* with the Spanish Nationalists, to be clear, who were fascists) to create a mural for the Spanish pavilion at the World's Fair in 1937. They essentially commissioned him for pro-Spanish Republican propaganda -- they wanted a mural that showed the importance of the Spanish Civil War and why it was necessary for the Spanish Republicans to win.
Picasso sort of waffled on this. No one's entirely sure why; could've just been an art block cause by, you know, the global rise of fascism. He was commissioned in January and until April hadn't produced much more than sketches. This bombing took place on April 26 and Picasso produced the sketch (at the suggestion of Spanish poet Juan Larrea) that would become this mural. The finished piece was unveiled at the Paris International Exposition at the Spanish Pavilion in July of 1937. Nazi Germany and Soviet Russia had a huge presence there with their own massive propaganda-filled pavilions, so unveiling this was a gutsy fucking move given the tensions of the time.
Most figures in this mural have their own symbolism, and they're all fascinating and very sad, but the one that doesn't -- the one that simply is, and is powerful as its own contained image -- is the one chosen here: a mother holding her dead child, her head thrown back as she wails with grief.
This is one of the most famous anti-war pieces of art in the world, and it was made because fascists bombed Guernica. To see Guernica using it now in solidarity with Palestine, where (as of my writing this) 10,000 children have been killed, is unspeakably moving.
The Middle East Monitor reported on it three days ago. In the US, Very few national media outlets have picked this up - probably because the meat behind it is being overshadowed by more urgent statistics and updates on the genocide - but many local newspapers have. As best I can tell, The Daily Sentinel of Grand Junction, Colorado was the first.
lydia davis
In the same vein:
"The simultaneous borrowing of French and Latin words led to a highly distinctive feature of modern English vocabulary: sets of three items, all expressing the same fundamental notion but differing slightly in meaning or style, e.g., kingly, royal, regal; rise, mount, ascend; ask, question, interrogate; fast, firm, secure; holy, sacred, consecrated. The Old English word (the first in each triplet) is the most colloquial, the French (the second) is more literary, and the Latin word (the last) more learned." (Howard Jackson and Etienne Zé Amvela, "Words, Meaning and Vocabulary: An Introduction to Modern English Lexicology." Continuum, 2000)
via ThoughtCo
Though I like how John McWhorter phrases it better:
But language tends not to do what we want it to. The die was cast: English had thousands of new words competing with native English words for the same things. One result was triplets allowing us to express ideas with varying degrees of formality. Help is English, aid is French, assist is Latin. Or, kingly is English, royal is French, regal is Latin – note how one imagines posture improving with each level: kingly sounds almost mocking, regal is straight-backed like a throne, royal is somewhere in the middle, a worthy but fallible monarch.
from "English is not normal"