La Nada

Uno es el agua de la sed que tiene

[samplerman]

[lanada]

H.R. Giger | Birth Machin 1967

[lanada]

Kali trampling Shiva. Chromolithograph.

Ravi Varma, 1848-1906.

[lanada]

Whoodoo the voodoo? | Caza 1981

[lanada]

War III - Ricardo Barreiro / Juan Giménez 1981

[lanada]

Heavy Metal | Gerald Potterton 1981

[lanada]

Bernie Wrightson | Frankenstein 1983

[science70]

Miles Davis, Bitches Brew (Columbia, 1970).

Cover art: Mati Klarwein

[lanada]

Zatoichi meets Yojimbo | Kihachi Okamoto 1970

[weepingwidar]

Kat Lyons (American, 1991) - Pollen (2023)

[lanada]

On the silver moon | Andrzej Zulawski 1988

[lanada]

Dead man's letters | Konstantin Lopushansky 1986

[lanada]

Way to Shambala | Nicholas Roerich 1933

[lanada]

Flanged Cylinder with the Jaguar God of the Underworld

Maya | C. 600.

From the Temple of the Foliated Cross, Palenque, Tabasco

Museo Regional de Antropología, Villahermosa, Tabasco, México.

[lanada]

Bowser | Jan Strnad / Richard Corben

[lanada]

Tadanori Yokoo

Word and image exhibition poster for the Museum of Modern Art, 1968.

[lanada]

Whole Earth Catalog | Stewart Brand

The Whole Earth Catalog was a kind of "unofficial handbook of the counterculture". It was, pre-Internet, a way for anyone anywhere to tap into a global economy. Founder and editor Stewart Brand set out to create a catalog- like the then-very-practical-and-universal catalog L.L. Bean- that would showcase all of the great tools of the world to help anyone do things for themselves or learn about big ideas.

Steve Jobs called The Whole Earth Catalog "one of the bibles of my generation". He went on to explain in his Stanford commencement speech in 2005, "It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions".