I know Ruby. She's a really nice person. The idea that they would try and write what she did as a girl out of history is shocking to me on so many levels, the simplest of which is just, but don't they know how lovely she is?
And this is just recently. They literally always showed up at peaceful events Black people organized and met them with violence. The major difference was that in 2020, everybody who was never there before began to see it on their internet while they were stuck in the house.
So, they took the previous notion of "we weren't there, so we don't know what really happened" and copped out with the idea that violence doesn't help others stop being violent towards you...
TF. If they're being violent, they deserve violent reactions and any other reaction is simply only going to last until they react even more violently. So fuck it, we rage.
Adult realization: you will make mistakes, you will act irrationally. You will commit some wrongs that cannot be fully righted. People will dislike you and misunderstand you for all sorts of reasons. None of these make you a bad person. All you can do is try your best to be kind and just to people, grow and learn.
Hey fam! The Mouse is refusing to recognize the unionization efforts of its production workers. If you're not familiar with what PAs or PMs do, I'll outline it briefly. The tl;dr is that NO ANIMATION WOULD GET DONE WITHOUT PRODUCTION WORKERS. They are the glue holding together every single production of your very favorite cartoons!
They take notes in all the meetings with the artists.
They make sure the artists are meeting their deadlines (and showing up to the meetings in the first place).
They help us navigate studio servers to find the files we're looking for.
They send us our time cards, and make sure we get paid!
Production workers do all this and more, often for minimum wage. The hardships that they suffer as a result--the long hours, the unpaid overtime, the abuses of power--are horrific.
You'd really think that they'd be compensated fairly for these jobs! Can you imagine trying to live in Los Angeles or New York on minimum wage with a job that definitely won't allow you time to pick up a second or third one??
This has to stop, and you can help.
All that Walt Disney Animation Studio's production workers ask is that you add your name to this petition! That's it.
This isn't some Change.org petition. It's not going to sell your email to spam companies. This is through IATSE (our union)'s website.
when you go from a bad situation into a better one you may collapse exhausted and unsure what to do and full of grief, you may need time to regain the ability to do things as yourself or motivated by anything other than terror, you may need time to process or mourn or fall apart in ways you could not before,
and people may use this as proof that the old situation was better for you, proof that you need to go back, and it is not proof that it was better for you or proof that you need to go back
It’s so incredibly common to “fall apart” when you’re finally safe. You no longer need to stay so tightly coiled in on yourself, you can finally leave survival mode and process your trauma. You’re not holding yourself up by sheer terror anymore and suddenly the damage that terror has done to you becomes immediate and obvious.
This is a documented phenomenon with abuse in particular. I’ve had a number of people ask me why they’re falling apart now after they’ve moved into a safer home, or they’re in a less dangerous area, or they’ve left an exploitative job, or they’re in a healthy relationship for the first time. Generally, it’s because they made that positive change.
When we’re still in the midst of crisis, we’re often too overloaded and physically/emotionally unsafe to really feel or process anything. So for most of us, everything gets pushed down/repressed/dissociated until later, when we’re safe and supported. The threshold of safety at which processing begins to occur varies from person to person. And the mental calculations used to determine “safety” usually happen on an unconscious level. Very few of us have the conscious thought “I’m safe now, so I can process what happened to me.” Instead, the subconscious realizes some level of safety has been achieved, and so it just dumps a load of suppressed stuff.
Sometimes, it’s contrast to past experiences that makes us realize something was traumatic at all. In such cases, it’s not that we’ve reached a level of safety and can thus begin to process, it’s that we finally have a basis for comparison to know that what went before was unacceptable.
Any time I go through a huge period of stress, I invariably get a massive migraine the day after the stress releases. It’s like my body is suddenly “okay, we can deal with this now.”
That’s normal. Take care of yourself now that you can.
I was scrolling through my own blog today (as one does) and realized I never did a proper round-up post for Rosemary. So this is a bit of a retrospective I suppose! Click through for my notes on the project if you're interested - otherwise, I hope you like the pictures!
This is certainly one of my favorite pieces that I've done. I think it really turned out beautifully! But, it also stands out in my mind for having a foul, foul, truly foul number of broken threads that had to be replaced in the middle of the work. I think at least 6? The ideal number of course being zero. At the time, this sucked. I had no idea what I was doing - you can see in one of the pictures that I was referencing three different books at one point trying to figure out how the heck to fix the dang things. But in hindsight, it was valuable experience! I got a lot of practice splicing in new threads, and I also stopped being so afraid of it happening. (Though of course one still likes to avoid it...)
I am not sure why so many threads decided to part company with their fellows, but I have some theories. I'm fairly sure it's not because of putting too much tension on the thread, because it didn't snap under pressure so much as just kinda fray and drift apart. My prime suspect is the bobbins - something about this style of bobbin makes it really hard (for me, at least) to prevent them rolling wildly all over the pillow during the work, which runs the risk of untwisting the thread. This is very sad for me because I love these bobbins. But I haven't given up hope that I can still make them work. They seem to roll less on my box pillow, so maybe they can just be reserved for that pillow. Also, I'm on that "it was a bad batch of thread" copium 😅
This was also the first time I tried mounting the finished lace onto fabric, which I was very worried about screwing up but it wound up not being so bad! Sewing is definitely not my strong suit, but I got through it and am pleased with the result.
Technical Notes
Pattern: "Rosemary" from A Visual Introduction to Bucks Point Lace by Geraldine Stott
Thread: Egyptian cotton 80/2 in bright white
Gimps: 8 ply of the base thread
Pins: .5 mm pins for the picots and motifs; .8mm pins for the ground and footside
Picots: 5 twists
Started: September 14, 2020
Completed: August 11, 2021
(If you've made it this far and you somehow haven't heard enough about this project, you can check out the "rosemary" tag on my blog to see my other posts about it.)
you know, I always see people tagging crochet and quilting posts with "people who do fibercrafts are too powerful" or "knitters are witches" and you know what, that's true, but they're only saying that on my single-stitch, self-striping crochet blanket because they've never seen lacemakers and haven't been properly taught the fear of god.
You're telling me you think you have a right to give unsolicited criticism on fandom content that someone made for free? No. You don't. There is a huge difference between giving someone constructive criticism when they invite it, and rolling into their comments and replies to tell a creator you don't like their work.
The former is a cooperative collaboration. The latter? It's useless. It's not something the creator asked for, it's not what fandom content is about.
The unsolicited negative opinion of some Internet stranger, even if it's given with the aim to be helpful (which it rarely is, to be honest) often does more harm than good.
Fandom content is first and foremost made for the creator. They write the fic they want to read or post the gifsets they want to see.
They post because they want to share that joy within a community, and if they want constructive criticism they will ask for it and invite trusted individuals they know to offer it.
Also not every creative endeavour is practice "for the real thing". Not everyone wants to improve. Sometimes they just want to make a thing and be satisfied with it.
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