A blog about my fandom

Multifandom but mostly Naruto and so SasuNarusasu and finally, some drawings I found nice

[drawingden]

Painting Grassfields Tutorial by slawekfedorczuk

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[chengxiaoshi]

[alleesaur]

[ ArtFight 2026 ] [2] Demise of Our Own Design

for bungle

[le-croissant-art]

Art Fight

An art gifting game

Here we go again *x*

[le-croissant-art]

I am not a big fan of tadc, but two of my friends are. It was a disappointment ending, feeling like something happened during development...

[thebristolboard]

“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.

[spaceraptor]

Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.

[pennamerequired]

Richard Williams on Norman Rockwell:

“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”

[1-420-666-6969]

I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.

A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.

[batboyblog]

I’d just like to briefly say even Rockwell’s seemingly feel good Americana pieces are often more political than people today realize for example

likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.

What you may not know is its actual title

“Freedom From Want” it’s a part of a series of 4, including this now famous meme

“Freedom of Speech” These paintings were illustrations of FDR’s “Four Freedoms” speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.

So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry

Rockwell’s work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.

[omnia-mors-aequat-nstrwa]

Joseph Plateau — Phenakistoscope art (1887)

[mismedleym]

recollections

[fashion-runways]

MET GALA "Costume Art" Exhibition 2026 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com The idea, curator Andrew Bolton said, is “to reflect on your own lived experience, hopefully to create a connection, empathy, compassion towards each other.” Not only does this interactive element transform a visit to the museum into a small voyage of self discovery, but it is a bodily experience that cannot be replicated digitally. This at a time when humans are being replaced by machines and AI anxiety is pervasive. “The whole show is structured around a typology of bodies, and these are bodies that you see across the museum when you encounter artworks,” Bolton explained. “The simple thesis for the show really is the fact that the dressed body is the connecting thread throughout the entire museum.” What you won’t see anywhere else at the Met are mannequins of diverse body types modeled after named individuals, like those commissioned for “Costume Art.” And this is transformative in many ways. As the scholar Llewellyn Negrin notes in her catalog introduction, not only do mannequins project a beauty standard, but their “dimensions often dictate the sizes of the garments shown, and the garments’ sizes correspond to the idealized proportions of the preferred mannequins, resulting in a mutually reinforcing process that perpetuates the privileging of culturally esteemed body types.”

[iconuk01]

Banksy has confirmed that a new statue erected in London is his work and I think it might be one of my favourite pieces by him.

Called "Blinded by the Flag" it... actually, you don't need me to explain it, it's art, you'll get it and interpret it yourself.

It's in Waterloo Place, Central London, if you're nearby.

[matrixdragon]

The first photo had me nodding, and then the full shot nearly killed me laughing. Perfection!

[nudesornaw]

if you’re having a bad day, here’s a cute little marching band

this actually made me cry with joy also one of them is eating noodles

[readsquirrel]

It just keeps going and getting better. *^^*

[involuntaryorange]

Me two minutes ago: “cry with joy? an animation of cats playing instruments made someone cry with joy?”

Me now: (sobs into a tissue) “OH MY GOD THAT ONE IS PLAYING TWO RECORDERS AT THE SAME TIME” (blows nose)

[son-of-a-tenth-place]

CAT PARADE IS BACK

[daysleftofsecondterm]

cat parade on 1,105 days left

[alleesaur]

sardines creature

[ofishal-fish-posts]

official fish post

[thehmn]

One of the most satisfying animations I’ve ever seen.

[thehmn]

One of the most satisfying animations I’ve ever seen.

[machi40h]

[thebristolboard]

“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.

[spaceraptor]

Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.

[pennamerequired]

Richard Williams on Norman Rockwell:

“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”

[1-420-666-6969]

I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.

A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.

[batboyblog]

I’d just like to briefly say even Rockwell’s seemingly feel good Americana pieces are often more political than people today realize for example

likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.

What you may not know is its actual title

“Freedom From Want” it’s a part of a series of 4, including this now famous meme

“Freedom of Speech” These paintings were illustrations of FDR’s “Four Freedoms” speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.

So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry

Rockwell’s work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.

[miyuliart]

I collected my art tips on hands over the years. It ended up being 54 pages of notes I took and some guides I tried to create for myself. Maybe some of these can be useful to others as well. You can buy the pdf here or join my Patreon to get it for free.